Body & Soul: Love Serenade

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1It Started With a Kiss
produttore:
Mickie Most (English record producer)
voce principale:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) (nel 1982)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1982) e Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (nel 2011)
video musicali:
It Started With a Kiss di Hot Chocolate (70s and 80s British soul band)
registrazione di:
It Started With a Kiss (nel 1982)
paroliere e compositore:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate)
editore:
BMG Music Publishing Ltd., Chocolate Music, RAK Publishing Ltd. e Universal Music Publishing MGB Australia
Hot Chocolate34:04
2Shake You Down
produttore:
Gregory Abbott
basso :
T.M. Stevens (US bass player Thomas Michael Stevens)
membranofono :
David Beal
voce di accompagnamento:
Gregory Abbott, Robert Deadmon e Aida Foreman
voce principale:
Gregory Abbott
arrangiatore:
Gregory Abbott
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1986) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1986)
parte di:
The Downloader’s Music Source Book (numero: 69)
registrazione di:
Shake You Down
paroliere e compositore:
Gregory Abbott
editore:
EMI Songs Ltd. e Grabbitt Music (publisher)
Gregory Abbott3.34:03
3Me and Mrs. Jones
produttore:
Kenneth Gamble (songwriter for Philadelphia International) e Leon Huff (Philly soul producer, of Gamble & Huff)
voce:
Billy Paul (American soul singer) (nel 1972)
esecutore:
MFSB (Mother Father Sister Brother) (nel 1972)
arrangiatore archi e arrangiatore ottoni [horns] :
Bobby Martin (US soul/R&B producer/arranger)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1972) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1972)
registrata presso:
Sigma Sound Studios in Philadelphia, Pennsylvania, Stati Uniti (nel 1972)
registrazione di:
Me and Mrs. Jones (nel 1972)
autore:
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
Yamaha Music Entertainment (Japanese label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Billy Paul4.54:39
4Rock Me Tonight (For Old Time's Sake)
registrazione di:
Rock Me Tonight (For Old Times Sake)
paroliere e compositore:
Paul Laurence
Freddie Jackson4:03
5Would I Lie to You
produttore:
Josh Deutsch
edit di:
Would I Lie to You? di Charles & Eddie
registrazione di:
Would I Lie to You?
autore:
Michael Leeson e Peter Vale (writer/arranger)
editore:
EMI Virgin Music Publishing Australia P/L e BMG VM Music Ltd. (dal 2013-05-16 a oggi)
Charles & Eddie3.353:39
6Solid
registrata a:
U.S.A.
produttore:
Nickolas Ashford e Valerie Simpson
diritti fonografici (℗) detenuti da:
Capitol Records Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1984)
è stato produttore per:
Hopsack & Silk Productions Inc.
edit di:
Solid di Ashford & Simpson
registrazione di:
Solid
autore:
Nickolas Ashford e Valerie Simpson
editore:
Nick‐O‐Val Music Co. Inc.
Ashford & Simpson2.653:24
7I Love Your Smile
remixer:
Driza Bone
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1991)
remix di:
I Love Your Smile (radio version) di Shanice
registrazione di:
I Love Your Smile
autore:
Jarvis Baker, Sylvester Jackson, Shanice Lorraine Wilson-Knox e Narada Michael Walden
editore:
Carlin Music Corporation, EMI April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Gratitude Sky Music, Inc., Shanice 4 U Music e WB Music Corp. (1929–2019)
Shanice43:53
8I've Got Love on My Mind
registrazione di:
I’ve Got Love on My Mind
autore:
Chuck Jackson (US R&B/soul vocalist) e Marvin Yancy (R&B/soul singer and pastor)
editore:
Chappell & Co., Inc. (USA) e Jay’s Enterprises Inc.
Natalie Cole4:21
9You Are My Sunshine
Norman Connors4:32
10Let Me Make Love to You
registrazione di:
Let Me Make Love to You
autore:
Allan Felder e Bunny Sigler
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The O’Jays43:40
11Cruising
registrazione di:
Cruisin’
autore:
Smokey Robinson e Marvin Tarplin
arrangiatore:
Reginald “Sonny” Burke (soul/jazz/funk keyboardist)
editore:
Bertram Music Company
Smokey Robinson4:23
12Float On
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1977)
edit di:
Float On (long version) di Floaters
registrazione di:
Float On
autore:
Arnold Ingram, James Mitchell (Singer, composer and producer, member of Detroit Emeralds) e Marvin Willis (Marvin Lee Willis, member of Detroit Emeralds)
The Floaters4.54:12
13Too Much, Too Little, Too Late
produttore:
Jack Gold
esecutore:
Johnny Mathis (US pop/soul singer) e Deniece Williams (US soul/funk vocalist/songwriter)
diritti fonografici (℗) detenuti da:
Jon Mat Records, Inc. (nel 1978)
registrazione di:
Too Much, Too Little, Too Late
autore:
Nat Kipner (Australian producer, songwriter, label owner & publisher) e John McIntyre Vallins
editore:
Homewood House Music e MCA Music Ltd.
Johnny Mathis & Deniece Williams42:56
14Three Times a Lady
produttore:
James Anthony Carmichael e Commodores (US funk/soul band with Lionel Richie)
voce principale:
Lionel Richie
arrangiatore:
James Anthony Carmichael e Commodores (US funk/soul band with Lionel Richie)
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1978), Motown Record Corporation (company credits only; do NOT use as release label) (nel 1978, nel 1979) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1978)
parte di:
Billboard Year-End Hot 100 singles of 1978 (numero: 10)
registrazione di:
Three Times a Lady
paroliere e compositore:
Lionel Richie
editore:
Brenda Richie Publishing, Brockman Enterprises, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc. e Libren Music
Commodores3.653:39
15Didn't I Blow Your Mind This Time
voce:
The Delfonics (nel 1969-11)
orchestra:
The Thom Bell Orchestra (nel 1969-11)
mixata presso:
Longwear Plating in Long Island, New York, Stati Uniti (nel 1969-11)
registrazione di:
Didn’t I (Blow Your Mind This Time) (nel 1969-11)
autore:
Thom Bell (keyboards, songwriter, producer) (nel 1969) e William Hart (of The Delfonics) (nel 1969)
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Delfonics4.353:19

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parte di:Body & Soul (Time-Life Music) (numero: 1) (ordine: 1)