Kantaten Christ lag in Todesbanden, BWV 4 / Ich will den Kreuzstab gerne tragen, BWV 56 / Ich habe genug, BWV 82

~ Release by Johann Sebastian Bach; Dietrich Fischer‐Dieskau, Fritz Lehmann, Karl Ristenpart (see all versions of this release, 1 available)

Tracklist

1▼CD
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1Cantata for the 19th Sunday after Trinity, BWV 56: I. Arie: Ich will den Kreuzstab gerne tragen
producer:
Fred Hamel
oboe:
Hermann Töttcher (oboist) (in 1951-06)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1951-06-20 until 1951-06-22)
orchestra:
Kammerorchester Karl Ristenpart (from 1951-06-20 until 1951-06-22)
conductor:
Karl Ristenpart (conductor) (from 1951-06-20 until 1951-06-22)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1951-06)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": I. Aria "Ich will den Kreuzstab gerne tragen" (in 1951-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach8:38
2Cantata for the 19th Sunday after Trinity, BWV 56: II. Rezitativ: Mein Wandel auf der Welt
producer:
Fred Hamel
oboe:
Hermann Töttcher (oboist) (in 1951-06)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1951-06-20 until 1951-06-22)
orchestra:
Kammerorchester Karl Ristenpart (from 1951-06-20 until 1951-06-22)
conductor:
Karl Ristenpart (conductor) (from 1951-06-20 until 1951-06-22)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1951-06)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": II. Recitative "Mein Wandel auf der Welt" (in 1951-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach2:12
3Cantata for the 19th Sunday after Trinity, BWV 56: III. Arie: Endlich, endlich wird mein Joch
producer:
Fred Hamel
oboe:
Hermann Töttcher (oboist) (in 1951-06)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1951-06-20 until 1951-06-22)
orchestra:
Kammerorchester Karl Ristenpart (from 1951-06-20 until 1951-06-22)
conductor:
Karl Ristenpart (conductor) (from 1951-06-20 until 1951-06-22)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1951-06)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": III. Aria "Endlich, endlich wird mein Joch" (in 1951-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach6:42
4Cantata for the 19th Sunday after Trinity, BWV 56: IV. Rezitativ: Ich stehe fertig und bereit
producer:
Fred Hamel
oboe:
Hermann Töttcher (oboist) (in 1951-06)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1951-06-20 until 1951-06-22)
orchestra:
Kammerorchester Karl Ristenpart (from 1951-06-20 until 1951-06-22)
conductor:
Karl Ristenpart (conductor) (from 1951-06-20 until 1951-06-22)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1951-06)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": IV. Recitative and Arioso "Ich stehe fertig und bereit" (in 1951)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach1:56
5Cantata for the 19th Sunday after Trinity, BWV 56: V. Choral: Komm, o Tod, des Schlafes Bruder
producer:
Fred Hamel
oboe:
Hermann Töttcher (oboist) (in 1951-06)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone)
choir vocals:
Berlin Motet Choir (in 1951-06)
orchestra:
Kammerorchester Karl Ristenpart (from 1951-06-20 until 1951-06-22)
conductor:
Karl Ristenpart (conductor) (from 1951-06-20 until 1951-06-22)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1951-06)
recording of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen": V. Chorale "Komm, o Tod, du Schlafes Bruder" (in 1951)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
John Franck (in 1653)
part of:
Breitkopf 389 Choralgesänge (number: 72)
part of:
Kantate, BWV 56 "Ich will den Kreuzstab gerne tragen"
Johann Sebastian Bach1:49
6Cantata for the Feast of the Purification of Mary, BWV 82: I. Arie: Ich habe genug
producer:
Fred Hamel
oboe:
Hermann Töttcher (oboist) (from 1951-06-20 until 1951-06-22)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1951-06-20 until 1951-06-22)
orchestra:
Kammerorchester Karl Ristenpart (from 1951-06-20 until 1951-06-22) and RIAS Kammerorchester (from 1951-06-20 until 1951-06-22)
conductor:
Karl Ristenpart (conductor) (from 1951-06-20 until 1951-06-22)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1951-06-20 until 1951-06-22)
recording of:
Kantate, BWV 82 “Ich habe genung”: I. Aria (Bass) “Ich habe genung, ich habe den Heiland” (from 1951-06-20 until 1951-06-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach7:27
7Cantata for the Feast of the Purification of Mary, BWV 82: II. Rezitativ: Ich habe genug. Mein Trost ist nur allein
producer:
Fred Hamel
oboe:
Hermann Töttcher (oboist)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1951-06-20 until 1951-06-22)
orchestra:
Kammerorchester Karl Ristenpart (from 1951-06-20 until 1951-06-22)
conductor:
Karl Ristenpart (conductor) (from 1951-06-20 until 1951-06-22)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1951-06)
recording of:
Kantate, BWV 82 "Ich habe genung": II. Recitativo (Bass) "Ich habe genung! Mein Trost ist nur allein" (in 1951)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach1:27
8Cantata for the Feast of the Purification of Mary, BWV 82: III. Arie: Schlummert ein, ihr matten Augen
producer:
Fred Hamel
oboe:
Hermann Töttcher (oboist)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1951-06-20 until 1951-06-22)
orchestra:
Kammerorchester Karl Ristenpart (from 1951-06-20 until 1951-06-22)
conductor:
Karl Ristenpart (conductor) (from 1951-06-20 until 1951-06-22)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1951-06)
recording of:
Kantate, BWV 82 "Ich habe genung": III. Aria (Bass) "Schlummert ein, ihr matten Augen" (in 1951)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach7:19
9Cantata for the Feast of the Purification of Mary, BWV 82: IV. Rezitativ: Mein Gott! wann kommt das schöne: Nun!
producer:
Fred Hamel
oboe:
Hermann Töttcher (oboist)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1951-06-20 until 1951-06-22)
orchestra:
Kammerorchester Karl Ristenpart (from 1951-06-20 until 1951-06-22)
conductor:
Karl Ristenpart (conductor) (from 1951-06-20 until 1951-06-22)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1951-06)
recording of:
Kantate, BWV 82 "Ich habe genung": IV. Recitativo (Bass) "Mein Gott! wenn kömmt das schöne: Nun!" (in 1951)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach0:59
10Cantata for the Feast of the Purification of Mary, BWV 82: V. Arie: Ich freue mich auf meinen Tod
producer:
Fred Hamel
oboe:
Hermann Töttcher (oboist)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1951-06-20 until 1951-06-22)
orchestra:
Kammerorchester Karl Ristenpart (from 1951-06-20 until 1951-06-22)
conductor:
Karl Ristenpart (conductor) (from 1951-06-20 until 1951-06-22)
balance engineer:
Heinrich Keilholz
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1951-06)
recording of:
Kantate, BWV 82 "Ich habe genung": V. Aria (Bass) "Ich freue mich auf meinen Tod" (in 1951)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach3:57
11Cantata for the 1st Day of Easter, BWV 4: I. Sinfonia
organ:
Maria Jung
orchestra:
Bach Festival Orchestra 1950
conductor:
Fritz Lehmann (conductor)
recorded at:
Johanniskirche in Göttingen, Niedersachsen (Lower Saxony), Germany
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: I. Sinfonia (in 1950-08)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:17
12Cantata for the 1st Day of Easter, BWV 4: II. Versus 1: Christ lag in Todesbanden
organ:
Maria Jung
choir vocals:
Chor der Staatlichen Hochschule fur Musik Frankfurt am Main
orchestra:
Bach Festival Orchestra 1950
conductor:
Fritz Lehmann (conductor)
recorded at:
Johanniskirche in Göttingen, Niedersachsen (Lower Saxony), Germany
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: II. Chor Versus I „Christ lag in Todes Banden“ (in 1950-08)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach5:49
13Cantata for the 1st Day of Easter, BWV 4: III. Versus 2: Den Tod niemand zwingen kunnt
organ:
Maria Jung
alto vocals and soprano vocals:
Chor der Staatlichen Hochschule fur Musik Frankfurt am Main
orchestra:
Bach Festival Orchestra 1950
conductor:
Fritz Lehmann (conductor)
recorded at:
Johanniskirche in Göttingen, Niedersachsen (Lower Saxony), Germany
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: III. Duett (Sopran, Alt) Versus II „Den Tod niemand zwingen kunnt“ (in 1950-08)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach4:31
14Cantata for the 1st Day of Easter, BWV 4: IV. Versus 3: Jesus Christus, Gottes Sohn
organ:
Maria Jung
tenor vocals:
Chor der Staatlichen Hochschule fur Musik Frankfurt am Main
orchestra:
Bach Festival Orchestra 1950
conductor:
Fritz Lehmann (conductor)
recorded at:
Johanniskirche in Göttingen, Niedersachsen (Lower Saxony), Germany
recording of:
Kantate, BWV 4 "Christ lag in Todesbanden": IV. Aria (Tenore) Versus III "Jesus Christus, Gottes Sohn" (for piano, Rummel) (in 1950-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Walter Rummel
arrangement of:
Kantate, BWV 4 „Christ lag in Todesbanden“: IV. Arie (Tenor) Versus III „Jesus Christus, Gottes Sohn“
Johann Sebastian Bach2:21
15Cantata for the 1st Day of Easter, BWV 4: V. Versus 4: Es war ein wunderlicher Krieg
organ:
Maria Jung
choir vocals:
Chor der Staatlichen Hochschule fur Musik Frankfurt am Main
orchestra:
Bach Festival Orchestra 1950
conductor:
Fritz Lehmann (conductor)
recorded at:
Johanniskirche in Göttingen, Niedersachsen (Lower Saxony), Germany
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: V. Chor Versus IV „Es war ein wunderlicher Krieg“ (in 1950-08)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach3:05
16Cantata for the 1st Day of Easter, BWV 4: VI. Versus 5: Hier ist das rechte Osterlamm
organ:
Maria Jung (in 1950-08)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1950-08)
orchestra:
Bach Festival Orchestra 1950 (in 1950-08)
conductor:
Fritz Lehmann (conductor) (in 1950-08)
recorded at:
Johanniskirche in Göttingen, Niedersachsen (Lower Saxony), Germany (in 1950-08)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VI. Arie (Bass) Versus V „Hier ist das rechte Osterlamm“ (in 1950-08)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach4:21
17Cantata for the 1st Day of Easter, BWV 4: VII. Versus 6: So feiern wir das hohe Fest
organ:
Maria Jung
soprano vocals and tenor vocals:
Chor der Staatlichen Hochschule fur Musik Frankfurt am Main
orchestra:
Bach Festival Orchestra 1950
conductor:
Fritz Lehmann (conductor)
recorded at:
Johanniskirche in Göttingen, Niedersachsen (Lower Saxony), Germany
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VII. Duett (Sopran, Tenor) Versus VI „So feiern wir das hohe Fest“ (in 1950-08)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach2:34
18Cantata for the 1st Day of Easter, BWV 4: VIII. Versus 7: Wir essen und wir leben wohl
organ:
Maria Jung
choir vocals:
Chor der Staatlichen Hochschule fur Musik Frankfurt am Main
orchestra:
Bach Festival Orchestra 1950
conductor:
Fritz Lehmann (conductor)
recorded at:
Johanniskirche in Göttingen, Niedersachsen (Lower Saxony), Germany
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VIII. Choral Versus VII „Wir essen und leben wohl“ (in 1950-08)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 41)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach1:25

Credits

Release

part of:The Originals (Deutsche Grammophon/Archiv Produktion) (order: 90)
ASIN:DE: B000001GXK [info]