Things Are Getting Better

~ Veröffentlichung von Cannonball Adderley feat. Milt Jackson (alle Versionen dieser Veröffentlichung ansehen, 18 vorhanden)

Anmerkung

Notes

This is the common Japanese edition, featuring the two additional takes that were introduced with the 90s' OJC reissue, though they are stacked at the end of the disc (instead of just after each original take), thus possibly being more attractive to these who want a "cleaner" separation between what was on the original and the bonuses.
Note that both VICJ-41749 and VICJ-60477 are mini-LP replica (and so possibly are the other Victor reprints as well, while the Universal late issues possibly are not). VICJ-60477 uses 20bits K2 mastering and is part of the Heritage of Jazz II serie.
Note there also exist a Uni reprint of the OJC edition (UCCO-9069) nowadays...

Anmerkung zuletzt geändert am 2008-04-30 12:57 UTC.

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Blues Oriental
recorded in:
New York, New York, Vereinigte Staaten (am 1958-10-28)
Techniker(in):
Jack Higgins (recording engineer)
Produzent(in):
Orrin Keepnews
alto saxophone:
Cannonball Adderley (am 1958-10-28)
Klavier:
Wynton Kelly (am 1958-10-28)
Kontrabass:
Percy Heath (am 1958-10-28)
Schlagzeug:
Art Blakey (am 1958-10-28)
Vibraphon:
Milt Jackson (am 1958-10-28)
phonographisches Urheberrecht (℗) von:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2013) und Kendal (in 2014)
recording of:
Blues Oriental (am 1958-10-28)
Komponist(in):
Milt Jackson
5:02
2Things Are Getting Better
recorded in:
New York, New York, Vereinigte Staaten (am 1958-10-28)
Techniker(in):
Jack Higgins (recording engineer)
Produzent(in):
Orrin Keepnews
alto saxophone:
Cannonball Adderley (am 1958-10-28)
Klavier:
Wynton Kelly (am 1958-10-28)
Kontrabass:
Percy Heath (am 1958-10-28)
Schlagzeug:
Art Blakey (am 1958-10-28)
Vibraphon:
Milt Jackson (am 1958-10-28)
phonographisches Urheberrecht (℗) von:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2012, in 2013) und Kendal (in 2014)
recording of:
Things Are Getting Better (am 1958-10-28)
Verfasser(in):
Dory Langdon (Folk singer, songwriter, lyricist and poet) und Julian Adderley
7:13
3Serves Me Right (take 5)
recorded in:
New York, New York, Vereinigte Staaten (am 1958-10-28)
Techniker(in):
Jack Higgins (recording engineer)
Produzent(in):
Orrin Keepnews
alto saxophone:
Cannonball Adderley (am 1958-10-28)
Klavier:
Wynton Kelly (am 1958-10-28)
Kontrabass:
Percy Heath (am 1958-10-28)
Schlagzeug:
Art Blakey (am 1958-10-28)
Vibraphon:
Milt Jackson (am 1958-10-28)
phonographisches Urheberrecht (℗) von:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973) und Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2013)
recording of:
Serves Me Right
Komponist(in):
Buddy Johnson
4:48
4Groovin' High
recorded in:
New York, New York, Vereinigte Staaten (am 1958-10-28)
Techniker(in):
Jack Higgins (recording engineer)
Produzent(in):
Orrin Keepnews
alto saxophone:
Cannonball Adderley (am 1958-10-28)
Klavier:
Wynton Kelly (am 1958-10-28)
Kontrabass:
Percy Heath (am 1958-10-28)
Schlagzeug:
Art Blakey (am 1958-10-28)
Vibraphon:
Milt Jackson (am 1958-10-28)
phonographisches Urheberrecht (℗) von:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2009, in 2013) und Kendal (in 2014)
recording of:
Groovin’ High (am 1958-10-28)
Komponist(in):
Dizzy Gillespie, Frank Paparelli und Charlie Parker (aka “Bird”, jazz alto saxophonist)
5:22
5The Sidewalks of New York (take 5)
recorded in:
New York, New York, Vereinigte Staaten (am 1958-10-28)
Techniker(in):
Jack Higgins (recording engineer)
Produzent(in):
Orrin Keepnews
alto saxophone:
Cannonball Adderley (am 1958-10-28)
Klavier:
Wynton Kelly (am 1958-10-28)
Kontrabass:
Percy Heath (am 1958-10-28)
Schlagzeug:
Art Blakey (am 1958-10-28)
Vibraphon:
Milt Jackson (am 1958-10-28)
phonographisches Urheberrecht (℗) von:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973) und Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2013)
instrumental recording of:
The Sidewalks of New York (am 1958-10-28)
Texter:
James W. Blake
Komponist(in):
Charles B. Lawlor
7:01
6Sounds for Sid
recorded in:
New York, New York, Vereinigte Staaten (am 1958-10-28)
Techniker(in):
Jack Higgins (recording engineer)
Produzent(in):
Orrin Keepnews
alto saxophone:
Cannonball Adderley (am 1958-10-28)
Klavier:
Wynton Kelly (am 1958-10-28)
Kontrabass:
Percy Heath (am 1958-10-28)
Schlagzeug:
Art Blakey (am 1958-10-28)
Vibraphon:
Milt Jackson (am 1958-10-28)
phonographisches Urheberrecht (℗) von:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2013) und Kendal (in 2014)
recording of:
Sounds for Sid (am 1958-10-28)
Komponist(in):
Julian Adderley
6:26
7Just One of Those Things
recorded in:
New York, New York, Vereinigte Staaten (am 1958-10-28)
Techniker(in):
Jack Higgins (recording engineer)
Produzent(in):
Orrin Keepnews
alto saxophone:
Cannonball Adderley (am 1958-10-28)
Klavier:
Wynton Kelly (am 1958-10-28)
Kontrabass:
Percy Heath (am 1958-10-28)
Schlagzeug:
Art Blakey (am 1958-10-28)
Vibraphon:
Milt Jackson (am 1958-10-28)
phonographisches Urheberrecht (℗) von:
Milestone Records (holding company for jazz label Milestone; do NOT use as label) (in 1973), Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2013) und Kendal (in 2014)
instrumental recording of:
Just One of Those Things (am 1958-10-28)
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1929)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Teil von:
Jubilee
Teil von:
Panama Hattie (1942 film)
6:47
8Serves Me Right (take 4)
recorded in:
New York, New York, Vereinigte Staaten (am 1958-10-28)
alto saxophone:
Cannonball Adderley (am 1958-10-28)
Klavier:
Wynton Kelly (am 1958-10-28)
Kontrabass:
Percy Heath (am 1958-10-28)
Schlagzeug:
Art Blakey (am 1958-10-28)
Vibraphon:
Milt Jackson (am 1958-10-28)
phonographisches Urheberrecht (℗) von:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2013) und Kendal (in 2014)
recording of:
Serves Me Right
Komponist(in):
Buddy Johnson
4:37
9The Sidewalks of New York (take 4)
recorded in:
New York, New York, Vereinigte Staaten (am 1958-10-28)
alto saxophone:
Cannonball Adderley (am 1958-10-28)
Klavier:
Wynton Kelly (am 1958-10-28)
Kontrabass:
Percy Heath (am 1958-10-28)
Schlagzeug:
Art Blakey (am 1958-10-28)
Vibraphon:
Milt Jackson (am 1958-10-28)
phonographisches Urheberrecht (℗) von:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (in 2013) und Kendal (in 2014)
instrumental recording of:
The Sidewalks of New York (am 1958-10-28)
Texter:
James W. Blake
Komponist(in):
Charles B. Lawlor
5:13