100 Greatest Rock ’n’ Roll Hits from the 50s & 60s

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Johnny B. Goode
registrazione di:
Johnny B. Goode
paroliere e compositore:
Chuck Berry (nel 1955)
editore:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) e ロックンロール ミュージック (Rock ’n’ Roll Music)
parte di:
Back to the Future: the Musical
Chuck Berry2:41
2See You Later, Alligator
Bill Haley2:43
3In the Mood
registrazione di:
In the Mood
paroliere:
Andy Razaf
compositore:
Wingy Manone
editore:
Shapiro Bernstein and Co. Limited e Shapiro, Bernstein & Co., Inc.
sub-editore:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
si basa su:
Tar Paper Stomp
parte di:
The Real Book (compilation of jazz standards, volume I)
Glenn Miller Orchestra3:32
4Ooby DoobyRoy Orbison2:12
5Ready TeddyLittle Richard2:07
6Only Sixteen
registrazione cover di:
Only Sixteen
autore:
Barbara Campbell (collective songwriter pseudonym for Sam Cooke, Lou Adler and Herb Alpert)
editore:
ABKCO Music e Ardmore and Beechwood Ltd.
Craig Douglas2:11
7Sixteen CandlesThe Crests3.52:54
8Please Mr. Postman
registrazione di:
Please Mr. Postman
autore:
Robert Bateman (R&B singer/songwriter/record producer) (nel 1961), Georgia Dobbins (nel 1961), William Garrett (nel 1961), Freddie Gorman (nel 1961) e Brian Holland (Motown producer & songwriter) (nel 1961)
editore:
Dominion Music, EMI Blackwood Music Inc., EMI United Partnership Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division e United Partnership Ltd.
The Marvelettes2:30
9Hey Baby (radio version)
Bruce Channel2:27
10Rip It UpBill Haley and His Comets4.52:25
11Only You
pianoforte :
Buck Ram (il 1955-04-26)
voce parlata [dialogue]:
Wolfman Jack (US disc jockey) (il 1955-04-26)
voce principale:
Tony Williams (lead singer for The Platters) (il 1955-04-26)
diritti fonografici (℗) detenuti da:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (nel 1955), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1955) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1957)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1955 (numero: 10)
registrazione di:
Only You (il 1955-04-26)
paroliere e compositore:
Buck Ram
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Hollis Music, Inc., Robert Mellin, Inc., Tro-Hollis Music, Inc., Wildwood Music e Sherwin Music (publisher) (nel 1973)
The Platters2:37
12Zing Went the Strings of My Heart
registrazione dal vivo cover di:
Zing! Went the Strings of My Heart (dal 1989-06-16 al 1989-06-17)
paroliere e compositore:
James F. Hanley
editore:
Redwood Music Ltd. (Carlin), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Dallas Boys2:23
13Somebody Touched Me
Cliff Richard2:01
14Sincerely
The Moonglows3:10
15Ain’t Got No Home
registrazione di:
Ain’t Got No Home
paroliere e compositore:
Clarence “Frogman” Henry
editore:
Arc Music Corp. (U.S. rock & blues publisher)
Clarence ‘Frogman’ Henry2:20
16Once Upon a Time
Rochell & the Candles2:52
17Dede Dinah
registrazione di:
Dede Dinah
autore:
Bob Marcucci e Peter de Angelis
editore:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group)
Frankie Avalon2:11
18I’m Gonna Knock on Your Door (radio version)
registrazione cover di:
I’m Gonna Knock on Your Door
autore:
Aaron Schroeder (1950s~1960s US songwriter) e Sid Wayne
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Holly-Hill Music Publishing Co., Rachel’s Own Music e Warner/Chappell Music Ltd. (1996–2019)
Eddie Hodges2:06
19Well I Ask You (radio version)
Eden Kane2:16
20A Hundred Pounds of Clay (radio version)Gene McDaniels2:23
21Your Cash Ain’t Nothin’ but Trash
The Clovers2:55
22Ya Ya (radio version)
Joey Dee & the Starliters3:48
23Greetings (This Is Uncle Sam)
registrazione di:
Greetings (This Is Uncle Sam)
autore:
Stuart Avig (Doo wop singer), Robert Bateman (R&B singer/songwriter/record producer), Martin Coleman (Doo wop singer), Ronald Dunbar (Songwriter, A&R director and record producer), Art Glasser (Doo wop singer), Brian Holland (Motown producer & songwriter) e Jerry Light (Doo wop singer)
The Valadiers2:45
24Nothing but Good
basso elettrico :
Navarre Hastings
chitarra :
Dave Hamilton (US guitar/vibraphone player) e Freddie Jordan
membranofono :
Phillip Paul (Cincinnati studio drummer)
pianoforte :
Jimmy Johnson (pianist)
sassofono baritono :
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.)
tromba :
James E. Henry Moore, Mark Patterson (trumpet) e Gene Redd (senior; vibraphonist & trumpeter, bandleader and A&R man)
voce di accompagnamento:
The Midnighters (aka The Midnighters until 1958)
voce principale:
Hank Ballard
registrazione di:
Nothing but Good (il 1961-07-19)
paroliere e compositore:
Hank Ballard
Hank Ballard and the Midnighters2:43
25My Girl JosephineJerry Lee Lewis2:20
26Pink Cadillac
Sammy Masters2:21
27Tonight (Could Be the Night)
esecutore:
Virgil Johnson
registrazione di:
Tonight (Could Be the Night)
compositore:
Virgil Johnson
The Velvets feat.Virgil Johnson2:06
28Justine
batteria [drums] :
Earl Palmer (il 1958-03-27)
chitarra :
Melvin Jaye Glass (il 1958-03-27) e Rene Hall (il 1958-03-27)
chitarra basso [bass] :
Don Harris (il 1958-03-27)
pianoforte :
Dewey Terry (rock & roll, blues, US) (il 1958-03-27)
sassofono baritono :
Jewell Grant (US saxophonist) (il 1958-03-27)
sassofono tenore :
Plas Johnson (il 1958-03-27)
voce:
Dewey Terry (rock & roll, blues, US) (il 1958-03-27)
registrata presso:
Master Recorders in Hollywood, Los Angeles, California, Stati Uniti (il 1958-03-27)
registrazione di:
Justine (il 1958-03-27)
autore:
Don “Sugarcane” Harris (fino al 1958-03-27) e Dewey Terry (rock & roll, blues, US) (fino al 1958-03-27)
Don & Dewey2:06
29Your Line Was Busy
Big Bob1:52
30Git It
Gene Vincent & His Blue Caps2:26
31The Continental Walk
The Rollers2:21
32Sh‐Boom
registrazione cover di:
Sh‐Boom
autore:
William Edwards (The Chords), Carl Feaster, Claude Feaster, James Keyes e Floyd McRae
eseguita per la prima volta da:
The Chords (50s US doo-wop group "Sh-Boom")
The Crew-Cuts2:45
33Come Back, Maybellene
registrazione di:
Come Back, Maybellene (nel 1955)
paroliere:
Mercy Dee Walton
compositore:
Chuck Berry
versione di:
Maybellene
Mercy Dee2:29
34Long Tall Girl
registrazione di:
Long Tall Girl
autore:
Malou René e Junius McKeithen
The Carnations2:20
35Ballad of a Teenage Queen
registrazione di:
Ballad of a Teenage Queen
paroliere e compositore:
Jack Clement
Johnny Cash2:09
36Will You Love Me Tomorrow
batteria [drums] :
Gary Chester (studio drummer and educator) (nel 1960)
pianoforte :
Paul Griffin (American pianist, session musician) (nel 1960)
timpano :
Carole King (nel 1960)
voce:
Doris Coley (nel 1960), Addie Harris (nel 1960) e Beverly Lee (singer for The Shirelles) (nel 1960)
voce principale:
Shirley Owens (nel 1960)
diritti fonografici (℗) detenuti da:
HHO Licensing Ltd.
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1960 (numero: 4), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 33), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 125), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 151)
registrazione di:
Will You Love Me Tomorrow (Carole King song) (nel 1960)
paroliere:
Gerry Goffin
compositore:
Carole King
editore:
Lushmole Music, Pathe Publications (Far East) Limited, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Warner/Chappell Music Ltd. (1996–2019), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Shirelles3.82:42
37All the Time
Sleepy LaBeef1:50
38Sheila (radio version)
registrazione di:
Sheila
paroliere e compositore:
Tommy Roe
editore:
Low Twi Music Inc (publisher) e Sony/ATV Music Publishing (UK) Ltd.
Tommy Roe2:04
39High School Hop
Lee Denson1:50
40Daddy’s Home
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 23)
registrazione di:
Daddy’s Home
autore:
Charles Baskerville, Clarence Bassett, James Sheppard (American Doo-Wop/R&B singer) e William Henry Miller (US songwriter, A&R executive, label owner)
editore:
EMI Longitude Music, Longitude Music, Sixty Four East Music Co., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
si basa su:
A Thousand Miles Away
Shep & the Limelites22:53
41Let’s Dance (radio version)
Chris Montez2:20
42Matchbox
registrazione di:
Matchbox
paroliere e compositore:
Carl Perkins (American pioneer of rockabilly music)
editore:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., Knox Music, Inc., MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), Unichappell Music e Wren Music Co.
versione di:
Match Box Blues
Carl Perkins2:12
43Crawfishin’
Clarence Garlow2:34
44Big Green Car
Billy Carroll2:24
45Lucky Lips
Ruth Brown2:10
46My Way
chitarra :
Irving Asby (il 1959-01-17) e Eddie Cochran (US rock and roll musician active in 1950s) (il 1959-01-17)
chitarra basso :
Connie “Guybo” Smith (bass player) (il 1959-01-17)
pianoforte :
Ray Johnson (Rhythm 'n' blues - jazz pianist - songwriter - band leader) (il 1959-01-17)
sassofono :
Jewell Grant (US saxophonist) (il 1959-01-17), Plas Johnson (il 1959-01-17) e Jackie Kelso (il 1959-01-17)
voce:
Eddie Cochran (US rock and roll musician active in 1950s) (il 1959-01-17)
registrata presso:
Goldstar Studio in Hollywood, Los Angeles, California, Stati Uniti (il 1959-01-17)
registrazione di:
My Way (il 1959-01-17)
autore:
Jerry Capehart e Eddie Cochran (US rock and roll musician active in 1950s)
editore:
Cross Music Ltd.
Eddie Cochran2:17
47What Do You Know About Love?
Bo Diddley3:17
48Til I Kissed You
diritti fonografici (℗) detenuti da:
Cadence (NYC-based label founded by Archie Bleyer) (nel 1959)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1959 (numero: 28)
registrazione di:
(’Til) I Kissed You (il 1959-07-07)
paroliere e compositore:
Don Everly
The Everly Brothers2:20
49Six‐Five Jive
Jimmy Jackson3:13
50Buzz, Buzz, Buzz
Vince Eager2:02
51Saturday Night
Roy Brown2:22
52Shake Baby Shake
Jesse Lee Turner2:11
53You’re Late, Miss Kate
Jimmy Dee2:12
54Honeycomb
registrazione cover di:
Honeycomb (nel 1957)
paroliere e compositore:
Bob Merrill (songwriter, and lyricist of the hit musical Funny Girl) (nel 1954)
Jimmie Rodgers42:14
55Mona Lisa
registrazione di:
Mona Lisa
paroliere:
Raymond B. Evans (American songwriter)
compositore:
Jay Livingston
editore:
Famous Chappell e Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
sub-editore:
BMG Unisong Music Publishers BV
parte di:
The 23rd Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1950 winner)
Conway Twitty42:28
56We’re Really Gonna Rock It
Johnny Burnette2:08
57I Know
The Spaniels2:15
58When We Get Married
Dreamlovers2:28
59Fast Freight
Arvee Allens2:03
60Rockin’ Robin
diritti fonografici (℗) detenuti da:
Class (1950s-1960s US) (nel 1958)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (numero: 29)
registrazione di:
Rockin’ Robin
paroliere e compositore:
Jimmie Thomas
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), J. Albert & Son e Recordo Music Pub.
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Bobby Day3.152:35
61I’ll Come Running Back to You
registrazione di:
I’ll Come Running Back to You
paroliere e compositore:
Bill Cook (American songwriter)
Sam Cooke32:13
62Oh Little Girl
Dee Clark2:38
63I Hear You Knocking
tecnico di registrazione:
Cosimo Matassa (il 1955-05-23)
produttore:
Dave Bartholomew
batteria [drums] :
Earl Palmer (il 1955-05-23)
chitarra :
Ernest McLean (il 1955-05-23)
contrabbasso [bass] :
Frank Fields (il 1955-05-23)
pianoforte :
Huey (Piano) Smith (il 1955-05-23)
sassofono contralto :
Joe Harris (American sax) (il 1955-05-23)
sassofono tenore :
Clarence Hall (il 1955-05-23) e Herb Hardesty (il 1955-05-23)
tromba :
Dave Bartholomew (il 1955-05-23)
voce:
Smiley Lewis (il 1955-05-23)
registrata presso:
J&M Studio (New Orleans, circa 1945-1955) in New Orleans, Louisiana, Stati Uniti (il 1955-05-23)
registrazione di:
I Hear You Knocking (il 1955-05-23)
paroliere e compositore:
Dave Bartholomew e Pearl King
editore:
Commodore Music Corp., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), Francis, Day & Hunter Ltd., Succemelodier e World Music (publisher)
parte di:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Smiley Lewis2:45
64Halfway to Paradise (radio version)
registrazione cover di:
Halfway to Paradise
paroliere:
Gerry Goffin
compositore:
Carole King
Billy Fury2:25
65You Done Me Wrong
registrazione di:
You Done Me Wrong (il 1953-12-14)
paroliere e compositore:
Antoine Dominique Domino (Fats Domino)
Fats Domino42:07
66RumbleLink Wray4.352:25
67Over the Rainbow
registrazione cover di:
Over the Rainbow (The Wizard of Oz)
paroliere:
Yip Harburg (nel 1938)
compositore:
Harold Arlen (nel 1938)
eseguita per la prima volta da:
Judy Garland (nel 1939)
editore:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., J. Albert & Son Pty. Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. e Warner/Chappell (Warner/Chappell Music, Inc.)
sub-editore:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (fino al 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (dal 2015-01-01 a oggi) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
parte di:
The 12th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1939 winner)
parte di:
The Wizard of Oz (1942 Arlen/Harburg musical)
parte di:
The Wizard of Oz (1939 film soundtrack)
The Demensions3:17
68A Little Bit of Soap
The Jarmels2:11
69Believe What You Say
produttore:
Jimmie Haskell, Ozzie Nelson e Rick Nelson (rock n roll artist; "Ricky Nelson" until 1961)
voce:
Rick Nelson (rock n roll artist; "Ricky Nelson" until 1961)
registrazione di:
Believe What You Say
paroliere e compositore:
Dorsey Burnette e Johnny Burnette
editore:
Matragun Music Inc., Sony/ATV Music Publishing LLC (1995–2020) e Sony/ATV Songs LLC
Ricky Nelson2:04
70Rock ’n’ Roll Deacon
Screamin’ Joe Neal2:14
71Real Wild Child
Ivan2:18
72That’ll Be the Day
produttore:
Norman Petty
batteria :
Jerry Allison (il 1957-02-25)
chitarra [lead guitar] e voce principale:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-02-25)
chitarra [rhythm guitar] :
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-02-25) e Niki Sullivan (il 1957-02-25)
contrabbasso :
Larry Welborn (il 1957-02-25)
voce di accompagnamento:
June Clark (background vocals for The Crickets) (il 1957-02-25), Gary Tollett (il 1957-02-25), Niki Sullivan (il 1957-02-25) e Ramona Tollett (il 1957-02-25)
voce parlata [dialogue]:
Wolfman Jack (US disc jockey)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1957) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1957)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (il 1957-02-25)
registrazione di:
That’ll Be the Day (il 1957-02-25)
autore:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. e MPL Communications (not for release label use! Paul McCartney-related, London-based company) (nel 1976)
The Crickets4.62:18
73Nut Rocker (radio version)B. Bumble & the Stingers2:00
74Big Boy Pete
registrazione di:
Big Boy Pete
autore:
Don “Sugarcane” Harris (fino al 1959-01-20) e Dewey Terry (rock & roll, blues, US) (fino al 1959-01-20)
The Olympics2:28
75That’ll Be the Day
registrazione di:
That’ll Be the Day
autore:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. e MPL Communications (not for release label use! Paul McCartney-related, London-based company) (nel 1976)
Buddy Holly2:16
76She’s the Most
registrazione di:
She’s the Most
paroliere e compositore:
Murray Berlin
The Five Keys2:08
77Cold, Cold Shower
The King Brothers2:01
78A Wonderful Time Up There
Pat Boone2:06
79Plain Jane
Bobby Darin1:57
80Who’s Lovin’ You
registrazione di:
Who’s Lovin’ You
paroliere e compositore:
Smokey Robinson
editore:
Jobete Music Co., Inc.
The Miracles3:03
81Just Walking in the Rain
voce:
Johnnie Ray (aka Johnny Ray, US 1950s songwriter and singer) (il 1956-06-29)
orchestra:
Ray Conniff, His Orchestra & Chorus (il 1956-06-29)
registrazione cover di:
Just Walkin’ in the Rain (il 1956-06-29)
autore:
Johnny Bragg, Buddy Killen e Robert Riley
Johnnie Ray42:40
82In the Still of the Night
produttore:
Marty Kugell
batteria [drums] :
Bobby Mapp (nel 1956-02)
contrabbasso :
Doug Murray (double bassist) (nel 1956-02)
pianoforte :
Curlee Glover (nel 1956-02)
sassofono solista :
Vinny Mazzetta (nel 1956-02)
voce:
Al Denby (nel 1956-02), Jim Freeman (American singer and songwriter) (nel 1956-02), Ed Martin (nel 1956-02), Nat Mosley (nel 1956-02) e Fred Parris (nel 1956-02)
diritti fonografici (℗) detenuti da:
Standard Records (nel 1956)
registrata presso:
Saint Bernadette Catholic School (New Haven) in New Haven, Connecticut, Stati Uniti (nel 1956-02)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 90) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 170)
registrazione di:
In the Still of the Night (Five Satins doo-wop song) (nel 1956-02)
paroliere e compositore:
Fred Parris
editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) e Llee Corp. (LLEE Corporation) (nel 1956)
The Five Satins4.53:03
83You Little Baby Faced Thing
Joe Tex2:24
84Rumble Tumble
Mad Man Taylor2:17
85Party Doll
Buddy Knox2:10
86Poetry in Motion
registrazione cover di:
Poetry in Motion
autore:
Mike Anthony (US songwriter) e Paul Kaufman (songwriter)
Johnny Tillotson2:31
87Please Don’t Touch
registrazione cover di:
Please Don’t Touch
compositore:
Frederick Heath e Guy Robinson (UK songwriter)
editore:
EMI Blackwood Music Inc.
Johnny Kidd and the Pirates1:54
88At the Hop
registrazione di:
At the Hop
autore:
John L. Medora, Artie Singer (US songwriter, producer and bandleader) e David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors)
editore:
Sea-Lark Enterprises, Inc., Singular Music e Tristan Music Ltd.
Danny & the Juniors2:16
89You Started Something
Don Lang and His Frantic Five1:59
90Stranded in the Jungle
diritti fonografici (℗) detenuti da:
Ace Records Ltd (Do not use as label, use only for copyright and distribution credits.) (dal 1956 a oggi)
registrazione cover di:
Stranded in the Jungle
autore:
James E. Johnson (The Jayhawks/Vibrations) e Ernestine Smith
editore:
APRS (American Performing Rights Society, Inc.(BMI)), Peermusic (UK) Limited e Shag Publications
The Cadets3:05
91Miss Shake It
Charles Thomas1:44
92Apache
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1960)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito
registrazione di:
Apache
compositore:
Jerry Lordan
editore:
Francis, Day & Hunter Ltd.
The Shadows4.652:56
93Ya Ya
registrazione di:
Ya, Ya
autore:
Lee Dorsey, Morris Levy, Clarence Lewis e Morgan Robinson
editore:
FROST Music Corp
è stata commissionata da:
Fury Records (USA label active 50s to 70s)
Lee Dorsey2:25
94Love Is Strange
Mickey & Sylvia2:57
95Nobody Loves Me Like You
The Flamingos2:15
96Dance to the Bop
registrazione di:
Dance to the Bop
paroliere e compositore:
Floyd Edge
Gene Vincent2:16
97Rockin’ the Joint
Esquerita2:00
98Roll, Hot Rod, Roll
Oscar McLollie3:00
99Hallelujah I Love Her So
Eddie Cochran2:20
100Besame Mucho, Pt. 1
registrazione cover di:
Bésame mucho (English lyric version by Sunny Skylar)
compositore:
Consuelo Velázquez
traduttore:
Sunny Skylar
editore:
Latin American Music, Peer International Corporation (BMI) e Promotora Hispano Americana De Musica S.A.
versione tradotta di:
Bésame mucho (Kiss Me Much, Bésame, bésame mucho como si fuera esta noche la última vez)
The Coasters2:16

Accreditamenti

Pubblicazione

copyright (©) detenuto da e diritti fonografici (℗) detenuti da:Domestic Special Marketing
ASIN:UK: B01BGUA2EQ [info]
streaming gratuito:https://open.spotify.com/album/07Q1h0jTel4y0WLU5vfazN [info]