Goldfinger

~ Pubblicazione di Shirley Bassey (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1Goldfinger
tecnico:
John Richards (engineer)
produttore:
John Barry (English score composer) e George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
voce:
Shirley Bassey (Welsh singer) (nel 1964-07)
direttore d'orchestra:
John Barry (English score composer) (nel 1964-07)
arrangiatore:
John Barry (English score composer)
diritti fonografici (℗) detenuti da:
Columbia Pictures Industries, Inc. (nel 1964), Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (nel 1964), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1964) e United Artists Corporation (nel 1964)
registrata presso:
CTS Studios in Wembley, Brent (Borgo londinese di Brent), London (Greater London), England, Regno Unito (nel 1964-07)
registrazione di:
Goldfinger (nel 1964-07)
paroliere:
Leslie Bricusse e Anthony Newley (English actor, singer, songwriter, and filmmaker)
compositore:
John Barry (English score composer)
editore:
EMI United Partnership Ltd. e Sony/ATV Songs LLC
parte di:
James Bond themes
parte di:
Goldfinger
4.252:51
2Send in the Clowns
3:23
3I Who Have Nothing
produttore:
Norman Newell
voce:
Shirley Bassey (Welsh singer)
direttore d'orchestra:
Tony Osborne
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1963)
registrazione di:
I (Who Have Nothing)
paroliere:
Jerry Leiber e Mike Stoller
autore:
Mogol (Italian lyricist)
compositore:
Carlo Donida
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Orange Sky Music Ltd., Shapiro Bernstein & Co. Ltd., Sony/ATV Songs LLC, Cotillion Music Inc. (BMI) (nel 1961, nel 1963), Milky Way Publishing Co., Inc. (nel 1961, nel 1963), Trio Music Co., Inc. (nel 1961, nel 1963), Walden Music (publisher) (nel 1979) e Yellow Dog Music (nel 1979)
versione tradotta di:
Uno dei tanti
2:43
4Medley, New York New York
3:27
5Bridge Over Troubled Water
registrazione cover di:
Bridge Over Troubled Water
paroliere:
Paul Simon (of Simon & Garfunkel)
compositore:
Paul Simon (of Simon & Garfunkel) (nel 1969)
editore:
Charing Cross Music (Paul Simon’s publishing company), Pattern Music Ltd (publisher), Paul Simon Music, Universal/MCA Music Ltd. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
5:12
6Just One of Those Things
registrazione di:
Just One of Those Things
paroliere e compositore:
Cole Porter (composer) (nel 1935)
editore:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) e Warner Bros., Inc. (not for release label use!) (nel 1929)
parte di:
Can‐Can (1960 musical film)
parte di:
High Society (stage musical)
parte di:
Jubilee
parte di:
Panama Hattie (1942 film)
3:03
7Solitaire
voce:
Shirley Bassey (Welsh singer)
registrata presso:
Britannia Studios in Hollywood, Los Angeles, California, Stati Uniti (nel 1982) e Just Magic Studios in Vancouver, British Columbia (Columbia Britannica), Canada (nel 1982: voce principale)
registrazione di:
Solitaire
paroliere:
Phil Cody (of Neil Sedaka-fame)
compositore:
Neil Sedaka
editore:
EMI Jemaxal Music Inc., EMI Sosaha Music, Inc., Kirshner, Neil Sedaka Music (BMI-affiliated), R2M Publishing H. & R. Lastrada Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Songs of SJL RSL Music Company, Sony/ATV Tunes LLC (ASCAP), Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
4:44
8The Party’s Over
produttore:
Norman Newell
voce:
Shirley Bassey (Welsh singer)
direttore d'orchestra:
Geoff Love
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1959)
registrazione cover di:
The Party’s Over (Bells Are Ringing)
paroliere:
Betty Comden e Adolph Green
compositore:
Jule Styne
editore:
Chappell & Co., Stratford Music Corporation e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
Bells Are Ringing (stage musical)
3:32
9Climb Ev’ry Mountain
produttore:
Norman Newell (incarico: recording supervised by)
voce:
Shirley Bassey (Welsh singer)
voce di accompagnamento:
The Williams Singers
orchestra:
Geoff Love & His Orchestra
direttore d'orchestra:
Geoff Love
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1961)
registrazione di:
Climb Ev’ry Mountain (The Sound of Music)
orchestratore:
Robert Russell Bennett (American composer and arranger)
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein)
compositore:
Richard Rodgers (composer)
editore:
EMI Music Publishing (do not use as a release label!), EMI United Partnership Ltd., The Rodgers & Hammerstein Organization e Williamson Music Company
parte di:
MJ: The Musical
parte di:
The Sound of Music (Rodgers & Hammerstein musical)
3:12
10All by Myself
registrazione cover di:
All by Myself
paroliere:
Eric Carmen
compositore:
Eric Carmen e Sergei Rachmaninov (Sergei Rachmaninoff, Russian composer)
editore:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division) (conclusa), Campbell Connelly & Co. Ltd., Carmen Music, Inc, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eric Carmen Music, Round Hill Works, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
si basa su:
Let’s Pretend
si basa su:
Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto
4:05
11On a Wonderful Day Like Today
2:44
12Somewere
registrazione cover di:
West Side Story: Ballet Sequence: Somewhere (Consuelo and Company)
paroliere:
Stephen Sondheim
compositore:
Leonard Bernstein (American conductor, composer, pianist)
editore:
Amberson Enterprises, Inc., Campbell Connelly & Co. Ltd., Chappell & Co Ltd., Chappell & Co., Inc. (USA), G. Schirmer, G. Schirmer Inc., PolyGram Music Publishing Ltd., The Leonard Bernstein Music Publishing Co., LLC, Universal - Polygram e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
parte di:
West Side Story: Ballet Sequence
2:49
13Once in a Lifetime
produttore:
Norman Newell
voce:
Shirley Bassey (Welsh singer)
direttore d'orchestra:
Johnnie Spence (John Spence Abrahams, British music director, conductor and arranger)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1965)
registrazione cover di:
Once in a Lifetime (Stop the World—I Want to Get Off)
paroliere e compositore:
Leslie Bricusse e Anthony Newley (English actor, singer, songwriter, and filmmaker)
editore:
Ludlow Music, Inc. e TRO Essex Music Ltd.
parte di:
Stop the World – I Want to Get Off
registrazione di:
Once in a Lifetime (Stop the World—I Want to Get Off)
paroliere e compositore:
Leslie Bricusse e Anthony Newley (English actor, singer, songwriter, and filmmaker)
editore:
Ludlow Music, Inc. e TRO Essex Music Ltd.
parte di:
Stop the World – I Want to Get Off
2:25
14The Shadow of Your Smile
registrazione cover di:
The Shadow of Your Smile (Love Theme from “The Sandpiper”)
paroliere:
Paul Francis Webster
compositore:
Johnny Mandel (American composer and arranger)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Miller Catalog, Inc., EMI United Partnership Ltd., Marissa Music, Miller Music Corp. e Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
sub-editore:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
parte di:
The 38th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1965 winner)
3:40
15This Masquerade
voce:
Shirley Bassey (Welsh singer)
registrata presso:
Britannia Studios in Hollywood, Los Angeles, California, Stati Uniti (nel 1982) e Just Magic Studios in Vancouver, British Columbia (Columbia Britannica), Canada (nel 1982: voce principale)
registrazione cover di:
This Masquerade
paroliere e compositore:
Leon Russell
editore:
Chrysalis One Music Publishing Group Ireland, Embassy Music Corporation, Reservoir 416, Reservoir One America, Rondor Music (London) Ltd., Skyhill Pub. Co., Inc., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
5:09
16And I Love You So
4:32
17The Way We Were
2:51
18If and When
voce:
Shirley Bassey (Welsh singer)
registrata presso:
Britannia Studios in Hollywood, Los Angeles, California, Stati Uniti (nel 1982) e Just Magic Studios in Vancouver, British Columbia (Columbia Britannica), Canada (nel 1982: voce principale)
registrazione di:
If And When
paroliere e compositore:
Norman Newell
2:54
19I’ve Got You Under My Skin
registrazione cover di:
I’ve Got You Under My Skin
paroliere e compositore:
Cole Porter (composer) (nel 1936)
editore:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
The 9th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1936 nominee)
parte di:
Born to Dance
43:35
20As Long as He Need Me
produttore:
Norman Newell
voce:
Shirley Bassey (Welsh singer)
voce di accompagnamento:
The Rita Williams Singers
orchestra:
Geoff Love and His Orchestra
direttore d'orchestra:
Geoff Love
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1960)
registrazione cover di:
As Long as He Needs Me (Oliver!)
paroliere e compositore:
Lionel Bart
editore:
Lakeview Music Publishing Company Ltd. e TRO-Hollis, Inc.
parte di:
Oliver! (Lionel Bart musical)
3:01