| # | Title | Artist | Rating | Length |
|---|
| 1 | Nights in White Satin | The Moody Blues | 4.4 | 4:25 |
| 2 | Sunny Afternoon | The Kinks | | 3:31 |
| 3 | A Whiter Shade of Pale | Procol Harum | 4.1 | 4:04 |
| 4 | Man of the World | Fleetwood Mac | | 2:58 |
| 5 | Turn! Turn! Turn! | The Byrds | | 3:50 |
| 6 | Pleasant Valley Sunday | The Monkees | | 3:13 |
| 7 | Everlasting Love | Love Affair | 4 | 3:01 |
| 8 | Do You Believe in Magic | The Lovin’ Spoonful | 4.5 | 2:03 |
| 9 | For What It's Worth | Buffalo Springfield | 4.25 | 2:35 |
| 10 | White Rabbit | Jefferson Airplane | 4.35 | 2:32 |
| 11 | Green Tambourine | The Lemon Pipers | 3.65 | 2:24 |
| 12 | She's Not There- producer:
- Ken Jones
- recorded at:
- Decca Studios: Studio 2 in West Hampstead, Camden , London , England, United Kingdom (on 1964-06-12)
- part of:
- Dave Marsh: The Best of the Top 40 Singles: 1964 (number: 37), Billboard: The 500 Best Pop Songs (number: 213) and Rolling Stone: 500 Greatest Songs of All Time (number: 291)
- recording of:
- She’s Not There (on 1964-06-12)
- lyricist and composer:
- Rod Argent
- publisher:
- Al Gallico Music Corp., Essex Music of Australia Pty. Ltd., Marquis Music Co., Ltd., Marquis Songs USA and Parker Music
- sub-publisher:
- Bocu Music Ltd., Marquis Music Co., Ltd., Marquis Music Ltd. and シンコーミュージック・パブリッシャーズ
| The Zombies | 4.15 | 2:24 |
| 13 | The Letter- producer:
- Dan Penn
- phonographic copyright (℗) by:
- Arista Records (in 1967), Arista Records, Inc. (in 1967), RCA Records (in 1967) and Atoll Music (in 1968)
- part of:
- Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (number: 357) and Rolling Stone: 500 Greatest Songs of All Time (number: 364)
- recording of:
- The Letter (in 1967)
- lyricist and composer:
- Wayne Carson Thompson
- publisher:
- Bike Music, Budde Songs Inc., Chelsea Music Publishing, Chelsea Music Publishing Co., Ltd., Concord Bicycle Assets, Copyright Control , EMI Music , Lovolar Music, Sony Music Publishing (Japan) Inc. and Warner Chappell Music
| The Box Tops | 4.15 | 1:53 |
| 14 | One | Harry Nilsson | | 2:51 |
| 15 | Hole in My Shoe | Traffic | 5 | 3:02 |
| 16 | Light Flight | The Pentangle | | 3:12 |
| 17 | Angie | Bert Jansch | | 3:08 |
| 18 | Magic Carpet Ride | Steppenwolf | | 4:23 |
| 19 | On the Road Again- recording of:
- On the Road Again
- lyricist and composer:
- Floyd Jones and Alan Wilson
- publisher:
- Embassy Music Corporation, EMI Catalogue Partnership, EMI Music , EMI Music Publishing , EMI Unart Catalog Inc., EMI United Partnership Ltd., Frederick Music Co., Lawn Music, Metric Music Co , SBK Unart Catalog Inc., SBK United Partnership Ltd., Songs of Peer and United Partnership Ltd.
| Canned Heat | | 3:23 |
| 20 | Soul Sacrifice- engineer:
- Bob Breault and Eric Prestidge
- producer:
- Brent Dangerfield and Santana
- bass:
- David Brown (in 1969-05)
- bass guitar:
- David Brown (on 1969-05-12)
- congas and percussion:
- Michael Carabello (on 1969-05-12)
- congas, percussion and timbales:
- José “Chepito” Áreas (on 1969-05-12)
- drums (drum set):
- Michael Shrieve (in 1969-05, on 1969-05-12)
- guitar:
- Carlos Santana (in 1969-05, on 1969-05-12)
- organ:
- Gregg Rolie (in 1969-05, on 1969-05-12)
- percussion:
- José “Chepito” Áreas (in 1969-05) and Michael Carabello (in 1969-05)
- arranger:
- Alberto Gianquinto
- recorded at:
- Pacific Recording Studio in San Mateo, California, United States (in 1969-05, on 1969-05-12)
- mixed at:
- Pacific Recording Studio in San Mateo, California, United States
- recording of:
- Soul Sacrifice (on 1969-05-12)
- composer:
- David Brown , Marcus Malone , Gregg Rolie and Carlos Santana
- publisher:
- Careers‐BMG Music Publishing, Petra Music and Universal Music
| Santana | 3.35 | 3:14 |