Classic FM: Bach

~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Brandenburg Concerto No3 in G major BWV 1048 - 1st movement
orchestra:
Capella Istropolitana
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
7:01
2Sheep May Safely Graze - from Cantata 'Was mir behagt, ist nur die muntre Jagd' BWV 208
soprano vocals:
Ingrid Kertesi (soprano)
conductor:
Mátyás Antal (conductor)
performer:
Failoni Kamarazenekar (Failoni Chamber Orchestra)
recording of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”: IX. Aria (Sopran II) “Schafe können sicher weiden”
premiered in:
Weißenfels, Sachsen-Anhalt (Saxony-Anhalt), Germany (in 1713-02)
composed in:
Weimar, Thüringen (Thuringia), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Salomon Franck
part of:
Classic 100: Piano (2025) (number: 38)
part of:
Kantate, BWV 208 “Was mir behagt, ist nur die muntre Jagd!”
3:47
3Italian Concerto BWV 971 - 1st movement
piano:
János Sebestyén (organist, harpsichordist and pianist) (from 1991-06-21 until 1991-06-22)
recorded at:
House of Arts (Szekszárd) in Szekszárd, Tolna (Tolna County), Hungary (from 1991-06-21 until 1991-06-22)
recording of:
Italienisches Konzert F-Dur, BWV 971: I. [Allegro] (Italian Concerto in F major, BWV 971: I. [Allegro]) (from 1991-06-21 until 1991-06-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Italienisches Konzert F-Dur, BWV 971 (Italian Concerto in F major, BWV 971)
3:50
4Concerto for Two Violins and Strings in D minor BWV 1043 - 1st movement
producer:
Günter Appenheimer (producer/engineer) (from 1989-05 until 1989-06)
violin:
Alexander Jablokov (violinist) (from 1989-05-28 until 1989-06-02) and Takako Nishizaki (violinist) (from 1989-05-28 until 1989-06-02)
orchestra:
Capella Istropolitana (from 1989-05-28 until 1989-06-02)
conductor:
Oliver von Dohnányi (conductor) (from 1989-05-28 until 1989-06-02)
recorded at:
Concert Hall of the Slovak Philharmonic in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1989-05-28 until 1989-06-02)
recording of:
Concerto for 2 Violins in D minor, BWV 1043: I. Vivace (from 1989-05-28 until 1989-06-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1730 until 1731)
part of:
Concerto for 2 Violins in D minor, BWV 1043
3:59
5Toccata in C major BWV 564
producer:
RMC Classical Music, U.S.A.
organ:
Wolfgang Rübsam (organist) (from 1993-06-21 until 1993-06-23)
phonographic copyright (℗) by:
HNH International Ltd. (not for release label use!) (in 1996)
recorded at:
College of the Holy Cross in Worcester, Massachusetts, United States (from 1993-06-21 until 1993-06-23)
recording of:
Toccata, Adagio, and Fugue in C major, BWV 564: I. Toccata (from 1993-06-21 until 1993-06-23)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Toccata, Adagio, and Fugue in C major, BWV 564
6:51
6Jesu, Joy of Man's Desiring - from Cantata 'Herz und Mund und Tat und Leben' BWV 147
engineer:
Gábor Mocsáry
producer:
Tamás Benedek
choir vocals:
Magyar Rádió énekkara (Hungarian Radio and Television Chorus) (in 1992-01)
orchestra:
Failoni Kamarazenekar (Failoni Chamber Orchestra) (in 1992-01)
conductor:
Mátyás Antal (conductor) (in 1992-01)
recorded at:
Festetich Castle (Budapest) in Budapest, Hungary (in 1992-01)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) (in 1992-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Classic 100: Piano (2025) (number: 15)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
3:27
7Goldberg Variations BWV 988 - Aria and Variations 1-5
piano:
Chen Pi‐hsien (pianist)
recorded at:
Festeburgkirche in Frankfurt am Main (Frankfurt), Hessen (Hesse), Germany
recording of:
Goldberg-Variationen, BWV 988: Aria (opening) (in 1985-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 26)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
recording of:
Goldberg-Variationen, BWV 988: Variatio 1. a 1 Clav. (in 1985-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 26)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
recording of:
Goldberg-Variationen, BWV 988: Variatio 2. a 1 Clav. (in 1985-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
recording of:
Goldberg-Variationen, BWV 988: Variatio 3. Canone all Unisuono. a 1 Clav. (in 1985-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
recording of:
Goldberg-Variationen, BWV 988: Variatio 4. a 1 Clav. (in 1985-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
recording of:
Goldberg-Variationen, BWV 988: Variatio 5. a 1 ô vero 2 Clav. (in 1985-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
7:47
8Erbarme dich, mein Gott from St. Matthew Passion BWV 244
engineer:
Gábor Mocsáry (in 1993-02)
producer:
Tamás Benedek (in 1993-02)
alto vocals:
Németh Judit (Hungarian mezzosoprano) (from 1993-02-06 until 1993-02-14)
orchestra:
Hungarian State Symphony Orchestra (Hungarian National Philharmonic) (from 1993-02-06 until 1993-02-14)
conductor:
Géza Oberfrank (conductor) (from 1993-02-06 until 1993-02-14)
performer:
Nemzeti Filharmonikus Zenekar (Hungarian National Philharmonic) (from 1993-02-06 until 1993-02-14)
recorded at:
Instituto Italiano di Cultura (Italian Institute of Culture) in Budapest, Hungary (from 1993-02-06 until 1993-02-14)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (from 1993-02-06 until 1993-02-14)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
7:09
9Cello Suite No. 2 in D minor BWV 1008 - 4th movement
engineer:
János Bohus (Hungarian sound engineer.) (from 1992-10-20 until 1992-10-24)
producer:
Ibolya Tóth
cello:
Csaba Onczay (cellist) (from 1992-10-20 until 1992-10-24)
recorded at:
Unitarian Church in Budapest, Hungary (from 1992-10-20 until 1992-10-24)
recording of:
Suite für Violoncello solo no. 2 d-Moll, BWV 1008: IV. Sarabande (Cello Suite No. 2 in D minor, BWV 1008: IV. Sarabande) (from 1992-10-20 until 1992-10-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 2 d-Moll, BWV 1008 (Cello Suite No. 2 in D minor, BWV 1008)
5:29
10Agnus Dei from Mass in B minor BWV 232
engineer:
Hubert Geschwandtner (producer/engineer) (in 1992-02) and Ladislav Krajkovic (engineer) (in 1992-02)
producer:
Karol Kopernický (producer) (in 1992-02)
contralto vocals:
Martina Koppelstetter (soprano) (from 1992-02-09 until 1992-02-19)
orchestra:
Capella Istropolitana (from 1992-02-09 until 1992-02-19)
conductor:
Christian Brembeck (German organist, harpsichordist and conductor) (from 1992-02-09 until 1992-02-19)
recorded at:
Moyzesova sieň (Moyzes Hall) in Bratislava, Bratislavský kraj (Bratislava Region), Slovakia (from 1992-02-09 until 1992-02-19)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: IV. Agnus Dei (Mass in B minor, BWV 232: IVe. Aria "Agnus Dei") (from 1992-02-09 until 1992-02-19)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
5:48
11The Art of Fugue BWV 1080 - Contrapunctus XVIII - Fuga a 4 voci: Rectus
performer:
Wolfgang Rübsam (organist)
recording of:
Die Kunst der Fuge, BWV 1080: XII, 1. Contrapunctus inversus a 4 (Forma recta)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/12,1)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
3:56
12Concerto in D major BWV 1054 - 3rd movement
producer:
Rudolf Hentšel (from 1990-06-09 until 1990-07-02) and Gejza Toperczer (from 1990-06-29 until 1990-07-02)
piano:
Hae Won Chang (from 1990-06-29 until 1990-07-02)
orchestra:
Camerata Cassovia (from 1990-06-29 until 1990-07-02)
conductor:
Róbert Stankovský (from 1990-06-29 until 1990-07-02)
performer:
Hae Won Chang
recorded at:
Dom umenia (House of Arts) in Košice, Košický kraj (Košice Region), Slovakia (from 1990-06-29 until 1990-07-02)
recording of:
Concerto for Keyboard and Orchestra no. 3 in D major, BWV 1054: III. Allegro (from 1990-06-29 until 1990-07-02)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Concerto for Keyboard and Orchestra no. 3 in D major, BWV 1054
2:53