Against the Odds: 1974–1982 (deluxe edition)

~ Veröffentlichung von Blondie (alle Versionen dieser Veröffentlichung ansehen, 5 vorhanden)

Titelliste

1CD: Out in the Streets
2CD: Blondie
3CD: Plastic Letters
4CD: Parallel Lines
5CD: Eat to the Beat
6CD: Autoamerican
Nr.TitelBewertungLänge
1Europa
assistierende(r) Techniker(in):
Gary Boatner (engineer) und Doug Schwartz (mastering engineer)
Techniker(in):
Lenise Bent
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison (in 1980)
Gitarre:
Frank Infante (in 1980) und Chris Stein (in 1980)
Keyboard:
Jimmy Destri (in 1980)
Pauke:
Chris Stein (in 1980)
Schlagzeug:
Clem Burke (in 1980)
Sologesang:
Deborah Harry (in 1980)
instruments arranger:
Jimmie Haskell
phonographisches Urheberrecht (℗) von:
Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2001)
aufgenommen bei:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (in 1980) und United Western Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1980)
recording of:
Europa (in 1980)
Texter und Komponist(in):
Chris Stein
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) und Rare Blue Music Inc
43:31
2Live It Up
assistierende(r) Techniker(in):
Gary Boatner (engineer) und Doug Schwartz (mastering engineer)
Techniker(in):
Lenise Bent
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison (in 1980)
Gast-Gitarre:
Melvin “Wah Wah” Watson (in 1980)
Gitarre:
Frank Infante (in 1980) und Chris Stein (in 1980)
Keyboard:
Jimmy Destri (in 1980)
Pauke:
Chris Stein (in 1980)
Perkussion:
Scott Lesser (in 1980)
Schlagzeug:
Clem Burke (in 1980)
Hintergrundgesang:
The ‘B’ Girls (in 1980)
Sologesang:
Deborah Harry (in 1980)
phonographisches Urheberrecht (℗) von:
Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2001)
aufgenommen bei:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (in 1980) und United Western Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1980)
recording of:
Live It Up (in 1980)
Texter und Komponist(in):
Chris Stein
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) und Rare Blue Music Inc
34:09
3Here’s Looking at You
assistierende(r) Techniker(in):
Gary Boatner (engineer) und Doug Schwartz (mastering engineer)
Techniker(in):
Lenise Bent
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison (in 1980)
Gitarre:
Frank Infante (in 1980) und Chris Stein (in 1980)
Keyboard:
Jimmy Destri (in 1980)
Pauke:
Chris Stein (in 1980)
Schlagzeug:
Clem Burke (in 1980)
Sologesang:
Deborah Harry (in 1980)
instruments arranger:
Jimmie Haskell
phonographisches Urheberrecht (℗) von:
Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2001)
aufgenommen bei:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (in 1980) und United Western Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1980)
recording of:
Here’s Looking at You (in 1980)
Verfasser(in):
Deborah Harry und Chris Stein
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) und Rare Blue Music Inc
22:58
4The Tide Is High
assistierende(r) Techniker(in):
Gary Boatner (engineer) und Doug Schwartz (mastering engineer)
Techniker(in):
Lenise Bent
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison (in 1980)
Gast-Perkussion:
Alex Acuña (in 1980), Ollie E. Brown (US drummer, session musician & record producer) (in 1980) und Emil Richards (in 1980)
Gitarre:
Frank Infante (in 1980) und Chris Stein (in 1980)
Keyboard:
Jimmy Destri (in 1980)
Pauke:
Chris Stein (in 1980)
Schlagzeug:
Clem Burke (in 1980)
Hintergrundgesang [girl-group backup vocals]:
The ‘B’ Girls und Deborah Harry
Sologesang:
Deborah Harry (in 1980)
instruments arranger:
Jimmie Haskell
phonographisches Urheberrecht (℗) von:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2001), Capitol Records (imprint of Capitol Records, Inc.) (in 2001), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2001) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2001)
aufgenommen bei:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (in 1980) und United Western Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1980)
cover recording of:
The Tide Is High (in 1980)
Verfasser(in):
John Holt (in 1967)
zusätzliche(r) Verfasser(in):
Howard Barrett (in 1967) und Tyrone Evans (in 1967)
publisher:
B & C Music Corp., Campbell Connelly (Australia) P/L, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group und Sparta Florida Music Group Ltd.
4.154:40
5Angels on the Balcony
assistierende(r) Techniker(in):
Gary Boatner (engineer) und Doug Schwartz (mastering engineer)
Techniker(in):
Lenise Bent
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison (in 1980)
Gitarre:
Frank Infante (in 1980) und Chris Stein (in 1980)
Keyboard:
Jimmy Destri (in 1980)
Pauke:
Chris Stein (in 1980)
Schlagzeug:
Clem Burke (in 1980)
Sologesang:
Deborah Harry (in 1980)
phonographisches Urheberrecht (℗) von:
Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2001)
aufgenommen bei:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (in 1980) und United Western Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1980)
recording of:
Angels on the Balcony (in 1980)
Verfasser(in):
Laura Davis (Student Teachers) und Jimmy Destri
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) und Rare Blue Music Inc
33:47
6Go Through It
recording of:
Go Through It
Verfasser(in):
Deborah Harry und Chris Stein
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) und Rare Blue Music Inc
42:44
7Do the Dark
assistierende(r) Techniker(in):
Gary Boatner (engineer) und Doug Schwartz (mastering engineer)
Techniker(in):
Lenise Bent
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison (in 1980)
Gast-Lyricon:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) (in 1980)
Gitarre:
Frank Infante (in 1980) und Chris Stein (in 1980)
Keyboard:
Jimmy Destri (in 1980)
Pauke:
Chris Stein (in 1980)
Schlagzeug:
Clem Burke (in 1980)
Sologesang:
Deborah Harry (in 1980)
phonographisches Urheberrecht (℗) von:
Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2001)
aufgenommen bei:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (in 1980) und United Western Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1980)
recording of:
Do the Dark (in 1980)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) und Rare Blue Music Inc
33:52
8Rapture
assistierende(r) Techniker(in):
Gary Boatner (engineer) und Doug Schwartz (mastering engineer)
Techniker(in):
Lenise Bent
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison (in 1980)
Gitarre:
Frank Infante (in 1980) und Chris Stein (in 1980)
Keyboard:
Jimmy Destri (in 1980)
Pauke:
Chris Stein (in 1980)
Saxophon:
Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch) (in 1980)
Schlagzeug:
Clem Burke (in 1980)
Sologesang:
Deborah Harry (in 1980)
vocals:
Deborah Harry
phonographisches Urheberrecht (℗) von:
Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2001) und Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1981)
aufgenommen bei:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (in 1980) und United Western Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1980)
recording of:
Rapture (in 1980)
Verfasser(in):
Deborah Harry und Chris Stein
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music (do not use as release label! this is a music publisher), Monster Island Music Publishing Corporation und Rare Blue Music Inc
4.256:31
9Faces
recording of:
Faces
Texter und Komponist(in):
Deborah Harry
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) und Rare Blue Music Inc
3:52
10T‐Birds
assistierende(r) Techniker(in):
Gary Boatner (engineer) und Doug Schwartz (mastering engineer)
Techniker(in):
Lenise Bent
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison (in 1980)
Gitarre:
Frank Infante (in 1980) und Chris Stein (in 1980)
Keyboard:
Jimmy Destri (in 1980)
Pauke:
Chris Stein (in 1980)
Schlagzeug:
Clem Burke (in 1980)
Gast vocals:
Howard Kaylan (in 1980) und Mark Volman (in 1980)
Sologesang:
Deborah Harry (in 1980)
phonographisches Urheberrecht (℗) von:
Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2001)
aufgenommen bei:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (in 1980) und United Western Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1980)
recording of:
T‐Birds (in 1980)
Verfasser(in):
Nigel Harrison und Deborah Harry
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
43:57
11Walk Like Me
assistierende(r) Techniker(in):
Gary Boatner (engineer) und Doug Schwartz (mastering engineer)
Techniker(in):
Lenise Bent
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison (in 1980)
Gitarre:
Frank Infante (in 1980) und Chris Stein (in 1980)
Keyboard:
Jimmy Destri (in 1980)
Pauke:
Chris Stein (in 1980)
Schlagzeug:
Clem Burke (in 1980)
Sologesang:
Deborah Harry (in 1980)
phonographisches Urheberrecht (℗) von:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980, in 1981), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2001) und Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1981)
aufgenommen bei:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (in 1980) und United Western Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1980)
recording of:
Walk Like Me (in 1980)
Verfasser(in):
Jimmy Destri
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (beendet), Monster Island Music Publishing Corporation (beendet), BMG Monarch, Chrysalis Music Ltd. (music publisher, affiliated with PRS) und Rare Blue Music Inc
43:45
12Follow Me
assistierende(r) Techniker(in):
Gary Boatner (engineer) und Doug Schwartz (mastering engineer)
Techniker(in):
Lenise Bent
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison (in 1980)
Gast-Synthesizer:
Steve Goldstein
Gitarre:
Frank Infante (in 1980) und Chris Stein (in 1980)
Keyboard:
Jimmy Destri (in 1980)
Pauke:
Chris Stein (in 1980)
Schlagzeug:
Clem Burke (in 1980)
Sologesang:
Deborah Harry (in 1980)
phonographisches Urheberrecht (℗) von:
Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2001)
aufgenommen bei:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (in 1980) und United Western Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1980)
recording of:
Follow Me (Camelot) (in 1980)
Texter:
Alan Jay Lerner
Komponist(in):
Frederick Loewe
publisher:
Chappell & Co., Inc. (USA) und Chappell Music Ltd.
Teil von:
Camelot (full musical)
cover recording of:
Follow Me (Camelot)
Texter:
Alan Jay Lerner
Komponist(in):
Frederick Loewe
publisher:
Chappell & Co., Inc. (USA) und Chappell Music Ltd.
Teil von:
Camelot (full musical)
43:01
13Autoamerican Ad
1:08
14I Love You Honey, Give Me a Beer (Go Through It)
Produzent(in):
Chris Stein
Bassgitarre [bass]:
Nigel Harrison (am 1980-03-18)
Farfisa-Orgel [Farfisa organ] und Hintergrundgesang:
Jimmy Destri (am 1980-03-18)
Gitarre:
Frank Infante (am 1980-03-18) und Chris Stein (am 1980-03-18)
Schlagzeug [drums]:
Clem Burke (am 1980-03-18)
vocals:
Debbie Harry (am 1980-03-18)
aufgenommen bei:
Chelsea Sound Studios in New York, New York, Vereinigte Staaten (am 1980-03-18)
2:42
15Live It Up (Giorgio Moroder demo)
assistierende(r) Techniker(in):
Jon Smith (engineer)
Techniker(in):
Ed Sprigg
Produzent(in):
Giorgio Moroder
Mix:
Tom Camuso (assistant engineer) und Steve Rosenthal
Analoger Synthesizer [Polymoog synthesizer]:
Jimmy Destri (von 1980-06-25 bis 1980-06-28)
Bassgitarre [bass]:
Nigel Harrison (von 1980-06-25 bis 1980-06-28)
Gitarre:
Frank Infante (von 1980-06-25 bis 1980-06-28)
Schlagzeug [drums]:
Clem Burke (von 1980-06-25 bis 1980-06-28)
vocals:
Debbie Harry (von 1980-06-25 bis 1980-06-28) und Jimmy Destri (von 1980-06-25 bis 1980-06-28)
aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten (von 1980-06-25 bis 1980-06-28)
recording of:
Live It Up (von 1980-06-25 bis 1980-06-28)
Texter und Komponist(in):
Chris Stein
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) und Rare Blue Music Inc
4:04
16Angels on the Balcony (Giorgio Moroder demo)
vocals:
Jimmy Destri (von 1980-06-25 bis 1980-06-28)
aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten (von 1980-06-25 bis 1980-06-28)
recording of:
Angels on the Balcony
Verfasser(in):
Laura Davis (Student Teachers) und Jimmy Destri
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) und Rare Blue Music Inc
4:17
17The Tide Is High (demo)
Techniker(in):
Ed Sprigg
Produzent(in):
Chris Stein
Bassgitarre [bass]:
Nigel Harrison (am 1980-07-02)
Farfisa-Orgel [Farfisa organ] und Hintergrundgesang:
Jimmy Destri (am 1980-07-02)
Geige / Violine:
Walter Steding (am 1980-07-02)
Gitarre:
Frank Infante (am 1980-07-02) und Chris Stein (am 1980-07-02)
Schlagzeug [drums]:
Clem Burke (am 1980-07-02)
vocals:
Debbie Harry (am 1980-07-02)
aufgenommen bei:
The Hit Factory in Manhattan, New York, New York, Vereinigte Staaten (am 1980-07-02)
cover recording of:
The Tide Is High (am 1980-07-02)
Verfasser(in):
John Holt (in 1967)
zusätzliche(r) Verfasser(in):
Howard Barrett (in 1967) und Tyrone Evans (in 1967)
publisher:
B & C Music Corp., Campbell Connelly (Australia) P/L, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Embassy Music Corporation, Gemrod Music Inc., Sparta Florida Music Group und Sparta Florida Music Group Ltd.
3:59
18Suzy & Jeffrey
assistierende(r) Techniker(in):
Gary Boatner (engineer) und Doug Schwartz (mastering engineer)
Techniker(in):
Lenise Bent
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison (in 1980)
Bassgitarre [bass]:
Nigel Harrison (in 1980-08)
Gitarre:
Frank Infante (in 1980, in 1980-08) und Chris Stein (in 1980, in 1980-08)
Glocken [bells], Orgel und Synthesizer:
Jimmy Destri (in 1980-08)
Keyboard:
Jimmy Destri (in 1980)
Pauke:
Chris Stein (in 1980)
Pauke [tympani]:
Clem Burke (in 1980-08)
Schlagzeug:
Clem Burke (in 1980, in 1980-08)
Hintergrundgesang:
Clem Burke (in 1980), Jimmy Destri (in 1980), Nigel Harrison (in 1980) und Frank Infante (in 1980)
Sologesang:
Deborah Harry (in 1980)
vocals:
Debbie Harry (in 1980-08)
phonographisches Urheberrecht (℗) von:
Chrysalis Records, Inc. (not for release label use!), Capitol Records (imprint of Capitol Records, Inc.) (in 1980), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1980) und Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1980)
aufgenommen bei:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten (in 1980), United Western Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1980) und United/Western Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1980-08)
recording of:
Susie and Jeffrey (in 1980-08)
Verfasser(in):
Nigel Harrison und Deborah Harry
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Songs und Monster Island Music Publishing Corporation
recording of:
Susie and Jeffrey (in 1980)
Verfasser(in):
Nigel Harrison und Deborah Harry
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Songs und Monster Island Music Publishing Corporation
2.84:10
19Rapture (disco version)
recording of:
Rapture
Verfasser(in):
Deborah Harry und Chris Stein
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music (do not use as release label! this is a music publisher), Monster Island Music Publishing Corporation und Rare Blue Music Inc
10:01
7CD: The Hunter
8CD: Home Tapes