111 Classics for Christmas

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1Cantata #1, 'Jauchzet, Frohlocket': 1. Chorus
recording of:
Weihnachts‐Oratorium, BWV 248: Teil I, I. Coro „Jauchzet, frohlocket“
Premiere in:
Leipzig, Sachsen, Deutschland (am 1734-12-25)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1734 bis 1735)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
basiert auf:
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!"
Teil von:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach8:17
2Christmas Oratorio, BWV 248 / Part One - For the First Day of Christmas: No.4 Aria (Alto):' Bereite Dich, Zion'
recording engineer:
Hans‐Peter Schweigmann (engineer)
leitende(r) Produzent(in):
Dr Gerd Ploebsch (engineer) und Prof. Dr. Hans Hickmann
Produzent(in):
Hans Weber (producer/engineer)
Cello:
Kurt Engert (cellist) (von 1965-02 bis 1965-06) und Oswald Uhl (cellist) (von 1965-02 bis 1965-06)
Fagott:
Karl Kolbinger (bassoonist) (von 1965-02 bis 1965-06) und Detlev Kühl (bassoonist) (von 1965-02 bis 1965-06)
Geige / Violine:
Otto Büchner (violinist) (von 1965-02 bis 1965-06)
Horn [corno da caccia I]:
Kurt Richter (German horn player) (von 1965-02 bis 1965-06)
Horn [corno da caccia II]:
Willy Beck (classical horn player) (von 1965-02 bis 1965-06)
Kontrabass:
Herbert Duft (double bass player) (von 1965-02 bis 1965-06) und Ludwig Kiblböck (double bass player) (von 1965-02 bis 1965-06)
Oboe [oboe I], Oboe d’amore [oboe d'amore I] und oboe da caccia [oboe da caccia I]:
Edgar Shann (oboist) (von 1965-02 bis 1965-06)
Oboe [oboe II] und Oboe d’amore [oboe d'amore II]:
Kurt Hausmann (oboist) (von 1965-02 bis 1965-06)
oboe da caccia [oboe da caccia II]:
Gustav Meyer (oboist) (von 1965-02 bis 1965-06)
Orgel:
Hedwig Bilgram (harpsichordist and organist) (von 1965-02 bis 1965-06)
Querflöten (alle Arten):
Paul Meisen (flautist) (von 1965-02 bis 1965-06)
Trompete [trumpet I]:
Maurice André (French trumpeter) (von 1965-02 bis 1965-06)
Trompete [trumpet II]:
Bernhard Gediga (trumpeter) (von 1965-02 bis 1965-06)
Trompete [trumpet III]:
Wilhelm Oppermann (trumpeter) (von 1965-02 bis 1965-06)
Hochgesang:
Christa Ludwig (mezzo-soprano) (von 1965-02 bis 1965-06)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (von 1965-02 bis 1965-06)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (von 1965-02 bis 1965-06)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer) (von 1965-02 bis 1965-06)
aufgenommen bei:
Herkulessaal in München, Bayern, Deutschland (von 1965-02 bis 1965-06)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) „Bereite dich, Zion“ (von 1965-02 bis 1965-06)
Premiere in:
Leipzig, Sachsen, Deutschland (am 1734-12-25)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1734 bis 1735)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:57
3Once in Royal David's City
Techniker(in):
Simon Eadon (classical music engineer)
Produzent(in):
Christopher Hazell
Orgel:
David Briggs (English organist and composer) (von 1984-03-19 bis 1984-03-20, am 1984-03-20)
treble flute:
Robin Barter
Chorgesang:
Choir of King’s College, Cambridge (von 1984-03-19 bis 1984-03-20)
Solo Soprangesang:
Robin Barter (von 1984-03-19 bis 1984-03-20)
vocals:
Choir of King’s College, Cambridge (am 1984-03-20)
conductor:
Stephen Cleobury (organist, conductor) (von 1984-03-19 bis 1984-03-20, am 1984-03-20)
arranger:
Henry John Gauntlett
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1984)
aufgenommen bei:
King’s College Chapel in Cambridge, Cambridgeshire, England, Vereinigtes Königreich (von 1984-03-19 bis 1984-03-20) und King’s College Cambridge in Cambridge, Cambridgeshire, England, Vereinigtes Königreich (am 1984-03-20)
recording of:
Once in Royal David’s City (von 1984-03-19 bis 1984-03-20)
Texter:
Cecil Frances Alexander (in 1848)
Komponist(in):
Henry John Gauntlett (in 1849)
Teil von:
The New English Hymnal (hymn book) (Nummer: 34)
recording of:
Once in Royal David’s City (am 1984-03-20)
Texter:
Cecil Frances Alexander (in 1848)
Komponist(in):
Henry John Gauntlett (in 1849)
Teil von:
The New English Hymnal (hymn book) (Nummer: 34)
recording of:
Once in Royal David’s City (harmony Arthur Mann, descant Stephen Cleobury)
Texter:
Cecil Frances Alexander (in 1848)
Komponist(in):
Henry John Gauntlett (in 1849)
zusätzliche(r) Komponist(in):
Stephen Cleobury (organist, conductor) und Arthur Henry Mann (English organist and composer)
publisher:
Novello
Version von:
Once in Royal David’s City (arr. Mann)
Henry John Gauntlett4:31
4Il Est Né Le Divin Enfant
Geige / Violine:
Ulf Forsberg (violinist) (in 1998-11)
Marimba:
Markus Leoson (percussionist) (in 1998-11)
Mezzosoprangesang:
Anne Sofie von Otter (mezzo-soprano) (in 1998-11)
vocals:
Anne Sofie von Otter (mezzo-soprano)
arranger:
Annette Isserlis (violist)
aufgenommen bei:
Atlantis Studio in Stockholm, Stockholms län (Stockholm county), Schweden (in 1998-11)
recording of:
Il est né le divin enfant (in 1998-11)
Texter und Komponist(in):
[traditional] (special purpose artist)
[traditional]1:28
5O Tannenbaum
Chorgesang:
Vienna Boys' Choir (Wiener Sängerknaben)
conductor:
Uwe Christian Harrer (chorus master/conductor)
recording of:
O Tannenbaum (Oh Tannenbaum, original German version)
Texter:
Ernst Anschütz (in 1824)
Komponist(in):
[traditional] (special purpose artist) (von 1500 bis 1600)
Version von:
Es lebe hoch der Zimmermannsgeselle
[traditional]1:37
6Sleigh Ride
Orchester:
Boston Pops Orchestra
conductor:
Arthur Fiedler (conductor)
instrumental recording of:
Sleigh Ride
Texter:
Mitchell Parish (in 1950)
Komponist(in):
Leroy Anderson (bis 1948-02-10)
publisher:
EMI Harmonies Limited, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Australia Pty Ltd (not for release label use!) und Woodbury Music (aka Woodbury Music Company)
Version von:
Sleigh Ride (original instrumental version)
Leroy Anderson2:59
7Der Hirten Lied Am Krippelein, Op.22, H.1, No.3: Schlaf Wohl, Du Himmelsknabe
leitende(r) Produzent(in):
Dr. Hans Hirsch (producer at Deutsche Grammophon)
Produzent(in):
Wolfgang Lohse
Klavier:
Jörg Demus (pianist) (in 1970-11)
Baritongesang:
Dietrich Fischer‐Dieskau (baritone) (in 1970-11)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
aufgenommen bei:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Deutschland (in 1970-11)
recording of:
Der Hirten Lied am Krippelein, op. 22, Heft 1: No. 3. "Schlaf wohl, du himmelsknabe" (in 1970-11)
Texter und Komponist(in):
Carl Loewe (composer)
Teil von:
Geistliche Gesänge, op. 22, Heft 1
Carl Loewe2:53
8The First Nowell
Chorgesang:
Choir of King’s College, Cambridge
conductor:
Sir David Willcocks (UK composer, organist, choral conductor)
recording of:
The First Nowell
Texter, Verfasser(in) und Komponist(in):
[traditional] (special purpose artist)
Teil von:
Roud Folk Song Index (Nummer: 682)
[anonymous]4:50
9'Hark! The Herald Angels Sing'
recording of:
Hark! The Herald Angels Sing (Christmas carol)
Texter:
Charles Wesley (hymn writer) (in 1739)
zusätzlicher Texter:
George Whitefield (in 1753)
Komponist(in):
Felix Mendelssohn (Felix Mendelssohn Bartholdy, composer) (in 1840)
arranger:
William H. Cummings (in 1855)
Teil von:
The New English Hymnal (hymn book) (Nummer: 26)
Felix Mendelssohn2:24
10Santa Claus Is Coming to Town
Techniker(in):
James Nichols
Produzent(in):
Nathaniel S. Johnson und John Pfeiffer (producer and engineer)
Orchester:
The Boston ‘Pops’ Orchestra (beendet, von 1959-05-15 bis 1959-05-16)
conductor:
Arthur Fiedler (conductor) (beendet, von 1959-05-15 bis 1959-05-16)
arranger:
Jack Mason (classical arranger)
phonographisches Urheberrecht (℗) von:
BMG Records (UK) Limited (1987–1996) (in 1959)
instrumental recording of:
Santa Claus Is Coming to Town (von 1959-05-15 bis 1959-05-16)
Texter:
Haven Gillespie (in 1932)
Komponist(in):
J. Fred Coots (in 1932)
publisher:
EMI Allans Music Australia Pty Ltd, EMI Feist Catalog Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI United Partnership Ltd., Francis, Day & Hunter Ltd., Haven Gillespie Music Publishing, Jobete Music Co., Inc., Leo Feist Ltd, Leo Feist, Inc., SBK United Partnership und The Songwriters Guild
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
recording of:
Santa Claus Is Coming to Town (beendet)
Texter:
Haven Gillespie (in 1932)
Komponist(in):
J. Fred Coots (in 1932)
publisher:
EMI Allans Music Australia Pty Ltd, EMI Feist Catalog Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI United Partnership Ltd., Francis, Day & Hunter Ltd., Haven Gillespie Music Publishing, Jobete Music Co., Inc., Leo Feist Ltd, Leo Feist, Inc., SBK United Partnership und The Songwriters Guild
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Leroy Anderson12:40
11'Away in a Manger'
Assistent recording engineer:
Mike Cox (engineer) (in 2010-07)
recording engineer:
Stephan Flock (in 2010-07)
Produzent(in):
Sid McLauchlan (engineer/producer)
bass-baritone vocals:
Bryn Terfel (bass‐baritone opera singer) (in 2010-07)
vocals:
Bryn Terfel (bass‐baritone opera singer)
Orchester:
Orchestra of the Welsh National Opera (in 2010-07)
conductor:
Tecwyn Evans (NZ conductor) (in 2010-07)
aufgenommen bei:
BBC Hoddinott Hall (Wales Millennium Centre) in Cardiff, Wales, Vereinigtes Königreich (in 2010-07)
recording of:
Away in a Manger (aka “Cradle Song” composed by William J. Kirkpatrick)
Texter:
[anonymous] (special purpose artist)
zusätzlicher Texter:
Charles Hutchinson Gabriel (in 1892)
Komponist(in):
William James Kirkpatrick (hymn-writer) (in 1895)
Teil von:
Roud Folk Song Index (Nummer: 25304)
basiert auf:
Sweet Afton (set to music by Jonathan E. Spilman, 1837)
übersetzte Version von:
Y Preseb
William James Kirkpatrick3:35
12Concerto Grosso in G minor, Op.6, No.8 'Fatto Per La Notte di Natale': 6. Pastorale: Largo
recording engineer:
Volker Martin (engineer) und Ulrich Vette (engineer)
Techniker(in) und Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
leitende(r) Produzent(in):
Dr. Andreas Holschneider und Charlotte Kriesch
Produzent(in):
Dr. Gerd Ploebsch (engineer)
Editing:
Bruno Nellesen
Cello [violoncello]:
Jaap ter Linden (cellist/violist/conductor) (in 1987-04)
Cembalo:
Trevor Pinnock (conductor / harpsichord) (in 1987-04)
Geige / Violine:
Micaela Comberti (English violinist) (in 1987-04) und Simon Standage (English violinist and conductor) (in 1987-04)
Orchester:
The English Concert (in 1987-04)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1987-04)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (vom 1987-04 bis heute, in 1987-04)
recording of:
Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: VI. Pastorale (Largo) (in 1987-04)
Komponist(in):
Arcangelo Corelli (Italian baroque composer and violinist)
Teil von:
Concerto Grosso in G minor, op. 6 no. 8 “Fatto per la notte di Natale” (Christmas Concerto)
Arcangelo Corelli4:08
136 Weihnachtslieder, Op.8: 1. Christbaum
Klavier:
Erik Werba (pianist)
Soprangesang:
Irmgard Seefried (soprano)
recording of:
Weihnachtslieder, op. 8: I. Christbaum
Texter:
Peter Cornelius (German composer, lived from 1824 to 1874)
Komponist(in):
Peter Cornelius (German composer, lived from 1824 to 1874) (in 1856)
Teil von:
Weihnachtslieder, op. 8
Peter Cornelius1:50
146 Weihnachtslieder, Op.8: 3. Die Könige
Klavier:
Erik Werba (pianist)
Soprangesang:
Irmgard Seefried (soprano)
recording of:
Weihnachtslieder, op. 8: III. Die Könige
Texter:
Peter Cornelius (German composer, lived from 1824 to 1874)
Komponist(in):
Peter Cornelius (German composer, lived from 1824 to 1874) (in 1856)
Teil von:
Weihnachtslieder, op. 8
Peter Cornelius2:27
15Joy to the World - Arranged by Patrick Kerber: 'Joy to the World'
Gitarre:
Los Romeros (quartet of Spanish guitarists)
Gitarre arranger:
Patrick Kerber
instrumental recording of:
Joy to the World (Christmas carol)
Texter:
Isaac Watts (hymn writer) (in 1719)
Komponist(in):
George Frideric Handel (German‐British baroque composer)
arranger:
Lowell Mason (in 1839)
[traditional]2:30
16Hört Zu Und Seid Getrost Sehr
Chorgesang:
Knabenchor Hannover (German boys choir)
conductor:
Heinz Hennig (conductor)
Interpret(in):
Instrumental-Ensemble ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1959)
recording of:
Hört zu und seid getrost sehr
Komponist(in):
Leonhard Schröter (choirmaster, teacher, and composer)
Leonhart Schröter3:07
17Concerto for 2 Trumpets, Strings and Continuo in C, RV 537: 3. Allegro
Trompete:
Hannes Läubin (trumpeter) und Wolfgang Läubin (trumpeter)
Orchester:
English Chamber Orchestra
conductor:
Simon Preston (organist, conductor, composer)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recording of:
Concerto for Two Trumpets in C major, RV 537: III. Allegro
Komponist(in):
Antonio Vivaldi (Italian baroque composer and violinist)
Teil von:
Concerto for Two Trumpets in C major, RV 537
Antonio Vivaldi3:21
18Freut Euch, Ihr Lieben Christen
Chorgesang:
Knabenchor Hannover (German boys choir)
conductor:
Heinz Hennig (conductor)
Interpret(in):
Instrumental-Ensemble ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1959)
recording of:
Freut euch ihr lieben Christen
Komponist(in):
Leonhard Schröter (choirmaster, teacher, and composer)
Leonhart Schröter1:53
19Concerto Grosso in G minor, Op.6, No.6 HWV 324: 3. Musette (Larghetto)
leitende(r) Produzent(in):
Dr. Andreas Holschneider und Charlotte Kriesch
Produzent(in):
Dr, Gerd Ploebsch (engineer)
Cello:
Anthony Pleeth (cellist) (in 1982-02)
Geige / Violine [violin I]:
Simon Standage (English violinist and conductor) (in 1982-02)
Geige / Violine [violin II]:
Elizabeth Wilcock (violinist) (in 1982-02)
Orchester:
The English Concert (in 1982-02)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1982-02)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (in 1982-02)
recording of:
Concerto grosso in G minor, op. 6 no. 6, HWV 324: III. Musette, larghetto (in 1982-02)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1739)
Teil von:
Concerto grosso in G minor, op. 6 no. 6, HWV 324
George Frideric Handel5:42
20Christmas Oratorio, BWV 248 / Part One - For the First Day of Christmas: No.8 Aria (Baß): 'Großer Herr, o Starker König'
recording engineer:
Gregor Zielinsky (Balance engineer)
leitende(r) Produzent(in):
Dr. Andreas Holschneider und Charlotte Kriesch
Produzent(in) und Tonmeister(in):
Karl-August Naegler (balance engineer)
Trompete:
Crispian Steele‐Perkins (classical trumpeter and composer) (in 1987-01)
Bass-Gesang [Herod]:
Olaf Bär (baritone) (in 1987-01)
Orchester:
English Baroque Soloists (The English Baroque Soloists) (in 1987-01)
conductor:
John Eliot Gardiner (in 1987-01)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, VIII. Aria (Basso) „Großer Herr, o starker König“ (in 1987-01)
Premiere in:
Leipzig, Sachsen, Deutschland (am 1734-12-25)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1734 bis 1735)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach4:27
21Christmas Oratorio, BWV 248 / Part One - For the First Day of Christmas: No.9 Choral: 'Ach Mein Herzliebes Jesulein'
recording engineer:
Gregor Zielinsky (Balance engineer)
leitende(r) Produzent(in):
Dr. Andreas Holschneider und Charlotte Kriesch
Produzent(in) und Tonmeister(in):
Karl-August Naegler (balance engineer)
Chorgesang:
Monteverdi Choir (English vocal Baroque ensemble) (in 1987-01)
Orchester:
English Baroque Soloists (The English Baroque Soloists) (in 1987-01)
conductor:
John Eliot Gardiner (in 1987-01)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil I, IX. Choral „Ach mein herzliebes Jesulein“ (in 1987-01)
Premiere in:
Leipzig, Sachsen, Deutschland (am 1734-12-25)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1734 bis 1735)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach1:13
22Christmas Oratorio, BWV 248 / Part Two - For the Second Day of Christmas: No.10 Sinfonia
recording engineer:
Gregor Zielinsky (Balance engineer)
leitende(r) Produzent(in):
Dr. Andreas Holschneider und Charlotte Kriesch
Produzent(in) und Tonmeister(in):
Karl-August Naegler (balance engineer)
Orchester:
English Baroque Soloists (The English Baroque Soloists) (in 1987-01)
conductor:
John Eliot Gardiner (in 1987-01)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1987)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia (in 1987-01)
Premiere in:
Leipzig, Sachsen, Deutschland (am 1734-12-26)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1734 bis 1735)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach5:19
23Stille Nacht, Heilige Nacht
Produzent(in):
Günther Breest (producer for classical music) und Wolfgang Stengel
Orchester:
Blechbläser-Ensemble der Berliner Philharmoniker (in 1977-08)
conductor:
Herbert von Karajan (conductor) (in 1977-08)
Tonmeister(in):
Heinz Wildhagen (engineer, producer) (in 1977-08)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1977)
aufgenommen bei:
Kirche St. Emmeram in Regensburg, Bayern, Deutschland (in 1977-08)
recording of:
Stille Nacht, heilige Nacht (in 1977-08)
Texter:
Josef Mohr (composer/author) (in 1816)
Komponist(in):
Franz Xaver Gruber (composer/author) (in 1818)
Teil von:
Oh, What a Lovely War! (stage musical)
Franz Xaver Gruber3:00
24Recessional: 'In Dulci Jubilo' - Polyhymnia Caduceatrix (1619) -
Chorgesang:
Gabrieli Consort & Players (UK early music ensemble) und Boy's Choir of Roskilde Cathedral
Soprangesang:
Tessa Bonner (soprano) und Susan Hemington Jones (soprano)
Tenor-Gesang:
Mark le Brocq (tenor)
Orchester:
Gabrieli Consort & Players (UK early music ensemble)
conductor:
Paul McCreesh (conductor)
chorus master:
Kristian Olesen (organist, chorus master)
aufgenommen bei:
Roskilde Domkirke in Roskilde, Region Zealand, Dänemark (in 1993-10)
recording of:
In dulci jubilo (arr. Michael Praetorius. Musae Sioniae VI, no. 32)
Komponist(in):
Michael Praetorius (composer and organist) (in 1607)
Version von:
In dulci iubilo (original traditional version in macaronic alteration of medieval German and Latin, use also for unspecified versions)
Michael Praetorius5:26
25Adeste Fideles (O Come, All Ye Faithful)
Produzent(in):
Andrew Cornall (engineer / producer) und Paul Myers (classical record producer) (Aufgabe: session recording producer)
Mix:
Philip Siney (sound engineer) (von 1998-09-19 bis 1998-09-25)
Chorgesang:
Romanian National Choir "Madrigal-Marin Constantin" (von 1998-09-19 bis 1998-09-25)
Soprangesang:
Angela Gheorghiu (Romanian soprano) (von 1998-09-19 bis 1998-09-25)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (von 1998-09-19 bis 1998-09-25)
conductor:
Ion Marin (conductor) (von 1998-09-19 bis 1998-09-25)
arranger:
Douglas Gamley (film composer) und Chris Hazell
Tonmeister(in):
James Lock (James Locke, engineer) (von 1998-09-19 bis 1998-09-25)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 2001)
aufgenommen bei:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (von 1998-09-19 bis 1998-09-25)
recording of:
Adeste fideles (original latin version)
Texter und Komponist(in):
John Francis Wade (von 1740 bis 1743)
John Francis Wade3:39
26Kommet, Ihr Hirten
Orchester:
Berlin Philharmonic Brass Ensemble
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1977)
recording of:
Kommet, ihr Hirten (German version of Bohemian Christmas carol)
Texter und Komponist(in):
[traditional] (special purpose artist)
Übersetzer:
Carl Riedel
Version von:
Nesem vám noviny (traditional Czech poem/song)
[anonymous]1:08
27Magnificat in D major, BWV 243: Chorus: 'Magnificat'
leitende(r) Produzent(in):
Prof. Dr. Hans Hickmann
Produzent(in):
Karl-Heinz Schneider (producer)
Chorgesang:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
Orchester:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
Tonmeister(in):
Walter Alfred Wettler
aufgenommen bei:
Hochschule für Musik und Theater München in München, Bayern, Deutschland (in 1961-02, in 1961-04)
recording of:
Magnificat D-Dur, BWV 243: I. Coro "Magnificat anima mea" (in 1961-04)
Premiere in:
Leipzig, Sachsen, Deutschland (am 1733-07-02)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1728 bis 1731)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach3:05
28Concerto Grosso in G minor, Op.5, No.6: Pastorale in G major - Andante Sostenuto
leitende(r) Produzent(in):
Dr. Andreas Holschneider und Charlotte Kriesch
Produzent(in):
Dr. Gerd Ploebsch (engineer)
Orchester:
The English Concert (in 1990-10)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1990-10)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (in 1990-10)
recording of:
Concerto grosso, op. 5/6: Pastorale in G major (in 1990-10)
Komponist(in):
Giuseppe Baldassare Sammartini (composer)
Teil von:
Concerto grosso in G minor, op. 5 no. 6 "di Natale"
Giuseppe Baldassare Sammartini4:13
29Vom Himmel Hoch, o Englein Kommt
recorded in:
München, Bayern, Deutschland (in 1966-06)
Baritongesang:
Hermann Prey (baritone) (in 1966-06)
Tenor-Gesang:
Fritz Wunderlich (operatic tenor) (in 1966-06)
arranger:
Fritz Neumeyer (cembalist, pianist and composer)
recording of:
Vom Himmel hoch, o Englein kommt (Susani, susani) (in 1966-06)
Texter und Komponist(in):
[traditional] (special purpose artist)
[anonymous]2:11
30O Freude Über Freude
recorded in:
München, Bayern, Deutschland (in 1966-06)
Geige / Violine:
Wolfgang Neininger (violinist) (in 1966-06)
Oboe:
Dietmar Keller (oboist) (in 1966-06) und Hans‐Georg Renner (oboist) (in 1966-06)
Baritongesang:
Hermann Prey (baritone) (in 1966-06)
Tenor-Gesang:
Fritz Wunderlich (operatic tenor) (in 1966-06)
arranger:
Fritz Neumeyer (cembalist, pianist and composer)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1966)
recording of:
O Freude über Freude (in 1966-06)
Texter und Komponist(in):
Schlesisches Volkslied ([traditional], special purpose artist)
[anonymous]2:36
31Magnificat in D major, BWV 243 - With Four Christmas Interpolations. Ed. Dürr. Neue Bach Ausgabe: Freut Euch Und Jubiliert
Orchester:
New Bach Collegium Musicum Leipzig (Neues Bachisches Collegium Musicum)
conductor:
Georg Christoph Biller (conductor)
recording of:
Magnificat in D major, BWV 243: VII. Choral Interpolation "Freut euch und jubiliert"
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach1:25
32Noëls Sur Les Instruments, H 531, 534: 4. Où S'En Vont Ces Gais Bergers?
Orchester:
The English Concert
conductor:
Trevor Pinnock (conductor / harpsichord)
recording of:
Noël sur les instruments, H. 534: Où s'en vont ces gays bergers
Komponist(in):
Marc‐Antoine Charpentier (composer)
Teil von:
Noël sur les instruments, H. 534
Marc‐Antoine Charpentier1:33
33Minuit, Chrétiens!
Chorgesang:
New London Children’s Choir, Smithills School Junior Choir, The Choir of St. Johns und The London Oratory School Choir
Tenor-Gesang:
Roberto Alagna (tenor)
Orchester:
London Symphony Orchestra
conductor:
Robin Smith (songwriter/pianist/conductor/producer)
recording of:
Cantique de Noël “Minuit chrétiens” (French original of “O Holy Night”)
Texter:
Placide Cappeau
Komponist(in):
Adolphe Adam (French composer) (in 1847)
basiert auf:
Minuit, chrétiens (Poem)
Adolphe Adam4:33
34D'Ou Viens-Tu, Bergère
Produzent(in):
Karl-Heinz Schneider (producer)
Englischhorn [English horn]:
Gustav Meyer (oboist) (von 1961-05 bis 1961-06)
Fagott:
Karl Kolbinger (bassoonist) (von 1961-05 bis 1961-06)
Oboe:
Manfred Clement (oboist) (von 1961-05 bis 1961-06)
Soprangesang:
Maria Stader (soprano) (von 1961-05 bis 1961-06)
arranger:
Franz Josef Breuer
Tonmeister(in):
Walter Alfred Wettler
aufgenommen bei:
Musikhochschule in München, Bayern, Deutschland (von 1961-05 bis 1961-06)
recording of:
D'où viens-tu, bergère? (von 1961-05 bis 1961-06)
Komponist(in):
[traditional] (special purpose artist)
[anonymous]1:51
35Freu' Dich, Erd' Und Sternenzelt
[anonymous]1:49
36Ave Maria, 'Ellens Gesang III', D. 839 - Arr. Johannes Palaschko
Cello:
Mischa Maisky (cellist) (in 1987-10)
Klavier:
Pavel Gililov (pianist) (in 1987-10)
arranger:
Johannes Palaschko
aufgenommen bei:
Reitstadel in Neumarkt in der Oberpfalz, Bayern, Deutschland (in 1987-10)
recording of:
Ave Maria, D. 839 (Schubert; catch-all for arrangements) (in 1987-10)
Komponist(in):
Franz Schubert (composer) (in 1825)
Arrangement von:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Ave Maria "Ellens Gesang III", op. 52 Nr. 6 D. 839, Schubert's song, not the Bach/Gounod work; original for voice and piano)
Franz Schubert5:34
37Mariä Wiegenlied, Op.76/52
Bratsche / Viola:
Torbjörn Helander (violist) (in 1998-11)
Fagott:
Knut Sønstevold (in 1998-11)
Mezzosoprangesang:
Anne Sofie von Otter (mezzo-soprano) (in 1998-11)
aufgenommen bei:
Atlantis Studio in Stockholm, Stockholms län (Stockholm county), Schweden (in 1998-11)
recording of:
Schlichte Weisen, op. 76: No. 52. Mariä Wiegenlied (in 1998-11)
Texter:
Martin Boelitz
Verfasser(in):
[traditional] (special purpose artist)
Komponist(in):
Max Reger (German composer) (in 1912)
Teil von:
Schlichte Weisen, op. 76
Max Reger2:07
38Noel
accordion:
Bengan Janson
Kontrabass:
Svante Henryson
Perkussion:
Markus Leoson (percussionist)
Mezzosoprangesang:
Anne Sofie von Otter (mezzo-soprano)
recording of:
Noël, op. 43 no. 1
Texter:
Victor Wilder (Belgian lyricist, a.k.a. Victor van Wilder, V. Wilder)
Komponist(in):
Gabriel Fauré (French composer) (in 1886)
Teil von:
Deux Mélodies, op. 43
Gabriel Fauré2:36
39O Jesulein Zart - Arranged by Chris Hazell: O Jesulein Zart - Arranged by Chris Hazell
Assistent recording engineer:
Mike Cox (engineer) (in 2010-07)
recording engineer:
Stephan Flock (in 2010-07)
Produzent(in):
Sid McLauchlan (engineer/producer)
bass-baritone vocals:
Bryn Terfel (bass‐baritone opera singer) (in 2010-07)
Chorgesang:
Côrdydd (Choir based in Cardiff.) (in 2010-07)
Orchester:
Orchestra of the Welsh National Opera (in 2010-07)
conductor:
Tecwyn Evans (NZ conductor) (in 2010-07)
chorus master:
Sioned James (chorus master) (in 2010-07)
arranger:
Chris Hazell
aufgenommen bei:
BBC Hoddinott Hall (Wales Millennium Centre) in Cardiff, Wales, Vereinigtes Königreich (in 2010-07)
recording of:
O Jesulein zart, SSWV 445 (catch-all for arrangements) (in 2010-07)
Komponist(in):
Samuel Scheidt (composer)
Arrangement von:
O Jesulein zart, SSWV 445
Samuel Scheidt2:51
40'Hodie Christus Natus Est' - Motet
Chorgesang:
Regensburger Domspatzen (Regensburg Cathedral Choir, German / Regensburger cathedral choir)
chorus master:
Georg Ratzinger (German choir conductor and composer)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1980)
recording of:
Hodie Christus natus est
Texter:
[traditional] (special purpose artist)
Komponist(in):
Giovanni Pierluigi da Palestrina (Italian composer, 1525–1594)
Giovanni Pierluigi da Palestrina2:46
41Nun Ist Es Zeit Zu Singen Hell
Chorgesang:
Eppendorfer Knabenchor und Städtischer Chor Hamburg
conductor:
Adolf Detel (German conductor)
recording of:
Nun is es Zeit, zu singen hell
Komponist(in):
Andreas Crappius (German conposer)
Andreas Crappius2:23
42Judas Maccabaeus, HWV 63: Tochter Zion, Freue Dich
Chorgesang:
Augsburger Domsingknaben
Orchester:
Deutsches Kammerorchester Berlin
conductor:
Reinhard Kammler (conductor)
recording of:
Tochter Zion, freue dich
Texter und arranger:
Friedrich Heinrich Ranke
Komponist(in):
George Frideric Handel (German‐British baroque composer)
übersetzte Version von:
Judas Maccabaeus, HWV 63: Act III, no. 58: “See the Conqu’ring Hero Comes” (Chorus of Youths, Chorus of Virgins)
George Frideric Handel2:35
43Messiah, HWV 56 / Pt. 1: 'o Thou That Tellest Good Tidings to Zion'
Produzent(in):
Christopher Alder (editor/engineer/producer)
Chorgesang:
Gabrieli Consort (in 1996-12)
Hochgesang:
Bernarda Fink (mezzo-soprano) (in 1996-12)
Orchester:
Gabrieli Players (in 1996-12)
conductor:
Paul McCreesh (conductor) (in 1996-12)
Tonmeister(in):
Andrew Wedman (producer and engineer)
aufgenommen bei:
All Saints Church (Tooting, London) in London (Greater London), England, Vereinigtes Königreich (in 1996-12)
recording of:
Messiah, HWV 56: Part I, no. 9. Air “O thou that tellest good tidings to Zion” (Alto, Chorus) (in 1996-12)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part I
George Frideric Handel4:50
44Christmas Festival
Orchester:
Boston Pops Orchestra
conductor:
Arthur Fiedler (conductor)
recording of:
A Christmas Festival
arranger:
Leroy Anderson
Medley von:
Joy to the World (Christmas carol)
Medley von:
Deck the Halls
Medley von:
God Rest Ye Merry, Gentlemen (traditional, no arrangement credits here)
Medley von:
Good King Wenceslas
Medley von:
Hark! The Herald Angels Sing (Christmas carol)
Medley von:
The First Nowell
Medley von:
Jingle Bells
Medley von:
O Come, All Ye Faithful (English version of Latin “Adeste fideles”)
Medley von:
Silent Night (Christmas carol, English translation)
[anonymous]9:42
45Es Ist Ein Ros' Entsprungen
Chorgesang:
Augsburger Domsingknaben
recording of:
Es ist ein Ros entsprungen (Praetorius’ harmonisation)
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
Michael Praetorius (composer and organist) (in 1609)
Arrangement von:
Es ist ein Ros entsprungen (original anonymous version)
Michael Praetorius1:46
46Messiah, HWV 56 / Pt. 1: 17a.Then Shall the Eyes of the Blind... 18a. He Shall Feed
Produzent(in):
Dr. Gerd Ploebsch (engineer)
Cembalo:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
Orgel:
Edgar Krapp (organist) (in 1972-11)
Solo-Trompete:
Gordon Webb (trumpet player) (in 1972-11)
Hochgesang:
Anna Reynolds (alto) (in 1972-11)
Soprangesang:
Helen Donath (soprano) (in 1972-11)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
aufgenommen bei:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1972-11)
Kompilation von:
Messiah: 18. He shall feed his flock. Duet (Contralto, Soprano) von Helen Donath (soprano), Anna Reynolds (alto), London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Karl Richter (conductor/ choir master/ organist/ harpsichordist)
recording of:
Messiah, HWV 56: Part I, no. 19. Recitative “Then shall the eyes of the blind” (Contralto) (in 1972-11)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 20. Air “He Shall Feed His Flock” (Soprano, Contralto) (in 1972-11)
Komponist(in):
George Frideric Handel (German‐British baroque composer)
Teil von:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 19. Recitative “Then shall the eyes of the blind” (Contralto)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part I
recording of:
Messiah, HWV 56: Part I, no. 20. Air “He Shall Feed His Flock” (Soprano, Contralto)
Komponist(in):
George Frideric Handel (German‐British baroque composer)
Teil von:
Messiah, HWV 56: Part I
George Frideric Handel7:15
47Messiah, HWV 56 / Pt. 1: 12. Chorus: 'For Unto Us a Child Is Born'
Produzent(in):
Dr. Gerd Ploebsch (engineer)
Cembalo:
Hedwig Bilgram (harpsichordist and organist) (in 1972-11)
Orgel:
Edgar Krapp (organist) (in 1972-11)
Solo-Trompete:
Gordon Webb (trumpet player) (in 1972-11)
Chorgesang:
John Alldis Choir (The John Alldis Choir) (in 1972-11)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1972-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1972-11)
chorus master:
John Alldis (chorusmaster and conductor) (in 1972-11)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1973)
aufgenommen bei:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, Vereinigtes Königreich (in 1972-11)
recording of:
Messiah, HWV 56: Part I, no. 12. Chorus “For unto us a Child is born” (in 1972-11)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part I
George Frideric Handel4:15
48Concerto Grosso in G minor, Op.6, No.8 'Fatto Per La Notte di Natale': 5. Allegro
recording engineer:
Volker Martin (engineer) und Ulrich Vette (engineer)
leitende(r) Produzent(in):
Dr. Andreas Holschneider und Charlotte Kriesch
Produzent(in):
Dr. Gerd Ploebsch (engineer)
Editing:
Bruno Nellesen
Cello [violoncello]:
Jaap ter Linden (cellist/violist/conductor) (in 1987-04)
Cembalo:
Trevor Pinnock (conductor / harpsichord) (in 1987-04)
Geige / Violine:
Micaela Comberti (English violinist) (in 1987-04) und Simon Standage (English violinist and conductor) (in 1987-04)
Orchester:
The English Concert (in 1987-04)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1987-04)
Tonmeister(in):
Hans‐Peter Schweigmann (engineer)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (in 1987-04)
recording of:
Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: V. Allegro (in 1987-04)
Komponist(in):
Arcangelo Corelli (Italian baroque composer and violinist)
Teil von:
Concerto Grosso in G minor, op. 6 no. 8 “Fatto per la notte di Natale” (Christmas Concerto)
Arcangelo Corelli2:11
49Cantata 'Ich Freue Mich in Dir', BWV 133: Chorus: Ich Freue Mich in Dir
recording engineer:
Jürgen Bulgrin (sound engineer)
leitende(r) Produzent(in):
David R. Murray
Produzent(in):
Hans Bernhard Bätzing (engineer, producer) und Dr. Isabella de Sabata
Chorgesang:
Monteverdi Choir (English vocal Baroque ensemble) (in 1998-12)
Orchester:
English Baroque Soloists (The English Baroque Soloists) (in 1998-12)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1998-12)
Tonmeister(in):
Rainer Maillard
aufgenommen bei:
St. Giles’ without Cripplegate in City of London, London (Greater London), England, Vereinigtes Königreich (in 1998-12)
live recording of:
Kantate, BWV 133 "Ich freue mich in dir": I. Coro "Ich freue mich in dir" (in 1998-12)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
Teil von:
Kantate, BWV 133 "Ich freue mich in dir"
recording of:
Kantate, BWV 133 "Ich freue mich in dir": I. Coro "Ich freue mich in dir"
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
Teil von:
Kantate, BWV 133 "Ich freue mich in dir"
Johann Sebastian Bach4:15
50Benedixisti, Domine
Chorgesang:
Regensburger Domspatzen (Regensburg Cathedral Choir, German / Regensburger cathedral choir)
conductor und chorus master:
Georg Ratzinger (German choir conductor and composer)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1980)
recording of:
Benedixisti Domine à 7, Ch. 11 (Sacrae symphoniae, Liber 1)
Komponist(in):
Giovanni Gabrieli (composer)
Teil von:
Giovanni Gabrieli: A Thematic Catalogue of his Music with a Guide to the Source Materials and Translations of his Vocal Texts (Charteris [Ch.]) (Nummer: Ch. 11)
Teil von:
Sacrae symphoniae, Liber 1
Giovanni Gabrieli2:01
51Was Soll Das Bedeuten
Baritongesang:
Hermann Prey (baritone)
Tenor-Gesang:
Fritz Wunderlich (operatic tenor)
Interpret(in):
Instrumental-Solisten ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1966)
recording of:
Was soll das bedeuten
Texter und Komponist(in):
[traditional] (special purpose artist)
[traditional]2:01
52Maria Durch Ein Dornwald Ging
Baritongesang:
Hermann Prey (baritone)
Tenor-Gesang:
Fritz Wunderlich (operatic tenor)
Interpret(in):
Instrumental-Solisten ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1966)
recording of:
Maria durch ein Dornwald ging
Texter und Komponist(in):
[traditional] (special purpose artist)
[anonymous]1:46
53Übers Gebirg Maria Geht
Chorgesang:
Regensburger Domspatzen (Regensburg Cathedral Choir, German / Regensburger cathedral choir)
conductor:
Georg Ratzinger (German choir conductor and composer)
recording of:
Übers Gebirg Maria geht
Texter:
Ludwig Helmbold
Komponist(in):
Johannes Eccard (composer)
Johannes Eccard2:54
54Quem Vidistis, Pastores: Offertorium
Orgel:
Timothy Roberts (British conductor and keyboardist)
Chorgesang:
Gabrieli Consort
conductor:
Paul McCreesh (conductor)
recording of:
Quem vidistis, pastores?
Komponist(in):
Tomás Luis de Victoria (Spanish Renaissance composer)
Tomás Luis de Victoria3:42
55Organ Prelude: 'Wie Schön Leuchtet Der Morgenstern' - 'Görlitzer Tabulatur-Buch' (1650) -
Samuel Scheidt1:37
56Resonet in Laudibus
[anonymous]1:22
57Noel's Galliard
Anthony Holborne1:07
58Historia Der Geburt Jesu Christi, SWV435 (1664): Intermedium I: Fürchtet Euch Nicht...
Heinrich Schütz3:01
59Historia Der Geburt Jesu Christi, SWV435 (1664): Rezitativ: Und Alsbald War da Bei Dem Engel... Intermedium II: Ehre Sei Gott in Der Höhe
Heinrich Schütz2:20
60Auf Dem Berge, da Wehet Ein Wind
[traditional]2:18
61Christmas Oratorio, BWV 248 / Part Six - For the Feast of Epiphany: No.64 Choral: 'Nun Seid Ihr Wohl Gerochen'
recording engineer:
Gregor Zielinsky (Balance engineer)
leitende(r) Produzent(in):
Dr. Andreas Holschneider und Charlotte Kriesch
Produzent(in) und Tonmeister(in):
Karl-August Naegler (balance engineer)
Chorgesang:
Monteverdi Choir (English vocal Baroque ensemble) (in 1987-01)
Orchester:
English Baroque Soloists (The English Baroque Soloists) (in 1987-01)
conductor:
John Eliot Gardiner (in 1987-01)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1987-01)
recording of:
Weihnachts-Oratorium, BWV 248: Teil VI, LXIV. Choral „Nun seid ihr wohl gerochen“ (in 1987-01)
komponiert in:
Leipzig, Sachsen, Deutschland (von 1734 bis 1735)
Texter:
Paul Gerhardt (17th century hymn writer)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Breitkopf 389 Choralgesänge (Nummer: 165)
Teil von:
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach3:22
62Herz Und Mund Und Tat Und Leben Cantata, BWV 147 - Arr. Peter Hurford: Jesu, Joy of Man's Desiring
Orgel:
Peter Hurford (organist)
Orgel arranger:
Peter Hurford (organist)
aufgenommen bei:
Sydney Opera House in Sydney, New South Wales, Australien
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Arrangement von:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Johann Sebastian Bach3:16
63Proprium Primae Missae in Nativitate: Alleluia: Dominus Dixit
Chorgesang:
Choralschola des Klosters Maria Einsiedeln
conductor:
Roman Bannwart
[anonymous]2:51
64Messiah, HWV 56 / Pt. 2: 'Hallelujah'
Sound-Engineering:
Hans‐Peter Schweigmann (engineer)
leitende(r) Produzent(in):
Dr. Andreas Holschneider und Charlotte Kriesch
Produzent(in):
Dr. Gerd Ploebsch (engineer)
Editing:
Ulrich Vette (engineer)
Chorgesang:
The English Concert Choir (in 1988-01)
Orchester:
The English Concert (in 1988-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-01)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon (in 1988)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1988-01)
recording of:
Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” (in 1988-01)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Librettist:
Charles Jennens
Teil von:
Messiah, HWV 56: Part II
George Frideric Handel4:01
65White Christmas
Geige / Violine:
Jascha Heifetz (violinist) (am 1944-10-17)
Orchester:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1944-10-17)
conductor:
Salvador Camarata (am 1944-10-17)
aufgenommen bei:
World Broadcasting System Studios in New York, New York, Vereinigte Staaten (am 1944-10-17)
instrumental cover recording of:
White Christmas (am 1944-10-17)
Texter und Komponist(in):
Irving Berlin (von 1938 bis 1940)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Irving Berlin Music Corp., Williamson Music Company und Irving Berlin Music Company (vom 1940 bis heute)
sub-publisher:
EMI Allans Music Australia Pty Ltd, Irving Berlin Music Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 15th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1942 winner)
Irving Berlin3:24
66Mary's Boy Child
Chorgesang:
London Voices (in 1985-12)
Soprangesang:
Kiri Te Kanawa (soprano) (in 1985-12)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1985-12)
conductor:
Carl Davis (conductor and composer) (in 1985-12)
arranger:
David Cullen (composer, arranger, orchestrator)
phonographisches Urheberrecht (℗) von:
The Decca Record Co. Ltd. (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1986)
live cover recording of:
Mary’s Boy Child (in 1985-12)
Texter und Komponist(in):
Jester Hairston
publisher:
Bourne Music Ltd. und J. Albert & Son Pty. Ltd.
Jester Hairston3:54
67God Rest Ye Merry, Gentlemen
Chorgesang:
Choir of King’s College, Cambridge
conductor:
Sir David Willcocks (UK composer, organist, choral conductor)
[anonymous]3:26
68Concerto Grosso in F minor, Op.1, No.8 'Christmas Concerto': 7. Pastorale (Largo Andante)
Orchester:
I Musici
recording of:
Concerto Grosso in G minor, op. 6 no. 8 “Christmas Concerto”: VI. Pastorale (Largo)
Komponist(in):
Arcangelo Corelli (Italian baroque composer and violinist)
Teil von:
Concerto Grosso in G minor, op. 6 no. 8 “Fatto per la notte di Natale” (Christmas Concerto)
Pietro Antonio Locatelli3:11
69Mille Cherubini in Coro, D. 498
Produzent(in):
Andrew Cornall (engineer / producer) und Paul Myers (classical record producer) (Aufgabe: session recording producer)
Mix:
Philip Siney (sound engineer) (von 1998-09-19 bis 1998-09-25)
Chorgesang:
Romanian National Choir "Madrigal-Marin Constantin" (Cluj-Napoca Romanian National Opera) und Romanian National Choir "Madrigal-Marin Constantin" (von 1998-09-19 bis 1998-09-25)
Soprangesang:
Angela Gheorghiu (Romanian soprano) (von 1998-09-19 bis 1998-09-25)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (von 1998-09-19 bis 1998-09-25)
conductor:
Ion Marin (conductor) (von 1998-09-19 bis 1998-09-25)
arranger:
Chris Hazell
Tonmeister(in):
James Lock (James Locke, engineer) (von 1998-09-19 bis 1998-09-25)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 2001)
aufgenommen bei:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (von 1998-09-19 bis 1998-09-25)
recording of:
Mille cherubini in coro
Texter:
Ernst Marischka
Komponist(in):
Franz Schubert (composer)
arranger:
Alois Melichar
Version von:
Wiegenlied, D. 498
Franz Schubert3:45
70Panis Angelicus - Arranged by Chris Hazell
Baritongesang und bass-baritone vocals:
Bryn Terfel (bass‐baritone opera singer)
Tenor-Gesang:
Aled Jones (British classical vocalist (treble, tenor, bariton))
Orchester:
London Symphony Orchestra
conductor:
Barry Wordsworth (conductor)
arranger:
Chris Hazell
recording of:
Messe solennelle en la majeur, op. 12 : V. Panis Angelicus
Texter:
St. Thomas Aquinas
Komponist(in):
César Franck (Belgian‐born French composer) (in 1860)
Teil von:
Messe solennelle en la majeur, op. 12
recording of:
Panis Angelicus (catch-all for arrangements)
Komponist(in):
César Franck (Belgian‐born French composer)
Arrangement von:
Messe solennelle en la majeur, op. 12 : V. Panis Angelicus
César Franck3:39
71Ding Dong! Merrily on High - Arr. Charles Wood (1866-1926)
Chorgesang:
Choir of Westminster Abbey
conductor:
Simon Preston (organist, conductor, composer)
recording of:
Ding Dong! Merrily on High
Texter:
George Ratcliffe Woodward
Komponist(in):
Thoinot Arbeau (Artist name of Jehan Tabourot (“Orchesographie”))
arranger:
Charles Wood (Irish composer)
basiert auf:
Branle de l’official
[traditional]2:03
72The Twelve Days of Christmas
Techniker(in):
Kenneth Wilkinson (engineer)
Produzent(in):
Ray Minshull (record producer)
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1965-05)
Soprangesang:
Joan Sutherland (soprano) (in 1965-05)
Orchester:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1965-05)
conductor:
Richard Bonynge (conductor and pianist) (in 1965-05)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recording of:
The Twelve Days of Christmas (in 1965-06)
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
Frederic Austin (English baritone and composer) (in 1909)
publisher:
Shawnee Press Inc.
[anonymous]3:14
73The Little Drummer Boy
Katherine K. Davis3:12
74Messiah, HWV 56 / Pt. 1: 13. Pifa (Pastoral Symphony)
Sound-Engineering:
Hans‐Peter Schweigmann (engineer)
leitende(r) Produzent(in):
Dr. Andreas Holschneider und Charlotte Kriesch
Produzent(in):
Dr. Gerd Ploebsch (engineer)
Editing:
Ulrich Vette (engineer)
Orchester:
The English Concert (in 1988-01)
conductor:
Trevor Pinnock (conductor / harpsichord) (in 1988-01)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon (in 1988)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1988-01)
recording of:
Messiah, HWV 56: Part I, no. 13. Pastoral Symphony (Pifa) (in 1988-01)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part I
George Frideric Handel1:14
75Santa Lucia
[anonymous]3:45
76Rozmily Slavicku
Jakub Jan Ryba4:32
77Have Yourself a Merry Little Christmas
Chorgesang:
London Voices (in 1985-12)
Soprangesang:
Kiri Te Kanawa (soprano) (in 1985-12)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1985-12)
conductor:
Carl Davis (conductor and composer) (in 1985-12)
arranger:
David Cullen (composer, arranger, orchestrator)
live recording of:
Have Yourself a Merry Little Christmas (in 1985-12)
Texter:
Ralph Blane (in 1943)
Komponist(in):
Hugh Martin (in 1943)
publisher:
EMI April Music Inc., EMI Feist Catalog Inc., EMI Music Publishing (do not use as a release label!), EMI Publishing, EMI United Partnership Ltd., J. Albert & Son, J. Albert & Son Pty. Ltd., Loew’s Incorporated (in 1943, in 1944) und Leo Feist, Inc. (in 1971, in 1972)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute)
Teil von:
Meet Me in St. Louis (1944 musical film soundtrack)
Hugh Martin3:50
78Let It Snow
recording engineer:
Tom Russbüldt (in 2013-06)
Produzent(in):
Tobias Lehmann
Oboe:
Albrecht Mayer (oboist) (in 2013-06)
vocals:
The King’s Singers (in 2013-06)
arranger:
Alexander L’Estrange
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2013)
aufgenommen bei:
Teldex Studio (Berlin) in Berlin, Deutschland (in 2013-06)
recording of:
Let It Snow! Let It Snow! Let It Snow! (in 2013-06)
Texter:
Sammy Cahn (in 1945-07)
Komponist(in):
Jule Styne (in 1945-07)
publisher:
Cahn Music Company, Chappell & Co., Chappell/Morris Ltd., Cherry Lane Music Ltd., Imagen Music, J. Albert & Son Pty. Ltd., Producers Music Publishing Co., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America und WB Music Corp. (1929–2019)
Jule Styne4:51
79Good King Wenceslas
Techniker(in):
Kenneth Wilkinson (engineer)
Produzent(in):
Ray Minshull (record producer)
Cembalo:
Valda Aveling (pianist, harpsichordist and clavichordist) (in 1965-05)
Chorgesang:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1965-05)
Soprangesang:
Patricia Clarke (Soprano) (in 1965-05) und Joan Sutherland (soprano) (in 1965-05)
Orchester:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1965-05)
conductor:
Richard Bonynge (conductor and pianist) (in 1965-05)
recording of:
Good King Wenceslas (in 1965-06)
Texter:
John Mason Neale (in 1853)
Komponist(in):
[traditional] (special purpose artist) (von 1201 bis 1301)
arranger:
Thomas Helmore (in 1853)
Teil von:
Roud Folk Song Index (Nummer: 24754)
basiert auf:
Tempus adest floridum (13th-century carol)
[traditional]3:02
80Rudolph the Red-Nosed Reindeer - Johnny Marks, Arr. Richard Hayman
Techniker(in):
James Nichols
Produzent(in):
Nathaniel S. Johnson und John Pfeiffer (producer and engineer)
Orchester:
The Boston ‘Pops’ Orchestra (beendet, von 1959-05-15 bis 1959-05-16)
conductor:
Arthur Fiedler (conductor) (beendet, von 1959-05-15 bis 1959-05-16)
arranger:
Richard Hayman
phonographisches Urheberrecht (℗) von:
BMG Records (UK) Limited (1987–1996) (in 1959)
instrumental recording of:
Rudolph, the Red‐Nosed Reindeer (von 1959-05-15 bis 1959-05-16)
Texter und Komponist(in):
Johnny Marks (American songwriter)
publisher:
Chappell & Co Ltd., Chappell Music Ltd., Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Ltd. (1996–2019), St. Nicholas Music Publishing Co. (am 1949-05-09) und St. Nicholas Music Inc. (vom 1950 bis heute)
Arrangement von:
Rudolph, the Red‐Nosed Reindeer (for voice, choir and orchestra, Elms)
Leroy Anderson2:18
81O! Ce Veste Minunata!
[traditional]2:56
82Sweet Little Jesus Boy
Soprangesang:
Leontyne Price (soprano)
recording of:
Sweet Little Jesus Boy
Texter und Komponist(in):
Robert MacGimsey
publisher:
Carl Fischer LLC
[anonymous]3:05
83Navidad Nuestra: 4. Los Pastores (Chaya Riojana)
Ariel Ramírez2:33
84Es Wird Schon Glei Dumpa
[anonymous]3:30
85O Du Fröhliche, o Du Selige
[anonymous]2:26
86Christmas Hymn & Hymn to the Virgin Mary
[traditional]4:42
87Leise Rieselt Der Schnee
Eduard Ebel2:39
88'Still, Still, Still'
Assistent recording engineer:
Mike Cox (engineer) (in 2010-07)
recording engineer:
Stephan Flock (in 2010-07)
Produzent(in):
Sid McLauchlan (engineer/producer)
bass-baritone vocals:
Bryn Terfel (bass‐baritone opera singer) (in 2010-07)
Chorgesang:
Côrdydd (Choir based in Cardiff.) (in 2010-07)
Orchester:
Orchestra of the Welsh National Opera (in 2010-07)
conductor:
Tecwyn Evans (NZ conductor) (in 2010-07)
chorus master:
Sioned James (chorus master) (in 2010-07)
aufgenommen bei:
BBC Hoddinott Hall (Wales Millennium Centre) in Cardiff, Wales, Vereinigtes Königreich (in 2010-07)
recording of:
Still, Still, Still (in 2010-07)
Texter:
Georg Götsch
Komponist(in):
[traditional] (special purpose artist)
[traditional]4:27
89Nutcracker Suite, Op.71a: Dance of the Sugar-Plum Fairy
Orchester:
Berliner Philharmoniker (in 1959-05)
conductor:
Ferdinand Leitner (conductor) (in 1959-05)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1960)
aufgenommen bei:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Deutschland (in 1959-05)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: b) Danse de la Fée-Dragée. Andante ma non troppo (in 1959-05)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Revision von:
Щелкунчик, op. 71: Действие II, Картина III, no. 14c. Па-де-де: Вариация II: Танец Феи Драже (The Nutcracker, Op. 71: Act II, Scene III. Pas de Deux: Variation II: Dance of the sugar-plum fairy, Variation II: Dance of the Sugar Plum Fairy)
Пётр Ильич Чайковский2:02
90We Three Kings of Orient Are
Chorgesang:
Wiener Grosstadtkinderchor (Vienna Metropolitan Children's Choir) und Wiener Singverein
Soprangesang:
Leontyne Price (soprano)
Orchester:
Wiener Philharmoniker
conductor:
Herbert von Karajan (conductor)
recording of:
We Three Kings
Texter und Komponist(in):
John Henry Hopkins, Jr. (composer, “We Three Kings”)
Teil von:
Roud Folk Song Index (Nummer: 24751)
John Henry Hopkins, Jr.3:02
91The Holly and the Ivy
[traditional]1:39
92It Came Upon a Midnight Clear
Techniker(in):
Kenneth Wilkinson (engineer)
Produzent(in):
Ray Minshull (record producer)
Soprangesang:
Joan Sutherland (soprano) (in 1965-05)
Orchester:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1965-05)
conductor:
Richard Bonynge (conductor and pianist) (in 1965-05)
recording of:
It Came Upon the Midnight Clear (carol version) (in 1965-05)
Texter:
Edmund Sears (American church author)
Komponist(in):
Richard Storrs Willis
Teil von:
The New English Hymnal (hymn book) (Nummer: 29)
basiert auf:
CAROL (hymn tune)
basiert auf:
It Came Upon the Midnight Clear (poem)
Richard Storrs Willis2:50
93Adventi Ének (Veni, Veni Emmanuel)
Produzent(in):
Christopher Alder (editor/engineer/producer)
Editing:
Karl-August Naegler (balance engineer)
Chorgesang:
Dresdner Kreuzchor (von 1996-01 bis 1996-03)
conductor:
Matthias Jung (German choral conductor) (von 1996-01 bis 1996-03)
Tonmeister(in):
Klaus Hiemann (engineer/producer) (von 1996-01 bis 1996-03)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1996)
aufgenommen bei:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Deutschland (von 1996-01 bis 1996-03)
recording of:
Adventi ének (von 1996-01 bis 1996-03)
Komponist(in):
Kodály Zoltán (Zoltán Kodály, Hungarian composer) (in 1943)
Zoltán Kodály3:54
943 German Dances K605: No.3 in C 'Sleighride'
Techniker(in):
James Nichols
Produzent(in):
Nathaniel S. Johnson und John Pfeiffer (producer and engineer)
Chorgesang:
Tanglewood Festival Chorus
Orchester:
The Boston ‘Pops’ Orchestra (von 1959-05-15 bis 1959-05-16)
conductor:
Arthur Fiedler (conductor) (von 1959-05-15 bis 1959-05-16)
phonographisches Urheberrecht (℗) von:
BMG Records (UK) Limited (1987–1996) (in 1962) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1963)
recording of:
Sleigh Ride (original instrumental version) (in 1949)
Komponist(in):
Leroy Anderson (bis 1948-02-10)
publisher:
Mills Music
recording of:
Sleigh Ride (original instrumental version) (von 1959-05-15 bis 1959-05-16)
Komponist(in):
Leroy Anderson (bis 1948-02-10)
publisher:
Mills Music
recording of:
Sleigh Ride (am 1959-05-16)
Texter:
Mitchell Parish (in 1950)
Komponist(in):
Leroy Anderson (bis 1948-02-10)
publisher:
EMI Harmonies Limited, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Australia Pty Ltd (not for release label use!) und Woodbury Music (aka Woodbury Music Company)
Version von:
Sleigh Ride (original instrumental version)
recording of:
3 German Dances for Orchestra, K. 605: No. 3 in C major. German Dance & Trio "Die Schlittenfahrt" & Coda (Deutscher Tanz C-dur, KV 605 no. 3 „Schlittenfahrt“)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1789)
Teil von:
3 German Dances for Orchestra, K. 605
Wolfgang Amadeus Mozart52:52
95A Hymn to the Virgin (1930, Rev. 1934)
Produzent(in):
Christopher Alder (editor/engineer/producer)
Editing:
Karl-August Naegler (balance engineer)
Chorgesang:
Dresdner Kreuzchor (von 1996-01 bis 1996-03)
conductor:
Matthias Jung (German choral conductor) (von 1996-01 bis 1996-03)
Tonmeister(in):
Klaus Hiemann (engineer/producer) (von 1996-01 bis 1996-03)
phonographisches Urheberrecht (℗) von:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1996)
aufgenommen bei:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen, Deutschland (von 1996-01 bis 1996-03)
recording of:
A Hymn to the Virgin (von 1996-01 bis 1996-03)
Texter:
[anonymous] (special purpose artist)
Komponist(in):
Benjamin Britten (English composer, conductor, and pianist) (von 1930-07-09 bis 1934-04-29)
Premiere bei:
[event] (1931-01-05)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
Benjamin Britten2:44
96Motetti de La Corona: Praeter Rerum Seriem
Chorgesang:
Gabrieli Consort
Orchester:
Gabrieli Players
conductor:
Paul McCreesh (conductor)
Interpret(in):
Gabrieli Consort & Players (UK early music ensemble)
recording of:
Praeter rerum seriem (a 6)
Komponist(in):
Josquin des Prez (Franco-Flemish renaissance composer)
Josquin Des Prés6:59
97Nutcracker Suite, Op.71a: Dance of the Reed-Pipes (Merlitons)
Orchester:
Berliner Philharmoniker (in 1978-06)
conductor:
Mstislav Rostropovich (Mstislaw Rostropowitsch, cellist/conductor) (in 1978-06)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai (in 1978-06)
Komponist(in):
Пётр Ильич Чайковский (Pjotr Iljitsch Tschaikowski, Russian romantic composer)
Teil von:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
Revision von:
Щелкунчик, op. 71: Действие II, Картина III, no. 12e. Дивертисмент (д) Танец пастушков (Dance of the shepherds)
Пётр Ильич Чайковский2:37
98Gesù Bambino
Produzent(in):
Ray Minshull (record producer)
Chorgesang:
Wandsworth School Boys’ Choir (in 1976-01)
Tenor-Gesang:
Luciano Pavarotti (tenor) (in 1976-01)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-01)
conductor:
Kurt Herbert Adler (conductor) (in 1976-01)
Tonmeister(in):
James Lock (James Locke, engineer)
aufgenommen bei:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (in 1976-01)
recording of:
Gesù bambino (in 1976-01)
Texter:
Frederick Martens (US lyricist, early 20th century)
Komponist(in):
Pietro Yon (organist & composer) (in 1917)
Pietro Yon0.54:35
99Ave Maria (After Prelude in C major, BWV 846)
Produzent(in):
Wolfgang Stengel
Soprangesang:
Cheryl Studer (soprano) (von 1991-03-25 bis 1991-03-30)
Orchester:
London Symphony Orchestra (von 1991-03-25 bis 1991-03-30)
conductor:
Ion Marin (conductor) (von 1991-03-25 bis 1991-03-30)
arranger:
Carlo Sabatini
Tonmeister(in):
Jochen Gottschall (von 1991-03-25 bis 1991-03-30)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (von 1991-03-25 bis 1991-03-30)
recording of:
Ave Maria (catch-all for arrangements of the Bach / Gounod work) (von 1991-03-25 bis 1991-03-30)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) und Charles Gounod (French composer)
publisher:
Lam Larghetto Music (vom 1993 bis heute)
Arrangement von:
Ave Maria (Bach/Gounod)
Charles Gounod2:08
100Orgelbüchlein, BWV 599-644: In Dir Ist Freude, BWV 615
Produzent(in):
Fred Hamel und Erich Thienhaus
Orgel:
Helmut Walcha (German organist)
Pfeifenorgel:
Helmut Walcha (German organist) (in 1952-09)
Tonmeister(in):
Erich Thienhaus
aufgenommen bei:
St.-Peter-und-Paul-Kirche in Cappel, Niedersachsen, Deutschland (in 1952-09)
recording of:
In dir ist Freude, BWV 615 (in 1952-09)
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician) (von 1713 bis 1715)
Teil von:
Das Orgel-Büchlein (Nummer: 17) und Bach-Werke-Verzeichnis (Nummer: BWV 615)
Johann Sebastian Bach2:53
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