One Hit Wonders Collection

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1▼Supporto
#TitoloArtistaValutazioneDurata
1I Ran
tecnico:
Mike Shipley (audio engineer, mixer, producer)
produttore:
Mike Howlett
chitarra :
Paul Reynolds (UK guitarist, in A Flock of Seagulls) e Mike Score
chitarra basso e voce di accompagnamento:
Frank Maudsley
membranofono :
Ali Score
tastiera e voce principale:
Mike Score
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 373)
registrazione di:
I Ran
autore:
Frank Maudsley, Paul Reynolds (UK guitarist, in A Flock of Seagulls), Ali Score e Mike Score
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
A Flock of Seagulls43:59
2Because I Got High
produttore:
Afroman (Joseph Edgar Foreman, American rapper, singer and songwriter) e Headfridge
editor:
Tony Gillis (engineer)
diritti fonografici (℗) detenuti da:
Republic Records (from 1994–2006 and since 2012, a division of UMG Recordings, Inc.) (nel 2001)
registrazione di:
Because I Got High
paroliere e compositore:
Joseph Foreman (Joseph Edgar Foreman, American rapper, singer and songwriter)
Afroman4.753:19
3Black Velvet
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 79)
registrazione di:
Black Velvet
autore:
David Tyson (Canadian producer/songwriter) e Christopher Ward (Canadian songwriter & veejay)
editore:
BMG Rights Management (see annotation), BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), David Tyson Music, EMI Songs Ltd., Into Wishin’, Kobalt Music Publishing Ltd. (UK), Ole Media Management LP e Zomba Music Publishing Ltd.
Alannah Myles4:39
4Obsession
tecnico di registrazione:
Jeff Harris (recording engineer)
programmazione:
Jeff Harris (recording engineer) e Holly Knight
produttore:
John Ryan (producer a/k/a “The Chicago Kid”)
chitarra :
Bill Wadhams
chitarra basso :
Charles Ottavio
membranofono :
Frenchy O'Brien
tastiera :
Paul Antonelli
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 12)
registrazione cover di:
Obsession
autore:
Michael Des Barres e Holly Knight
editore:
Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07) e The Makiki Publishing Co. Ltd.
registrazione di:
Obsession
autore:
Michael Des Barres e Holly Knight
editore:
Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07) e The Makiki Publishing Co. Ltd.
Animotion5:39
5Who Let the Dogs Out
registrazione cover di:
Who Let the Dogs Out?
autore:
Anslem Douglas, Osbert Gurley e Marvin Prosper
editore:
BMG Platinum Songs US, Desmoné Music, Full Wingspan Music, Hyckryck Publishing Inc, Wyz Girl Entertainment Consulting LLC, フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31) e フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi)
Baha Men3:22
6Baby, I Love Your Way
tecnico di registrazione e produttore:
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter)
programmazione:
Aaron Zigman (American score composer)
programmazione aggiuntiva:
Erik Hansen
produttore esecutivo:
Jeff Aldrich (A&R)
assistente tecnico di missaggio:
Dave Betancourt (engineer)
tecnico di missaggio:
Tom Lord Alge
batteria :
Abraham Laboriel Jr. e John Robinson (session drummer)
chitarra [“Duane Eddy” guitar] :
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter)
chitarra [skank guitar] :
Tony Chin
chitarra acustica :
John Goux
chitarra basso :
Abraham Laboriel
flauto e sassofono tenore :
Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
percussione :
Steve Forman (US percussionist)
sassofono contralto solista :
Warren Hill
tastiera :
Aaron Zigman (American score composer)
tromba :
Jerry Hey
trombone :
Bill Reichenbach (jazz trombonist)
voce di accompagnamento:
James McWhinney
voce di accompagnamento e voce principale:
Quino (of Big Mountain)
arrangiatore:
Ron Fair (veteran A&R executive, record producer arranger, recording engineer and songwriter) e Aaron Zigman (American score composer)
diritti fonografici (℗) detenuti da:
Giant Records ("a division of Warner Music Sweden AB", not for release label use! use “Giant”) (nel 1994)
mixata presso:
Encore Recording Studios in Burbank, California, Stati Uniti
registrazione cover di:
Baby, I Love Your Way
paroliere e compositore:
Peter Frampton
editore:
Almo Music Corp. (USA, affiliated with ASCAP), EMI U Catalog Inc. (publisher; do NOT use as release label), Nuages Artists Music Ltd., Rondor Music (London) Ltd., Universal Music Publishing, Synch Division e Yamaha Music EH(CM)
Big Mountain4:24
7Hit 'em Up Style (Oops!)
registrazione di:
Hit 'Em Up Style (Oops!)
paroliere e compositore:
Dallas Austin
Blu Cantrell4:07
8Don't Worry Be Happy
produttore:
Linda Goldstein
diritti fonografici (℗) detenuti da:
EMI USA (renamed EMI Records USA in the beginning of the 1990s) (nel 1988) e EMI–Manhattan Records (company credits only; do NOT use as release label) (nel 1988)
video musicali:
Don’t Worry, Be Happy di Bobby McFerrin
registrazione di:
Don’t Worry, Be Happy (nel 1988)
paroliere e compositore:
Bobby McFerrin
autore:
Steve Sidwell (English composer & wind instrumentalist)
editore:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Probnoblem Music
Bobby McFerrin3.553:53
9Hot Hot Hot
registrazione cover di:
Hot, Hot, Hot
paroliere e compositore:
Arrow (Montserrat calypso/soca singer Alphonsus Celestine Edmund Cassell)
editore:
AIR Music (London) Ltd., Chrysalis Music Ltd. (music publisher, affiliated with PRS), Rare Blue Music Inc e フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
registrazione di:
Hot, Hot, Hot
paroliere e compositore:
Arrow (Montserrat calypso/soca singer Alphonsus Celestine Edmund Cassell)
editore:
AIR Music (London) Ltd., Chrysalis Music Ltd. (music publisher, affiliated with PRS), Rare Blue Music Inc e フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Buster Poindexter34:15
10Tubthumping
edit di:
Tubthumping (album version) di Chumbawamba
registrazione di:
Tubthumping (nel 1996)
editore:
Chumbawamba (nel 1997)
autore:
Jude Abbott, Dunstan Bruce, Paul Greco (former bassist of British band Chumbawamba), Harry “Daz” Hamer, Danbert Nobacon, Alice Nutter, Lou Watts (member of Chumbawamba) e Boff Whalley
editore:
EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) e Leosong (publisher) (nel 1997)
Chumbawamba4.353:59
11What Would You Do
registrazione di:
What Would You Do?
autore:
Robert Pardlo e Ryan Toby
editore:
EMI April Music Inc., Hot-Ish Music, Inc. e Pladis Music
si basa su:
The Next Episode
City High32:57
12Ring My Bell
Collette3:00
13Mona
Craig McLachlan & Check 1 - 23:43
14Groove Is in the Heart
assistente tecnico:
Derek Lategan e Eddie Sancho
tecnico:
Mike Rogers (US producer/engineer, aka Tweekin')
tecnico aggiunto:
Bob Power
produttore:
Deee‐Lite
produttore aggiunto e tecnico di missaggio aggiunto:
Mike Rogers (US producer/engineer, aka Tweekin')
sassofono :
Maceo Parker (US funk/jazz saxophonist)
trombone :
Fred Wesley
voce:
Q‐Tip (American rapper)
voce di accompagnamento:
Bootsy Collins (US funk musician & songwriter)
arrangiatore:
Deee‐Lite
arrangiatore aggiunto:
Mike Rogers (US producer/engineer, aka Tweekin')
campionamenti:
Bring Down the Birds di Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) e Get Up di Vernon Burch
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 68), TV Cream: Real 100 Best Singles Ever (numero: 83) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 233)
registrazione di:
Groove Is in the Heart
autore:
Dmitry Brill, 鄭東和, Kamaal Ibn John Fareed (American rapper) e Kier Kirby
compositore:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
Deee‐Lite4.23:54
15Come On Eileen
produttore:
Clive Langer, Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners) e Alan Winstanley (English record producer)
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (not for release label use!) (nel 1982)
registrazione di:
Come On Eileen
autore:
Kevin Adams, James Mitchell Paterson e Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Co. Ltd., EMI Music Publishing Ltd. (PRS‐affiliated) e Kevin Adams Music Ltd.
Dexys Midnight Runners4.754:11
16Party All the Time
produttore:
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 80)
registrazione di:
Party All the Time
paroliere e compositore:
Rick James (US vocalist, multi‐instrumentalist, composer & producer)
Eddie Murphy4.354:17
17Unbelievable
produttore e tecnico di missaggio:
Ralph Jezzard
basso elettrico :
Zac Foley (nel 1990)
batteria :
Mark Decloedt (nel 1990)
campionatore [samples] :
Derry Brownson (nel 1990)
chitarra , chitarra elettrica e tastiera :
Ian Dench (nel 1990)
voce:
DJ Milf (Electronic dance music producer of the 2000s and 2010s) (nel 1990)
voce di accompagnamento:
Claudia Fontaine (vocals, background vocals) (nel 1990)
voce principale:
James Atkin (nel 1990)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1990)
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 421)
registrazione di:
Unbelievable (nel 1990)
autore:
James Atkin, Derry Brownson, Mark Decloedt, Ian Dench e Zac Foley
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Tusk, Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner/Chappell Music Canada Ltd.
EMF3.653:33
18The Final Countdown
tecnico di registrazione e tecnico di missaggio:
Wally Buck e Kevin Elson
produttore:
Kevin Elson
batteria [drums] :
Ian Haugland
chitarra :
John Norum
chitarra basso [bass] :
John Levén
tastiera :
Mic Michaeli
voce di accompagnamento:
Ian Haugland, Mic Michaeli e John Norum
voce principale:
Joey Tempest (Swedish singer)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1986), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1986) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1986)
è stato produttore per:
Elson Music Vision, Inc.
registrata presso e mixata presso:
Fantasy Studios (Berkeley) in Berkeley, California, Stati Uniti, Powerplay Studios in Maur, Zürich (Canton Zurigo), Svizzera e Soundtrade Studios in Solna City, Stockholms län (Stockholm county), Svezia
video musicale per:
The Final Countdown di Europe (Swedish band)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 66) e Cachitos Nochevieja 2022 (numero: 155)
registrazione di:
The Final Countdown
paroliere e compositore:
Joey Tempest (Swedish singer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Sweden AB (not for release label use! SE subsidiary of EMI), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Seven Doors Music
Europe4.055:10
19Axel F
produttore:
Harold Faltermeyer
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) e Geffen Records (nel 1984)
mixata presso:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 70)
registrazione di:
Axel F (Beverly Hills Cop)
compositore:
Harold Faltermeyer
Harold Faltermeyer4.153:07
20Jump Around
registrazione di:
Jump Around
autore:
Dave Appell, Kal Mann, Larry Muggerud e Erik Schrody
House of Pain53:03
21Crush
registrazione di:
Crush
autore:
Kevin Clark (UK singer/songwriter/producer active since 1980s, married to Berny Cosgrove), Berny Cosgrove, Andy Goldmark e Mark Mueller (US songwriter)
Jennifer Paige3:24
22Believe It or Not
voce:
Joey Scarbury
diritti fonografici (℗) detenuti da:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (nel 1981) e Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (nel 2004)
registrazione di:
Believe It or Not (theme from “The Greatest American Hero”)
paroliere:
Stephen Geyer
compositore:
Mike Post
editore:
Darjen Music, EMI April Music Inc., EMI Blackwood Music Inc., Lokey Publishing e Stephen Cannell Music
sub-editore:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) e 日音 Synch事業部 (NICHION, INC. Synch Division)
Joey Scarbury43:15
23Steal My Sunshine
registrazione di:
Steal My Sunshine
autore:
Marc Costanzo e Gregg Diamond
editore:
Big Meanie, BMG Songs, Inc., Buddah Music, Inc., EMI April Music Inc., EMI U Catalog Inc. (publisher; do NOT use as release label) e Gregg Diamond Music
si basa su:
More, More, More
LEN53:32
24Summer Girls
tecnico di registrazione e tecnico di missaggio:
Brad Young
produttore:
Dow Brain, Rich Cronin e Brad Young
voce:
LFO (Lyte Funkie Ones)
diritti fonografici (℗) detenuti da:
BMG Ariola München GmbH
registrazione di:
Summer Girls
autore e compositore:
Dow Brain, Rich Cronin e Brad Young
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Lyte Funkie Ones4:23
25Funky Town
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1979), The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1979) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1980)
edit di:
Funkytown (12″ version) di Lipps, Inc.
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 37)
registrazione di:
Funkytown
paroliere e compositore:
Steven Greenberg
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Intersong Music, Red Sea Songs, Rick S. Music (publishing company associated with Casablanca), Steven Greenberg Music, Warner Chappell, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Australia Pty. Ltd. e Warner/Chappell Music Ltd. (1996–2019)
Lipps, Inc.4.14:03
26Macarena
diritti fonografici (℗) detenuti da:
BMG (the former Bertelsmann Music Group, defunct since 2004-08-05; for releases dated 2008 and later, see annotation) (nel 1995)
registrazione di:
Macarena
paroliere e compositore:
Antonio Romero Monge e Rafael Ruiz
editore:
Canciones del Mundo (publisher), Discorama, S. L. (Used on (p), (c) and as publishing company) e Editorial Discorama
Los del Río3:44
27Mambo No 5
co-produttore:
Lou Bega e Zippy (Christian Königseder)
produttore:
D. Fact e Frank Lio
strumenti:
D. Fact e Frank Lio
voce:
Pérez Prado (Cuban bandleader, singer, organist, pianist and composer)
contiene campionamenti da parte di:
Pérez Prado (Cuban bandleader, singer, organist, pianist and composer)
diritti fonografici (℗) detenuti da:
BMG Berlin Musik GmbH (this is a record company, not an imprint!) (nel 1999) e Lautstark (nel 1999)
è stato produttore per:
Syndicate
campionamenti:
Mambo No. 5 di Pérez Prado (Cuban bandleader, singer, organist, pianist and composer)
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 50)
registrazione di:
Mambo No. 5 (A Little Bit of…)
paroliere:
Lou Bega e Zippy (Christian Königseder)
compositore:
Pérez Prado (Cuban bandleader, singer, organist, pianist and composer)
editore:
Peer International Corporation (BMI), Peer Musik, Peer Musikverlag e Peermusic (Germany) GmbH
si basa su:
Mambo No. 5 (original, 1949)
Lou Bega3.753:41
28Pop Muzik
registrazione di:
Pop Muzik
paroliere e compositore:
Robin Scott
editore:
BMG Music Publishing Ltd., Pop Muzik Limited e Union Square Music Publishing Ltd.
M3:23
29Show No Mercy
registrazione di:
Show No Mercy
autore:
Harry Vanda (Australian musician) e George Young (Australian musician and producer)
editore:
J. Albert & Son P/L
Mark Williams4:24
30Good Vibrations
tecnico di registrazione:
Jeff Dovner, Randy Melton (American musician, engineer, and producer) e Leo Okeke
programmazione degli strumenti:
Leo Okeke e Donnie Wahlberg
co-produttore:
Marky Mark e Leo Okeke
produttore:
Donnie Wahlberg
tecnico di missaggio:
Mary Alford e Tom Soares
basso e pianoforte :
Leo Okeke
campionatore :
Leo Okeke e Donnie Wahlberg
voce:
Marky Mark
voce aggiuntiva:
Loleatta Holloway
diritti fonografici (℗) detenuti da:
Interscope Records, Inc. (not for release label use!)
registrata presso:
The Plant Studios (1981–2008) in Sausalito, California, Stati Uniti (dal 1991-01 al 1991-05)
campionamenti:
Hot Pants di Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group) e Love Sensation (LP version) di Loleatta Holloway
registrazione di:
Good Vibrations
autore:
Mark Wahlberg, Amir Shakir e Donnie Wahlberg
Marky Mark and the Funky Bunch4.654:36
31Pass the Dutchie
Musical Youth3:25
3299 Luftballoons
tecnico:
Imre Sereg (nel 1982)
produttore:
Reinhold Heil (nel 1982) e Manfred Praeker (nel 1982)
tecnico di missaggio:
Udo Arndt (nel 1982)
basso elettrico :
Jürgen Dehmel (nel 1982)
batteria :
Rolf Brendel (nel 1982)
chitarra elettrica :
Carlo Karges (nel 1982)
tastiera :
Jörn‐Uwe Fahrenkrog‐Petersen (nel 1982)
voce principale:
Nena Kerner (the person, performing solo since 1987) (nel 1982)
diritti fonografici (℗) detenuti da:
CBS Schallplatten GmbH (nel 1983), Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (nel 1983) e Sony Music Entertainment Germany GmbH (not for use as release label! © & ℗ holders or distributors since 2009/01/14) (nel 1983)
registrata presso:
Spliff in Berlin, Germania (nel 1982)
mixata presso:
Audio-Studio in Berlin, Germania (nel 1982)
parte di:
Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 3), VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 16), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 73) e Cachitos Nochevieja 2022 (numero: 105)
registrazione di:
99 Luftballons (nel 1982)
paroliere:
Carlo Karges (nel 1982)
compositore:
Uwe Fahrenkrog-Petersen (nel 1982)
editore:
Edition Hate Music (publisher), EMI Songs Australia Pty. Ltd. e EMI Songs Musikverlag GmbH
sub-editore:
EMI Songs France (27, rue de Berri)
Nena4.13:54
33You Get What You Give
produttore:
Gregg Alexander
basso :
John Pierce (US session bassist)
chitarra :
Gregg Alexander e Rusty Anderson
membranofono :
Gary Ferguson (Session drummer)
percussione :
Juliet Prater
pianoforte :
Rick Nowels
arrangiatore:
Gregg Alexander
arrangiatore voci aggiunto:
Richard Podolor
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1998)
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 390) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 453)
registrazione di:
You Get What You Give
autore:
Gregg Alexander e Rick Nowels
editore:
EMI Blackwood Music Inc., EMI Music Inc., Future Furniture Music Inc. e Grosse Point Harlem
New Radicals4.655:04
34How Bizarre
tecnico e produttore:
Alan Jansson
tecnico aggiunto e tecnico di missaggio aggiunto:
Rick Huntington
chitarra :
Lee Baker (NZ guitarist)
fisarmonica :
Hershal Herscher
tromba :
George Chisholm (jazz trombonist (1915-1997))
voce di accompagnamento:
Sina Saipaia
diritti fonografici (℗) detenuti da:
Universal Music NZ Ltd. (Universal’s subsidiary in New Zealand; DO NOT USE as an imprint) (nel 1995)
registrazione di:
How Bizarre
autore:
Pauly Fuemana e Alan Jansson
editore:
Lamont Music
parte di:
APRA Top 100 New Zealand Songs of All Time (numero: 34)
OMC3.953:49
35The Rain
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 63)
registrazione di:
The Rain
paroliere e compositore:
Vincent Bell (R&B / hip-hop producer)
Oran “Juice” Jones55:08
36I'm Too Sexy
programmazione e produttore:
Tommy D.
tecnico:
Graham Bonnett (Sound Engineer)
chitarra :
Robert Manzoli
chitarra basso :
Phil Spalding
voce principale:
Richard Fairbrass
arrangiatore:
Tommy D.
registrata presso:
Red Bus Studios in London (Greater London), England, Regno Unito
mixata presso:
Joe's Garage (Bristol) in Bristol, England, Regno Unito e Red Bus Studios in London (Greater London), England, Regno Unito
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 475)
registrazione di:
I’m Too Sexy
autore:
Fred Fairbrass, Richard Fairbrass e Robert Manzoli
editore:
Hit & Run Music (Publishing) Ltd
Right Said Fred4.052:55
37Somebody's Watching Me
produttore:
Curtis Anthony Nolen e Rockwell (R & B – “Somebody’s Watching Me”)
voce di accompagnamento:
Jermaine Jackson (soul/pop singer, of Jackson 5)
voce ospite:
Michael Jackson (“King of Pop”)
diritti fonografici (℗) detenuti da:
Motown Record Corporation (company credits only; do NOT use as release label) (nel 1983)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 20)
registrazione di:
Somebody’s Watching Me
paroliere e compositore:
Rockwell (R & B – “Somebody’s Watching Me”)
editore:
EMI Music (do not use as release label! this is a music publisher) e Jobete Music (appears also as: Jobete Msc.)
Rockwell3.854:03
38Informer
registrazione di:
Informer
paroliere:
Darrin Kenneth O’Brien (Canadian reggae artist Darrin O’Brien; single: “Informer”), Edmond Leary e Shawn Moltke (old-school US rapper Shawn Moltke)
autore:
Darrin O'Brien (Canadian reggae artist Darrin O’Brien; single: “Informer”), Edmond Leary e Shawn Moltke (old-school US rapper Shawn Moltke)
Snow54:30
39Tainted Love
tecnico:
Paul Hardiman
produttore:
Mike Thorne (UK producer & keyboardist)
tecnico di missaggio:
Harvey Goldberg
sassofono :
David Tofani
strumenti elettronici e altri strumenti :
Dave Ball (UK electronic musician, part of Soft Cell)
voce:
Marc Almond (English pop singer and songwriter)
voce di accompagnamento:
Vicious Pink
diritti fonografici (℗) detenuti da:
Mercury Records Ltd. (London) (for copyrights use only) (nel 1981)
registrata presso:
Advision Studios in Fitzrovia, Camden (Borgo londinese di Camden), Westminster, London (Greater London), England, Regno Unito
video musicali:
Tainted Love di Soft Cell (1980s English synth‐pop duo)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 5), Paste: The 50 Greatest One-Hit Wonders of All Time (numero: 8), New York Post: 100 Greatest Covers (2007) (numero: 10), Pitchfork: The Story of Goth in 33 Songs, VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 33) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 46)
registrazione cover di:
Tainted Love
paroliere e compositore:
Ed Cobb
editore:
Burlington Music Co., Ltd. e Embassy Music Corporation
sub-editore:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Soft Cell3.952:43
40Video Killed the Radio Star
video musicali:
Video Killed the Radio Star di Buggles e Video Killed the Radio Star di Buggles
parte di:
TV Cream: Real 100 Best Singles Ever (numero: 56)
registrazione di:
Video Killed the Radio Star
autore:
Geoff Downes (English keyboardist), Trevor Horn e Bruce Woolley
editore:
Ackee Music, Inc., BMG Gold Songs, Carbert Music Inc., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Island Music Ltd., Round Hill Compositions, Unforgettable Songs Ltd., Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) e Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.)
The Buggles4.64:14
41My Sharona
basso :
Prescott Niles (nel 1979-04)
batteria :
Bruce Gary (nel 1979-04)
chitarra [lead guitar] :
Berton Averre (nel 1979-04)
chitarra [rhythm guitar] e voce principale:
Doug Fieger (in The Knack) (nel 1979-04)
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1979, nel 2002), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (nel 1979), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrazione di:
My Sharona (nel 1979-04)
autore:
Berton Averre e Douglas Fieger (in The Knack)
editore:
Campbell Connelly (Australia) P/L, Campbell Connelly & Co. Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Eighties Music, Music Sales Corporation (American copyright holder in both popular and classical music), Small Hill Music, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing MGB Australia e Wise Brothers Music LLC
The Knack4.24:03
42Rapper's Delight
registrazione di:
Rapper’s Delight
autore:
Bernard Edwards (American bassist and record producer), Guy O'Brien (US rapper Guy Anthony O’Brien), Henry Jackson, Michael Wright, Sylvia Robinson e Nile Rodgers
editore:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
si basa su:
Good Times
The Sugarhill Gang35:06
43Counting the Beat
produttore:
David Tickle
diritti fonografici (℗) detenuti da:
Mushroom Records Pty Ltd (nel 1981) e Warner Music Australia Pty Limited (not for release label use! fka WEA Records Pty. Limited) (nel 2002)
registrazione di:
Counting the Beat
autore:
Bones Hillman, Phil Judd e Buster Stiggs
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mushroom Music (Mushroom label’s publishing company) e Mushroom Music Publishing
parte di:
APRA Silver Scroll Awards Winners (numero: 1981) e APRA Top 100 New Zealand Songs of All Time (numero: 4)
The Swingers3:03
44Turning Japanese
produttore:
Vic Coppersmith‐Heaven
basso elettrico [bass guitar] :
Steve Smith (UK bassist for the Vapors)
batteria :
Howard Smith (UK drummer for the Vapors)
chitarra e voce principale:
David Fenton
chitarra [lead guitar] :
Edward Bazalgette
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (, nel 1980)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 30)
registrazione di:
Turning Japanese
paroliere e compositore:
David Fenton
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!) e Glenwood Music Corp.
The Vapors3.63:46
45Ice Ice Baby
diritti fonografici (℗) detenuti da:
Capitol Records Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1990)
registrazione di:
Ice Ice Baby
paroliere:
Floyd Brown (Floyd Brown), Mario Lavell Johnson (90s US rapper) e Vanilla Ice
compositore:
David Bowie (English singer‐songwriter), Floyd Brown (Floyd Brown), John R. Deacon, Mario Lavell Johnson (90s US rapper), Brian May (Queen guitarist), Freddie Mercury, Roger Taylor (Queen drummer) e Vanilla Ice
editore:
Aftershock Music, EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), Fernhill Publishing, Ice Baby Music, Knightlife Productions, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), QPM Music Inc., Queen Music Ltd., Sony/ATV Music Publishing Ltd. e Sony/ATV Songs LLC
si basa su:
Under Pressure
Vanilla Ice4.53:54
46Bust a Move
produttore e tecnico di missaggio:
Matt Dike (American producer) e Michael Ross (Hip hop producer, engineer and co-founder of Delicious Vinyl)
chitarra basso ospite :
Flea (US bassist)
arrangiatore:
Matt Dike (American producer) e Michael Ross (Hip hop producer, engineer and co-founder of Delicious Vinyl)
diritti fonografici (℗) detenuti da:
Delicious Vinyl, Inc. (nel 1989)
mixata per, arrangiata per e è stato produttore per:
Delicious Vinyl Inc.
campionamenti:
Daytime Hustler di Bette Midler, Found a Child di Ballin’ Jack e Scorpio di Dennis Coffey & The Detroit Guitar Band
parte di:
Grammy Award: Best Rap Performance nominees (numero: 1990 winner) e VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (numero: 60)
registrazione di:
Bust a Move
autore:
Matt Dike (American producer), Marvin Young e Michael Ross (Hip hop producer, engineer and co-founder of Delicious Vinyl)
Young MC44:30