100 Hits: Great British Songs

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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#TitleArtistRatingLength
1You Spin Me Round (Like a Record)
producer:
Pete Waterman
performer:
Dead or Alive (UK new wave band) (in 1984)
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1985)
music videos:
You Spin Me Round (Like a Record) (On 'Blue Peter') (TX 10/01/2003) by Dead or Alive (UK new wave band)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 52)
recording of:
You Spin Me Round (Like a Record)
writer:
Pete Burns, Steve Coy, Tim Lever and Mike Percy
publisher:
Burning Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Métisse Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996) and Westbury Music Ltd.
part of:
American Psycho
Dead or Alive4.153:19
2Through the Barricades
producer:
Gary Langan and Spandau Ballet
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1986)
recording of:
Through the Barricades
lyricist and composer:
Gary Kemp
publisher:
Reformation Publishing Co. Ltd.
Spandau Ballet5:20
3Total Eclipse of the Heart
vocals:
Bonnie Tyler (in 1983)
performer:
Rory Dodd (in 1983)
phonographic copyright (℗) by:
CBS Records (manufacturer/distributor, not for release label use!) (in 1983), CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (in 1983) and Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1983)
recording of:
Total Eclipse of the Heart (in 1983)
lyricist and composer:
Jim Steinman
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), BMG VM Music Ltd., EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), Lost Boys (BMI affiliated) and Virgin Music (Publishers) Ltd.
Bonnie Tyler4.154:30
4Everything Must Change
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1984)
recording of:
Everything Must Change
writer:
Ian Kewley and Paul Young (English pop singer and musician)
publisher:
Bright Music Ltd. (publisher)
Paul Young4:40
5When Love Breaks Down
producer:
Phil Thornalley
bass:
Martin McAloon
drums (drum set):
Neil Conti
guest keyboard and synthesizer:
Thomas Dolby
guitar:
Paddy McAloon
vocals:
Paddy McAloon and Wendy Smith (British musician, formerly with Prefab Sprout)
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1984)
edit of:
When Love Breaks Down by Prefab Sprout
recording of:
When Love Breaks Down
lyricist and composer:
Paddy McAloon
publisher:
EMI Songs Ltd.
Prefab Sprout3:48
6Rain or Shine
recording of:
Rain or Shine
writer:
Billy Livsey and Peter Sinfield
Five Star53:58
7(Feels Like) Heaven
producer:
Peter Wilson (UK Producer)
arranger:
Chic Medley and Kevin Patterson (songwriter)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1983), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1983) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1983)
recording of:
(Feels Like) Heaven
lyricist and composer:
Eddie Jordan (songwriter) and Kevin Patterson (songwriter)
publisher:
Carlin Music Corp.
Fiction Factory43:30
8I Could Be Happy
recording of:
I Could Be Happy
lyricist and composer:
Tich Anderson, Clare Grogan, Tony McDaid, Johnny McElhone and Jim McKinven
Altered Images53:31
9Theme From “S’Express”
producer:
Pascal Gabriel (Belgian-born, UK based producer, musician, songwriter) and Mark Moore (DJ, producer, member of S’Express)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1988)
samples:
Is It Love You’re After by Rose Royce, Stacey’s Dream (a cappella) by Stacey Q and The Bottle by Gil Scott‐Heron & Brian Jackson (American keyboardist, flautist, singer, composer & producer)
recording of:
Theme From S’Express
lyricist and composer:
Pascal Gabriel (Belgian-born, UK based producer, musician, songwriter) and Mark Moore (DJ, producer, member of S’Express)
writer:
Pascal Gabriel (Belgian-born, UK based producer, musician, songwriter), Miles Gregory and Mark Moore (DJ, producer, member of S’Express)
publisher:
Edition Intro (publisher) and Rhythm King Music (Publishing arm of Rhythm King Records)
is based on:
Is It Love You’re After
S’Express43:56
10Winter in July
recording engineer and programming:
Kerry Hopwood
drums (drum set) programming:
Tim Simenon
mixer:
Alan Moulder (producer and engineer) and Tim Simenon
arranger:
Loretta Heywood
phonographic copyright (℗) by:
Rhythm King Records Ltd. (in 1991)
recording of:
Winter in July
lyricist:
Loretta Heywood
composer:
Guy Sigsworth and Tim Simenon
publisher:
EMI Publishing and Rhythm King Music (Publishing arm of Rhythm King Records)
Bomb the Bass4:29
11Drop the Boy
recording engineer:
John Brand (engineer), Simon Humphrey and Robin Sellers
assistant engineer:
Richard Edwards (sound engineer) and Alex Osman
engineer:
Christopher Marc Potter (UK producer/mixer, Z Management, worked with The Verve and Richard Ashcroft)
producer and mixer:
Nicky Graham
recorded at:
Hot Nights Studio in London (Greater London), England, United Kingdom
mixed at:
Sarm East Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom
recording of:
Drop the Boy
writer:
Nicky Graham and Thomas Watkins
publisher:
Alderzone Ltd., BMG Gold Songs, BMG Platinum Songs US and Maximum Music Limited
Bros4:09
12Find My Love
producer:
Fairground Attraction and Kevin Moloney
assistant mixer:
Alistair Johnson (engineering)
mixer:
Kevin Moloney
guest mandolin:
Anthony Thistlethwaite
lead vocals:
Eddi Reader
phonographic copyright (℗) by:
BMG Records (UK) Limited (1987–1996) (in 1988)
recorded at:
Chipping Norton Studios in Chipping Norton, Oxfordshire, England, United Kingdom
recording of:
Find My Love
lyricist and composer:
Mark Nevin
publisher:
MCA Music Ltd.
Fairground Attraction feat. Eddi Reader4.53:43
13Real Gone Kid
recording engineer:
Felix Kendall (UK recording engineer)
producer:
Warne Livesey
mixer:
Bob Clearmountain
phonographic copyright (℗) by:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1988)
recording of:
Real Gone Kid
lyricist and composer:
Ricky Ross (Scottish singer-songwriter)
publisher:
ATV Music, Sony/ATV Music Publishing and Sony/ATV Music Publishing Ltd.
Deacon Blue44:06
14Favourite Shirts (Boy Meets Girl)
producer:
Bob Sargeant
phonographic copyright (℗) by:
BMG Eurodisc Ltd. (in 1981) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1981)
part of:
TV Cream: Real 100 Best Singles Ever (number: 31)
recording of:
Favourite Shirts (Boy Meets Girl)
lyricist and composer:
Nick Heyward
publisher:
Bryan Morrison Music Ltd.
Haircut 10053:06
15Just Got Lucky
producer:
Alan Shacklock
phonographic copyright (℗) by:
RCA Ltd. (UK arm of RCA) (in 1983)
recording of:
Just Got Lucky
writer:
Chris Bostock and Dig Wayne
publisher:
Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) (in 1983)
Jo Boxers33:43
16Antmusic
producer:
Chris Hughes (producer, aka “Merrick”)
acoustic guitar, harmonica, piano and lead vocals:
Adam Ant (English new wave singer and actor)
bass guitar:
Kevin Mooney
drums (drum set):
Merrick (producer, aka “Merrick”) and Terry Lee Miall
electric guitar:
Marco Pirroni (British musician and producer)
vocals:
Kevin Mooney
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1980, in 2004), Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1980) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1980)
music videos:
Antmusic by Adam and the Ants (English new wave band)
part of:
The Downloader’s Music Source Book (number: 139)
recording of:
Antmusic
writer:
Adam Ant (English new wave singer and actor) and Marco Pirroni (British musician and producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated) and Universal Music Publishing MGB Ltd.
Adam & the Ants43:36
17I Want Candy
producer:
Kenny Laguna
phonographic copyright (℗) by:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1982)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 8) and VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 86)
cover recording of:
I Want Candy (in 1982)
writer:
Bert Russell Berns, Bob Feldman (of The Strangeloves), Jerry Goldstein (producer, record label owner and publisher) and Richard Gottehrer (American songwriter and music executive)
publisher:
Downtown Music Publishing LLC (PRS-affiliated), Sloopy II Music, Sony/ATV Songs LLC and Wren Music Co.
Bow Wow Wow42:45
18Every Day Hurts
phonographic copyright (℗) by:
BMG Entertainment International UK & Ireland Ltd. (for © & ℗ copyright use only; file no releases here!) (in 1979) and Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1979)
recording of:
Every Day Hurts
writer:
Vic Emerson (English keyboardist, synthesizer, arranger and songwriter), John Stimpson and Paul Young (Sad Café, Mike + The Mechanics)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and St. Anne’s Music Ltd.
Sad Café44:06
19Baby I Love You
cover recording of:
Baby, I Love You
writer:
Jeff Barry, Ellie Greenwich and Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Mother Bertha Music Inc., Trio Music Company and Universal–Songs of PolyGram International, Inc.
Dave Edmunds43:32
20Mind Blowing Decisions
assistant engineer:
Mike Hedges (UK producer/recording engineer) and Andy Jackson (UK recording engineer/prog musician)
engineer and mixer:
James Guthrie
producer:
Barry Blue (singer, producer, and songwriter)
assistant mixer:
Andy Jackson (UK recording engineer/prog musician)
conductor:
John Cameron (British composer, arranger and conductor)
orchestrator:
John Cameron (British composer, arranger and conductor)
concertmaster:
Pat Halling
phonographic copyright (℗) by:
GTO Records Ltd. (holding company - file no releases here!) (in 1977, in 1978)
recording of:
Mind Blowing Decisions (in 1977)
lyricist and composer:
Johnnie Wilder, Jr. (US vocalist for Heatwave)
publisher:
Johnnie Wilder Music, Skratch Music Publishing Ltd. and 大洋音楽 (Taiyō Music)
Heatwave54:16
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Credits

Release group

part of:100 Hits (UK Demon Music Group) (number: 184) (order: 133)