The Wonderful World of Buddy Holly: 24 Golden Hits

~ Release by Buddy Holly (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Peggy Sue
producer:
Norman Petty
bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (on 1957-07-01)
drums (drum set):
Jerry Allison (on 1957-07-01)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-01) and Niki Sullivan (on 1957-07-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-01)
phonographic copyright (℗) by:
Geffen Records (in 1957) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-07-01)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1957 (number: 5), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 194) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 370)
recording of:
Peggy Sue (from 1957-06-29 until 1957-07-01)
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), McCartney Music, Melody Lane Publications Inc., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), Peermusic (UK) Limited, Southern Music (publisher) and Wren Music Co.
4.52:31
2Rave On
recorded in:
New York, New York, United States (on 1958-01-25)
producer:
Milton DeLugg, Norman Petty and Bob Thiele (producer & songwriter)
bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (on 1958-01-25, on 1958-01-26)
drums (drum set):
Jerry Allison (on 1958-01-25, on 1958-01-26)
guitar:
Donald Amone (on 1958-01-25), Al Caiola (on 1958-01-25) and Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-01-26)
piano:
Norman Petty (on 1958-01-25, on 1958-01-26)
background vocals:
Robert Bollinger (on 1958-01-25), Robert Harter (on 1958-01-25), Abby Hoffer (on 1958-01-25), William Marine (on 1958-01-25) and Merril Ostrus (on 1958-01-25)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-01-25, on 1958-01-26)
phonographic copyright (℗) by:
Geffen Records (in 1958) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Bell Sound Studios in New York, New York, United States (on 1958-01-26)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 154)
cover recording of:
Rave On (on 1958-01-26)
writer:
Norman Petty, Bill Tilghman (songwriter) and Sonny West (American songwriter and musician Joseph “Sonny” West)
publisher:
Melody Lane Publications Inc., Nor-Va-Jak Music, Southern Music (publisher) and Wren Music Co.
4.21:49
3Early in the Morning
recorded in:
New York, New York, United States (on 1958-06-19)
producer:
Dick Jacobs (arranger, musician and bandleader)
bass:
Sanford Bloch (Bass player) (on 1958-06-19)
drums (drum set):
Panama Francis (US swing jazz drummer) (on 1958-06-19) and Philip Kraus (on 1958-06-19)
guitar:
George Barnes (on 1958-06-19), Al Chernet (on 1958-06-19) and Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-06-19)
piano:
Ernest Hayes (American pianist, organist and arranger) (on 1958-06-19)
tenor saxophone:
Sam “The Man” Taylor (US jazz/blues saxophonist 1916-1990) (on 1958-06-19)
background vocals:
The Helen Way Singers (on 1958-06-19), Theresa Merritt (on 1958-06-19), Maeretha Stewart (on 1958-06-19), Helen Way (on 1958-06-19) and Harriet Young (on 1958-06-19)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-06-19)
phonographic copyright (℗) by:
Geffen Records (in 1958)
cover recording of:
Early in the Morning (on 1958-06-19)
writer:
Bobby Darin and Woody Harris
publisher:
Good Music Ltd., Royalty and United Artists Music Co., Inc.
52:08
4Heartbeat
producer:
Norman Petty
bass:
George Atwood (from 1958-05-25 until 1958-05-26)
drums (drum set):
Jerry Allison (from 1958-05-25 until 1958-05-26)
guitar:
Tommy Allsup (from 1958-05-25 until 1958-05-26) and Buddy Holly (1950s rock & roll singer‐songwriter) (from 1958-05-25 until 1958-05-26)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1958-05-25 until 1958-05-26)
phonographic copyright (℗) by:
Geffen Records (in 1958)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (from 1958-05-25 until 1958-05-26)
recording of:
Heartbeat (from 1958-05-25 until 1958-05-26)
writer:
Bob Montgomery (USA) and Norman Petty
publisher:
Melody Lane Publications Inc. and Peermusic (UK) Limited
4.652:09
5It Doesn't Matter Anymore
producer:
Dick Jacobs (arranger, musician and bandleader) and Norman Petty
bass guitar:
Sanford Bloch (Bass player) (on 1958-10-21)
cello:
Maurice Bialkin (on 1958-10-21) and Maurice Brown (jazz cellist) (on 1958-10-21)
drums (drum set):
Cliff Leeman (on 1958-10-21)
guitar:
Al Caiola (on 1958-10-21)
harp:
Doris Johnson (harpist) (on 1958-10-21)
piano:
Ernest Hayes (American pianist, organist and arranger) (on 1958-10-21)
tenor saxophone:
Abraham “Boomie” Richman (on 1958-10-21)
viola:
Howard Kay (Violin player) (on 1958-10-21) and David Schwartz (violist) (on 1958-10-21)
violin:
Herbert Bourne (on 1958-10-21), Ray Free (on 1958-10-21), Julius Held (on 1958-10-21), Leo Kruczek (on 1958-10-21), Leonard Posner (on 1958-10-21), Sylvia Shulman (on 1958-10-21), Irving Spice (violinist, concertmaster and strings) (on 1958-10-21) and Paul Winter (violin) (on 1958-10-21)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-10-21)
orchestra:
Dick Jacobs & His Orchestra (on 1958-10-21)
conductor:
Dick Jacobs (arranger, musician and bandleader) (on 1958-10-21)
phonographic copyright (℗) by:
Geffen Records (in 1959) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1959)
recorded at:
Pythian Temple in Lincoln Square, New York, New York, United States (on 1958-10-21)
recording of:
It Doesn’t Matter Anymore (on 1958-10-21)
lyricist and composer:
Paul Anka (Canadian singer, songwriter and actor)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated) and Robert Mellin Ltd.
2.752:07
6Raining in My Heart
producer:
Dick Jacobs (arranger, musician and bandleader)
bass guitar:
Sanford Bloch (Bass player) (on 1958-10-21)
cello:
Maurice Bialkin (on 1958-10-21) and Maurice Brown (jazz cellist) (on 1958-10-21)
drums (drum set):
Cliff Leeman (on 1958-10-21)
guitar:
Al Caiola (on 1958-10-21)
harp:
Doris Johnson (harpist) (on 1958-10-21)
piano:
Ernest Hayes (American pianist, organist and arranger) (on 1958-10-21)
tenor saxophone:
Abraham “Boomie” Richman (on 1958-10-21)
viola:
Howard Kay (Violin player) (on 1958-10-21) and David Schwartz (violist) (on 1958-10-21)
violin:
Herbert Bourne (on 1958-10-21), Ray Free (on 1958-10-21), Julius Held (on 1958-10-21), Leo Kruczek (on 1958-10-21), Leonard Posner (on 1958-10-21), Sylvia Shulman (on 1958-10-21), Irving Spice (violinist, concertmaster and strings) (on 1958-10-21) and Paul Winter (violin) (on 1958-10-21)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-10-21)
orchestra:
Dick Jacobs & His Orchestra (on 1958-10-21)
conductor:
Dick Jacobs (arranger, musician and bandleader) (on 1958-10-21)
phonographic copyright (℗) by:
Geffen Records (in 1959) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1959)
recorded at:
Pythian Temple in Lincoln Square, New York, New York, United States (on 1958-10-21)
recording of:
Raining in My Heart (on 1958-10-21)
writer:
Boudleaux Bryant and Felice Bryant
publisher:
Acuff Rose Publications Ltd., House of Bryant Publications, LLC and Sony/ATV Music Publishing (UK) Ltd.
52:48
7That'll Be the Day
producer:
Norman Petty
double bass:
Larry Welborn (on 1957-02-25)
drums (drum set):
Jerry Allison (on 1957-02-25)
guitar [lead guitar] and lead vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-02-25)
guitar [rhythm guitar]:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-02-25) and Niki Sullivan (on 1957-02-25)
background vocals:
June Clark (background vocals for The Crickets) (on 1957-02-25), Gary Tollett (on 1957-02-25), Niki Sullivan (on 1957-02-25) and Ramona Tollett (on 1957-02-25)
spoken vocals [dialogue]:
Wolfman Jack (US disc jockey)
phonographic copyright (℗) by:
Geffen Records (in 1957) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-02-25)
recording of:
That’ll Be the Day (on 1957-02-25)
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. and MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
4.62:17
8Oh, Boy
producer:
Norman Petty
bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (on 1957-07-01)
drums (drum set):
Jerry Allison (on 1957-07-01)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-01)
background vocals:
Bob Lapham (on 1957-08-18), Bill Pickering (on 1957-08-18) and John Pickering (vocalist and leader of The Picks) (on 1957-08-18)
lead vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1957-06-29 until 1957-07)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-01)
phonographic copyright (℗) by:
Geffen Records (in 1957) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-07-01, on 1957-08-18)
recording of:
Oh, Boy! (from 1957-07-01 until 1957-08-18)
writer:
Norman Petty, Bill Tilghman (songwriter) and Sonny West (American songwriter and musician Joseph “Sonny” West)
publisher:
Melody Lane Publications Inc., Southern Music (publisher), Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) and Wren Music Co.
42:08
9Maybe Baby
producer:
Norman Petty
bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (on 1957-09-29)
drums (drum set):
Jerry Allison (on 1957-09-29)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-09-29) and Niki Sullivan (on 1957-09-29)
background vocals:
Bob Lapham (from 1957-10-12 until 1957-10-14), Bill Pickering (from 1957-10-12 until 1957-10-14) and John Pickering (vocalist and leader of The Picks) (from 1957-10-12 until 1957-10-14)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-09-29)
phonographic copyright (℗) by:
Geffen Records (in 1957) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
recorded at:
Officers Club (Tinker Air Force Base) in Oklahoma City, Oklahoma, United States (on 1957-09-29) and Norman Petty Studios in Clovis, New Mexico, United States (from 1957-10-12 until 1957-10-14)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (number: 14)
recording of:
Maybe Baby (from 1957-09-29 until 1957-10-14)
lyricist and composer:
Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
Melody Lane Pub and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
3.752:03
10Think It Over
producer:
Norman Petty
bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (in 1958-02)
drums (drum set):
Jerry Allison (in 1958-02)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (in 1958-02)
piano:
Vi Petty (in 1958-02)
background vocals:
The Roses (American rock backing vocal trio) (in 1958-02)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (in 1958-02)
phonographic copyright (℗) by:
Geffen Records (in 1958)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (in 1958-02)
recording of:
Think It Over (in 1958-02)
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
Cedarwood Pub. Co., Inc.
41:46
11Not Fade Away
producer:
Norman Petty
bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (on 1957-05-27)
double bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (on 1957-05-29)
drums (drum set):
Jerry Allison (on 1957-05-27, on 1957-05-29)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-05-27)
guitar [lead guitar], guitar [rhythm guitar] and lead vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-05-29)
background vocals:
Jerry Allison (on 1957-05-29), Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-05-29) and Niki Sullivan (on 1957-05-29)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-05-27)
phonographic copyright (℗) by:
Geffen Records (in 1957)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-05-27)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 107)
recording of:
Not Fade Away (on 1957-05-27)
writer:
Charles Hardin Holley (1950s rock & roll singer‐songwriter), Charles Hardin (Charles Hardin Holley) and Norman Petty
publisher:
McCartney Music, Inc., Melody Lane Publications Inc., MPL Communications (not for release label use! Paul McCartney-related, London-based company), MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (Germany) GmbH, Peermusic (UK) Limited and Wren Music
recording of:
Not Fade Away (on 1957-05-29)
writer:
Charles Hardin Holley (1950s rock & roll singer‐songwriter), Charles Hardin (Charles Hardin Holley) and Norman Petty
publisher:
McCartney Music, Inc., Melody Lane Publications Inc., MPL Communications (not for release label use! Paul McCartney-related, London-based company), MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (Germany) GmbH, Peermusic (UK) Limited and Wren Music
4.652:21
12Listen to Me
producer:
Norman Petty
bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (on 1957-07-01)
drums (drum set):
Jerry Allison (on 1957-07-01)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-01) and Niki Sullivan (on 1957-07-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-01)
phonographic copyright (℗) by:
Geffen Records (in 1958) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1969)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-07-01)
recording of:
Listen to Me (from 1957-06-29 until 1957-07-01)
lyricist and composer:
Buddy Holly (1950s rock & roll singer‐songwriter)
writer:
Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Southern Music (publisher) and Wren Music Co.
3.52:22
13Peggy Sue Got Married
recorded in:
New York, New York, United States (on 1958-12-05, on 1959-06-30)
producer:
Jack Hansen
acoustic guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-12-05)
bass:
Sanford Bloch (Bass player) (on 1959-06-30)
drums (drum set):
Panama Francis (US swing jazz drummer) (on 1959-06-30)
guitar:
Donald Amone (on 1959-06-30)
piano:
Andrew Ackers (on 1959-06-30)
background vocals:
The Ray Charles Singers (on 1959-06-30)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-12-05)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1959) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1959)
recording of:
Peggy Sue Got Married (from 1958-12-05 until 1959-06-30)
composer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
2:05
14True Love Ways
producer:
Norman Petty
recording of:
True Love Ways (on 1958-10-20)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
McCartney Music, Melody Lane Publications Inc., Peermusic (UK) Ltd. and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
33:02
15Tell Me How
producer:
Norman Petty
bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (from 1957-05 until 1957-07)
drums (drum set):
Jerry Allison (from 1957-05 until 1957-07)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1957-05 until 1957-07) and Niki Sullivan (from 1957-05 until 1957-07)
background vocals:
The Picks (American vocal Quartet that backed Buddy Holly) (from 1957-05 until 1957-07)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1957-05 until 1957-07)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (from 1957-05 until 1957-07)
recording of:
Tell Me How (from 1957-05 until 1957-07)
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
BMG Platinum Songs US and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
42:01
16Reminiscing
producer:
Norman Petty
bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (on 1958-09-10)
drums (drum set):
Jerry Allison (on 1958-09-10)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-09-10)
tenor saxophone:
King Curtis (saxophonist) (on 1958-09-10)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-09-10)
performer:
The Fireballs (USA 1960s surf rock band) (in 1962)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1962)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1958-09-10)
recording of:
Reminiscing (from 1958-09-10 until 1962)
lyricist and composer:
King Curtis (saxophonist)
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company) and Nor-Va-Jak Music, Inc
42:00
17Rock Around With Ollie Vee
producer:
Norman Petty
cover recording of:
Rock Around With Ollie Vee
writer:
Sonny Curtis
publisher:
Palace Music, Skol Music (BMI-affiliated) and Valley Publishers, Inc. (not to be confused with Valley Pub. Inc)
recording of:
Rock Around With Ollie Vee
writer:
Sonny Curtis
publisher:
Palace Music, Skol Music (BMI-affiliated) and Valley Publishers, Inc. (not to be confused with Valley Pub. Inc)
32:13
18It's So Easy
producer:
Norman Petty
bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (from 1958-06 until 1958-08)
drums (drum set):
Jerry Allison (from 1958-06 until 1958-08)
guitar:
Tommy Allsup (from 1958-06 until 1958-08) and Buddy Holly (1950s rock & roll singer‐songwriter) (from 1958-06 until 1958-08)
background vocals:
The Roses (American rock backing vocal trio) (from 1958-06 until 1958-08)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1958-06 until 1958-08)
phonographic copyright (℗) by:
Geffen Records (in 1958)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (from 1958-06 until 1958-08)
recording of:
It’s So Easy (from 1958-06 until 1958-08)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
Melody Lane Publications Inc., Wren Music Co. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (in 1958)
3.52:11
19What to Do
recording of:
What to Do
writer:
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
Southern Music (publisher)
1:52
20Well... All Right
producer:
Norman Petty
bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (on 1958-02-12)
cymbal:
Jerry Allison (on 1958-02-12)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-02-12)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1958-02-12)
phonographic copyright (℗) by:
Geffen Records (in 1958) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1958-02-12)
recording of:
Well… All Right (on 1958-02-12)
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter), Joe B. Mauldin (double bassist, songwriter, and recording engineer) and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) and MPL Music Publishing Inc.
42:14
21Words of Love
producer:
Norman Petty
bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (on 1957-04-08)
drums (drum set):
Jerry Allison (on 1957-04-08)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-04-08)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-04-08)
phonographic copyright (℗) by:
Geffen Records (in 1957)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-04-08)
cover recording of:
Words of Love (Buddy Holly song) (on 1957-04-08)
lyricist and composer:
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor Va Jack Music Inc., Peermusic (UK) Ltd. and Southern Music Publishing Company Limited
recording of:
Words of Love (Buddy Holly song)
lyricist and composer:
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor Va Jack Music Inc., Peermusic (UK) Ltd. and Southern Music Publishing Company Limited
41:55
22I'm Gonna Love You Too
producer:
Norman Petty
bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (on 1957-07-01)
drums (drum set):
Jerry Allison (on 1957-07-01)
guitar:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-07-01)
phonographic copyright (℗) by:
Geffen Records (in 1958) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-07-01)
recording of:
I’m Gonna Love You Too (from 1957-06-29 until 1957-07-01)
writer:
Joe B. Mauldin (double bassist, songwriter, and recording engineer), Norman Petty and Niki Sullivan
publisher:
MPL (Paul McCartney-related) (ended), Peermusic (UK) Ltd., Southern Music Publishing Company Limited, Wren Music Co. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (in 1957, in 1958)
4.52:15
23Love's Made a Fool of You
producer:
Norman Petty
bass:
George Atwood (from 1958-07 until 1958-08)
drums (drum set):
Bo Clarke (from 1958-07 until 1958-08)
guitar:
Tommy Allsup (from 1958-07 until 1958-08) and Buddy Holly (1950s rock & roll singer‐songwriter) (from 1958-07 until 1958-08)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (from 1958-07 until 1958-08)
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1965)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (from 1958-07 until 1958-08)
recording of:
Love’s Made a Fool of You (from 1958-07 until 1958-08)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter) and Bob Montgomery (USA)
publisher:
Southern Music Ltd. (publisher) (in 1981)
31:58
24Every Day
producer:
Norman Petty
bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (on 1957-05-29)
celesta:
Vi Petty (on 1957-05-29)
guitar and lead vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-05-29)
percussion [cardboard box percussion]:
Jerry Allison (on 1957-05-29)
background vocals:
Jerry Allison (on 1957-05-29), Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-05-29) and Niki Sullivan (on 1957-05-29)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (on 1957-05-29)
phonographic copyright (℗) by:
Geffen Records (in 1957) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-05-29)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 236)
recording of:
Everyday (on 1957-05-27)
writer:
Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
Peer International Corporation (BMI) and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
4.852:07