The Collected Recordings: 60s to 90s

~ Veröffentlichung von Tina Turner (alle Versionen dieser Veröffentlichung ansehen, 6 vorhanden)

Titelliste

1▶CD
2▶CD
3▼CD
Nr.TitelBewertungLänge
1Let’s Stay Together
drum machine-Programmierung:
Martyn Ware
Sampler-Programmierung:
Greg Walsh (producer and engineer)
Techniker(in):
Walter Samuel (engineer) und Greg Walsh (producer and engineer)
Produzent(in):
Greg Walsh (producer and engineer) und Martyn Ware
Gitarre:
Ray Russell (guitar, composer, producer)
Klavier und Synthesizer:
Nick Plytas
Perkussion:
Frank Ricotti (percussionist)
Saxophon:
Gary Barnacle
Hintergrundgesang:
Glenn Gregory und Martyn Ware
Sologesang:
Tina Turner
arranger:
Greg Walsh (producer and engineer) und Martyn Ware
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich und CBS Studios (London, 1967 - 1972) in London (Greater London), England, Vereinigtes Königreich
cover recording of:
Let’s Stay Together
Verfasser(in):
Al Jackson, Jr. (Booker T & The MGs drummer), Al Green (US soul singer, songwriter, pastor and record producer) und Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
publisher:
Al Green Music Inc. (BMI-affiliated), Al Jackson Jr. Music, Burlington Music Co., Ltd. und Irving Music, Inc.
recording of:
Let’s Stay Together
Verfasser(in):
Al Jackson, Jr. (Booker T & The MGs drummer), Al Green (US soul singer, songwriter, pastor and record producer) und Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
publisher:
Al Green Music Inc. (BMI-affiliated), Al Jackson Jr. Music, Burlington Music Co., Ltd. und Irving Music, Inc.
3.85:17
2What’s Love Got to Do With It
Techniker(in) und Mix:
John Hudson (producer, recording and mixing engineer)
Produzent(in):
Terry Britten
Gitarre:
Terry Britten
Keyboard:
Nick Glennie‐Smith und Billy Livsey
Perkussion:
Simon Morton
Schlagzeug:
Graham Jarvis (UK session drummer)
Hintergrundgesang:
Terry Britten und Tessa Niles
Sologesang:
Tina Turner
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1984), Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1984, in 1997) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
aufgenommen bei:
Mayfair Studios (England) in London (Greater London), England, Vereinigtes Königreich
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 134), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 160) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 309)
recording of:
What’s Love Got to Do With It
Verfasser(in):
Graham Lyle und Terence Ernest Britten
publisher:
Hornall Brothers Music Ltd. (limited company), Kobalt Music Publishing America, Inc., Mushroom Music Pty. Ltd., Warner/Chappell Music Australia Pty. Ltd., Warner/Chappell Music Ltd. (1996–2019), Goodsingle Limited (publisher) (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984), WB Music Corp. (1929–2019) (von 1984 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
recording of:
What’s Love Got to Do With It (Kygo version)
Verfasser(in):
Terry Britten, Kyrre Gørvell-Dahll (Norwegian DJ & producer Kyrre Gørvell‐Dahll a.k.a. ※) und Graham Lyle
publisher:
Kobalt Music (publisher) (vom 2020 bis heute) und WC Music Corp. (vom 2020 bis heute)
basiert auf:
What’s Love Got to Do With It
4.153:46
3Better Be Good to Me
Perkussion-Programmierung:
Rupert Hine
Produzent(in):
Rupert Hine
Bass und Keyboard:
Rupert Hine
Gitarre:
Jamie West‐Oram
Schlagzeug:
Trevor Morais
Hintergrundgesang:
Cy Curnin und Rupert Hine
Hintergrundgesang und Sologesang:
Tina Turner
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1984) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
aufgenommen bei:
Farmyard Studios in Amersham, Buckinghamshire, England, Vereinigtes Königreich
cover recording of:
Better Be Good to Me
Verfasser(in):
Mike Chapman (Australian producer and songwriter), Nicky Chinn und Holly Knight
publisher:
Arista Music, Inc. (beendet), Careers Music, Inc. (beendet), Land of Dreams Music Inc. (beendet), BMG Music Publishing Ltd. und Universal Music–MGB Songs
recording of:
Better Be Good to Me
Verfasser(in):
Mike Chapman (Australian producer and songwriter), Nicky Chinn und Holly Knight
publisher:
Arista Music, Inc. (beendet), Careers Music, Inc. (beendet), Land of Dreams Music Inc. (beendet), BMG Music Publishing Ltd. und Universal Music–MGB Songs
3.755:10
4Private Dancer
Produzent(in):
John Carter (worked for Capitol Records, relaunched Tina Turner's career with Private Dancer)
Bass:
John Illsley
Gitarre:
Hal Lindes
Keyboard:
Alan Clark (keyboardist)
Perkussion:
John Carter (worked for Capitol Records, relaunched Tina Turner's career with Private Dancer) und Julian Diggle
Saxophon:
Mel Collins
Schlagzeug:
Terry Williams (drummer)
Solo-Gitarre:
Jeff Beck (English rock guitarist)
Sologesang:
Tina Turner
remixer:
Humberto Gatica
aufgenommen bei:
Good Earth Studios (recording studio in Soho, London, UK, 1977–1989) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich und Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Vereinigtes Königreich
recording of:
Private Dancer
Texter und Komponist(in):
Mark Knopfler
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Rondor Music (London) Ltd., Shinko Music Entertainment Co., Ltd., Straitjacket Songs Ltd., Universal Music Publishing France (not for release label use!) und Universal Music Publishing, Synch Division
4.57:12
5I Can’t Stand the Rain
Techniker(in) und Mix:
John Hudson (producer, recording and mixing engineer)
Produzent(in):
Terry Britten
Gitarre:
Terry Britten
Keyboard:
Nick Glennie‐Smith
Schlagzeug:
Graham Broad
Sologesang:
Tina Turner
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
aufgenommen bei:
Mayfair Studios (England) in London (Greater London), England, Vereinigtes Königreich
cover recording of:
I Can’t Stand the Rain
Verfasser(in):
Don Bryant (R&B singer/songwriter), Bernard Miller (US 1970s songwriter) und Ann Peebles
publisher:
Irving Music, Inc. und JEC Publishing (in 1977)
33:44
6Help
Synthesizer-Programmierung:
David Ervin
Techniker(in):
F. Byron Clark
Produzent(in):
Leon Ndugu Chancler, Wilton Felder und Joe Sample
Bass und Saxophon:
Wilton Felder
Gitarre:
Charles Fearing und David T. Walker
Klavier und Synthesizer:
Joe Sample
Schlagzeug:
F. Byron Clark
Hintergrundgesang:
Alex Brown (US soul vocalist, member of Raelets), Gwen Evans und Jessica Williams (disco/hi‐NRG)
cover recording of:
Help!
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
EMI Music Publishing Australia Pty. Limited (not for release label use!), Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Northern Songs ltd, SBK Blackwood Music Inc. (1987-12-30–1989-07-14), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Tunes LLC (ASCAP) und Unart Music Corp.
4.54:31
7We Don’t Need Another Hero (Thunderdome)
assistierende(r) Techniker(in):
Mike Ging
Techniker(in) und Mix:
John Hudson (producer, recording and mixing engineer)
Produzent(in):
Terry Britten
Saxophon:
Tim Cappello
Sologesang:
Tina Turner
phonographisches Urheberrecht (℗) von:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1985), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1986) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
Musikvideos:
We Don’t Need Another Hero von Tina Turner
recording of:
We Don’t Need Another Hero
Texter und Komponist(in):
Terry Britten und Graham Lyle
publisher:
Goodsingle Ltd. (publisher), Hornall Brothers Music Ltd. (limited company), Myaxe Music Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) und Warner/Chappell Music Ltd. (1996–2019)
3.554:15
8Typical Male
recording engineer und Mix:
John Hudson (producer, recording and mixing engineer)
zusätzliche(r) Techniker(in):
Mike Ging
Produzent(in):
Terry Britten
Bass und Gitarre:
Terry Britten
Keyboard:
Nick Glennie‐Smith
Schlagzeug:
Phil Collins (of Genesis)
Solo-Saxophon:
Tim Cappello
Hintergrundgesang:
Terry Britten und Tessa Niles
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recording of:
Typical Male
Verfasser(in):
Terry Britten und Graham Lyle
3.24:16
9What You Get Is What You See
recording engineer, Techniker(in) und Mix:
John Hudson (producer, recording and mixing engineer)
Programmierung und Produzent(in):
Terry Britten
zusätzliche(r) Techniker(in):
Mike Ging
Bass und Gitarre:
Terry Britten
Keyboard:
Nick Glennie‐Smith
Mandoline:
Graham Lyle
Sologesang:
Tina Turner
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recording of:
What You Get Is What You See (Some boys got the look of a Greek Adonis…)
Verfasser(in):
Terry Britten und Graham Lyle
publisher:
Goodsingle Ltd. (publisher), Myaxe Music Ltd., Rondor Music, Taiyō Music, Warner Bros. Music (publisher; do NOT use as release label), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music Publishing (bis 2017-03-31) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (vom 2017-04-01 bis heute)
4.354:27
10Paradise Is Here
recording of:
Paradise Is Here
Texter und Komponist(in):
Paul Brady
publisher:
Hornall Brothers Music (limited company)
5:30
11Back Where You Started
recording engineer und Mix:
Bob Clearmountain
zusätzliche(r) Techniker(in):
Paul Hamilton (recording engineer), Mark McKenna (engineer), Richard Moakes und Steve Rinkoff
Produzent(in):
Bryan Adams (Canadian singer/songwriter) und Bob Clearmountain
Bassgitarre:
Dave Taylor (Bass player (Bryan Adams) and engineer)
Gitarre:
Keith Scott (Canadian guitarist)
Gitarre und Klavier und Hintergrundgesang:
Bryan Adams (Canadian singer/songwriter)
membranophone:
Mickey Curry
Orgel:
Tommy Mandel
Perkussion:
Jim Vallance
recording of:
Back Where You Started
komponiert in und Liedtext geschrieben in:
Vancouver, British Columbia, Kanada (in 1986-02)
Texter und Komponist(in):
Bryan Adams (Canadian singer/songwriter) (in 1986-02) und Jim Vallance (in 1986-02)
publisher:
Adams Communications Inc.
54:28
12The Best
Produzent(in):
Dan Hartman und Tina Turner
Sologesang:
Tina Turner
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
Teil von:
The Co-Op: Top 10 British Funeral Songs (Nummer: 4) und Cachitos Nochevieja 2022 (Nummer: 154)
cover recording of:
The Best
Verfasser(in):
Holly Knight und Michael Chapman (Australian producer and songwriter)
publisher:
EMI Music (do not use as release label! this is a music publisher), Hebbes Music Group Pty. Ltd., Island Music Ltd., Knighty-Knight Music, Mike Chapman Publishing Enterprises, Rondor Music (Australia), Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., Warner Chappell und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
45:29
13Steamy Windows
Techniker(in):
Chris Lord‐Alge
Produzent(in):
Dan Hartman
Sologesang:
Tina Turner
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recording of:
Steamy Windows
Texter und Komponist(in):
Tony Joe White
publisher:
EMI Songs Ltd. und Tony Joe White Music
3.254:04
14Foreign Affair
Produzent(in):
Roger Davies (producer) und Tony Joe White
recording of:
Foreign Affair
Texter und Komponist(in):
Tony Joe White
4:28
15I Don’t Wanna Fight
recording of:
I Don’t Wanna Fight
Verfasser(in):
Steve DuBerry, Billy Lawrie und Lulu (Scottish singer and actress, best known for “To Sir With Love”)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS) und Warner/Chappell Music Ltd. (1996–2019)
46:05

Nennungen

Veröffentlichung

ASIN:US: B000002TRX [Info]

Veröffentlichungsgruppe

Discogs:https://www.discogs.com/master/801225 [Info]