Centre Stage

~ Release by Michael Ball (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Every Story
recording engineer:
Robin Sellars (British recording engineer)
programming:
Lee McCutcheon
additional engineer:
Lee McCutcheon and Steve Price (UK recording engineer/producer/orchestrator/arranger) (task: orchestra)
assistant engineer:
Lorraine Francis, Jimmy Robertson (sound engineer) and Guy Wiffen
co-producer:
Michael Ball (British actor, singer, and radio and TV presenter)
producer:
Nigel Wright (British producer, orchestrator and songwriter)
conductor:
Simon Lee (conductor)
arranger:
Nigel Wright (British producer, orchestrator and songwriter)
recorded at:
Angel Studios in Kingston upon Hull, England, United Kingdom, Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom and Skratch Studios in Surrey, England, United Kingdom
mixed at:
The Pierce Rooms in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom
recording of:
Every Story Is a Love Story (Aida)
lyricist:
Tim Rice
composer:
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Wixen Music Publishing, Inc. and Wonderland Music Company, Inc. (a division of Disney Music Publishing)
2:49
2Can You Feel the Love Tonight
recording engineer:
Robin Sellars (British recording engineer)
programming:
Lee McCutcheon
additional engineer:
Lee McCutcheon and Steve Price (UK recording engineer/producer/orchestrator/arranger) (task: orchestra)
assistant engineer:
Lorraine Francis, Jimmy Robertson (sound engineer) and Guy Wiffen
co-producer:
Michael Ball (British actor, singer, and radio and TV presenter)
producer:
Nigel Wright (British producer, orchestrator and songwriter)
vocals:
Michael Ball (British actor, singer, and radio and TV presenter)
conductor:
Simon Lee (conductor)
arranger:
Nigel Wright (British producer, orchestrator and songwriter)
orchestrator:
Steve Sidwell (English composer & wind instrumentalist)
recorded at:
Angel Studios in Kingston upon Hull, England, United Kingdom, Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom and Skratch Studios in Surrey, England, United Kingdom
mixed at:
The Pierce Rooms in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom
cover recording of:
Can You Feel the Love Tonight (The Lion King, end title lyrics)
lyricist:
Tim Rice
composer:
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Campbell Connelly & Co. and Wonderland Music Company, Inc. (a division of Disney Music Publishing)
part of:
The 67th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1994 winner)
version of:
Can You Feel the Love Tonight (The Lion King, dramatized Timon/Pumbaa/Simba/Nala lyrics)
part of:
De Leeuwenkoning (The Lion King 1994 film soundtrack, Dutch version)
part of:
Der König der Löwen (The Lion King 1994 film soundtrack, German version)
part of:
El Rey León (The Lion King 1994 film soundtrack, Spanish version)
part of:
Król lew (The Lion King 1994 film soundtrack, Polish version)
part of:
Le Roi Lion (The Lion King 1994 film soundtrack, French version)
part of:
Leijonakuningas (The Lion King 1994 film soundtrack, Finnish version)
part of:
Lejonkungen (The Lion King 1994 film soundtrack, Swedish version)
part of:
O Rei Leão (The Lion King 1994 film soundtrack, Brazilian Portuguese version)
part of:
O Rei Leão (The Lion King 1994 film soundtrack, Portuguese version)
part of:
The Lion King (1994 film soundtrack)
4:06
3The Boy From Nowhere
recording engineer:
Robin Sellars (British recording engineer)
programming:
Lee McCutcheon
additional engineer:
Lee McCutcheon and Steve Price (UK recording engineer/producer/orchestrator/arranger) (task: orchestra)
assistant engineer:
Lorraine Francis, Jimmy Robertson (sound engineer) and Guy Wiffen
co-producer:
Michael Ball (British actor, singer, and radio and TV presenter)
producer:
Nigel Wright (British producer, orchestrator and songwriter)
vocals:
Michael Ball (British actor, singer, and radio and TV presenter)
conductor:
Simon Lee (conductor)
arranger:
Nigel Wright (British producer, orchestrator and songwriter)
orchestrator:
Dave Arch (pianist, conductor, arranger and composer)
recorded at:
Angel Studios in Kingston upon Hull, England, United Kingdom, Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom and Skratch Studios in Surrey, England, United Kingdom
mixed at:
The Pierce Rooms in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom
recording of:
Matador: A Boy From Nowhere
writer:
Mike Leander and Edward Seago
publisher:
Morrison Leahy Music Ltd.
4:25
4Lift the Wings
recording engineer:
Robin Sellars (British recording engineer)
programming:
Lee McCutcheon
additional engineer:
Lee McCutcheon and Steve Price (UK recording engineer/producer/orchestrator/arranger) (task: orchestra)
assistant engineer:
Lorraine Francis, Jimmy Robertson (sound engineer) and Guy Wiffen
co-producer:
Michael Ball (British actor, singer, and radio and TV presenter)
producer:
Nigel Wright (British producer, orchestrator and songwriter)
conductor:
Simon Lee (conductor)
arranger:
Nigel Wright (British producer, orchestrator and songwriter)
orchestrator:
Callum McLeod (composer/conductor)
recorded at:
Angel Studios in Kingston upon Hull, England, United Kingdom, Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom and Skratch Studios in Surrey, England, United Kingdom
mixed at:
The Pierce Rooms in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom
recording of:
Lift the Wings
composer:
Bill Whelan (Irish composer)
3:42
5Not While I'm Around
recording engineer:
Robin Sellars (British recording engineer)
programming:
Lee McCutcheon
additional engineer:
Lee McCutcheon and Steve Price (UK recording engineer/producer/orchestrator/arranger) (task: orchestra)
assistant engineer:
Lorraine Francis, Jimmy Robertson (sound engineer) and Guy Wiffen
co-producer:
Michael Ball (British actor, singer, and radio and TV presenter)
producer:
Nigel Wright (British producer, orchestrator and songwriter)
conductor:
Simon Lee (conductor)
arranger:
Nigel Wright (British producer, orchestrator and songwriter)
orchestrator:
Callum McLeod (composer/conductor)
recorded at:
Angel Studios in Kingston upon Hull, England, United Kingdom, Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom and Skratch Studios in Surrey, England, United Kingdom
mixed at:
The Pierce Rooms in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom
recording of:
Not While I’m Around (contemporary version)
lyricist and composer:
Stephen Sondheim
publisher:
Revelation Music Publishing Corp. and Rilting Music, Inc.
4:00
6The Phantom of the Opera
recording engineer:
Robin Sellars (British recording engineer)
programming:
Lee McCutcheon
additional engineer:
Lee McCutcheon and Steve Price (UK recording engineer/producer/orchestrator/arranger) (task: orchestra)
assistant engineer:
Lorraine Francis, Jimmy Robertson (sound engineer) and Guy Wiffen
co-producer:
Michael Ball (British actor, singer, and radio and TV presenter)
producer:
Nigel Wright (British producer, orchestrator and songwriter)
vocals:
Michael Ball (British actor, singer, and radio and TV presenter) and Lesley Garrett (soprano)
conductor:
Simon Lee (conductor)
arranger:
Nigel Wright (British producer, orchestrator and songwriter)
recorded at:
Angel Studios in Kingston upon Hull, England, United Kingdom, Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom and Skratch Studios in Surrey, England, United Kingdom
mixed at:
The Pierce Rooms in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom
cover recording of:
The Phantom of the Opera (Christine, The Phantom)
additional lyricist:
Mike Batt
lyricist:
Charles Hart (British lyricist) and Richard Stilgoe
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
The Really Useful Group Ltd (not for release label use!)
part of:
The Phantom of the Opera (Andrew Lloyd Webber musical)
part of:
The Phantom of the Opera (2004 film soundtrack)
revision of:
The Phantom of the Opera (lyrics without Charles Hart’s words)
4:24
7Music of the Night
recording engineer:
Robin Sellars (British recording engineer)
programming:
Lee McCutcheon
additional engineer:
Lee McCutcheon and Steve Price (UK recording engineer/producer/orchestrator/arranger) (task: orchestra)
assistant engineer:
Lorraine Francis, Jimmy Robertson (sound engineer) and Guy Wiffen
co-producer:
Michael Ball (British actor, singer, and radio and TV presenter)
producer:
Nigel Wright (British producer, orchestrator and songwriter)
vocals:
Michael Ball (British actor, singer, and radio and TV presenter)
conductor:
Simon Lee (conductor)
arranger:
Nigel Wright (British producer, orchestrator and songwriter)
recorded at:
Angel Studios in Kingston upon Hull, England, United Kingdom, Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom and Skratch Studios in Surrey, England, United Kingdom
mixed at:
The Pierce Rooms in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom
recording of:
The Music of the Night (The Phantom of the Opera)
additional lyricist:
Richard Stilgoe
lyricist:
Charles Hart (British lyricist)
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
The Really Useful Group Ltd (not for release label use!) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
The Phantom of the Opera (Andrew Lloyd Webber musical)
part of:
The Phantom of the Opera (2004 film soundtrack)
5:22
8The Winner Takes It All
recording engineer:
Robin Sellars (British recording engineer)
programming:
Lee McCutcheon
additional engineer:
Lee McCutcheon and Steve Price (UK recording engineer/producer/orchestrator/arranger) (task: orchestra)
assistant engineer:
Lorraine Francis, Jimmy Robertson (sound engineer) and Guy Wiffen
co-producer:
Michael Ball (British actor, singer, and radio and TV presenter)
producer:
Nigel Wright (British producer, orchestrator and songwriter)
vocals:
Michael Ball (British actor, singer, and radio and TV presenter)
conductor:
Simon Lee (conductor)
arranger:
Nigel Wright (British producer, orchestrator and songwriter)
orchestrator:
Dave Arch (pianist, conductor, arranger and composer)
recorded at:
Angel Studios in Kingston upon Hull, England, United Kingdom, Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom and Skratch Studios in Surrey, England, United Kingdom
mixed at:
The Pierce Rooms in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom
recording of:
The Winner Takes It All
writer:
Benny Andersson (ABBA) and Björn Ulvaeus
publisher:
EMI Music Publishing (do not use as a release label!) (ended), Universal Music Publishing Group (ended), Universal/Union Songs Musikförlag AB (ended), Bocu Music, EMI Waterford Music, Union Songs AB (publisher), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Artwork Music Co., Inc. (from 1980 to ????) and Countless Songs, Ltd. (from 1980 to ????)
part of:
Mamma Mia! (1999 musical)
4:59
9Seasons of Love
recording engineer:
Robin Sellars (British recording engineer)
programming:
Lee McCutcheon
additional engineer:
Lee McCutcheon and Steve Price (UK recording engineer/producer/orchestrator/arranger) (task: orchestra)
assistant engineer:
Lorraine Francis, Jimmy Robertson (sound engineer) and Guy Wiffen
co-producer:
Michael Ball (British actor, singer, and radio and TV presenter)
producer:
Nigel Wright (British producer, orchestrator and songwriter)
vocals:
Michael Ball (British actor, singer, and radio and TV presenter)
conductor:
Simon Lee (conductor)
arranger:
Nigel Wright (British producer, orchestrator and songwriter)
recorded at:
Angel Studios in Kingston upon Hull, England, United Kingdom, Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom and Skratch Studios in Surrey, England, United Kingdom
mixed at:
The Pierce Rooms in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom
recording of:
Seasons of Love (Rent)
lyricist and composer:
Jonathan Larson
publisher:
Finster & Lucy Music Ltd. Co., Universal Music Corp. (USA, affiliated with ASCAP), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Rent (stage musical)
4:05
10Bring Him Home
recording engineer:
Robin Sellars (British recording engineer)
programming:
Lee McCutcheon
additional engineer:
Lee McCutcheon and Steve Price (UK recording engineer/producer/orchestrator/arranger) (task: orchestra)
assistant engineer:
Lorraine Francis, Jimmy Robertson (sound engineer) and Guy Wiffen
co-producer:
Michael Ball (British actor, singer, and radio and TV presenter)
producer:
Nigel Wright (British producer, orchestrator and songwriter)
vocals:
Michael Ball (British actor, singer, and radio and TV presenter)
conductor:
Simon Lee (conductor)
arranger:
Nigel Wright (British producer, orchestrator and songwriter)
orchestrator:
Callum McLeod (composer/conductor)
recorded at:
Angel Studios in Kingston upon Hull, England, United Kingdom, Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom and Skratch Studios in Surrey, England, United Kingdom
mixed at:
The Pierce Rooms in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom
recording of:
Bring Him Home (Valjean)
lyricist:
Alain Boublil and Herbert Kretzmer
composer:
Claude‐Michel Schönberg
publisher:
Alain Boublil Music, Alain Boublil Music Ltd., Faber Music, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) and 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
part of:
Les Misérables (Claude-Michel Schönberg musical, English version)
3:15
11Tell Me on a Sunday
recording engineer:
Robin Sellars (British recording engineer)
programming:
Lee McCutcheon
additional engineer:
Lee McCutcheon and Steve Price (UK recording engineer/producer/orchestrator/arranger) (task: orchestra)
assistant engineer:
Lorraine Francis, Jimmy Robertson (sound engineer) and Guy Wiffen
co-producer:
Michael Ball (British actor, singer, and radio and TV presenter)
producer:
Nigel Wright (British producer, orchestrator and songwriter)
vocals:
Michael Ball (British actor, singer, and radio and TV presenter)
conductor:
Simon Lee (conductor)
arranger:
Nigel Wright (British producer, orchestrator and songwriter)
orchestrator:
Peter Murray (composer)
recorded at:
Angel Studios in Kingston upon Hull, England, United Kingdom, Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom and Skratch Studios in Surrey, England, United Kingdom
mixed at:
The Pierce Rooms in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom
cover recording of:
Tell Me on a Sunday
lyricist:
Don Black (English lyricist)
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) and The Really Useful Company Ltd. (The Really Useful Company Limited)
part of:
Song & Dance (Andrew Lloyd Webber musical)
part of:
Tell Me on a Sunday (full musical)
3:36
12Immortality
recording engineer:
Robin Sellars (British recording engineer)
programming:
Lee McCutcheon
additional engineer:
Lee McCutcheon and Steve Price (UK recording engineer/producer/orchestrator/arranger) (task: orchestra)
assistant engineer:
Lorraine Francis, Jimmy Robertson (sound engineer) and Guy Wiffen
engineer:
Guy Wiffen
co-producer:
Michael Ball (British actor, singer, and radio and TV presenter)
producer:
Nigel Wright (British producer, orchestrator and songwriter)
conductor:
Simon Lee (conductor)
arranger:
Nigel Wright (British producer, orchestrator and songwriter)
recorded at:
Angel Studios in Kingston upon Hull, England, United Kingdom, Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom and Skratch Studios in Surrey, England, United Kingdom
mixed at:
The Pierce Rooms in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom
recording of:
Immortality
writer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Universal Music Publishing International MGB Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
4:11
13Send in the Clowns
recording engineer:
Robin Sellars (British recording engineer)
programming:
Lee McCutcheon
additional engineer:
Lee McCutcheon and Steve Price (UK recording engineer/producer/orchestrator/arranger) (task: orchestra)
assistant engineer:
Lorraine Francis, Jimmy Robertson (sound engineer) and Guy Wiffen
co-producer:
Michael Ball (British actor, singer, and radio and TV presenter)
producer:
Nigel Wright (British producer, orchestrator and songwriter)
vocals:
Michael Ball (British actor, singer, and radio and TV presenter)
conductor:
Simon Lee (conductor)
arranger:
Nigel Wright (British producer, orchestrator and songwriter)
orchestrator:
Dave Arch (pianist, conductor, arranger and composer)
recorded at:
Angel Studios in Kingston upon Hull, England, United Kingdom, Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom and Skratch Studios in Surrey, England, United Kingdom
mixed at:
The Pierce Rooms in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom
recording of:
Send In the Clowns (A Little Night Music)
lyricist and composer:
Stephen Sondheim
publisher:
Chappell Music Ltd., Fiddleback Music Publishing Co., Inc., Revelation Music Publishing Corp., Rilting Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
A Little Night Music (musical)
4:20
14Tell Me It's Not True
recording engineer:
Robin Sellars (British recording engineer)
programming:
Lee McCutcheon
additional engineer:
Lee McCutcheon and Steve Price (UK recording engineer/producer/orchestrator/arranger) (task: orchestra)
assistant engineer:
Lorraine Francis, Jimmy Robertson (sound engineer) and Guy Wiffen
co-producer:
Michael Ball (British actor, singer, and radio and TV presenter)
producer:
Nigel Wright (British producer, orchestrator and songwriter)
conductor:
Simon Lee (conductor)
arranger:
Nigel Wright (British producer, orchestrator and songwriter)
orchestrator:
Callum McLeod (composer/conductor)
recorded at:
Angel Studios in Kingston upon Hull, England, United Kingdom, Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom and Skratch Studios in Surrey, England, United Kingdom
mixed at:
The Pierce Rooms in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom
recording of:
Tell Me It’s Not True (Blood Brothers)
lyricist and composer:
Willy Russell (English composer)
publisher:
Willy Russell Music
part of:
Blood Brothers
3:52

Credits

Release

distributed by and marketed by:Universal Music TV (UK, a division of Universal Music Operations Limited)
copyrighted (©) by and phonographic copyright (℗) by:Universal Music TV (UK, a division of Universal Music Operations Limited) (in 2001)
ASIN:US: B00005O14B [info]