Yacht Rock 100

~ Release by Various Artists (see all versions of this release, 2 available)

Annotation

Countries excluded (Deezer)

(As of 2022-07-31).

  • Oceania: 🇦🇺 Australia (au) 🇨🇨 Cocos (Keeling) Islands (cc) 🇨🇽 Christmas Island (cx) 🇳🇫 Norfolk Island (nf) 🇳🇿 New Zealand (nz)
  • Polynesia: 🇨🇰 Cook Islands (ck) 🇳🇺 Niue (nu) 🇹🇰 Tokelau (tk)
Annotation last modified on 2022-07-31 22:23 UTC.

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Ride Like the Wind
assistant engineer:
Stuart Gitlin
engineer and mixer:
Chet Himes
producer:
Michael Omartian
acoustic guitar, electric guitar, solo guitar and lead vocals:
Christopher Cross (US singer‐songwriter)
bass guitar:
Andy Salmon
drums (drum set):
Tommy Taylor (US drummer)
electric piano and piano:
Michael Omartian
percussion:
Lenny Castro
synthesizer:
Rob Meurer
background vocals:
Christopher Cross (US singer‐songwriter) and Michael McDonald (R&B & soul singer)
arranger:
Christopher Cross (US singer‐songwriter), Rob Meurer and Michael Omartian
phonographic copyright (℗) by:
Warner Bros. (holding: file NO releases) (in 1979) and Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979)
produced for:
Free Flow Productions
recorded at:
Pecan Street Studios in Austin, Texas, United States and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Ride Like the Wind
lyricist and composer:
Christopher Cross (US singer‐songwriter)
publisher:
BMG Songs, Inc., Pop ’n’ Roll Music (US work publisher) and Universal Music–MGB Songs
sub-publisher:
Shinko Music Entertainment Co., Ltd. and Universal Music Publishing, Synch Division
Christopher Cross4.14:35
2She’s Gone
recorded in:
New York, New York, United States (in 1973)
producer:
Arif Mardin
bass:
Steve Gelfand (bassist a/k/a Steve “Fontz” Gelfand) (in 1973)
drums (drum set):
Bernard “Pretty” Purdie (in 1973)
electric guitar, mellotron and synthesizer:
Chris Bond (producer, active circa 1970s) (in 1973)
electric piano:
Daryl Hall (in 1973)
guitar:
John Oates (in 1973)
percussion:
Ralph MacDonald (in 1973)
tenor saxophone:
Joe Farrell (in 1973)
lead vocals:
Daryl Hall (in 1973) and John Oates (in 1973)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1973)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 336)
recording of:
She’s Gone (in 1973)
lyricist and composer:
Daryl Hall and John Oates
publisher:
Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Daryl Hall & John Oates3.655:13
3Must of Got Lost
recording of:
Must of Got Lost
writer:
The J. Geils Band
The J. Geils Band52:58
4It Might Be You
producer:
Dave Grusin (American pianist and score composer)
bass guitar:
Abraham Laboriel
drums (drum set):
Carlos Vega
guitar:
George Doering, Mitch Holder (guitarist) and Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
percussion:
Steve Forman (US percussionist)
synthesizer:
Dave Grusin (American pianist and score composer)
background vocals and lead vocals:
Stephen Bishop (American singer-songwriter)
vocals:
Stephen Bishop (American singer-songwriter)
arranger:
Dave Grusin (American pianist and score composer)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1982)
recording of:
It Might Be You (theme from Tootsie)
lyricist:
Alan Bergman (American lyricist) and Marilyn Bergman
writer and composer:
Dave Grusin (American pianist and score composer)
publisher:
EMI Gold Horizon Music Corp., EMI Golden Torch Music Corp., Roaring Fork Music, Spirit Two Music Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
part of:
The 55th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1982 nominee)
Stephen Bishop4:13
5Shakedown Cruise
engineer and mixer:
Terry Nelson (recording engineer)
producer:
Ed “Radar” Mashal and Jay Ferguson (Californian rock & roll artist, member of Spirit & Jo Jo Gunne)
bass guitar [bass]:
Scott Chambers
boatswain's pipe [bosun's whistle]:
Tom Peer U.S.N.
drums (drum set) [drums]:
Curly Smith (Jo Jo Gunne musician)
guitar:
Bob Webb (vocalist/guitarist with: The Measles, The James Gang, and Jay Ferguson’s band)
guitar [lead guitar]:
Tony Battaglia
piano, synthesizer [synthesizers] and vibraphone [vibes]:
Jay Ferguson (Californian rock & roll artist, member of Spirit & Jo Jo Gunne)
background vocals:
Bill Szymczyk
recorded at:
Santa Barbara Sound Studios in Santa Barbara, California, United States
Jay Ferguson4:12
6Baby What a Big Surprise
assistant recording engineer and recording engineer:
Armin Steiner (strings)
assistant engineer:
Tom Likes
engineer:
Wayne Tarnowski
producer:
James William Guercio
acoustic guitar and bass:
James William Guercio (in 1977)
additional background vocals:
Tim Cetera (in 1977) and Carl Wilson (Beach Boys) (in 1977)
orchestrator:
Peter Cetera, Dominic Frontiere and James William Guercio
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1977, in 1978), Chicago Records Inc. (in 1977) and Rhino Entertainment Company (not for release label use!) (in 2002, in 2007)
recorded at:
Caribou Ranch Recording Studio in Nederland, Colorado, United States and Sound Labs, Inc. in Hollywood, Los Angeles, California, United States (strings)
mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, United States
recording of:
Baby, What a Big Surprise (in 1977)
orchestrator:
Dominic Frontiere
lyricist and composer:
Peter Cetera (in 1977)
publisher:
BMG Music Publishing Ltd., BMG Songs, Inc., Island Music Ltd. and Universal Music Publishing MGB Ltd.
Chicago33:05
7Please Don’t Leave
Lauren Wood3:58
8Turn It On Salvador
Toy Matinee4:54
9Queen of the Masquerade Ball
engineer and mixer:
Terry Christian (US recording and mixing engineer) and John Guess
producer:
Michael Omartian
lead vocals:
Peter Cetera
recorded at and mixed at:
Lion Share Studios in Los Angeles, California, United States
recording of:
Queen of the Masquerade Ball
writer:
Peter Cetera and Michael Omartian
publisher:
Fall Line Orange Music (in 1986) and See This House Music (in 1986)
Peter Cetera3:53
10Baker Street
assistant engineer:
Stefan Heller
engineer:
Peter R. Vince (engineer, producer)
producer:
The Shadows (British pop/rock band that once backed Cliff Richard)
bass guitar:
Alan Jones (member of the Shadows, 60s Merseybeat group)
drums (drum set) and percussion:
Brian Bennett (Shadows drummer)
guitar:
Hank Marvin (lead guitarist of The Shadows, songwriter) and Bruce Welch (English guitarist, singer, songwriter and producer)
synthesizer:
Dave Lawson (UK keyboardist & composer)
arranger:
The Shadows (British pop/rock band that once backed Cliff Richard)
recorded at:
EMI, Abbey Road in St John's Wood, Westminster, London (Greater London), England, United Kingdom and The Music Centre in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom
instrumental cover recording of:
Baker Street
lyricist and composer:
Gerry Rafferty
publisher:
B Music, Belfern Ltd., EMI Music Publishing (do not use as a release label!), EMI Publishing Ltd., Icon Music Ltd., Island Music Ltd., Mushroom Music Pty. Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Stage Three Music Ltd., Stage Three Music Publishing Limited, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Songs (publisher) and Universal–Songs of PolyGram International, Inc.
The Shadows4:55
11Heart Over Head
Bette Midler2:48
12Night Moves
producer:
Phil Chapman (engineer) and John Astley
recording of:
Night Moves (Marilyn Martin song)
writer:
Jon Astley, Marilyn Martin and John Parr
Marilyn Martin5:18
13Believe It or Not (from “Greatest American Hero”)
vocals:
Joey Scarbury
phonographic copyright (℗) by:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1981)
recording of:
Believe It or Not (theme from “The Greatest American Hero”)
lyricist:
Stephen Geyer
composer:
Mike Post
publisher:
Darjen Music, EMI April Music Inc., EMI Blackwood Music Inc., Lokey Publishing and Stephen Cannell Music
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) and 日音 Synch事業部 (NICHION, INC. Synch Division)
Joey Scarbury43:15
14Girls Talk
acoustic guitar [acoustic guitars]:
Peter Bernstein (bassist)
bass:
Bob Glaub
drums (drum set):
Russ Kunkel (session drummer)
electric guitar:
Dan Dugmore and Mark Goldenberg
keyboard [keyboards]:
Bill Payne
percussion:
Peter Asher and Steve Forman (US percussionist)
background vocals:
Rosemary Butler and Nicolette Larson
lead vocals:
Linda Ronstadt
cover recording of:
Girls Talk
lyricist and composer:
Declan Patrick MacManus
Linda Ronstadt3:20
15Kiss Me Like You Mean It
Air Supply4:27
16Steal Away
engineer:
Gary Brandt
congas:
Miguel Rivera (percussionist)
guitar:
Bob Bordy, Dennis Herring, Bill LaBounty, Robert Palmer (English singer‐songwriter) and Brian Ray
harmonica:
Robbie Dupree
keyboard:
Rick Chudacoff and Bill Elliott (keyboardist/composer)
marimba:
Alan Estes
percussion:
Peter Bunetta, Robbie Dupree, Alan Estes, Arno Lucas and Miguel Rivera (percussionist)
saxophone:
Jerry Peterson
synthesizer:
Michael Boddicker and Bill Elliott (conductor, producer)
background vocals:
Kal David, Bill LaBounty, Arno Lucas and Michael McDonald (R&B & soul singer)
arranger:
Bill Elliott (keyboardist/composer)
phonographic copyright (℗) by:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1980) and Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1980)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 64)
recording of:
Steal Away
lyricist:
Rick Chudacoff
composer:
Robbie Dupree
publisher:
Big Ears Music, Inc., Chrome Willie Music, EMI April Music Inc., EMI Blackwood Music Inc., Gouda Music Co., Grandma Annie Music, Oozle Music, フジパシフィックミュージック (Fujipacific Music, Inc.), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Robbie Dupree3:26
17We’re All Alone
cover recording of:
We’re All Alone
lyricist and composer:
Boz Scaggs
publisher:
BMG Songs, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Kobalt Music Publishing Ltd. (UK) and Boz Scaggs Music (publisher) (from 1975 to present)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Frankie Valli4:08
18Magic
producer:
Alan Parsons (of The Alan Parsons Project)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974, in 1975, in 2003)
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 41)
recording of:
Magic
writer:
Billy Lyall and David Paton (of Pilot)
publisher:
Beechwood Music Corp., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) and Robbins Music Corp. Ltd.
Pilot4.753:06
19I.G.Y.
additional drums (drum set):
Jeff Porcaro
alto saxophone:
David Tofani
baritone saxophone:
Ronnie Cuber
bass guitar:
Anthony Jackson (US bassist)
drums (drum set):
James Gadson (American drummer)
electric piano:
Greg Phillinganes
guitar:
Hugh McCracken
percussion:
Roger Nichols (US mastering, recording engineer and producer) and Starz Vanderlocket
synthesizer:
Donald Fagen and Rob Mounsey
tenor saxophone:
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer)
trombone:
Dave Bargeron (US trombonist & tubist)
trumpet:
Randy Brecker
background vocals:
Frank Floyd (US soul disco funk singer), Gordon Grody, Zachary Sanders and Valerie Simpson
lead vocals:
Donald Fagen
arranger:
Donald Fagen
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1982)
recording of:
I.G.Y. (What a Beautiful World)
lyricist and composer:
Donald Fagen
publisher:
Freejunket Music
Donald Fagen6:03
20I’d Love You to Want Me
recording of:
I’d Love You to Want Me
lyricist and composer:
Kent LaVoie (American singer-songwriter Roland Kent LaVoie)
publisher:
Famous Music Corp. (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Lobo2.54:04
21You Might Need Somebody
recording of:
You Might Need Somebody
composer:
Nan O’Byrne (American songwriter and composer) and Tom Snow (US keyboardist/songwriter)
Turley Richards3:36
22Too Young
Jack Wagner4:11
23Nice Girls
Eye to Eye5:08
24All in a Game
The Dukes3:03
25Frankie, I’m So Sorry
David Geddes3:17
26Lonely Boy
assistant engineer:
Dennis Kirk and Greg Ladanyi
engineer:
Val Garay
producer:
Peter Asher
bass:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt) (from 1976-03 until 1976-10)
bell [Sleigh] and drums (drum set):
Michael Botts (from 1976-03 until 1976-10)
cowbell, piano and tambourine:
Andrew Gold (from 1976-03 until 1976-10)
electric piano and synthesizer [Arp String Ensemble]:
Brock Walsh (singer, producer, songwriter) (from 1976-03 until 1976-10)
guitar:
Dan Dugmore (from 1976-03 until 1976-10)
guitar [Lead Guitar]:
Waddy (from 1976-03 until 1976-10)
handclaps:
Peter Asher (from 1976-03 until 1976-10) and Andrew Gold (from 1976-03 until 1976-10)
background vocals:
Linda Ronstadt (from 1976-03 until 1976-10)
vocals:
Andrew Gold (from 1976-03 until 1976-10)
recorded at:
Sound Factory (1969–1980) in Los Angeles, California, United States (from 1976-03 until 1976-10)
recording of:
Lonely Boy (from 1976-03 until 1976-10)
lyricist and composer:
Andrew Gold
publisher:
Luckyu Music
Andrew Gold44:24
27Look Who’s Lonely Now
recording engineer and mixer:
Al Schmitt
producer:
Tommy LiPuma
bass:
Abraham Laboriel
guitar:
Steve Lukather (guitarist, vocalist, composer, producer and arranger) and Dean Parks (American session guitarist)
horn:
Gary Grant (brass), Gary Herbig, Jerry Hey, Jim Horn (saxophonist, hornist, flutist and oboist), Charles Loper (American trombonist), Lew McCreary and Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
keyboard:
Leon Pendarvis
membranophone:
Jeff Porcaro
percussion:
Lenny Castro
solo saxophone:
David Sanborn
background vocals:
Paulette Brown, Bill Champlin, Steve George (US keyboardist for Mr. Mister & Pages), Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister) and Carmen Twillie
horn arranger:
Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
strings arranger:
Nick de Caro
arranger:
Leon Pendarvis
Randy Crawford3:38
28Change of Heart
Nick Heyward4:24
29She’s Not in Love
engineer and mixer:
Al Schmitt
producer:
Tommy LiPuma
Larsen–Feiten Band4:41
30Sue Sad
Patrick Simmons3:18
31Don’t Worry Baby
recording of:
Don’t Worry Baby
lyricist and composer:
John McBurnie
publisher:
Copyright Administration Services Ltd. (Copyright Administration Services Limited) and Victor Music Arts
Vapour Trails3:45
32Lonely Night
Joe Fagin3:36
33Standin’ on the Borderline
recording of:
Standing on the Borderline
writer:
Gerry Goffin and Carole King
publisher:
ELORAC Music and Screen Gems-EMI, Inc. (publisher)
Carole King2:55
34So Easy
Aztec Two‐Step51:48
35Survivor
Mickey Thomas4:08
36One Way Ticket
recording of:
One Way Ticket
writer:
Laura Allan and Chuck Plotkin
Laura Allan4:00
37Radioland
producer:
Ted Templeman
recording of:
Radioland
lyricist and composer:
Sumner Mering
Nicolette Larson3:08
38Heart and Soul
recording of:
Heart and Soul
writer:
Simon Byrne and Andrew Howell
The Monkees3:55
39Calico
Tommy James3:10
40Fighting Chance
recording of:
Fighting Chance
composer:
Richard Gower (singer and keyboard player for Racey)
Racey3:47
41Kiss and Run
Jorge Calderón3:15
42Does Our Love (Depend On the Night)
Roger Voudouris3:13
43You Belong to You
Off Broadway3:39
44I Can’t Stand It
producer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
recording of:
I Can’t Stand It
composer:
Rob Davis (songwriter/producer was in Mud), Les Gray, Dave Mount and Ray Stiles
Mud2:42
45Small Talk Time
Tom Johnston3:54
46I Keep Changing the Faces
Seals and Crofts4:38
47Moonlighting
recording of:
Moonlighting (theme for the TV show)
lyricist:
Al Jarreau
composer:
Lee Holdridge
Al Jarreau33:03
48Ventura Highway
assistant engineer:
Chuck Leary
engineer:
Mike Stone (producer and engineer, 1960s–80s)
producer:
America (US folk/soft rock band) and George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
bass:
Joe Osborne (American bass guitar player, session musician and songwriter)
drums (drum set) and percussion:
Hal Blaine (U.S. studio drummer and percussionist)
guitar:
Gerry Beckley, Dewey Bunnell and Dan Peek
keyboard:
Gerry Beckley and Dan Peek
vocals:
Gerry Beckley, Dewey Bunnell and Dan Peek
remixer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972), Warner Music International (trademark of Warner Music International the company) (in 1972) and Rhino Entertainment Company (not for release label use!) (in 2011)
recording of:
Ventura Highway
lyricist and composer:
Dewey Bunnell
publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
America43:31
49I Just Can’t Let Go
producer:
David Pack and Michael Verdick
background vocals:
James Ingram (R&B singer) and Michael McDonald (R&B & soul singer)
vocals:
David Pack
recording of:
I Just Can't Let Go
lyricist and composer:
David Pack
publisher:
Art Street Music and EMI Longitude Music
David Pack4:52
50Stay the Night
recording of:
Stay the Night
writer:
Benjamin Orr (co-lead singer for The Cars) and Diane Grey Page
Benjamin Orr4:22
51What Do You Want the Girl to Do
cover recording of:
What Do You Want the Girl to Do?
lyricist and composer:
Allen Toussaint
publisher:
Marsaint Music Inc. (publishing), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Lowell George54:48
52Lost Inside Your Love
Badfinger52:42
53Keep a Light On
additional synthesizer programming:
Ian Underwood
assistant engineer:
Robin Laine and Karen Siegel (engineer)
engineer and mixer:
Frank Wolf (engineer at Skyline Recording)
producer:
Michael Omartian
additional synthesizer:
Michael Omartian
bass guitar:
Mark Leonard
drums (drum set):
Doane Perry
guitar:
Michael Landau
percussion:
Paulinho da Costa (Brazilian percussionist) and Michael Omartian
piano:
Robbie Buchanan (Canadian producer) and Jay Gruska
synthesizer:
Robbie Buchanan (Canadian producer)
additional background vocals:
Bill Champlin, Tommy Funderburk and Jennifer Williams (vocalist)
lead vocals:
Jay Gruska
vocals:
Robbie Buchanan (Canadian producer), Mark Leonard and Doane Perry
strings arranger:
Michael Omartian
arranger:
Maxus and Michael Omartian
concertmaster:
Assa Drori
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1981)
produced for:
Lewis Kaplan Enterprises, Inc.
recorded at and mixed at:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
recording of:
Keep a Light On
lyricist:
Jay Gruska
composer:
Paul Gordon (musical theatre composer (Jane Eyre)) and Jay Gruska
publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30), Colgems-EMI Music Inc. (from 1980 to present), J‐88 Music (from 1980 to present), Paul Doll Music (from 1980 to present) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Maxus3:22
54Down in the Bottom
bass and ukulele:
Walter Becker
guitar:
Walter Becker and Dean Parks (American session guitarist)
keyboard:
John Beasley (American jazz pianist) and Donald Fagen
percussion:
Paulinho da Costa (Brazilian percussionist)
saxophone:
Bob Sheppard (American jazz musician)
trombone:
Bruce Paulson
vocals:
Walter Becker
recording of:
Down in the Bottom
lyricist and composer:
Walter Becker
Walter Becker34:16
55Why I Came to California
co-producer:
Marty Paich
producer:
Leon Ware (US singer-songwriter, composer, pianist, keyboardist)
recording of:
Why I Came to California
writer:
Janis Siegel and Leon Ware (US singer-songwriter, composer, pianist, keyboardist)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Morton St. Publishing, ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Leon Ware4:08
56Sensitive Soul
edit of:
Sensitive Soul by Jerry Corbetta
recording of:
Sensitive Soul
writer:
Jerry Corbetta and Bob Crewe
publisher:
Corbetta Music, Heart’s Delight Music, ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Jerry Corbetta3:22
57Through the Fire
recording of:
Through the Fire (in 1984)
writer:
David Foster (Canadian music producer, arranger and composer), Tom Keane (keyboards, of The Keane Brothers) and Cynthia Weil
publisher:
Bravo and Encore Music, Dyad Music Ltd., Peermusic III, Ltd. (BMI), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), TomJon Music Publishing Company, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division) and ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Chaka Khan4:43
58One Love Too Late
recording engineer:
Phil Kaye and Roger Nichols (US mastering, recording engineer and producer)
synthesizer programming:
Ian Underwood
assistant engineer:
John Banuelos, Dennis Eveland and Cecilia Perna
producer:
Steve Barri
mixer:
Phil Kaye
arranger:
Michael Omartian
recorded at and mixed at:
Jennifudy Studios in North Hollywood, Los Angeles, California, United States
Patty Weaver4:13
59Savannah Sunny Sunday
Galdston and Thom5:40
60I Want Something to Find Me
Brenda Russell3:04
61Hello It’s Me
phonographic copyright (℗) by:
Bearsville Records Inc. (in 1972)
recording of:
Hello, It’s Me
lyricist and composer:
Todd Rundgren
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Todd Rundgren53:52
62Goodbye Girl
acoustic guitar, bass guitar and piano:
David Gates (singer/songwriter, lead singer of Bread)
drums (drum set):
Mike Botts
electric guitar:
Dean Parks (American session guitarist)
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1977)
recording of:
Goodbye Girl
lyricist and composer:
David Gates (singer/songwriter, lead singer of Bread)
publisher:
Universal Music Publishing (use ONLY if no country‐specific information is available)
David Gates2:48
63We’ll Never Have to Say Goodbye Again (single version)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1975)
recording of:
We’ll Never Have to Say Goodbye Again
lyricist and composer:
Jeffrey Comanor
publisher:
BMG Sapphire Songs, Chicken Key Music, Faizilu Publishing, Reservoir 416, Sutjujo Music, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), フジパシフィックミュージック (Fujipacific Music, Inc.) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
England Dan & John Ford Coley2:52
64Yachting Types
Yachts2:43
65Baby I’m‐A Want You
lead vocals:
David Gates (singer/songwriter, lead singer of Bread)
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972)
recording of:
Baby I’m‐a Want You
lyricist and composer:
David Gates (singer/songwriter, lead singer of Bread)
publisher:
EMI Music (do not use as release label! this is a music publisher) and Screen Gems–EMI Music Ltd.
Bread42:23
66Ride Captain Ride
producer:
Richard Podolor
part of:
Billboard Year-End Hot 100 singles of 1970 (number: 32)
recording of:
Ride Captain Ride
lyricist:
Frank “Skip” Konte (US keyboardist)
composer:
Mike Pinera
publisher:
Atlantic (Warner Music imprint) and ATM Music
Blues Image4.53:45
67High Sierra
Keith Carradine4:05
68Suzy
Terence Boylan2:51
69Break the Chain
Jim Messina3:05
70Where Have You Been All My Life
Fotomaker3:36
71Still the One
lead vocals:
Larry Hoppen
phonographic copyright (℗) by:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1976) and Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1976)
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 18)
recording of:
Still the One
writer:
Johanna Hall and John Hall (US guitarist/vocalist for Orleans, later US congressman)
publisher:
Siren Songs
Orleans53:52
72I Love a Rainy Night
recording of:
I Love a Rainy Night
writer:
David Malloy (American country music and pop songwriter, record producer and A&R executive), Eddie Rabbitt (US country singer & songwriter) and Even Stevens (singer / songwriter)
Eddie Rabbitt53:11
73Crazy in the Night
assistant engineer:
David Cafe and Neil Rawle
engineer:
Richard Lush
producer:
Richard Lush and Sherbs (Australian rock band)
bass:
Tony Mitchell (bass, songwriter, Australia)
drums (drum set):
Alan Sandow
guitar:
Harvey James
keyboard:
Garth Porter
lead vocals:
Daryl Braithwaite
recorded at:
Paradise Studios (Sydney) in Sydney, New South Wales, Australia
The Sherbs3:52
74Lookin’ Out
Brian Briggs3:30
75Fantasy
recording of:
Fantasy
writer:
Barry Goldberg (blues rock keyboardist and producer) and Will Jennings
publisher:
Irving Music (BMI)
Cilla Black3:18
76She’s Not for You
recording engineer and mixer:
Kent Nebergall
producer:
Joey Carbone and Richie Zito
bass guitar:
Dennis Belfield
drums (drum set):
Carlos Vega
guitar:
Richie Zito
keyboard:
Joey Carbone
percussion:
Joey Carbone and Lenny Castro
lead vocals:
John O’Banion
arranger:
Richie Zito
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1981)
produced for:
Carbone and Zito Productions, Inc.
recording of:
She’s Not for You
lyricist and composer:
Richie Zito
publisher:
Richie Zito Music, Sixty‐Ninth Street Music, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
John O’Banion4:07
77She’s Gone
recorded in:
New York, New York, United States (in 1973)
producer:
Arif Mardin
bass:
Steve Gelfand (bassist a/k/a Steve “Fontz” Gelfand) (in 1973)
drums (drum set):
Bernard “Pretty” Purdie (in 1973)
electric guitar, mellotron and synthesizer:
Chris Bond (producer, active circa 1970s) (in 1973)
electric piano:
Daryl Hall (in 1973)
guitar:
John Oates (in 1973)
percussion:
Ralph MacDonald (in 1973)
tenor saxophone:
Joe Farrell (in 1973)
lead vocals:
Daryl Hall (in 1973) and John Oates (in 1973)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1973)
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 336)
recording of:
She’s Gone (in 1973)
lyricist and composer:
Daryl Hall and John Oates
publisher:
Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Hall & Oates3.655:15
78Sara
Bill Champlin3:15
79Good as It Can Be
Eric Kaz2:39
80Give It All up for You
The Williams Brothers3:38
81Sail Away
producer:
Van Dyke Parks
arranger:
Van Dyke Parks
recording of:
Sail Away
writer:
Larry Millas (guitarist, bassist, keyboardist, producer and engineer), Jim Peterik, Joe Thomas (producer/composer/piano player) and Brian Wilson (Beach Boys co‐founder)
Brian Wilson & Van Dyke Parks5:16
82Cool Fool
producer:
David Malloy (American country music and pop songwriter, record producer and A&R executive)
recording of:
Cool Fool
writer:
Bruce Roberts (American singer-songwriter) and Allee Willis
publisher:
Fedora Music, Irving Music (BMI), Reservoir Media Music, ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bruce Roberts4:25
83What a Fool Believes
cover recording of:
What a Fool Believes
writer:
Ken Loggins and Mike McDonald (R&B & soul singer)
publisher:
Milk Money Music (in 1978) and Snug Music (in 1978)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and 日音 Synch事業部 (NICHION, INC. Synch Division)
Matt Bianco4:24
84Do It Again
bass guitar:
Keni Burke
Terry Callier4:53
85All the Love You Give Me
Mark Farner4:48
86Chuck E.’s in Love
additional engineer:
Tom Knox and Roger Nichols (US mastering, recording engineer and producer)
engineer:
Loyd Clifft and Lee Herschberg
producer:
Russ Titelman and Lenny Waronker
mixer:
Lee Herschberg
vocals:
Rickie Lee Jones
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1979)
recorded at:
The Burbank Studios in Burbank, California, United States and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Chuck E.’s in Love
lyricist and composer:
Rickie Lee Jones
publisher:
Blue Raincoat Songs Ltd., Easy Money Music, Reservoir Media Music, Rondor Music (Australia) Pty Ltd, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Rickie Lee Jones4.253:29
87Atlantic Liner
Chunky, Novi & Ernie3:45
88One Good Friend
Roger Tillison2:40
89Night Time in the Switching Yard
engineer:
Dennis Kirk and Greg Ladanyi
producer:
Jackson Browne (American singer-songwriter) and Waddy Wachtel
bass guitar:
Bob Glaub
cowbell:
Greg Ladanyi
drums (drum set) and percussion:
Jeff Porcaro
guitar:
Danny Kortchmar (Danny Kootch)
guitar family and synthesizer:
Waddy Wachtel
synthesizer:
Warren Zevon
background vocals:
The Gentlemen Boys
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1978)
recording of:
Nighttime in the Switching Yard
writer:
Jorge Calderón, David Lindell, Waddy Wachtel and Warren Zevon
Warren Zevon34:19
90You Are the Woman
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1976)
recording of:
You Are the Woman
lyricist and composer:
Rick Roberts (member of Firefall & The Flying Burrito Brothers)
Firefall2.52:45
91Dream Weaver
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1975)
recorded at and mixed at:
Sound Labs, Inc. in Hollywood, Los Angeles, California, United States
part of:
Paste: The 25 Greatest Yacht Rock Songs of All Time (number: 25)
recording of:
Dream Weaver (Gary Wright)
lyricist and composer:
Gary Wright (US singer/keyboardist) (in 1975)
publisher:
High Wave Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) and WB Music Corp.
Gary Wright44:15
92Marina Del Rey
producer:
Gary Katz
lead vocals:
Marc Jordan (US‐born Canadian singer‐songwriter)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
recording of:
Marina Del Rey
lyricist and composer:
Marc Jordan (US‐born Canadian singer‐songwriter)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Mortgage Music, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Marc Jordan3:11
93Just When I Needed You Most
producer:
Del Newman (British conductor, orchestrator, arranger)
phonographic copyright (℗) by:
Bearsville Records Inc. (in 1979) and Rhino Records, Inc. (company credits only; not for release label use!) (in 1979)
recording of:
Just When I Needed You Most
lyricist and composer:
Randy VanWarmer
publisher:
Fourth Floor Music Inc. (US publisher), Terraform Music (publisher), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Randy VanWarmer4:01
94The Air That I Breathe
co-engineer:
Alan Rouse
engineer:
Tony Clark (engineer, Abbey Road)
producer:
John Farrar
arranger:
John Fiddy (songwriter/singer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom
cover recording of:
The Air That I Breathe
writer:
Albert Hammond and Mike Hazlewood
publisher:
April Music Inc., Concord Songs Ltd., EMI April Music Inc., Landers‐Roberts Music, Rondor Music (Australia) P/L, Rondor Music (London) Ltd. and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Olivia Newton‐John3:52
95I Can’t Tell You Why
drum machine programming:
Shai (R&B soul quartet)
producer:
Paul Brown (smooth jazz performer/producer) and Larry Carlton
mixer:
Paul Brown (smooth jazz performer/producer)
editor:
Stewart Whitmore
additional keyboard:
Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
guitar:
Larry Carlton
keyboard:
Shai (R&B soul quartet)
vocals:
Shai (R&B soul quartet)
arranger:
Shai (R&B soul quartet)
mixed at:
Schnee Studios in North Hollywood, Los Angeles, California, United States
Larry Carlton4:28
96You’re Moving Out Today
recording of:
You're Moving out Today
writer:
Carole Bayer Sager, Bette Midler and Bruce Roberts (American singer-songwriter)
Carole Bayer Sager4.353:35
97How Long
recording of:
How Long
lyricist and composer:
J.D. Souther
JD Souther3:22
98Just the Way It Is, Baby
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1990), WEA International (imprint of WEA International Inc., not likely used since ca. 1990) (in 1990) and Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (in 1991)
recording of:
Just the Way It Is, Baby
writer:
Phil Solem and Danny Wilde (The Rembrandts, Great Buildings & The Quick)
publisher:
Poppy‐Due Music (publisher; do NOT use as release label), Tiger God Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and WB Music Corp. (1929–2019)
The Rembrandts3.54:03
99Midnight at the Oasis
engineer:
Lee Herschberg and Donn Landee
producer:
Joe Boyd (US producer, founder of Hannibal Records) and Lenny Waronker
mixer:
Lee Herschberg
acoustic guitar:
David Nichtern
bass guitar:
Freebo
drums (drum set):
Jim Gordon (US drummer with Derek and the Dominos)
electric guitar:
Amos Garrett
piano:
Mark T. Jordan
spoken vocals:
Greg Prestopino
vocals:
Maria Muldaur
strings arranger:
Nick de Caro
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Midnight at the Oasis
lyricist and composer:
David Nichtern
publisher:
Space Potato Music (in 1974)
Maria Muldaur43:49
100Love Is the Answer
recording engineer and mixer:
Billy Sherwood
producer:
Bob Kulick and Billy Sherwood
bass guitar, drums (drum set), percussion and background vocals:
Billy Sherwood
guitar:
Gary Hoey
lead vocals:
Todd Rundgren
recorded at and mixed at:
Office Studios in Van Nuys, California, United States
recording of:
Love Is the Answer
lyricist and composer:
Todd Rundgren
publisher:
Earmark Music Inc., Fiction Music Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Utopia4:17

Credits