Rhythm & Soul

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1Digital Media
#TitleArtistRatingLength
1California Soul
producer:
Richard Evans (US jazz/soul bassist, composer, arranger and producer) and Charles Stepney (musician, producer, arranger and songwriter)
arranger:
Richard Evans (US jazz/soul bassist, composer, arranger and producer) and Charles Stepney (musician, producer, arranger and songwriter)
cover recording of:
California Soul
writer:
Nickolas Ashford and Valerie Simpson
publisher:
Jobete Music Co., Inc. (on 1969-01-17)
Marlena Shaw52:51
2Don’t Lose Your SteamGregory Porter3:18
3Fire
recording engineer and producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
lead vocals:
Etta James
arranger:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
recorded at:
FAME Studios in Muscle Shoals, Alabama, United States (in 1968-08)
recording of:
Fire
lyricist and composer:
Willie Dixon
Etta James3.52:26
4So Excited
recording engineer:
Joe “Ears” Zagarino (in 1969-06) and Bill Szymczyk (in 1969-06)
producer:
Bill Szymczyk
bass:
Gerald “Fingers” Jemmott (in 1969-06)
electric piano, organ and piano:
Paul Harris (American keyboardist/pianist session player) (in 1969-06)
guitar:
Hugh McCracken (in 1969-06) and B.B. King (from 1969-06-24 until 1969-06-25)
membranophone:
Herbie Lovelle (in 1969-06)
lead vocals:
B.B. King (in 1969-06)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1969)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (in 1969-06)
recording of:
So Excited (in 1969-06)
composer:
Jerry Jemmott and B.B. King
publisher:
Careers–BMG Music Publishing, Inc., Duchess Music Corporation (BMI-affiliated) and Pamco Music
B.B. King15:35
5Oh, What a Day
recording of:
Oh, What a Night
writer:
Johnny Funches and Marvin Junior
publisher:
Conrad Music (publisher; do NOT use as release label)
The Dells2:49
636‐22‐36
Bobby Bland2:50
7Look at Me Now (alternate take)
Terry Callier2:54
8You Left the Water Running
cover recording of:
You Left the Water Running
writer:
Oscar Franck, Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”) and Dan Penn (songwriter, soul singer)
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) and Warner Chappell Music Ltd. (1996–2019)
Maurice & Mac2:40
9Good to Me
recorded in:
Muscle Shoals, Alabama, United States (on 1967-06-06)
bass:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1967-06-06)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1967-06-06)
guitar:
Jimmy Johnson (Chicago blues guitarist James Earl Thompson) (on 1967-06-06)
horn [horns]:
The Muscle Shoals Horns (on 1967-06-06)
instruments:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1967-06-06)
vocals:
Irma Thomas (on 1967-06-06)
cover recording of:
Good to Me
writer:
Julius Green (In Group The Mad Lads) and Otis Redding
Irma Thomas2:34
10I Fooled You This Time
Gene Chandler2:48
11Selfish One
recording of:
Selfish One
writer:
Wilfred McKinley (US songwriter from Chicago, IL.) and Carl Smith (US songwriter and producer active in Chicago)
Jackie Ross3:20
12Soul Vibrations
Dorothy Ashby3:08
13Do I Make Myself ClearEtta James2:59
14Mama Didn’t Lie
recording of:
Mama Didn’t Lie
lyricist and composer:
Curtis Mayfield
Jan Bradley2:02
15More and More
bass guitar:
Phil Upchurch (in 1967-10)
guitar:
Cash McCall (in 1967-10) and Little Milton (US blues singer and guitarist Milton Campbell) (in 1967-10)
membranophone:
Morris Jennings (in 1967-10)
piano:
Tom Washington (American pianist, producer, and songwriter) (in 1967-10)
saxophone:
George Patterson (in 1967-10)
trumpet:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1967-10)
vocals:
Little Milton (US blues singer and guitarist Milton Campbell) (in 1967-10)
recording of:
More and More (in 1967-10)
writer:
Don Juan and Vee Pea
Little Milton2:44
16Let’s Wade in the Water
Marlena Shaw3:27
17Tease Your Man
Koko Taylor4:20
18I’d Rather Go Blind
recording engineer and producer:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
drums (drum set):
Roger Hawkins (drummer and producer)
electric bass guitar:
David Hood (Muscle Shoals, AL guitarist and trombonist)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) and Albert Lowe Jr. (American guitarist, bassist, and songwriter)
organ:
Carl Banks and Dewey Oldham
piano:
Dewey Oldham
saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer), Floyd Newman and Aaron Varnell
trumpet:
Gene “Bowlegs” Miller (American trumpeter)
lead vocals:
Etta James
arranger:
Rick Hall (American producer & FAME studios founder, “Father of Muscle Shoals Music”)
recorded at:
FAME Studios in Muscle Shoals, Alabama, United States (on 1967-08-23)
recording of:
I’d Rather Go Blind (on 1967-08-23)
lyricist:
Billy Foster (American singer, member of The Medallions and songwriter)
composer:
Ellington Jordan
publisher:
The Jewel Music Co. Ltd. (publisher; do NOT use as release label)
Etta James42:35
19Holding On
lead vocals:
Gregory Porter
Gregory Porter24:16
20Don’t Knock Love
Barbara Carr2:28
21Soulful Dress
Sugar Pie DeSanto2:51
22Blues Ain’t Nothin’
Johnny Copeland4:02
23Baby Scratch My Back (single version)
producer:
J.D. Miller (Louisiana songwriter and producer Joseph Denton Miller)
guitar:
James Johnson (50s-60s US bass player) and Rudolph Richard
harmonica:
Slim Harpo
membranophone:
Sammy K. Brown
tenor saxophone:
Willie Parker
vocals:
Slim Harpo
recording of:
Baby, Scratch My Back
lyricist and composer:
James Moore (aka Slim Harpo)
publisher:
Campbell Connelly & Co.
Slim Harpo2:54
24Searching for My Love
recording of:
Searching for My Love
lyricist and composer:
Bobby Moore (jazz musician)
publisher:
Chevis Publishing Corp. and EMI Blackwood Music Inc.
Bobby Moore & the Rhythm Aces2:30
25Summertime (long version)
cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Billy Stewart4:55
26Ain’t No Love in the Heart of the City (single version)
recording of:
Ain’t No Love in the Heart of the City
writer:
Michael Price (songwriting partner of Dan Walsh) and Dan Walsh (LA singer/songwriter, member of Price & Walsh)
publisher:
Universal Music Corp. (USA, affiliated with ASCAP), Universal‐MCA Music Publishing (US), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bobby “Blue” Bland3:45
27Drift Away (single version)
recording engineer:
Gene Eichelberger
producer:
Mentor Williams (songwriter & producer)
acoustic guitar and electric guitar [Gibson Les Paul]:
Reggie Young (guitarist and songwriter)
bass:
Mike Leech
drums (drum set), handclaps and tambourine:
Kenny Malone (session drummer/percussion)
electric guitar [Fender Telecaster]:
Troy Seals (Troy Harold Seals, American singer, songwriter, and guitarist)
piano:
David Briggs (US producer and musician)
strings arranger:
Mike Leech
orchestrator:
Mike Leech
recorded at and mixed at:
Quadraphonic Sound Studios in Nashville, Tennessee, United States
cover recording of:
Drift Away
lyricist and composer:
Mentor Williams (songwriter & producer)
publisher:
Rondor Music (London) Ltd.
Dobie Gray4.653:51
28Teardrops
recording of:
Teardrops
writer:
Cecil Womack and Linda Womack
publisher:
Zomba Music Publishing Ltd. and Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (in 1988)
Womack & Womack45:00
29Crackin’ Up (single version)
drums (drum set):
Clifton James
guitar:
Bo Diddley (American singer, guitarist, songwriter and music producer)
maracas:
Jerome Green
piano:
Otis Spann
background vocals:
The Carnations (Louisville, KY 1950s-1960s doo-wop group)
vocals:
Bo Diddley (American singer, guitarist, songwriter and music producer)
recording of:
Crackin’ Up
lyricist and composer:
Bo Diddley (American singer, guitarist, songwriter and music producer)
Bo Diddley2:03
30Shake Your Hips (single version)
producer:
J.D. Miller (Louisiana songwriter and producer Joseph Denton Miller)
drums (drum set):
Sammy K. Brown
guitar:
James Johnson (50s-60s US bass player) and Rudolph Richard
harmonica:
Slim Harpo
organ:
Katie Webster (Swamp Boogie Queen)
tenor saxophone:
Willie Parker
vocals:
Slim Harpo
recording of:
Shake Your Hips
lyricist and composer:
Slim Harpo
writer:
James Moore
publisher:
Campbell Connelly & Co. Ltd. and Embassy Music Corporation
Slim Harpo2:29
31Ghetto Woman (single version)
producer:
Ed Michel and Joe Zagarino
bass guitar:
Klaus Voormann (from 1971-06-09 until 1971-06-16)
drums (drum set):
Jim Gordon (US drummer with Derek and the Dominos) (from 1971-06-09 until 1971-06-16) and Ringo Starr (The Beatles) (from 1971-06-09 until 1971-06-16)
electric piano:
Jim Price (horn session musician) (from 1971-06-09 until 1971-06-16)
guitar:
B.B. King (from 1971-06-09 until 1971-06-16) and Mac Rebennack (New Orleans blues pianist, singer and songwriter) (from 1971-06-09 until 1971-06-16)
piano:
Gary Wright (US singer/keyboardist) (from 1971-06-09 until 1971-06-16)
vocals:
B.B. King (from 1971-06-09 until 1971-06-16)
phonographic copyright (℗) by:
Geffen Records (in 1971) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1971)
additionally recorded at:
The Hit Factory in Manhattan, New York, New York, United States, The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States and The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
recorded at:
Command Studios in London (Greater London), England, United Kingdom (from 1971-06-09 until 1971-06-16) and Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom (from 1971-06-09 until 1971-06-16)
recording of:
Ghetto Woman (from 1971-06-09 until 1971-06-16)
writer:
Dave Clark (record promoter and musical consultant who worked with B.B. King) and B.B. King
publisher:
Duchess Music Corporation (BMI-affiliated), Pamco Music Inc. and Sounds Of Lucille, Inc.
B.B. King25:13
32I’m Sorry (single version)
Bo Diddley32:24
33Sad Little Girl
Les McCann2:54
34Ordinary Joe
engineer:
Gary Starr
producer:
Charles Stepney (musician, producer, arranger and songwriter)
bass:
Sydney Simms
guitar and lead vocals:
Terry Callier
harpsichord and organ:
Charles Stepney (musician, producer, arranger and songwriter)
membranophone:
Rob Crowder (Chicago Drummer. Worked with Art Ensemble of Chicago and The Artistic Heritage Ensemble)
piano:
Lennie Pirani
contralto vocals:
Shirley Wahls
soprano vocals:
Kitty Haywood and Minnie Riperton
recorded at:
Ter-Mar Recording Studios (1950s–1970s recording & mastering studio) in Chicago, Illinois, United States
recording of:
Ordinary Joe
writer:
Terry Callier and Larry Wade
Terry Callier34:13
35If You Got a Heart (single version)
Bobby Bland32:40
36I Do Love You
recording of:
I Do Love You
Billy Stewart2:58
37Forever
cover recording of:
Forever
writer:
Lamont Dozier, Freddie Gorman and Brian Holland (Motown producer & songwriter)
publisher:
Jobete Music Co., Inc.
Martha Reeves & the Vandellas2:48
38Mercy, Mercy, Mercy
recording of:
Mercy, Mercy, Mercy (with lyrics)
lyricist:
Gail Fisher (Gail Fisher-Levy) and Vincent Lopez Levy
composer:
Joe Zawinul (jazz and fusion keyboard player)
publisher:
Zawinul Music
version of:
Mercy, Mercy, Mercy
Marlena Shaw3:02
39Money (That’s What I Want)Hattie Littles4:06
40Don’t Pass Me By
Big Maybelle3:11
41J.B. Shout
producer:
James Brown (The Godfather of Soul)
arranger:
James Brown (The Godfather of Soul)
recording of:
J.B. Shout
writer:
James Brown (The Godfather of Soul) and Fred Wesley
Fred Wesley & The J.B.'s2:49
42Gimme Some More (single version)
producer:
James Brown (The Godfather of Soul)
arranger:
James Brown (The Godfather of Soul)
recording of:
Gimme Some More
writer:
Charles Bobbitt and James Brown (The Godfather of Soul)
The J.B.'s3:03
43Luther’s BluesLuther Allison6:20
44I’m a King Bee (single version)Slim Harpo33:02
45Bad Luck Blues
Albert King33:00
46Reconsider Baby
guitar:
Lowell Fulson (on 1954-09-27)
membranophone:
Harold “Chick” Booth (on 1954-09-27)
piano:
Paul Drake (blues pianist) (on 1954-09-27)
saxophone:
Julian Beasley (on 1954-09-27), Choker Campbell (on 1954-09-27), Leroy Cooper (saxophonist) (on 1954-09-27) and David “Fathead” Newman (American jazz saxophonist) (on 1954-09-27)
trombone:
Fats Morris (trombonist) (on 1954-09-27)
trumpet:
Phil Gibeau (on 1954-09-27)
vocals:
Lowell Fulson (on 1954-09-27)
recording of:
Reconsider Baby (on 1954-09-27)
lyricist and composer:
Lowell Fulson
publisher:
Arc Music Corp. (U.S. rock & blues publisher)
Lowell Fulson3:10
47A Rockin’ Good Way (to Mess Around and Fall in Love)
vocals:
Brook Benton (in 1960) and Dinah Washington (in 1960)
cover recording of:
A Rockin’ Good Way
writer:
Brook Benton, Luchi de Jesus (American composer and producer) and Clyde Otis (American songwriter and record producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Dinah Washington32:19
48First Time I Met the Blues (single version)
baritone saxophone [baritone sax]:
Donald Hankins (Saxophonist) (on 1960-03-02)
bass:
Jack Meyers (US blues bassist) (on 1960-03-02)
drums (drum set) [drums]:
Fred Below (on 1960-03-02)
guitar:
Buddy Guy (on 1960-03-02)
piano:
Little Brother Montgomery (on 1960-03-02)
tenor saxophone [tenor sax]:
Jarett Gibson (on 1960-03-02), Jarrett Gibson (Blues tenor saxophonist) (on 1960-03-02) and Bob Neely (on 1960-03-02)
vocals:
Buddy Guy (on 1960-03-02)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1960)
recorded at:
Chess Studios in Chicago, Illinois, United States (on 1960-03-02)
recording of:
First Time I Met the Blues (on 1960-03-02)
composer:
Eurreal Montgomery
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Flomont Music, Flomont Music Publishing Co. and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
cover recording of:
First Time I Met the Blues
composer:
Eurreal Montgomery
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Flomont Music, Flomont Music Publishing Co. and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Buddy Guy32:17
49Our Love Will Never Go
Bo Diddley2:40
50Hummingbird
cover recording of:
Hummingbird
lyricist:
Don Robertson (“Happy Whistler” songwriter)
composer:
Don Robertson (“Happy Whistler” songwriter) (in 1955)
B.B. King24:41
51Looking Back
producer:
Mike Vernon
baritone saxophone:
Johnny Almond (British saxophonist) (on 1966-09-30)
bass:
John McVie (on 1966-09-30)
drums (drum set):
Aynsley Dunbar (on 1966-09-30)
guitar:
Peter Green (former member of Fleetwood Mac) (on 1966-09-30)
tenor saxophone:
Nick Newell (saxophonist, bbc, kinks) (on 1966-09-30)
trumpet:
Henry Lowther (on 1966-09-30)
cover recording of:
Looking Back (on 1966-09-30)
lyricist and composer:
John Watson
publisher:
Getaway Music Ltd. (publisher; do NOT use as release label), Jowat Music (publisher, affiliated with BMI / related to Johnny Guitar Watson) and Vrijon Music
John Mayall & the Bluesbreakers2:36
52Boo‐go‐loo
Les McCann2:48
53A Love Reputation
Denise LaSalle2:45
54Dirty Man
recording of:
Dirty Man
lyricist and composer:
Bobby Miller (US songwriter & record producer)
Laura Lee2:54
55Wang Dang Doodle
recorded in:
Chicago, Illinois, United States (on 1965-12-07)
producer:
Willie Dixon
bass:
Jack Meyers (US blues bassist) (on 1965-12-07)
drums (drum set):
Fred Below
guitar:
Buddy Guy (on 1965-12-07) and Johnny "Twist" Williams (Side-man blues guitar player, Big Boy Spires associate) (on 1965-12-07)
piano:
Lafayette Leake (on 1965-12-07)
saxophone [sax]:
Gene Barge (on 1965-12-07) and Donald Hankins (Saxophonist) (on 1965-12-07)
tenor saxophone:
Gene Barge
background vocals:
Willie Dixon (on 1965-12-07)
lead vocals:
Koko Taylor
vocals:
Koko Taylor (on 1965-12-07)
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 1995)
cover recording of:
Wang Dang Doodle (on 1965-12-07)
lyricist:
Willie Dixon (in 1960-06)
composer:
Willie Dixon
publisher:
Hoochie Coochie Music
Koko Taylor43:03
56Take Me for a Little While
Jackie Ross2:33
57Love Ain’t Nothing (but a Monkey on Your Back)
Johnny Nash2:16
58The Grunt (Pts. 1 & 2)
The J.B.'s3:31

Credits

Release

copyrighted (©) by and phonographic copyright (℗) by:UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 2018)
stream for free:https://open.spotify.com/album/7sk0PRJ9l2EHLa7ypN2API [info]
https://www.deezer.com/album/124950942 [info]