Bach 333: Sacred Cantatas I

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Tracklist

1▶CD: Cantatas 150, 4, 71, 196 (1706-1708)
2▼CD: Cantatas 131, 106, 143, 18 (1708-1713)
#TitleRatingLength
1Aus der Tiefen rufe ich, Herr, zu dir, BWV 131: 1. Sinfonia [& Chorus:] Aus der Tiefen rufe ich, Herr, zu dir
producer:
Peter Wadland (producer)
bass vocals:
Jan Opalach (bass-baritone) (in 1985-11)
countertenor vocals:
Steven Rickards (countertenor) (in 1985-11)
soprano vocals:
Ann Monoyios (soprano) (in 1985-11)
tenor vocals:
Edmund Brownless (tenor) (in 1985-11)
orchestra:
The Bach Ensemble (US baroque ensemble founded by Joshua Rifkin) (in 1985-11)
conductor:
Joshua Rifkin (in 1985-11)
balance engineer:
Stanley Goodall (engineer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (in 1985-11)
recording of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“: I. Sinfonia und Chor „Aus der Tiefen rufe ich, Herr, zu dir“ (in 1985-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“
3:49
2Aus der Tiefen rufe ich, Herr, zu dir, BWV 131: 2. Bass solo [& Chorus:] So du willt, Herr, Sünde zurechnen
producer:
Peter Wadland (producer)
bass vocals:
Jan Opalach (bass-baritone) (in 1985-11)
soprano vocals:
Ann Monoyios (soprano) (in 1985-11)
orchestra:
The Bach Ensemble (US baroque ensemble founded by Joshua Rifkin) (in 1985-11)
conductor:
Joshua Rifkin (in 1985-11)
balance engineer:
Stanley Goodall (engineer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (in 1985-11)
recording of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“: II. Arioso (Bass) und Choral „So du willst, Herr, Sünde zurechnen“ (in 1985-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“
4:21
3Aus der Tiefen rufe ich, Herr, zu dir, BWV 131: 3. Chorus: Ich harre des Herrn
producer:
Peter Wadland (producer)
bass vocals:
Jan Opalach (bass-baritone) (in 1985-11)
countertenor vocals:
Steven Rickards (countertenor) (in 1985-11)
soprano vocals:
Ann Monoyios (soprano) (in 1985-11)
tenor vocals:
Edmund Brownless (tenor) (in 1985-11)
orchestra:
The Bach Ensemble (US baroque ensemble founded by Joshua Rifkin) (in 1985-11)
conductor:
Joshua Rifkin (in 1985-11)
balance engineer:
Stanley Goodall (engineer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (in 1985-11)
recording of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“: III. Chor „Ich harre des Herrn, meine Seele harret“ (in 1985-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“
3:03
4Aus der Tiefen rufe ich, Herr, zu dir, BWV 131: 4. Tenor solo [& Chorus:] Meine Seele wartet auf den Herrn
producer:
Peter Wadland (producer)
countertenor vocals:
Steven Rickards (countertenor) (in 1985-11)
tenor vocals:
Edmund Brownless (tenor) (in 1985-11)
orchestra:
The Bach Ensemble (US baroque ensemble founded by Joshua Rifkin) (in 1985-11)
conductor:
Joshua Rifkin (in 1985-11)
balance engineer:
Stanley Goodall (engineer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (in 1985-11)
recording of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“: IV. Arie (Tenor) und Choral „Meine Seele wartet auf den Herrn“ (in 1985-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“
4:40
5Aus der Tiefen rufe ich, Herr, zu dir, BWV 131: 5. [Chorus:] Israel, hoffe auf den Herrn
producer:
Peter Wadland (producer)
bass vocals:
Jan Opalach (bass-baritone) (in 1985-11)
countertenor vocals:
Steven Rickards (countertenor) (in 1985-11)
soprano vocals:
Ann Monoyios (soprano) (in 1985-11)
tenor vocals:
Edmund Brownless (tenor) (in 1985-11)
orchestra:
The Bach Ensemble (US baroque ensemble founded by Joshua Rifkin) (in 1985-11)
conductor:
Joshua Rifkin (in 1985-11)
balance engineer:
Stanley Goodall (engineer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (in 1985-11)
recording of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“: V. Chor „Israel hoffe auf den Herrn“ (in 1985-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 131 „Aus der Tiefen rufe ich, Herr, zu dir“
3:51
6Gottes Zeit ist die allerbeste Zeit, BWV 106: 1. Sonatina
producer:
Peter Wadland (producer)
orchestra:
The Bach Ensemble (US baroque ensemble founded by Joshua Rifkin) (in 1985-11)
conductor:
Joshua Rifkin (in 1985-11)
balance engineer:
Stanley Goodall (engineer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (in 1985-11)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": I. Sonatina (in 1985-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
2:11
7Gottes Zeit ist die allerbeste Zeit, BWV 106: 2a. [Chorus:] Gottes Zeit ist die allerbeste Zeit
producer:
Peter Wadland (producer)
bass vocals:
Jan Opalach (bass-baritone) (in 1985-11)
countertenor vocals:
Steven Rickards (countertenor) (in 1985-11)
soprano vocals:
Ann Monoyios (soprano) (in 1985-11)
tenor vocals:
Edmund Brownless (tenor) (in 1985-11)
orchestra:
The Bach Ensemble (US baroque ensemble founded by Joshua Rifkin) (in 1985-11)
conductor:
Joshua Rifkin (in 1985-11)
balance engineer:
Stanley Goodall (engineer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (in 1985-11)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIa. Coro "Gottes Zeit ist die allerbeste Zeit" (in 1985-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
1:44
8Gottes Zeit ist die allerbeste Zeit, BWV 106: 2b. Ach, Herr, lehre uns bedenken
producer:
Peter Wadland (producer)
tenor vocals:
Edmund Brownless (tenor) (in 1985-11)
orchestra:
The Bach Ensemble (US baroque ensemble founded by Joshua Rifkin) (in 1985-11)
conductor:
Joshua Rifkin (in 1985-11)
balance engineer:
Stanley Goodall (engineer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (in 1985-11)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIb. Arioso (Tenor) "Ach, Herr, Lehre uns bedenken" (in 1985-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
1:56
9Gottes Zeit ist die allerbeste Zeit, BWV 106: 2c. Bestelle dein Haus!
producer:
Peter Wadland (producer)
bass vocals:
Jan Opalach (bass-baritone) (in 1985-11)
orchestra:
The Bach Ensemble (US baroque ensemble founded by Joshua Rifkin) (in 1985-11)
conductor:
Joshua Rifkin (in 1985-11)
balance engineer:
Stanley Goodall (engineer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (in 1985-11)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIc. Aria (Bass) "Bestell dein Haus" (in 1985-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
1:06
10Gottes Zeit ist die allerbeste Zeit, BWV 106: 2d. Es ist der alte Bund
producer:
Peter Wadland (producer)
bass vocals:
Jan Opalach (bass-baritone) (in 1985-11)
countertenor vocals:
Steven Rickards (countertenor) (in 1985-11)
soprano vocals:
Ann Monoyios (soprano) (in 1985-11)
tenor vocals:
Edmund Brownless (tenor) (in 1985-11)
orchestra:
The Bach Ensemble (US baroque ensemble founded by Joshua Rifkin) (in 1985-11)
conductor:
Joshua Rifkin (in 1985-11)
balance engineer:
Stanley Goodall (engineer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (in 1985-11)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IId. Coro (+ Sopran) "Es ist der alte Bund" (in 1985-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
3:30
11Gottes Zeit ist die allerbeste Zeit, BWV 106: 3a. In deine Hände befehl / 3b. Heute wirst du mit mir
producer:
Peter Wadland (producer)
bass vocals:
Jan Opalach (bass-baritone) (in 1985-11)
countertenor vocals:
Steven Rickards (countertenor) (in 1985-11)
soprano vocals:
Ann Monoyios (soprano) (in 1985-11)
tenor vocals:
Edmund Brownless (tenor) (in 1985-11)
orchestra:
The Bach Ensemble (US baroque ensemble founded by Joshua Rifkin) (in 1985-11)
conductor:
Joshua Rifkin (in 1985-11)
balance engineer:
Stanley Goodall (engineer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (in 1985-11)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIIa. Aria (Alt, Bass) "In deine Hände befehle ich meinen Geist" (in 1985-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIIb. Arioso (Bass, Coro Alt) "Heute wirst du mit mir" (in 1985-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
5:34
12Gottes Zeit ist die allerbeste Zeit, BWV 106: 4. [Chorus:] Glorie, Lob, Ehr und Herrlichkeit
producer:
Peter Wadland (producer)
bass vocals:
Jan Opalach (bass-baritone) (in 1985-11)
countertenor vocals:
Steven Rickards (countertenor) (in 1985-11)
soprano vocals:
Ann Monoyios (soprano) (in 1985-11)
tenor vocals:
Edmund Brownless (tenor) (in 1985-11)
orchestra:
The Bach Ensemble (US baroque ensemble founded by Joshua Rifkin) (in 1985-11)
conductor:
Joshua Rifkin (in 1985-11)
balance engineer:
Stanley Goodall (engineer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (in 1985-11)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IV. Choral "Glorie, Lob, Ehr und Herrlichkeit" (in 1985-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
2:53
13Lobe den Herrn, meine Seele, BWV 143: 1. [Chorus:] Lobe den Herrn, meine Seele
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Marion Schwebel
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele": I. Coro "Lobe den Herrn, meine Seele" (from 1997-02 until 1997-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele"
1:16
14Lobe den Herrn, meine Seele, BWV 143: 2. Chorale: Du Friedefürst, Herr Jesu Christ
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Marion Schwebel
soprano vocals:
Ingrid Schmithüsen (Sopran) (from 1997-02 until 1997-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele": II. Choral (Sopran) "Du Friedefürst, Herr Jesu Christ" (from 1997-02 until 1997-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele"
1:54
15Lobe den Herrn, meine Seele, BWV 143: 3. Recitative: Wohl dem, des Hülfe der Gott Jakob ist
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Marion Schwebel
tenor vocals:
Makoto Sakurada (from 1997-02 until 1997-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele": III. Recitativo (Tenor) "Wohl dem, des Hülfe der Gott Jakob ist" (from 1997-02 until 1997-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele"
0:24
16Lobe den Herrn, meine Seele, BWV 143: 4. Aria: Tausendfaches Unglück, Schrecken
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Marion Schwebel
tenor vocals:
Makoto Sakurada (from 1997-02 until 1997-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele": IV. Aria "Tausendfaches Unglück, Schrecken" (from 1997-02 until 1997-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele"
3:13
17Lobe den Herrn, meine Seele, BWV 143: 5. Aria: Der Herr ist König ewiglich
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Marion Schwebel
bass vocals:
Peter Kooij (Peter Kooy, baritone) (from 1997-02 until 1997-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele": V. Aria (Bass) "Der Herr ist König ewiglich" (from 1997-02 until 1997-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele"
1:43
18Lobe den Herrn, meine Seele, BWV 143: 6. [Aria:] Jesu, Retter deiner Herde, bleibe ferner unser Hort
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Marion Schwebel
tenor vocals:
Makoto Sakurada (from 1997-02 until 1997-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele": VI. Aria (Tenor) "Jesu, Retter deiner Herde" (from 1997-02 until 1997-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele"
2:10
19Lobe den Herrn, meine Seele, BWV 143: 7. Chorus [& Chorale:] Halleluja – Gedenk, Herr Jesu, an dein Amt
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Marion Schwebel
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele": VII. Coro "Alleluja. Gedenk Herr, jetzund an dein Amt" (from 1997-02 until 1997-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele"
2:23
20Gleichwie der Regen und Schnee vom Himmel fällt, BWV 18: 1. Sinfonia
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 18.1 "Gleichwie der Regen und Schnee vom Himmel fällt": I. Sinfonia (Weimar version) (from 1997-02 until 1997-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 18.1 "Gleichwie der Regen und Schnee vom Himmel fällt" (Weimar version)
2:46
21Gleichwie der Regen und Schnee vom Himmel fällt, BWV 18: 2. Recitative: Gleichwie der Regen und Schnee vom Himmel fällt
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Robert von Bahr
bass vocals:
Peter Kooij (Peter Kooy, baritone) (from 1997-02 until 1997-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 18.1 "Gleichwie der Regen und Schnee vom Himmel fällt": II. Recitativo (Basso) "Gleichwie der Regen und Schnee" (Weimar version) (from 1997-02 until 1997-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 18.1 "Gleichwie der Regen und Schnee vom Himmel fällt" (Weimar version)
1:10
22Gleichwie der Regen und Schnee vom Himmel fällt, BWV 18: 3. Recitative: Mein Gott, hier wird mein Herze sein
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Robert von Bahr
bass vocals:
Peter Kooij (Peter Kooy, baritone) (from 1997-02 until 1997-07)
tenor vocals:
Makoto Sakurada (from 1997-02 until 1997-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 18.1 "Gleichwie der Regen und Schnee vom Himmel fällt": III. Recitativo (Tenore, Basso, Coro) "Mein Gott, hier wird mein Herze sein" (Weimar version) (from 1997-02 until 1997-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 18.1 "Gleichwie der Regen und Schnee vom Himmel fällt" (Weimar version)
5:39
23Gleichwie der Regen und Schnee vom Himmel fällt, BWV 18: 4. Aria: Mein Seelenschatz ist Gottes Wort
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Robert von Bahr
bass vocals:
Peter Kooij (Peter Kooy, baritone) (from 1997-02 until 1997-07)
soprano vocals:
Midori Suzuki (vocalist) (from 1997-02 until 1997-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 18.1 "Gleichwie der Regen und Schnee vom Himmel fällt": IV. Aria (Soprano) "Mein Seelenschatz ist Gottes Wort" (Weimar version) (from 1997-02 until 1997-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 18.1 "Gleichwie der Regen und Schnee vom Himmel fällt" (Weimar version)
3:16
24Gleichwie der Regen und Schnee vom Himmel fällt, BWV 18: 5. Chorale: Ich bitt, o Herr, aus Herzens Grund
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University Chapel, Kobe Shoin Women's University) in Kobe, Hyogo (Hyōgo Prefecture), Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 18.1 "Gleichwie der Regen und Schnee vom Himmel fällt": V. Chorale "Ich bitt, o Gott, aus Herzensgrund" (Weimar version) (from 1997-02 until 1997-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 18.1 "Gleichwie der Regen und Schnee vom Himmel fällt" (Weimar version)
1:16
25Aria: Alles mit Gott und nichts ohn’ ihn, BWV 1127
producer:
Isabella de Sabata
soprano vocals:
Elin Manahan Thomas (soprano) (on 2005-07-22)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (on 2005-07-22) and 鈴木雅明 (Masaaki Suzuki, keyboardist, conductor) (on 2005-07-22)
performer:
English Baroque Soloists (The English Baroque Soloists) (on 2005-07-22)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 2005-07)
recording of:
Aria, BWV 1127 "Alles mit Gott und nichts ohn' ihn" (on 2005-07-22)
premiered in:
Weimar, Thüringen (Thuringia), Germany (on 1713-10-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
librettist:
Johann Anton Mylius
premiered at:
[premiere of Alles mit Gott und nichts ohn' ihn, BWV 1127] (1713-10-30)
part of:
Bach-Werke-Verzeichnis (third edition, 2022, BWV³) (number: BWV 1127)
12:14
3▶CD: Cantatas 182, 12, 54, 172 (1714)
4▶CD: Cantatas 21, 199 (1714)
5▶CD: Cantatas 61, 63, 152, 158, 31 (1714-1715)
6▶CD: Cantatas 165, 185, 163, 132, 155 (1715-1716)
7▶CD: Cantatas 161, 162, 22, 23, 59 (1716 & 1723)
8▶CD: Cantatas 75, 76, 24 (1723)
9▶CD: Cantatas 167, 147, 186, 136 (1723)

Credits

Release group

part of:Bach 333 - J.S. Bach Complete Works (J.S. Bach: The New Complete Edition) (order: 1)
standalone website:US: B07D2Y539K [info]
https://www.bach333.com/en/ [info]
https://www.deutschegrammophon.com/en/cat/4798000 [info]
Wikidata:Q113958674 [info]