The Atlantic Albums Collection

~ Release by Aretha Franklin (see all versions of this release, 4 available)

Tracklist

1▶Digital Media
2▶Digital Media
3▶Digital Media
4▶Digital Media
5▶Digital Media
6▶Digital Media
7▶Digital Media
8▶Digital Media
9▶Digital Media
10▶Digital Media
11▶Digital Media
12▶Digital Media
13▶Digital Media
14▶Digital Media
15▼Digital Media
#TitleRatingLength
1I Never Loved a Man (the Way I Love You) (demo)
recorded in:
Detroit, Michigan, United States (from 1966-11 until 1966-12)
bass and drums (drum set):
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (from 1966-11 until 1966-12)
piano:
Aretha Franklin (from 1966-11 until 1966-12)
vocals:
Aretha Franklin (from 1966-11 until 1966-12)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2007)
recording of:
I Never Loved a Man (The Way I Love You) (from 1966-11 until 1966-12)
lyricist and composer:
Ronnie Shannon
publisher:
14th Hour Music, EMI Songs Ltd., Fourteenth Hour Music, Inc., Mijac Music and Pronto Music (publisher)
4:02
2Dr. Feelgood (Love Is Serious Business) (demo)
recorded in:
Detroit, Michigan, United States (from 1966-11 until 1966-12)
bass and drums (drum set):
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (from 1966-11 until 1966-12)
piano:
Aretha Franklin (from 1966-11 until 1966-12)
vocals:
Aretha Franklin (from 1966-11 until 1966-12)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2007)
recording of:
Dr. Feelgood (Love Is a Serious Business) (from 1966-11 until 1966-12)
writer:
Aretha Franklin and Ted White (husband & co-songwriter of Aretha Franklin)
publisher:
14th Hour Music and Pronto Music (publisher)
4:40
3Sweet Bitter Love (demo)
recorded in:
Detroit, Michigan, United States (from 1966-11 until 1966-12)
bass and drums (drum set):
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (from 1966-11 until 1966-12)
piano:
Aretha Franklin (from 1966-11 until 1966-12)
vocals:
Aretha Franklin (from 1966-11 until 1966-12)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2007)
recording of:
Sweet Bitter Love (from 1966-11 until 1966-12)
lyricist, writer and composer:
Van McCoy
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30) and Van McCoy Music
5:10
4It Was You (Aretha Arrives outtake)
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-06-20)
bass:
Tommy Cogbill (on 1967-06-20)
bass trombone:
Tony Studd (on 1967-06-20)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1967-06-20)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-06-20) and Joe South (on 1967-06-20)
organ:
Spooner Oldham (on 1967-06-20)
piano:
Aretha Franklin (on 1967-06-20)
tenor saxophone:
Charlie Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-06-20) and King Curtis (saxophonist) (on 1967-06-20)
trumpet:
Melvin Lastie (on 1967-06-20)
background vocals:
Carolyn Franklin (on 1967-06-20) and Erma Franklin (on 1967-06-20)
vocals:
Aretha Franklin (on 1967-06-20)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2007)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-06-20)
cover recording of:
It Was You (on 1967-06-20)
writer:
James Brown (The Godfather of Soul)
3:45
5The Letter (Aretha Arrives outtake)
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-06-22)
bass:
Tommy Cogbill (on 1967-06-22)
bass trombone:
Tony Studd (on 1967-06-22)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1967-06-22)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-06-22) and Joe South (on 1967-06-22)
organ:
Spooner Oldham (on 1967-06-22)
piano:
Aretha Franklin (on 1967-06-22)
tenor saxophone:
Charlie Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-06-22) and King Curtis (saxophonist) (on 1967-06-22)
trumpet:
Melvin Lastie (on 1967-06-22)
background vocals:
Carolyn Franklin (on 1967-06-22) and Erma Franklin (on 1967-06-22)
vocals:
Aretha Franklin (on 1967-06-22)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2007)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-06-22)
recording of:
The Letter (on 1967-06-22)
writer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
3:37
6So Soon (Aretha Arrives outtake)
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-06-22)
bass:
Tommy Cogbill (on 1967-06-22)
bass trombone:
Tony Studd (on 1967-06-22)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1967-06-22)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-06-22) and Joe South (on 1967-06-22)
organ:
Spooner Oldham (on 1967-06-22)
piano:
Aretha Franklin (on 1967-06-22)
tenor saxophone:
Charlie Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-06-22) and King Curtis (saxophonist) (on 1967-06-22)
trumpet:
Melvin Lastie (on 1967-06-22)
background vocals:
Carolyn Franklin (on 1967-06-22) and Erma Franklin (on 1967-06-22)
vocals:
Aretha Franklin (on 1967-06-22)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2007)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-06-22)
recording of:
So Soon (on 1967-06-22)
lyricist and composer:
Van McCoy
2:44
7Mr. Big (Aretha Arrives outtake)
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1968-04-15) and Floyd Newman (on 1968-04-15)
bass:
Jerry Jemmott (on 1968-04-15)
bass trombone:
Tony Studd (on 1968-04-15)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1968-04-15)
electric piano:
Spooner Oldham (on 1968-04-15)
guitar:
Tommy Cogbill (on 1968-04-15) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1968-04-15)
piano:
Aretha Franklin (on 1968-04-15)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1968-04-15) and Andrew Love (on 1968-04-15)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1968-04-15)
background vocals:
The Sweet Inspirations (on 1968-04-15)
vocals:
Aretha Franklin (on 1968-04-15)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2007)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1968-04-15)
recording of:
Mr. Big (on 1968-04-15)
writer:
Carolyn Franklin and Ted White (husband & co-songwriter of Aretha Franklin)
publisher:
Fourteenth Hour Music, Inc.
2:40
8Talk to Me, Talk to Me (Soul ’69 outtake)
producer:
Tom Dowd and Jerry Wexler
alto saxophone:
George Dorsey (on 1968-09-23) and Frank Wess (on 1968-09-23)
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1968-09-23)
bass:
Ron Carter (US jazz double-bassist) (on 1968-09-23)
drums (drum set):
Grady Tate (on 1968-09-23)
flute:
David Newman (American jazz saxophonist) (on 1968-09-23)
guitar:
Kenny Burrell (on 1968-09-23)
piano:
Junior Mance (on 1968-09-23)
tenor saxophone:
King Curtis (saxophonist) (on 1968-09-23), David Newman (American jazz saxophonist) (on 1968-09-23) and Seldon Powell (on 1968-09-23)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1968-09-23), Urbie Green (on 1968-09-23), Benny Powell (jazz trombonist) (on 1968-09-23) and Thomas Mitchell (US jazz trombonist) (on 1968-09-23)
trumpet:
Bernie Glow (on 1968-09-23), Joe Newman (US jazz trumpeter) (on 1968-09-23), Ernie Royal (on 1968-09-23), Richard Williams (Richard Gene Williams, jazz trumpeter) (on 1968-09-23) and Snookie Young (on 1968-09-23)
vocals:
Aretha Franklin (on 1968-09-23)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2007)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1968-09-23)
cover recording of:
Talk to Me, Talk to Me (on 1968-09-23)
writer:
Joe Seneca (Songwriter, film and television actor)
publisher:
Eppic Music
3:27
9The Fool on the Hill (This Girl’s in Love With You outtake)
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1969-01-09)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1969-01-09)
guitar:
Jerry Weaver (on 1969-01-09) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1969-01-09)
piano:
Aretha Franklin (on 1969-01-09)
vocals:
Aretha Franklin (on 1969-01-09)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2007)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1969-01-09)
cover recording of:
The Fool on the Hill (on 1969-01-09)
writer:
John Lennon (The Beatles) and Paul McCartney (The Beatles)
publisher:
Maclen Music, Inc. (U.S. based publisher for Lennon–McCartney), Northern Songs and Sony/ATV Music Publishing LLC (1995–2020)
3:28
10Pledging My Love / The Clock
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1969-01-09)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1969-01-09)
guitar:
Eddie Hinton (on 1969-01-09), Jerry Weaver (on 1969-01-09) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1969-01-09)
organ:
Barry Beckett (on 1969-01-09)
piano:
Aretha Franklin (on 1969-01-09)
background vocals:
Cissy Houston (on 1969-01-09), Sylvia Shemwell (on 1969-01-09) and Dee Dee Warwick (on 1969-01-09)
vocals:
Aretha Franklin (on 1969-01-09)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2007)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1969-01-09)
medley including a cover recording of:
Pledging My Love (on 1969-01-09)
writer:
Don Robey and Ferdinand Washington (blues and rhythm and blues songwriter)
publisher:
Songs of Universal, Inc. (BMI), Spirit One Music and Wemar Music Corp.
medley including a cover recording of:
The Clock (on 1969-01-09)
writer:
Johnny Ace (1950s rhythm & blues) and David James Mattis
4:11
11You’re Taking Up Another Man’s Place (Spirit in the Dark outtake)
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1969-05-26)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1969-05-26)
guitar:
Cornell Dupree (on 1969-05-26), Eddie Hinton (on 1969-05-26) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1969-05-26)
horn:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1969-05-26)
organ:
Barry Beckett (on 1969-05-26)
piano:
Aretha Franklin (on 1969-05-26)
background vocals:
Margaret Branch (on 1969-05-26), Brenda Bryant (on 1969-05-26) and Almeda Lattimore (on 1969-05-26)
vocals:
Aretha Franklin (on 1969-05-26)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1986)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1969-05-26)
recording of:
You’re Taking Up Another Man’s Place (on 1969-05-26)
writer:
Isaac Hayes and David Porter (US soul musician, producer & songwriter)
cover recording of:
You’re Taking Up Another Man’s Place
writer:
Isaac Hayes and David Porter (US soul musician, producer & songwriter)
3:28
12You Keep Me Hangin’ On (This Girl’s in Love With You / Spirit in the Dark outtake)
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1969-10-03)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1969-10-03)
guitar:
Duane Allman (on 1969-10-03), Eddie Hinton (on 1969-10-03) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1969-10-03)
horn:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1969-10-03)
organ:
Barry Beckett (on 1969-10-03)
piano:
Aretha Franklin (on 1969-10-03)
background vocals:
The Sweet Inspirations (on 1969-10-03)
vocals:
Aretha Franklin (on 1969-10-03)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2007)
recorded at:
Criteria Studios in Miami, Florida, United States (on 1969-10-03)
cover recording of:
You Keep Me Hangin’ On (on 1969-10-03)
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Sony/ATV Music Publishing (UK) Ltd., Stone Agate Music Division and Jobete Music Co., Inc. (in 1986)
sub-publisher:
EMI Music Publishing Japan C.F. division (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
3:07
13I’m Trying to Overcome (This Girl’s in Love With You / Spirit in the Dark outtake)
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
bass:
David Hood (Muscle Shoals, AL guitarist and trombonist) (on 1969-10-03)
drums (drum set):
Roger Hawkins (drummer and producer) (on 1969-10-03)
guitar:
Duane Allman (on 1969-10-03), Eddie Hinton (on 1969-10-03) and Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1969-10-03)
horn:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1969-10-03)
organ:
Barry Beckett (on 1969-10-03)
piano:
Aretha Franklin (on 1969-10-03)
background vocals:
The Sweet Inspirations (on 1969-10-03)
vocals:
Aretha Franklin (on 1969-10-03)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2007)
recorded at:
Criteria Studios in Miami, Florida, United States (on 1969-10-03)
recording of:
I’m Trying to Overcome (on 1969-10-03)
writer:
Aretha Franklin
5:05
14My Way (Spirit in the Dark outtake)
producer:
Arif Mardin and Jerry Wexler
bass:
Tommy McClure (on 1970-03-10)
drums (drum set):
Sammy Creason (on 1970-03-10)
guitar:
Charlie Freeman (on 1970-03-10)
keyboard:
Jim Dickinson (on 1970-03-10) and Mike Utley (musician, songwriter, and record producer) (on 1970-03-10)
piano:
Aretha Franklin (on 1970-03-10)
background vocals:
Margaret Branch (on 1970-03-10), Brenda Bryant (on 1970-03-10), Evelyn Green (on 1970-03-10), Wylene Ivy (on 1970-03-10), Almeda Lattimore (on 1970-03-10), Pat Lewis (on 1970-03-10) and The Sweet Inspirations (on 1970-03-10)
vocals:
Aretha Franklin (on 1970-03-10)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2007)
recorded at:
Criteria Studios in Miami, Florida, United States (on 1970-03-10)
cover recording of:
My Way (Frank Sinatra song) (on 1970-03-10)
lyricist:
Paul Anka (Canadian singer, songwriter and actor)
composer:
Claude François and Jacques Revaux
previously attributed to:
Gilles Thibaut
translator:
Bobby Cruz
publisher:
Babel Music S.A., Chrysalis Standards Inc., Don C. Publications Inc., Eddie Barclay, Jeune Musique Éditions, Shapiro, Bernstein & Co., Inc., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Spanka Music, Spanka Music Corp., Thibout Music, Warner Chappell Music France, Warner Chappell Music Ltd. (no slash; used 1988–1996), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
translated version of:
Comme d’habitude
4:06
15My Cup Runneth Over (Young, Gifted and Black outtake)
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
bass:
Chuck Rainey (American bassist) (on 1970-08-12)
drums (drum set):
Ray Lucas (on 1970-08-12)
guitar:
Cornell Dupree (on 1970-08-12)
organ:
Billy Preston (on 1970-08-12)
piano:
Aretha Franklin (on 1970-08-12)
background vocals:
Carolyn Franklin (on 1970-08-12), Erma Franklin (on 1970-08-12), The Sweet Inspirations (on 1970-08-12) and The Sweethearts of Soul (on 1970-08-12)
vocals:
Aretha Franklin (on 1970-08-12)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2007)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1970-08-12)
cover recording of:
My Cup Runneth Over (from I Do! I Do!) (on 1970-08-12)
lyricist:
Tom Jones (musical theatre lyricist)
composer:
Harvey Schmidt
3:19
16You’re All I Need to Get By (take 1)
producer:
Arif Mardin and Jerry Wexler
bass:
Eric Gale (from 1970-10-29 until 1970-11-02)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (from 1970-10-29 until 1970-11-02)
electric piano:
Donny Hathaway (from 1970-10-29 until 1970-11-02)
guitar:
Hugh McCracken (from 1970-10-29 until 1970-11-02)
piano:
Aretha Franklin (from 1970-10-29 until 1970-11-02)
background vocals:
Carolyn Franklin (from 1970-10-29 until 1970-11-02)
vocals:
Aretha Franklin (from 1970-10-29 until 1970-11-02)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2007)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1970-10-29 until 1970-11-02)
cover recording of:
You’re All I Need to Get By (from 1970-10-29 until 1970-11-02)
writer:
Nickolas Ashford and Valerie Simpson
publisher:
Jobete Music (UK) Ltd., Jobete Music Co., Inc. and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
0:42
17You’re All I Need to Get By (take 2)
producer:
Arif Mardin and Jerry Wexler
bass:
Eric Gale (from 1970-10-29 until 1970-11-02)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (from 1970-10-29 until 1970-11-02)
electric piano:
Donny Hathaway (from 1970-10-29 until 1970-11-02)
guitar:
Hugh McCracken (from 1970-10-29 until 1970-11-02)
piano:
Aretha Franklin (from 1970-10-29 until 1970-11-02)
background vocals:
Carolyn Franklin (from 1970-10-29 until 1970-11-02)
vocals:
Aretha Franklin (from 1970-10-29 until 1970-11-02)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2007)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1970-10-29 until 1970-11-02)
cover recording of:
You’re All I Need to Get By (from 1970-10-29 until 1970-11-02)
writer:
Nickolas Ashford and Valerie Simpson
publisher:
Jobete Music (UK) Ltd., Jobete Music Co., Inc. and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
3:35
18Lean on Me
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
baritone saxophone:
Jimmy Mitchell (on 1971-01-27)
bass:
Chuck Rainey (American bassist) (on 1971-01-27)
drums (drum set):
Bernard Purdie (on 1971-01-27)
flugelhorn:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1971-01-27)
flute:
Andrew Love (on 1971-01-27)
guitar:
Cornell Dupree (on 1971-01-27)
organ:
Donny Hathaway (on 1971-01-27)
piano:
Aretha Franklin (on 1971-01-27)
tenor saxophone:
Ed Logan (on 1971-01-27) and Andrew Love (on 1971-01-27)
trombone:
Jack Hale (trombone) (on 1971-01-27)
trumpet:
Roger Hopps (on 1971-01-27) and Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (on 1971-01-27)
background vocals:
Carolyn Franklin (on 1971-01-27), Erma Franklin (on 1971-01-27) and The Sweet Inspirations (on 1971-01-27)
vocals:
Aretha Franklin (on 1971-01-27)
strings arranger:
Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2007)
recorded at:
Atlantic South-Criteria Studios in Miami, Florida, United States (on 1971-01-27)
cover recording of:
Lean On Me (on 1971-01-27)
writer:
Joe Cobb (Joe “Youngblood” Cobb; songwriter, producer, composer, writer) and Van McCoy
4:37
19Rock Steady (alternate mix - Young, Gifted and Black outtake)
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
bass:
Chuck Rainey (American bassist) (on 1971-02-16)
drums (drum set):
Bernard Purdie (on 1971-02-16)
guitar:
Cornell Dupree (on 1971-02-16)
organ:
Donny Hathaway (on 1971-02-16)
percussion:
Mac Rebennack (New Orleans blues pianist, singer and songwriter) (on 1971-02-16) and Robert Popwell (on 1971-02-16)
background vocals:
Carolyn Franklin (on 1971-02-16), Erma Franklin (on 1971-02-16) and The Sweethearts of Soul (on 1971-02-16)
vocals:
Aretha Franklin (on 1971-02-16)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2007)
recorded at:
Criteria Studios in Miami, Florida, United States (on 1971-02-16)
recording of:
Rock Steady (on 1971-02-16)
lyricist and composer:
Aretha Franklin (from 1970 until 1971)
publisher:
Carlin Music Corporation, Pundit Music, Inc and Springtime Music, Inc.
4:30
20I Need a Strong Man (The To-To Song) (Young, Gifted and Black outtake)
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
bass:
Chuck Rainey (American bassist) (from 1971-02-18 until 1971-02-19)
drums (drum set):
Bernard Purdie (from 1971-02-18 until 1971-02-19)
guitar:
Cornell Dupree (from 1971-02-18 until 1971-02-19)
piano:
Aretha Franklin (from 1971-02-18 until 1971-02-19)
background vocals:
The Sweethearts of Soul (from 1971-02-18 until 1971-02-19)
vocals:
Aretha Franklin (from 1971-02-18 until 1971-02-19)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2007)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1971-02-18 until 1971-02-19)
recording of:
I Need a Strong Man (The To-To Song) (from 1971-02-18 until 1971-02-19)
writer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
3:56
21Heavenly Father (Young, Gifted and Black outtake)
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
bass:
Chuck Rainey (American bassist) (from 1971-02-18 until 1971-02-19)
drums (drum set):
Bernard Purdie (from 1971-02-18 until 1971-02-19)
electric piano and piano:
Aretha Franklin (from 1971-02-18 until 1971-02-19)
guitar:
Cornell Dupree (from 1971-02-18 until 1971-02-19)
background vocals:
The Sweethearts of Soul (from 1971-02-18 until 1971-02-19)
vocals:
Aretha Franklin (from 1971-02-18 until 1971-02-19)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2007)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (from 1971-02-18 until 1971-02-19)
recording of:
Heavenly Father (from 1971-02-18 until 1971-02-19)
writer:
Edna McGriff
5:37
22Sweetest Smile and the Funkiest Style (Hey Now Hey the Other Side of the Sky outtake)
producer:
Aretha Franklin and Quincy Jones
keyboard:
Billy Preston (from 1972-04 until 1972-05)
piano:
Aretha Franklin (from 1972-04 until 1972-05)
vocals:
Aretha Franklin (from 1972-04 until 1972-05)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2007)
recorded at:
Record Plant West (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (from 1972-04 until 1972-05)
recording of:
Sweetest Smile and the Funkiest Style (from 1972-04 until 1972-05)
writer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
3:47
23This Is (Hey Now Hey the Other Side of the Sky outtake)
producer:
Aretha Franklin and Quincy Jones
keyboard:
Billy Preston (from 1972-04 until 1972-05)
piano:
Aretha Franklin (from 1972-04 until 1972-05)
vocals:
Aretha Franklin (from 1972-04 until 1972-05)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2007)
recorded at:
Record Plant West (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (from 1972-04 until 1972-05)
recording of:
This Is (from 1972-04 until 1972-05)
writer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
3:36
24Tree of Life (Hey Now Hey the Other Side of the Sky outtake)
producer:
Aretha Franklin and Quincy Jones
keyboard:
Billy Preston (from 1972-04 until 1972-05)
piano:
Aretha Franklin (from 1972-04 until 1972-05)
vocals:
Aretha Franklin (from 1972-04 until 1972-05)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2007)
recorded at:
Record Plant West (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (from 1972-04 until 1972-05)
recording of:
Tree of Life (from 1972-04 until 1972-05)
writer:
Gene McDaniels
5:10
25Do You Know (Hey Now Hey the Other Side of the Sky outtake)
producer:
Aretha Franklin and Quincy Jones
keyboard:
Billy Preston (from 1972-04 until 1972-05)
piano:
Aretha Franklin (from 1972-04 until 1972-05)
vocals:
Aretha Franklin (from 1972-04 until 1972-05)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2007)
recorded at:
Record Plant West (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (from 1972-04 until 1972-05)
recording of:
Do You Know (from 1972-04 until 1972-05)
writer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
2:47
26Can You Love Again (Hey Now Hey the Other Side of the Sky outtake)
producer:
Aretha Franklin and Quincy Jones
keyboard:
Billy Preston (from 1972-04 until 1972-05)
piano:
Aretha Franklin (from 1972-04 until 1972-05)
vocals:
Aretha Franklin (from 1972-04 until 1972-05)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2007)
recorded at:
Record Plant West (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (from 1972-04 until 1972-05)
recording of:
Can You Love Again (from 1972-04 until 1972-05)
writer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
2:40
27I Want to Be With You (Hey Now Hey the Other Side of the Sky outtake)
producer:
Aretha Franklin and Quincy Jones
keyboard:
Billy Preston (from 1972-04 until 1972-05)
piano:
Aretha Franklin (from 1972-04 until 1972-05)
vocals:
Aretha Franklin (from 1972-04 until 1972-05)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2007)
recorded at:
Record Plant West (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (from 1972-04 until 1972-05)
cover recording of:
I Want to Be With You (from "Golden Boy") (from 1972-04 until 1972-05)
lyricist:
Lee Adams (US musical theatre lyricist & librettist)
composer:
Charles Strouse
librettist:
William Gibson (playwright) and Clifford Odets (US playwright)
part of:
Golden Boy (The Musical)
6:02
28Suzanne (Hey Now Hey the Other Side of the Sky outtake)
producer:
Aretha Franklin and Quincy Jones
keyboard:
Billy Preston (from 1972-04 until 1972-05)
piano:
Aretha Franklin (from 1972-04 until 1972-05)
vocals:
Aretha Franklin (from 1972-04 until 1972-05)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2007)
recorded at:
Record Plant West (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (from 1972-04 until 1972-05)
cover recording of:
Suzanne (English original song by Leonard Cohen) (from 1972-04 until 1972-05)
lyricist:
Leonard Cohen (Canadian singer‐songwriter and poet) (in 1966)
composer:
Leonard Cohen (Canadian singer‐songwriter and poet)
publisher:
Ardmore & Beechwood Music Ltd., Project 7 Music, Sony/ATV Music Publishing LLC (1995–2020), Stranger Music Inc. and Writers Workshop Ltd.
5:12
29That’s the Way I Feel About Cha (alternate version; Hey Now Hey the Other Side of the Sky outtake)
producer:
Aretha Franklin and Quincy Jones
keyboard:
Billy Preston (in 1972-08)
piano:
Aretha Franklin (in 1972-08)
vocals:
Aretha Franklin (in 1972-08)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2007)
recorded at:
Record Plant West (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (in 1972-08)
cover recording of:
That’s the Way I Feel About Cha (in 1972-08)
writer:
John Grisby, Joe Hicks and Bobby Womack
5:45
30Ain’t but the One
bass:
Chuck Rainey (American bassist) (from 1973-01-10 until 1973-01-11)
drums (drum set):
Paul Humphrey (jazz, r&b drummer) (from 1973-01-10 until 1973-01-11)
electric piano:
Ray Charles (soul musician, singer and songwriter) (from 1973-01-10 until 1973-01-11)
guitar:
Kenny Burrell (from 1973-01-10 until 1973-01-11)
keyboard:
Dave Grusin (American pianist and score composer) (from 1973-01-10 until 1973-01-11)
piano:
Aretha Franklin (from 1973-01-10 until 1973-01-11)
vocals:
Ray Charles (soul musician, singer and songwriter) (from 1973-01-10 until 1973-01-11) and Aretha Franklin (from 1973-01-10 until 1973-01-11)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2007)
recorded at:
Shubert Theatre (Los Angeles) in Century City, Los Angeles, California, United States (from 1973-01-10 until 1973-01-11)
recording of:
Ain’t but the One (from 1973-01-10 until 1973-01-11)
composer:
Duke Ellington (US composer, pianist & jazz bandleader)
6:06
31The Happy Blues (Let Me in Your Life outtake)
producer:
Tom Dowd, Aretha Franklin, Arif Mardin and Jerry Wexler
bass:
Willie Weeks (US bass player) (on 1973-03-24)
drums (drum set):
Bernard Purdie (on 1973-03-24)
guitar:
Cornell Dupree (on 1973-03-24)
horn:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1973-03-24)
keyboard:
Donny Hathaway (on 1973-03-24) and Richard Tee (on 1973-03-24)
percussion:
Ralph MacDonald (on 1973-03-24)
piano:
Aretha Franklin (on 1973-03-24)
vocals:
Aretha Franklin (on 1973-03-24)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2007)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1973-03-24)
recording of:
The Happy Blues (on 1973-03-24)
writer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
2:27
32At Last (Let Me in Your Life outtake)
producer:
Tom Dowd, Aretha Franklin, Arif Mardin and Jerry Wexler
bass:
Stanley Clarke (on 1973-04-09)
drums (drum set):
Rick Marotta (US drummer/percussionist) (on 1973-04-09)
guitar:
David Spinozza (on 1973-04-09)
keyboard:
Eumir Deodato (on 1973-04-09), Bob James (US jazz keyboardist, arranger and producer) (on 1973-04-09) and Richard Tee (on 1973-04-09)
strings:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1973-04-09)
vocals:
Aretha Franklin (on 1973-04-09)
strings arranger:
Eumir Deodato and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2007)
recorded at:
A&R Studios (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (on 1973-04-09)
cover recording of:
At Last (on 1973-04-09)
writer:
Mack Gordon and Harry Warren (US composer and lyricist)
publisher:
Twentieth Century Fox Music Corp., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
3:24
33Love Letters (Let Me in Your Life outtake)
producer:
Tom Dowd, Aretha Franklin, Arif Mardin and Jerry Wexler
bass:
Stanley Clarke (on 1973-04-09)
drums (drum set):
Rick Marotta (US drummer/percussionist) (on 1973-04-09)
guitar:
David Spinozza (on 1973-04-09)
keyboard:
Eumir Deodato (on 1973-04-09), Bob James (US jazz keyboardist, arranger and producer) (on 1973-04-09) and Richard Tee (on 1973-04-09)
strings:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1973-04-09)
vocals:
Aretha Franklin (on 1973-04-09)
strings arranger:
Eumir Deodato and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2007)
recorded at:
A&R Studios (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (on 1973-04-09)
cover recording of:
Love Letters (on 1973-04-09)
lyricist:
Edward Heyman
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
BMG Music Publishing Ltd., Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony and Warner/Chappell Music Ltd. (1996–2019)
part of:
The 18th Academy Award for Best Original Song (number: 2)
4:02
34I’m in Love (alternate vocal - Let Me in Your Life outtake)
producer:
Tom Dowd, Aretha Franklin, Arif Mardin and Jerry Wexler
bass:
Stanley Clarke (on 1973-04-09)
drums (drum set):
Rick Marotta (US drummer/percussionist) (on 1973-04-09)
guitar:
David Spinozza (on 1973-04-09)
keyboard:
Eumir Deodato (on 1973-04-09), Bob James (US jazz keyboardist, arranger and producer) (on 1973-04-09) and Richard Tee (on 1973-04-09)
strings:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1973-04-09)
vocals:
Aretha Franklin (on 1973-04-09)
strings arranger:
Eumir Deodato and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2007)
recorded at:
A&R Studios (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (on 1973-04-09)
cover recording of:
I’m in Love (on 1973-04-09)
lyricist and composer:
Bobby Womack
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Pronto Music (publisher) and Tracebob Music Co.
3:01
35Are You Leaving Me (demo)
piano:
Aretha Franklin
vocals:
Aretha Franklin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2007)
recording of:
Are You Leaving Me
writer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
4:22
16▶Digital Media