Les Chemins de la joie

~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Cantata No.147 Herz und Mund und Tat und Leben BWV147 : X Chorale - "Jesus bleibet meine Freude"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1981-11 until 1983-03)
orchestra:
Concentus Musicus Wien (from 1981-11 until 1983-03)
conductor:
Nikolaus Harnoncourt (conductor) (from 1981-11 until 1983-03)
chorus master:
Gerhard Schmidt‐Gaden (conductor) (from 1981-11 until 1983-03)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1981-11 until 1983-03)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) (from 1981-11 until 1983-03)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Classic 100: Piano (2025) (number: 15)
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
2:37
2Cantata No.188 Ich habe meine Zuversicht BWV188 : I Sinfonia
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 188 "Ich habe meine Zuversicht": I. Sinfonia
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1728)
arrangement of:
Keyboard Concerto in D minor, BWV 1052: III. Allegro
part of:
Kantate, BWV 188 "Ich habe meine Zuversicht"
7:37
3Cantata No.11 Lobet Gott in seinen Reichen BWV11 : XI Chorale - "Wann soll es doch geschehen"
choir vocals:
Chorus Viennensis (from 1971-12-08 until 1971-12-15) and Wiener Sängerknaben (The Vienna Boys Choir) (from 1971-12-08 until 1971-12-15)
orchestra:
Concentus Musicus Wien (from 1971-12-08 until 1971-12-15)
conductor and performer:
Nikolaus Harnoncourt (conductor) (from 1971-12-08 until 1971-12-15)
chorus master:
David Willcocks (UK composer, organist, choral conductor) (from 1971-12-08 until 1971-12-15) and Hans Gillesberger (from 1971-12-08 until 1971-12-15)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1971-12-08 until 1971-12-15)
recording of:
Himmelfahrts-Oratorium, BWV 11: XI. Choral "Wenn soll es doch geschehen" (from 1971-12-08 until 1971-12-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
4:34
4Cantata No.174 Ich liebe den Höchsten von ganzem Gemüte BWV174 : I Sinfonia
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 174 „Ich liebe den Höchsten von ganzem Gemüte“: I. Sinfonia
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1729-06-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
is based on:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro
part of:
Kantate, BWV 174 "Ich liebe den Höchsten von ganzem Gemüte"
6:09
5Cantata No.199 Mein Herze schwimmt im Blut BWV199 : VIII Aria - "Wie freudig ist mein Herz"
oboe:
Hans-Peter Westermann (oboist)
soprano vocals:
Barbara Bonney (soprano) (in 1988-09)
orchestra:
Concentus Musicus Wien (in 1988-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1988-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1988-09)
recording of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut": VIII. Aria "Wie freudig ist mein Herz" (catch-all for unknown versions) (in 1988-09)
composed in:
Weimar, Thüringen (Thuringia), Germany (in 1714)
lyricist:
Georg Christian Lehms
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 199 "Mein Herze schwimmt im Blut" (catch-all for unknown versions)
2:08
6Cantata No.62 Nun komm, der Heiden Heiland BWV62 : I Chorus - "Nun komm, der Heiden Heiland"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (in 1975-11)
orchestra:
Concentus Musicus Wien (in 1975-11)
conductor:
Nikolaus Harnoncourt (conductor) (in 1975-11)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1975-11)
recording of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland": I. Coro "Nun komm, der Heiden Heiland" (in 1975-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 62 "Nun komm, der Heiden Heiland"
4:53
7Cantata No.11 Lobet Gott in seinen Reichen BWV11 : VII Recitative - "Und da sie ihm nachsahen"
bass vocals:
Max van Egmond (bass-baritone) (from 1971-12-08 until 1971-12-15)
tenor vocals:
Kurt Equiluz (tenor) (from 1971-12-08 until 1971-12-15)
orchestra:
Concentus Musicus Wien (from 1971-12-08 until 1971-12-15)
conductor and performer:
Nikolaus Harnoncourt (conductor) (from 1971-12-08 until 1971-12-15)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1971-12-08 until 1971-12-15)
recording of:
Himmelfahrts-Oratorium, BWV 11: VII. "Und da sie ihm nachsahen" (Evangelista) (from 1971-12-08 until 1971-12-15)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1735)
part of:
Himmelfahrts-Oratorium, BWV 11
1:05
8Cantata No.170 Vergnügte Ruh, beliebte Seelenlust BWV170 : I Aria - "Vergnügte Ruh, beliebte Seelenlust"
alto vocals:
Paul Esswood (countertenor) (from 1985-12-17 until 1985-12-18)
contralto vocals:
Paul Esswood (countertenor)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1985-12-17 until 1985-12-18)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1985-12-17 until 1985-12-18)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1985-12-17 until 1985-12-18)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": I. Aria (Alt) "Vergnügte Ruh! beliebte Seelenlust!" (from 1985-12-17 until 1985-12-18)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
6:16
9Cantata No.140 Wachet auf, ruft uns die Stimme BWV140 : I Chorus - "Wachet auf, ruft uns die Stimme"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1981-11-06 until 1983-01-22)
orchestra:
Concentus Musicus Wien (from 1981-11-06 until 1983-01-22)
conductor:
Nikolaus Harnoncourt (conductor) (from 1981-11-06 until 1983-01-22)
chorus master:
Gerhard Schmidt‐Gaden (conductor) (from 1981-11-06 until 1983-01-22)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1981-11-06 until 1983-01-22)
recording of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”: I. Coro “Wachet auf, ruft uns die Stimme” (from 1981-11-06 until 1983-01-22)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
adaptations:
Prelude to Peace
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 “Wachet auf, ruft uns die Stimme”
7:11
10Cantata No.82 Ich habe genung BWV82 : I Aria - "Ich habe genung"
bass vocals:
Philippe Huttenlocher (baritone) (from 1977-04-22 until 1977-04-23)
orchestra:
Concentus Musicus Wien (from 1977-04-22 until 1977-04-23)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-04-22 until 1977-04-23)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-04-22 until 1977-04-23)
recording of:
Kantate, BWV 82 “Ich habe genung”: I. Aria (Bass) “Ich habe genung, ich habe den Heiland” (from 1977-04-22 until 1977-04-23)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
6:47
11Cantata No.156 Ich steh mit einem Fuss im Grabe BWV156 : VI Chorale - "Herr, wie du willt, so schicks mit mir"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe": VI. Choral "Herr, wie du willst, so schicks mir mit"
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Kaspar Bienemann (in 1582)
part of:
Breitkopf 389 Choralgesänge (number: 150)
part of:
Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe"
1:14
12Cantata No.49 Ich geh und suche mit Verlangen BWV49 : I Sinfonia
orchestra:
Concentus Musicus Wien (from 1975-02 until 1975-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1975-02 until 1975-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1975-02 until 1975-05)
recording of:
Kantate, BWV 49 "Ich geh und suche mit Verlangen": I. Sinfonia (from 1975-02 until 1975-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 49 “Ich geh und suche mit Verlangen”
6:37
13Cantata No.192 Nun danket alle Gott BWV192 : I Chorus - "Nun danket alle Gott"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1987-01 until 1987-03)
orchestra:
Concentus Musicus Wien (from 1987-01 until 1987-03)
conductor:
Nikolaus Harnoncourt (conductor) (from 1987-01 until 1987-03)
chorus master:
Gerhard Schmidt‐Gaden (conductor) (from 1987-01 until 1987-03)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1987-01 until 1987-03)
recording of:
Kantate, BWV 192 "Nun danket alle Gott": I. Coro "Nun danket alle Gott" (from 1987-01 until 1987-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (in 1730)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
librettist:
Martin Rinckart (German poet) (in 1636)
part of:
Kantate, BWV 192 "Nun danket alle Gott"
5:28
14Cantata No.95 Christus, der ist mein Leben BWV95 : V Aria - "Ach, schlage doch bald"
tenor vocals:
Kurt Equiluz (tenor) (from 1978-02-14 until 1978-05-19)
orchestra:
Concentus Musicus Wien (from 1978-02-14 until 1978-05-19)
conductor:
Nikolaus Harnoncourt (conductor) (from 1978-02-14 until 1978-05-19)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1978-02-14 until 1978-05-19)
recording of:
Kantate, BWV 95 "Christus, der ist mein Leben": V. Aria (Tenor) "Ach, schlage doch bald, selge Stunde" (from 1978-02-14 until 1978-05-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 95 "Christus, der ist mein Leben"
5:58
15Cantata No.180 Schmücke dich, o liebe Seele BWV180 : I Chorus - "Schmücke dich, o liebe Seele"
choir vocals:
Collegium Vocale Gent (from 1987-01-09 until 1987-01-12) and Knabenchor Hannover (Hanover Boys' Choir, German boys choir) (from 1987-01-09 until 1987-01-12)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1987-01-09 until 1987-01-12)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1987-01-09 until 1987-01-12)
chorus master:
Heinz Hennig (conductor) (from 1987-01-09 until 1987-01-12) and Philippe Herreweghe (Belgian conductor) (from 1987-01-09 until 1987-01-12)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1987-01-09 until 1987-01-12)
recording of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele": I. Choral "Schmücke dich, o liebe Seele" (from 1987-01-09 until 1987-01-12)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1724-10-22)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
librettist:
Johann Franck (German poet of the 17th century) (from 1649 until 1653)
part of:
Kantate, BWV 180 "Schmücke dich, o liebe Seele"
7:27
16Cantata No.51 Jauchzet Gott in allen Landen BWV51 : V Aria - "Alleluja"
soprano vocals:
Marjanne Kweksilber (soprano) (from 1974-12-09 until 1974-12-10)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1974-12-09 until 1974-12-10)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1974-12-09 until 1974-12-10)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1974-12-09 until 1974-12-10)
recording of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen": V. "Alleluja" (from 1974-12-09 until 1974-12-10)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Kantate, BWV 51 "Jauchzet Gott in allen Landen"
2:15
2▶CD