Atlantic Rhythm & Blues 1947–1974

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Titelliste

1▶12"-Vinyl: Volume 1: 1947–1952
2▶12"-Vinyl: Volume 1: 1947–1952
3▶12"-Vinyl: Volume 2: 1952–1955
4▶12"-Vinyl: Volume 2: 1952–1955
5▶12"-Vinyl: Volume 3: 1955–1958
6▶12"-Vinyl: Volume 3: 1955–1958
7▶12"-Vinyl: Volume 4: 1958–1962
8▼12"-Vinyl: Volume 4: 1958–1962
Nr.TitelKünstlerBewertungLänge
O1Young Boy Blues
recorded in:
New York, New York, Vereinigte Staaten (am 1960-10-27)
Produzent(in):
Leiber and Stoller (songwriting team)
Cello:
Charles McCracken (cellist) (am 1960-10-27)
Gitarre:
Al Caiola (am 1960-10-27)
Instrumente:
Ernie Hayes (American pianist, organist and arranger) (am 1960-10-27)
Kontrabass [bass]:
Lloyd Trotman (US jazz bassist) (am 1960-10-27)
Perkussion:
Phil Kraus (am 1960-10-27)
Rohrblattinstrumente:
Romeo Penque (am 1960-10-27)
Schlagzeug [drums]:
Gary Chester (studio drummer and educator) (am 1960-10-27)
Hintergrundgesang:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1960-10-27)
vocals:
Ben E. King (am 1960-10-27)
conductor:
Stan Applebaum (US composer, arranger and conductor) (am 1960-10-27)
recording of:
Young Boy Blues (am 1960-10-27)
Verfasser(in):
Doc Pomus und Phil Spector
Ben E. King42:16
O2Stand by Me
recorded in:
New York, New York, Vereinigte Staaten (am 1960-10-27)
Produzent(in):
Leiber and Stoller (songwriting team)
vocals:
Ben E. King (am 1960-10-27)
conductor:
Stan Applebaum (US composer, arranger and conductor) (am 1960-10-27)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographisches Urheberrecht (℗) von:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1960, in 1961), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1961, in 1986), Progressive Music Publishing Company Inc. (in 1981) und Trio Music Co., Inc. (in 1981)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 131) und BILLIONS CLUB
recording of:
Stand by Me (am 1960-10-27)
publisher:
Mike Stoller
Verfasser(in):
Ben E. King, Jerry Leiber und Mike Stoller
publisher:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music und Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.652:56
O3Gee Whizz
recorded in:
Memphis, Tennessee, Vereinigte Staaten (in 1960) und Nashville, Tennessee, Vereinigte Staaten (in 1960)
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records)
vocals:
Carla Thomas (in 1960)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 29)
recording of:
Gee Whiz (Look at His Eyes) (in 1960)
Texter und Komponist(in):
Carla Thomas
publisher:
Irving Music, Inc.
Carla Thomas2:16
O4Saved
recorded in:
New York, New York, Vereinigte Staaten (am 1960-12-07)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Jerry Wexler
alto saxophone:
Rudy Powell (am 1960-12-07)
Bass:
Abie Baker (am 1960-12-07)
Gitarre:
Phil Spector (am 1960-12-07)
große Trommel:
Sticks Evans (am 1960-12-07)
Klavier:
Bert Keyes (piano, soul/funk producer/writer) (am 1960-12-07)
membranophone:
Gary Chester (studio drummer and educator) (am 1960-12-07)
Orgel:
Lilton Mitchell (am 1960-12-07)
Tenorsaxophon:
Al Sears (am 1960-12-07)
Trompete:
Taft Jordan (am 1960-12-07) und Dick Vance (US jazz trumpeter and arranger) (am 1960-12-07)
Vibraphon:
Eddie Costa (am 1960-12-07)
vocals:
LaVern Baker (US rhythm & blues singer) (am 1960-12-07)
conductor:
Howard Biggs (am 1960-12-07)
arranger:
Howard Biggs
recording of:
Saved (am 1960-12-07)
Verfasser(in):
Jerry Leiber und Mike Stoller
publisher:
Hill and Range Songs, Inc. (publisher) und Sony/ATV Songs LLC
LaVern Baker32:56
O5Just Out of Reach (Of My Two Empty Arms)
cover recording of:
Just Out of Reach (of My Two Empty Arms)
Texter und Komponist(in):
Virgil F. Stewart
publisher:
Sony / ATV Acuff Rose Music
Solomon Burke2:41
O6Little Egypt
recorded in:
New York, New York, Vereinigte Staaten (am 1961-02-09)
Produzent(in):
Leiber and Stoller (songwriting team)
Gitarre:
Alan Hanlon (jazz guitarist) (am 1961-02-09), George Barnes (am 1961-02-09) und Sonny Forriest (am 1961-02-09)
Klavier:
Mike Stoller (am 1961-02-09)
Kontrabass [bass]:
Abie Baker (am 1961-02-09)
Perkussion:
Bobby Rosengarden (am 1961-02-09)
Schlagzeug [drums]:
Gary Chester (studio drummer and educator) (am 1961-02-09)
Tenorsaxophon:
King Curtis (saxophonist) (am 1961-02-09)
vocals:
The Coasters (am 1961-02-09)
arranger:
Mike Stoller
recording of:
Little Egypt (Ying Yang) (am 1961-02-09)
Verfasser(in):
Jerry Leiber und Mike Stoller
publisher:
Gladys Music Elvis Presley Enterprises LLC, Jerry Leiber Music und Sony/ATV Songs LLC
The Coasters2:48
O7Amor
recorded in:
New York, New York, Vereinigte Staaten (am 1961-03-29)
Produzent(in):
Leiber and Stoller (songwriting team)
flute:
Romeo Penque (am 1961-03-29)
Gitarre:
Alan Hanlon (jazz guitarist) (am 1961-03-29) und George Barnes (am 1961-03-29)
Klavier:
Moe Weschler (am 1961-03-29)
Kontrabass [bass]:
George Duvivier (am 1961-03-29)
Perkussion:
Ray Barretto (am 1961-03-29), Danny Kessler (am 1961-03-29), Phil Kraus (am 1961-03-29) und Bobby Rosengarden (am 1961-03-29)
Saiteninstrumente und Hintergrundgesang:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1961-03-29)
Schlagzeug [drums]:
Gary Chester (studio drummer and educator) (am 1961-03-29)
vocals:
Ben E. King (am 1961-03-29)
conductor:
Stan Applebaum (US composer, arranger and conductor) (am 1961-03-29)
arranger:
Stan Applebaum (US composer, arranger and conductor) (am 1961-03-29)
cover recording of:
Amor (More and More Amor)
Texter:
Ricardo López Méndez (Mexican poet, lyricist and radio host)
Komponist(in):
Gabriel Ruiz (Mexican composer)
Teil von:
Broadway Rhythm (film)
Ben E. King43:05
P1Last Night
recorded in:
Memphis, Tennessee, Vereinigte Staaten (in 1961-09)
Produzent(in):
Chips Moman und Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Don Nix (in 1961-09)
Bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1961-09)
Gitarre:
Steve Cropper (in 1961-09)
Orgel:
Booker T. Jones (in 1961-09)
Schlagzeug:
Terry Johnson (drums) (in 1961-09)
Tenorsaxophon:
Charles Axton (in 1961-09)
Trompete:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1961-09)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 28)
recording of:
Last Night (in 1961-09)
Verfasser(in):
Charles Axton, Chip Moman, Gilbert Caple, Jerald Smith und Floyd Newman
Komponist(in):
The Mar‐Keys
The Mar‐Keys42:39
P2I’m Blue (The Gong-Gong Song)
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1961-10-12)
Produzent(in):
Ike Turner
vocals:
The Ikettes (am 1961-10-12)
conductor:
Ike Turner (am 1961-10-12)
arranger:
Ike Turner
recording of:
I’m Blue (am 1961-10-12)
Texter und Komponist(in):
Ike Turner
The Ikettes2:31
P3You Don’t Miss Your Water
recorded in:
Memphis, Tennessee, Vereinigte Staaten (in 1961)
Produzent(in):
Chips Moman
Bassgitarre [bass]:
Duck Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1961)
Klavier:
Marvell Thomas (in 1961)
Orgel:
Spooky Butler (in 1961)
Schlagzeug [drums]:
Howard Grimes (in 1961)
Tenorsaxophon und Trompete:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1961)
vocals:
William Bell (in 1961)
recording of:
You Don’t Miss Your Water
Texter und Komponist(in):
William Bell
publisher:
Irving Music, Inc.
William Bell3:01
P4I Found a Love
recorded in:
Detroit, Michigan, Vereinigte Staaten (in 1961-06)
Produzent(in):
Robert West (US songwriter)
alto saxophone:
Ralph "Pee Wee" Middlebrook
Bass:
Marshall Jones (US bassist & songwriter, member of Ohio Players)
Bass [electric bass]:
Marshall Jones (US bassist & songwriter, member of Ohio Players) (in 1961-06)
Blechblasinstrumente:
Ralph "Pee Wee" Middlebrook (in 1961-06)
Gitarre:
Lance Finnie, Lance Finnie (in 1961-06) und Robert Ward (guitar, blues musician) (in 1961-06)
Klarinette und Klavier:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1961)
Schlagzeug:
Cornelius Johnson (Drummer in The Ohio Untouchables) (, in 1961-06)
Tenorsaxophon:
Clarence Satchell (, in 1961-06)
Sologesang:
Wilson Pickett
vocals:
Eddie Floyd (in 1961-06), Mack Rice (in 1961-06), Ben Night (in 1961-06), Wilson Pickett (in 1961-06) und Joe Stubbs (in 1961-06)
zusätzlich vocals:
Eddie Floyd und Sir Mack Rice
Interpret(in):
The Ohio Untouchables (in 1961-06)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1992) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1992)
aufgenommen bei:
King Studios in Cincinnati, Ohio, Vereinigte Staaten (in 1962-01)
recording of:
I Found a Love (in 1961-06)
Verfasser(in):
Wilson Pickett, Willie Schofield und Robert L. West (US songwriter)
publisher:
Alibri Music Co, C & B West Publishing Co., Lupine Music, Progressive Music (publisher), Rightsong Music und Unichappell Music, Inc.
The Falcons2:57
P5Cry to Me
recorded in:
New York, New York, Vereinigte Staaten (am 1961-12-06)
Techniker(in):
Tom Dowd und Phil Iehle
Produzent(in):
Bert Berns und Jerry Wexler
alto saxophone:
Leon Cohen (woodwind player) (am 1961-12-06)
Gitarre:
Don Arnone (am 1961-12-06), Everett Barksdale (am 1961-12-06), Al Caiola (am 1961-12-06) und Bucky Pizzarelli (am 1961-12-06)
Klavier:
Hank Jones (piano) (am 1961-12-06)
Kontrabass [bass]:
Art Davis (US jazz double bassist) (am 1961-12-06)
Orgel:
Robert Mosely (US rhythm & blues singer/songwriter) (am 1961-12-06)
Schlagzeug [drums]:
Gary Chester (studio drummer and educator) (am 1961-12-06)
Tenorsaxophon:
Jesse Powell (US jazz saxophonist) (am 1961-12-06)
Vibraphon [vibes]:
Phil Kraus (am 1961-12-06)
Hintergrundgesang:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1961-12-06)
vocals:
Solomon Burke (am 1961-12-06)
conductor:
Klaus Ogerman (am 1961-12-06)
arranger:
Klaus Ogerman
recording of:
Cry to Me
Texter und Komponist(in):
Bert Russell
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sloopy II Music, Sony/ATV Songs LLC und Unichappell Music, Inc.
Solomon Burke2.052:36
P6Don’t Play That Song (You Lied)
recorded in:
New York, New York, Vereinigte Staaten (am 1962-03-03)
Produzent(in):
Leiber and Stoller (songwriting team)
Gitarre:
Al Caiola (am 1962-03-03), Charles Macey (am 1962-03-03) und Art Ryerson (am 1962-03-03)
Klavier:
Robert Mosely (US rhythm & blues singer/songwriter) (am 1962-03-03)
Kontrabass [bass]:
Jack Lesberg (am 1962-03-03)
Posaune:
Eddie Bert (am 1962-03-03)
Saiteninstrumente [eight strings] und Hintergrundgesang:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1962-03-03)
Schlagzeug [drums]:
Gary Chester (studio drummer and educator) (am 1962-03-03)
vocals:
Ben E. King (am 1962-03-03)
conductor:
Jimmy Haskell (am 1962-03-03)
arranger:
Jimmy Haskell
recording of:
Don’t Play That Song (You Lied) (am 1962-03-03)
Verfasser(in):
Ahmet Ertegun (US songwriter/producer) und Betty Nelson
publisher:
Carlin Music Corporation und Unichappell Music, Inc.
Ben E. King52:49
P7Green Onions
recorded in:
Memphis, Tennessee, Vereinigte Staaten (in 1962-06)
Produzent(in):
Jim Stewart (US producer, founder for Stax & Volt Records)
Bassgitarre [bass]:
Lewie Steinberg (in 1962-06)
Gitarre:
Steve Cropper (in 1962-06)
Hammond-Orgel:
Booker T. Jones (in 1962-06)
Schlagzeug [drums]:
Al Jackson (Booker T & The MGs drummer) (in 1962-06)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 181) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 418)
recording of:
Green Onions (in 1962-06)
Komponist(in):
Al Jackson, Jr. (Booker T & The MGs drummer), Steve Cropper, Booker T. Jones und Lewie Steinberg
publisher:
Al Jackson Jr. Music, Bug Music (music publishing), Carlin Music Corporation, East/Memphis Music Corp. und Irving Music (BMI)
Booker T. & the MG’s3.852:54
9▶12"-Vinyl: Volume 5: 1962–1966
10▶12"-Vinyl: Volume 5: 1962–1966
11▶12"-Vinyl: Volume 6: 1966–1969
12▶12"-Vinyl: Volume 6: 1966–1969
13▶12"-Vinyl: Volume 7: 1969–1974
14▶12"-Vinyl: Volume 7: 1969–1974

Nennungen

Veröffentlichungsgruppe

Teil von:Music Genre Tree (canonical album list from musicgenretree.org – one representative release per genre)
Atlantic R&B 1947-1974 (Reihenfolge: 1)
Discogs:https://www.discogs.com/master/474792 [Info]
andere Datenbanken:https://www.45cat.com/cdalbum/cd/nc485740uk [Info]