Golden Memories

~ Veröffentlichung von Dean Martin (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1That’s Amore
Produzent(in):
Lee Gillette
vocals:
Dean Martin (American singer/actor) (am 1953-08-13)
Orchester:
Dick Stabile and His Orchestra (am 1953-08-13)
conductor:
Dick Stabile (am 1953-08-13)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1953)
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-08-13)
recording of:
That’s Amore (am 1953-08-13)
Texter:
Jack Brooks (English–American lyricist)
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Four Jays Music Co., Paramount Music Corp., Peermusic Pty. Ltd. (Australia) und Universal Songs (publisher)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!) und BMG Unisongs Music Publishers BV
Teil von:
The 26th Academy Award for Best Original Song (Nummer: 2)
Teil von:
The Real Book (compilation of jazz standards, volume I)
4.353:11
2Once in a While
cover recording of:
Once in a While
Texter:
Bud Green (in 1937)
Komponist(in):
Michael Edwards (in 1937)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Miller Catalog, Inc. und Miller Music Corp.
Teil von:
New York, New York (1977 musical film soundtrack)
2:56
3When You’re Smiling
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recording of:
When You’re Smiling (the Whole World Smiles With You)
Texter:
Mark Fisher (early 20th century songwriter) und Joe Goodwin
Komponist(in):
Larry Shay
publisher:
Mills Music, Inc.
53:04
4Innamorata (Sweetheart)
Produzent(in):
Lee Gillette
vocals:
Dean Martin (American singer/actor) (in 1956)
Orchester:
Dick Stabile and His Orchestra (in 1956)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1956)
recording of:
Innamorata (in 1956)
Texter:
Jack Brooks (English–American lyricist)
Komponist(in):
Harry Warren (US composer and lyricist)
2:27
5True Love
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1960)
cover recording of:
True Love (High Society) (in 1960)
Texter und Komponist(in):
Cole Porter (composer) (in 1956)
publisher:
Buxton Hill Music Corp., Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music (UK), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
Warner Chappel Music Belgium NV
Teil von:
The 29th Academy Award for Best Original Song (Nummer: 2)
Teil von:
High Society (stage musical)
Teil von:
High Society (1956 film)
2:33
6Non dimenticar
recording of:
Non dimenticar (English/Italian lyrics)
Texter:
Shelley Dobbins (American songwriter) und Michele Galdieri
Komponist(in):
P. G. Redi (Italian composer)
publisher:
Redi-Ponti-DeLaurentis und TRO-Hollis, Inc.
Version von:
Non dimenticar (English lyrics)
übersetzte Version von:
T’ho voluto bene (Non dimenticar)
3:07
7Volare (Nel blu dipinto di blu)
Produzent(in):
Lee Gillette
vocals:
Dean Martin (American singer/actor) (am 1958-07-14)
Orchester:
Dick Stabile and His Orchestra (am 1958-07-14)
conductor:
Gus Levene (am 1958-07-14)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1958)
recording of:
Volare (Nel blu dipinto di blu) (English lyrics) (am 1958-07-14)
Texter:
Franco Migliacci und Domenico Modugno
Komponist(in):
Domenico Modugno
Übersetzer:
Mitchell Parish
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Robbins Music Corp.
übersetzte Version von:
Nel blu dipinto di blu (Volare)
43:02
8You Belong to Me
Produzent(in):
Lee Gillette
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
cover recording of:
You Belong to Me
Verfasser(in):
Pee Wee King, Chilton Price und Redd Stewart
publisher:
Hill & Range Inc. (publisher) und Ridgeway Music Co, Inc.
33:04
9Just Say I Love Her (Dicitencello vuie)
cover recording of:
Just Say I Love Her (Engl. translation "Dicitencello vujie")
Texter:
Enzo Fusco
Komponist(in):
Rodolfo Falvo
zusätzlich arranger:
Jimmy Dale (American jazz composer, pianist, music arranger) und Jack Val (ASCAP songwriter)
Übersetzer:
Martin Kalmanoff (ASCAP songwriter) und Sam Ward
übersetzte Version von:
Dicitencello vuje
2:48
10Dream a Little Dream of Me
conductor:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1958-10-13)
cover recording of:
Dream a Little Dream of Me (am 1958-10-13)
Texter:
Gus Kahn (in 1931)
Komponist(in):
Fabian André (in 1931) und Wilbur Schwandt (in 1931)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music und Words & Music, Inc. (US work publisher)
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Teil von:
The Real Book (compilation of jazz standards, volume I)
3:17
11Just in Time
Produzent(in):
Lee Gillette
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
cover recording of:
Just in Time (Bells Are Ringing) (am 1960-05-17)
Texter:
Betty Comden (in 1956) und Adolph Green (in 1956)
Komponist(in):
Jule Styne (in 1956)
publisher:
Chappell Music (UK), Stratford Music Corporation und Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Bells Are Ringing (stage musical)
2:17
12I’ve Grown Accustomed to Her Face
cover recording of:
I’ve Grown Accustomed to Her Face (My Fair Lady)
Texter:
Alan Jay Lerner
Komponist(in):
Frederick Loewe (in 1956)
publisher:
Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
My Fair Lady (full musical)
2:44
13Return to Me
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1958)
cover recording of:
Return to Me
Verfasser(in):
Daniel DiMinno (American composer, lyricist, author) und Carmen Lombardo
publisher:
Southern Music Publ. Co. Ltd. und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Arrangement von:
Return to Me (Regresa a mí)
4.52:45
14Someday (You’ll Want Me to Want You)
cover recording of:
Someday (You’ll Want Me to Want You)
Texter und Komponist(in):
Jimmie Hodges (Songwriter, composer, author, producer and publisher) (in 1944)
publisher:
Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., Songs of Universal, Inc. (BMI) und Main Street Songs, Inc. (am 1944-12-29)
2:22
15Come Back to Sorrento
vocals:
Dean Martin (American singer/actor) (in 1951)
Orchester:
Paul Weston and His Orchestra (in 1951)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1951)
recording of:
Come Back to Sorrento
Texter:
Giambattista De Curtis
Komponist(in):
Ernesto De Curtis (composer) (in 1902)
Übersetzer:
Claude Aveling
übersetzte Version von:
Torna a Surriento
3:15
16You’re Nobody ’Til Somebody Loves You
Produzent(in):
Lee Gillette
Bass:
Joe Comfort (am 1960-05-10)
Bratsche / Viola:
Alvin Dinkin (am 1960-05-10) und Paul Robyn (am 1960-05-10)
Cello:
Jacques Gasselin (am 1960-05-10), Edgar Lustgarten (am 1960-05-10) und Eleanor Slatkin (US cellist, b. Aller) (am 1960-05-10)
Geige / Violine:
Victor Bay (am 1960-05-10), Alex Beller (am 1960-05-10), Dan Lube (am 1960-05-10), Felix Slatkin (am 1960-05-10), Marshall Sosson (am 1960-05-10) und Gerald Vinci (American violinist and strings conductor) (am 1960-05-10)
Gitarre:
Al Hendrickson (am 1960-05-10)
Klavier:
Bill Miller (pianist) (am 1960-05-10)
Posaune:
Russell Brown (Swing trombonist) (am 1960-05-10), Dick Noel (trombone) (am 1960-05-10), Tom Pederson (am 1960-05-10) und Thomas Shepard (am 1960-05-10)
Saxophon:
Buddy Collette (am 1960-05-10), Plas Johnson (am 1960-05-10), Harry Klee (am 1960-05-10), Joe Koch (am 1960-05-10) und Wilbur Schwartz (am 1960-05-10)
Schlagzeug:
Alvin Stoller (am 1960-05-10)
Trompete:
Pete Candoli (am 1960-05-10), Conrad Gozzo (am 1960-05-10), Carroll Lewis (trumpeter) (am 1960-05-10) und Shorty Sherock (am 1960-05-10)
vocals:
Dean Martin (American singer/actor) (am 1960-05-10)
Orchester:
Nelson Riddle and His Orchestra (am 1960-05-10)
conductor:
Nelson Riddle (am 1960-05-10)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-05-10)
cover recording of:
You’re Nobody Till Somebody Loves You (am 1960-05-10)
Verfasser(in):
James Cavanaugh, Russ Morgan (Big Band orchestra leader) und Larry Stock
publisher:
Capitol Records (imprint of Capitol Records, Inc.), Shapiro, Bernstein & Co., Inc. und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Teil von:
The Real Book (compilation of jazz standards, volume I)
4.352:11
17Dream
cover recording of:
Dream
Texter und Komponist(in):
Johnny Mercer (in 1944)
publisher:
Capitol Songs Inc., Mercer Music, Michael H. Goldsen Inc., Warner Bros. Music Corp., Warner Music Corp., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
3:22
18Standing on the Corner
Produzent(in):
Lee Gillette und Voyle Gilmore
vocals:
Dean Martin (American singer/actor) (in 1956)
Orchester:
Dick Stabile and His Orchestra (in 1956)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1956)
cover recording of:
Standing on the Corner (The Most Happy Fella) (in 1956)
Texter und Komponist(in):
Frank Loesser
Teil von:
The Most Happy Fella (full musical)
2:49
19You’re Breaking My Heart (Mattinata)
2:47
20Memories Are Made of This
Produzent(in):
Lee Gillette
Hintergrundgesang:
The Easy Riders (in 1955)
vocals:
Dean Martin (American singer/actor) (in 1955)
Orchester:
Dick Stabile and His Orchestra (in 1955)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1955)
cover recording of:
Memories Are Made of This (am 1955-10-28)
Verfasser(in):
Richard Dehr (in 1955), Terry Gilkyson (in 1955) und Frank Miller (American singer & songwriter) (in 1955)
publisher:
Montclare Music
52:18
21I Don’t Know Why (I Just Do)
recording of:
I Don’t Know Why
Texter:
Roy Turk (in 1931)
Komponist(in):
Fred Ahlert (in 1931)
publisher:
Bucks Music Ltd, Leo Feist, Inc., Memory Lane Music Ltd. und Redwood Music
2:56
22I’ll Always Love You (Day After Day)
Produzent(in):
Lee Gillette
vocals:
Dean Martin (American singer/actor) (in 1951)
Orchester:
Dick Stabile and His Orchestra (in 1951)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1951)
cover recording of:
I’ll Always Love You (in 1951)
Texter:
Ray Evans (American songwriter)
Komponist(in):
Jay Livingston
2:34

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