100 Greatest Indie: The Best Guitar Pop Rock

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

℗ «2019 This Compilation Rhino UK a division of Warner Music UK Ltd»

Countries excluded (Deezer)

(As of 2020-08-22).

  • Northern America: 🇺🇸 United States (us)
Anmerkung zuletzt geändert am 2020-08-22 17:48 UTC.

Titelliste

1Digitales Medium
Nr.TitelKünstlerBewertungLänge
1Parklife
Techniker(in):
John Smith (UK producer/engineer)
Produzent(in):
Stephen Street (famous producer, songwriter)
Gast Sprecher:
Phil Daniels (von 1993-11 bis 1994-01)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1994) und Food Ltd. (in 1994)
aufgenommen bei:
Maison Rouge in London (Greater London), England, Vereinigtes Königreich (von 1993-11 bis 1994-01)
Teil von:
NME: Greatest “Indie” Anthems Ever: 2007 (Nummer: 41)
recording of:
Parklife (von 1993-11 bis 1994-01)
Texter:
Damon Albarn
Komponist(in):
Damon Albarn, Graham Coxon, Alex James (UK bassist for Blur/Fat Les) und Dave Rowntree
publisher:
EMI Blackwood Music Inc., MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Universal‐MCA Music Publishing (US) und Universal/MCA Music Ltd. (not for release label use!)
Blur3.853:07
2This Charming Man
Techniker(in):
Phil Bush (engineer, composer and musician) und Neil King (sound engineer)
Produzent(in):
John Porter (producer and musician US and UK)
Bassgitarre:
Andy Rourke
Gitarre, Gitarre und Mundharmonika und Mundharmonika:
Johnny Marr
Schlagzeug:
Mike Joyce (UK drummer)
vocals:
Morrissey (English singer‐songwriter)
phonographisches Urheberrecht (℗) von:
Sire Records Company (not for release label use!) (in 1983) und Warner Music UK Ltd. (not for release label use!) (in 1983)
Musikvideos:
This Charming Man von The Smiths (1980s English rock band)
Teil von:
NME: Greatest “Indie” Anthems Ever: 2007 (Nummer: 11) und Indie 88: Top 500 Indie Rock Songs (Nummer: 36)
recording of:
This Charming Man
Texter:
Morrissey (English singer‐songwriter)
Komponist(in):
Johnny Marr
publisher:
Morrissey Marr Songs Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Smiths3.82:42
3Wall of Glass
Techniker(in):
Julian Burg, Greg Kurstin und Alex Pasco
Produzent(in):
Greg Kurstin
assistierende(r) Mix:
David Emery (engineer) und Michael Freeman (UK engineer and recording professional)
Mix:
Mark “Spike” Stent (producer, engineer)
Akustikgitarre, Bass, E-Gitarre, Klavier, mellotron, Mundharmonika, Orgel, Perkussion, Schlagzeug und tanpura:
Greg Kurstin
Hintergrundgesang [backing vocals]:
Bridget Sarai (background vocals) und Andrew Wyatt (US vocalist, songwriter)
Sologesang:
Liam Gallagher (English musician, lead singer of Oasis)
phonographisches Urheberrecht (℗) von:
Warner Bros. Records UK (in 2017)
mixed at:
The Mixsuite in Los Angeles, California (Kalifornien), Vereinigte Staaten
engineered at:
Echo Studio in Los Feliz, Los Angeles, California (Kalifornien), Vereinigte Staaten
produced at:
Echo Studio in Los Feliz, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Wall of Glass (Liam Gallagher song)
Verfasser(in):
Andrew Sidney Fox, Liam Gallagher (English musician, lead singer of Oasis), Greg Kurstin, Michael Tighe (singer-songwriter/guitarist) und Andrew Wyatt (US vocalist, songwriter)
publisher:
Domino Publishing Company of America, Inc., Downtown DMP Songs, EMI April Music Inc., Kurstin Music, Tubela Music (publisher; do NOT use as release label), Warner/Chappell Music (Warner/Chappell Music, Inc.) und White Bull Music Group
Liam Gallagher3.23:43
4Hounds of Love
Produzent(in):
Paul Epworth
cover recording of:
Hounds of Love
Texter und Komponist(in):
Kate Bush
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Kate Bush Ltd. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
The Futureheads53:02
5Yellow
Techniker(in):
Ken Nelson (UK record producer)
zusätzliche(r) Techniker(in):
Simon “Barny” Barnicott, Jon Coles, Paul Read (UK engineer) und Andrea Wright
Produzent(in):
Coldplay und Ken Nelson (UK record producer)
Mix:
Michael Brauer (engineer)
Akustikgitarre, Keyboard, Klavier und Sologesang:
Chris Martin (lead singer of Coldplay)
Bassgitarre:
Guy Berryman
E-Gitarre:
Jonny Buckland
Perkussion und Schlagzeug:
Will Champion
Hintergrundgesang:
Jonny Buckland und Will Champion
phonographisches Urheberrecht (℗) von:
Parlophone Records Ltd (not for release label use! a Warner Music Group company) (in 2000)
Musikvideos:
Yellow von Coldplay
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 52) und BILLIONS CLUB
recording of:
Yellow
Verfasser(in):
Guy Berryman, Jonny Buckland, Will Champion und Chris Martin (lead singer of Coldplay)
publisher:
BMG Music Publishing Ltd. und Universal Music Publishing MGB Limited
Coldplay3.34:26
6You Can’t Fool Me Dennis
Techniker(in):
Joe Fields (UK-based mix engineer / producer)
Produzent(in):
James Ford (UK producer/engineer/drummer for Simian Mobile Disco) und Mystery Jets
Mix:
Cenzo Townshend (engineer)
recording of:
You Can't Fool Me Dennis
Mystery Jets43:32
7Age of Consent
assistierende(r) Techniker(in):
Mark Boyne und Barry Sage (sound engineer)
Techniker(in):
Michael Johnson (UK recording engineer and producer)
Produzent(in):
New Order (UK synth pop band)
phonographisches Urheberrecht (℗) von:
Factory Communications Ltd. (holding company – file no releases here!) (in 1983)
recording of:
Age of Consent
Verfasser(in):
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) und Bernard Sumner
New Order4.255:15
8Basket Case
Techniker(in):
Neil King (sound engineer)
zusätzliche(r) Techniker(in):
Casey McCrankin'
Produzent(in):
Rob Cavallo und Green Day
Mix:
Rob Cavallo, Jerry Finn und Green Day
Bass:
Mike Dirnt
Gitarre:
Billie Joe
Schlagzeug:
Tré Cool
vocals:
Billie Joe und Mike Dirnt
phonographisches Urheberrecht (℗) von:
Reprise Records (in 1994) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1994)
Musikvideos:
Basket Case von Green Day
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, BILLIONS CLUB, VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 33), Indie 88: Top 500 Indie Rock Songs (Nummer: 35) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 150)
recording of:
Basket Case
Texter:
Billie Joe Armstrong
Komponist(in):
Billie Joe Armstrong, Frank E. Wright III und Mike Pritchard
publisher:
Green Daze Music (beendet, ), WB Music Corp. (1929–2019), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Green Day4.23:01
9Delivery
assistierende(r) Techniker(in):
Mo Hausler
Techniker(in):
Tom Stanley
Produzent(in):
Stephen Street (famous producer, songwriter)
assistierende(r) Mix:
Neil Comber (engineer)
Mix:
Stephen Street (famous producer, songwriter) und Cenzo Townshend (engineer)
aufgenommen bei und mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
recording of:
Delivery
Texter und Komponist(in):
Peter Doherty (Libertines) und Michael Whitnall
Babyshambles52:41
10Boys Will Be Boys
recording of:
Boys Will Be Boys
Verfasser(in):
William J. Brown (UK guitarist for The Ordinary Boys), James Gregory (UK bassist for The Ordinary Boys) und Samuel Preston (Sam Preston, English singer-songwriter, musician, actor)
The Ordinary Boys42:40
11Are You Gonna Be My Girl
assistierende(r) Techniker(in):
Evil Chris
Techniker(in):
Greg Fidelman (Greg Fields, US producer, engineer, mixer and songwriter)
zusätzliche(r) Techniker(in):
Greg Gordon (producer/engineer)
Produzent(in) und Mix:
Brooklyn’s own Dave Sardy (American score composer)
Editing:
Greg Gordon (producer/engineer)
Bassgitarre:
Mark Wilson (Bass player for Jet)
Gitarre:
Cam Muncey und Nic Cester
Schlagzeug:
Chris Cester
zusätzlich Gitarre:
Brooklyn’s own Dave Sardy (American score composer)
vocals:
Cam Muncey, Chris Cester und Nic Cester
phonographisches Urheberrecht (℗) von:
Elektra Entertainment Group Inc. (not for release label use! a division of Warner Music Group) (in 2003), Real Horrorshow Pty. Ltd. (in 2003) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2003)
aufgenommen bei:
Larrabee East in Los Angeles, California (Kalifornien), Vereinigte Staaten und Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
Musikvideos:
Are You Gonna Be My Girl von Jet (Australian garage rock band)
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 23), triple j’s Hottest 100 (Australian annual music listener poll) (Nummer: 2003), Sean Michaels: The Top 30 Songs of 2003 (Nummer: runner-up) und Indie 88: Top 500 Indie Rock Songs (Nummer: 364)
recording of:
Are You Gonna Be My Girl
Verfasser(in):
Nic Cester und Cameron Muncey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Universal Music Publishing (use ONLY if no country‐specific information is available) und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Jet3.73:36
121901
Produzent(in):
Phoenix (French indie band) und Zdar (founder of the Motorbass studio, half of Cassius)
Mix:
Philippe Zdar Cerboneschi (founder of the Motorbass studio, half of Cassius)
aufgenommen bei und mixed at:
Motorbass Studio in Paris, Île-de-France, Frankreich
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 51)
recording of:
1901
Verfasser(in):
Thomas Pablo Croquet, Christian Mazzalai, Laurent Mazzalai und Frederic Jean Joseph Moulin
publisher:
Ghettoblaster und Kobalt Music Publishing Limited (UK)
Phoenix4.353:13
13Poor Misguided Fool
recording engineer:
Adrian Bushby
Produzent(in) und Mix:
Steve Osborne (producer)
Editing:
Bruno Ellingham
phonographisches Urheberrecht (℗) von:
EMI Music Publishing Ltd. (PRS‐affiliated) (in 2001) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2001)
recording of:
Poor Misguided Fool
Verfasser(in):
Ben Byrne, James Stelfox, James Walsh (from Starsailor) und Barry Westhead
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Starsailor43:51
14Freakin’ Out
recording of:
Freakin' Out
Graham Coxon53:41
15Forever Lost (radio edit)
recording of:
Forever Lost
Texter und Komponist(in):
Romeo Stodart
The Magic Numbers44:16
16Disorder
Techniker(in):
Chris Nagle
Produzent(in):
Martin Hannett
Bassgitarre und Hintergrundgesang:
Peter Hook (von 1979-04-01 bis 1979-04-17)
Gitarre und Keyboard:
Bernard Sumner (von 1979-04-01 bis 1979-04-17)
Perkussion und Schlagzeug:
Stephen Morris (New Order) (von 1979-04-01 bis 1979-04-17)
Sologesang:
Ian Curtis (von 1979-04-01 bis 1979-04-17)
phonographisches Urheberrecht (℗) von:
Fractured Music (publisher) und Warner Music UK (formerly Warner Records Ltd., a branch of WEA International) (in 2019)
aufgenommen bei:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, Vereinigtes Königreich (von 1979-04-01 bis 1979-04-17)
recording of:
Disorder (von 1979-04-01 bis 1979-04-17)
Texter:
Ian Curtis
Komponist(in):
Ian Curtis, Peter Hook, Stephen Morris (New Order) und Bernard Sumner
publisher:
Fractured Music (publisher) (beendet) und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Joy Division4.43:29
17Away From Here
recording of:
Away From Here
Verfasser(in):
The Enemy (UK 2000s indie band)
The Enemy3:01
18Marquee Moon
assistierende(r) Techniker(in):
Jim Boyer (producer/engineer)
Techniker(in) und Mix:
Andy Johns
Produzent(in):
Andy Johns und Tom Verlaine
assistierende(r) Mix:
Jimmy Douglass (engineer) und Randy Mason
Bassgitarre:
Fred Smith (bassist)
Gitarre:
Richard Lloyd (American guitarist and singer, Television) und Tom Verlaine
Schlagzeug:
Billy Ficca
Solo-Gitarre [after the second chorus]:
Richard Lloyd (American guitarist and singer, Television)
Solo-Gitarre [after the third chorus] und Sologesang:
Tom Verlaine
aufgenommen bei:
A&R Studios (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Vereinigte Staaten
mixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Vereinigte Staaten
recording of:
Marquee Moon
Texter und Komponist(in):
Tom Verlaine
publisher:
Double Exposure Music Ltd.
Television4.510:38
19You Held the World in Your Arms
Techniker(in):
Guy Massey (UK producer/engineer)
Produzent(in):
Dave Eringa
Saiteninstrumente arranger:
Sally Herbert (violinist, composer, and conductor)
Musikvideos:
You Held the World in Your Arms von Idlewild (Scottish indie rock band)
recording of:
You Held the World in Your Arms
Verfasser(in):
Bob Fairfoull, Rod Jones, Colin Newton und Roddy Woomble
Idlewild3.353:22
20The Killing Moon
recording engineer und Produzent(in):
David Lord (British composer, engineer and producer)
Mix:
Echo & the Bunnymen und Gil Norton (British record producer)
arranger:
Adam Peters
recording of:
The Killing Moon
Verfasser(in):
Pete de Freitas, Ian McCulloch (Echo & the Bunnymen), Les Pattinson und Will Sergeant
Echo & the Bunnymen4.255:46
21Daft Punk Is Playing at My House (radio edit)
Programmierung:
James Murphy (DFA, LCD Soundsystem)
Produzent(in):
DFA (NYC disco‐punk DJs/remixers/producers)
Mix:
DFA (NYC disco‐punk DJs/remixers/producers) und Andy Wallace (engineer)
E-Bass, Orgel, Perkussion, Schlagzeug und Sologesang:
James Murphy (DFA, LCD Soundsystem)
Händeklatschen:
Eric Broucek und James Murphy (DFA, LCD Soundsystem)
Bearbeitung von:
Daft Punk Is Playing at My House von LCD Soundsystem
recording of:
Daft Punk Is Playing at My House (LCD Soundsystem song)
Texter und Komponist(in):
James Murphy (DFA, LCD Soundsystem)
publisher:
Guy With Head And Arms Music
LCD Soundsystem3.53:21
22Just Like Honey
Techniker(in):
John Loder (sound engineer and producer)
Produzent(in):
The Jesus and Mary Chain
Bass:
Douglas Hart (musician & video director)
Gitarre:
Jim Reid (Jesus and Mary Chain) und William Reid (guitarist, The Jesus and Mary Chain)
Schlagzeug:
Bobby Gillespie
vocals:
Jim Reid (Jesus and Mary Chain) und William Reid (guitarist, The Jesus and Mary Chain)
phonographisches Urheberrecht (℗) von:
WEA Records Ltd (Hong Kong holding company from 1978 to 1990), Warner Music UK Ltd. (not for release label use!) (in 1985) und WEA Records Ltd. (holding company based in the UK) (in 1985)
aufgenommen bei:
Southern Studios in Wood Green, Haringey, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Just Like Honey von The Jesus and Mary Chain
Teil von:
Mixtape – Game Soundtrack (Nummer: 2) und Indie 88: Top 500 Indie Rock Songs (Nummer: 186)
recording of:
Just Like Honey
Verfasser(in):
Jim Reid (Jesus and Mary Chain) und William Reid (guitarist, The Jesus and Mary Chain)
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
basiert auf:
Intro (Just Like Honey)
The Jesus and Mary Chain53:02
23Road Rage
assistierende(r) Techniker(in):
Jason Harris (engineer)
Techniker(in):
Joe Gibb
Produzent(in):
Catatonia (Welsh alternative rock band, ~1992–2001) und TommyD
Mix:
Tommy Danvers und Roland Herrington
aufgenommen bei:
Monnow Valley Studio in Rockfield, Monmouthshire, Wales, Vereinigtes Königreich
recording of:
Road Rage
Texter und Komponist(in):
Cerys Matthews (lead singer, Catatonia) und Mark Roberts (Welsh guitarist, Catatonia)
Catatonia3.55:08
24Once More With Feeling
Get Cape. Wear Cape. Fly32:04
25History Song
recording of:
History Song
Verfasser(in):
The Good, the Bad & the Queen
The Good, the Bad & the Queen43:05
26Feel Good Inc.
Programmierung:
James Dring
Techniker(in):
Jason Cox (UK production/engineer)
Produzent(in):
Jason Cox (UK production/engineer), Danger Mouse (Brian Burton), James Dring und Gorillaz (virtual band)
Mix:
Jason Cox (UK production/engineer), Danger Mouse (Brian Burton) und Gorillaz (virtual band)
zusätzlich Gitarre:
Simon Tong (The Verve)
Sologesang:
De La Soul
Musikvideos:
Feel Good Inc. von Gorillaz (virtual band)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 40) und BILLIONS CLUB
recording of:
Feel Good Inc. (in 2004)
Verfasser(in):
Damon Albarn, Brian Burton, Jamie Hewlett und Dave Jolicoeur (Plug 2 of De La Soul)
publisher:
80’s Kid Music, Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Blackwood Music Inc. und Underground Animals
Gorillaz3.953:42
27Changing of the SeasonsTwo Door Cinema Club3.753:42
28Remember When (Side B)
The Black Keys32:11
29Heads Gonna Roll
zusätzliche(r) Techniker(in):
Beatriz Artola, Jeff Fitzpatrick (engineer) und David Greenbaum (producer, mixer, engineer and songwriter, aka “Elevator”)
Koproduzent(in):
Jenny Lewis (US actress and musician)
Produzent(in):
Ryan Adams (US singer-songwriter, multi-instrumentalist, producer & poet)
Bassgitarre:
Don Was
Bratsche / Viola:
Leah Katz (violist)
Cello:
Richard Dodd (cellist)
Geige / Violine:
Daphne Chen und Eric Gorfain
Gitarre:
Ryan Adams (US singer-songwriter, multi-instrumentalist, producer & poet)
Hammond-Orgel [Hammond B3 organ]:
Benmont Tench
Klavier und Sologesang:
Jenny Lewis (US actress and musician)
Schlagzeug:
Ringo Starr (The Beatles)
recording of:
Heads Gonna Roll
Texter und Komponist(in):
Jenny Lewis (US actress and musician)
Jenny Lewis35:13
30You Wouldn’t Like Me
recording of:
You Wouldn’t Like Me
Verfasser(in):
Sara und Tegan
Tegan and Sara4.252:56
31No More Heroes
Techniker(in):
Alan Winstanley (English record producer)
Produzent(in):
Martin Rushent
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977)
aufgenommen bei:
T.W. Studios (Clanger Winstanley's studio in Fulham) in Fulham, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich (in 1977-07)
recording of:
No More Heroes (in 1977-07)
Verfasser(in):
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) und Dave Greenfield
publisher:
Complete Music Ltd.
The Stranglers4.653:28
32Can’t Go BackPrimal Scream3.653:41
33Psycho Killer
Techniker(in):
Ed Stasium (US record producer & audio engineer)
zusätzliche(r) Techniker(in):
Matt Cohen (US producer and engineer)
leitende(r) Produzent(in):
Karen Ahmed und Robin Hurley
Produzent(in):
Tony Bongiovi, Lance Quinn und Talking Heads
Bassgitarre:
Tina Weymouth (von 1976 bis 1977)
Gitarre:
David Byrne (Talking Heads) (von 1976 bis 1977) und Jerry Harrison (Talking Heads & producer) (von 1976 bis 1977)
Gitarre und Keyboard und Keyboard:
Jerry Harrison (Talking Heads & producer) (von 1976 bis 1977)
Schlagzeug:
Chris Frantz (von 1976 bis 1977)
Sologesang:
David Byrne (Talking Heads) (von 1976 bis 1977)
vocals:
Jerry Harrison (Talking Heads & producer) (von 1976 bis 1977)
phonographisches Urheberrecht (℗) von:
Sire Records Inc. (in 1977)
aufgenommen bei:
Sundragon Studios in Flatiron District, New York, New York, Vereinigte Staaten (von 1976 bis 1977)
mixed at:
Mediasound Studios in New York, New York, Vereinigte Staaten (in 2005)
Samples von:
Lexicon Valley #190, "Beyond the Five Ws" von John McWhorter
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 108)
recording of:
Psycho Killer (von 1976 bis 1977)
Texter:
David Byrne (Talking Heads), Chris Frantz und Tina Weymouth
Verfasser(in):
David Byrne (Talking Heads), Christopher Frantz und Martina Weymouth
Komponist(in):
David Byrne (Talking Heads)
publisher:
Bleu Disque Music Co., Inc. (publisher), Index Music, Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) und Warner Chappell Music (publisher as Warner/Chappell Music)
Talking Heads3.854:20
34Sexy Boy (radio edit)
recording engineer:
Stéphane Briat, Jean-Benoît Dunckel und Nicolas Godin
Mix:
Stéphane Briat
phonographisches Urheberrecht (℗) von:
Source (French branch) (in 1998)
aufgenommen bei:
Gang Recording Studio in Paris, Île-de-France, Frankreich und Studio Around the Golf in Paris, Île-de-France, Frankreich
mixed at:
Studio Plus XXX (Closed in 2008, then bought by Talk Over) in Paris, Île-de-France, Frankreich
Bearbeitung von:
Sexy Boy von Air (French band)
recording of:
Sexy Boy
Verfasser(in):
Jean-Benoît Dunckel und Nicolas Godin
publisher:
Delabel Éditions (publisher; do NOT use as release label), Painted Desert Music Corporation und Revolvair
Air1.153:53
35The King and All of His Men
recording engineer, Produzent(in) und Mix:
Dave Fridmann
aufgenommen bei:
Tarbox Road Studios in Chautauqua County, New York, Vereinigte Staaten
recording of:
The King and All of His Men
Komponist(in):
Max McElligott
Wolf Gang54:03
36Gold Rush
zusätzlich recording engineer:
Benjamin Gibbard
Techniker(in):
Martin Cooke (mix engineer & producer)
zusätzliche(r) Techniker(in):
Nicolas Fournier
Produzent(in) und Mix:
Rich Costey
Akustikgitarre, Slide-Gitarre und Hintergrundgesang [backing vocals]:
DD
Bassgitarre:
Nick Harmer
E-Gitarre:
BG und DD
Keyboard [keyboards] und Sampler [Four Track]:
ZR
Keyboard [keys]:
BG
Klavier:
BG und ZR
Perkussion und Schlagzeug [drums]:
JM
vocals:
BG
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2018) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2018)
aufgenommen bei:
Neon Lights in Santa Monica, California (Kalifornien), Vereinigte Staaten
zusätzlich aufgenommen bei:
Computerworld in Seattle, Washington, Vereinigte Staaten und Sound City in Van Nuys, California (Kalifornien), Vereinigte Staaten
Samples:
Mindtrain von Yoko Ono (Japanese‐American musician and artist)
recording of:
Gold Rush
Verfasser(in):
Dave Depper, Benjamin Gibbard und Yoko Ono (Japanese‐American musician and artist)
Death Cab for Cutie4.54:00
37Suedehead
Produzent(in):
Stephen Street (famous producer, songwriter)
recording of:
Suedehead
Texter:
Morrissey (English singer‐songwriter)
Komponist(in):
Stephen Street (famous producer, songwriter)
Morrissey4.13:54
38Turn Tail
recording of:
Turn Tail
Verfasser(in):
Oliver Askew, Henry Dartnall und Thomas Dartnall
The Young Knives4:41
39Holy
Produzent(in):
Leo Abrahams und Frightened Rabbit
Mix:
Craig Silvey
recording of:
Holy
Texter:
Scott Hutchison
Komponist(in):
Grant Hutchison, Scott Hutchison, Billy Kennedy (Frightened Rabbit/Haiver), Andy Monaghan und Gordon Skene
Frightened Rabbit23:39
40There’s No Other Way
Produzent(in):
Stephen Street (famous producer, songwriter)
Bassgitarre:
Alex James (UK bassist for Blur/Fat Les)
Gitarre und Hintergrundgesang:
Graham Coxon
Keyboard und Sologesang:
Damon Albarn
Schlagzeug:
Dave Rowntree
phonographisches Urheberrecht (℗) von:
Food Ltd. (in 1991)
recording of:
There’s No Other Way
Texter:
Damon Albarn
Komponist(in):
Damon Albarn, Graham Coxon, Alex James (UK bassist for Blur/Fat Les) und Dave Rowntree
publisher:
MCA Music Ltd. und Wixen Music UK Ltd.
Blur4.453:24
41I Am the Unknown
The Aliens5:28
42Teenage Daughter
recording of:
Teenage Daughter
D.I.D.34:12
43Getting Along
The Magic Gang2:48
44Daniel
recording of:
Daniel
Texter und Komponist(in):
Natasha Khan (Bat for Lashes)
Bat for Lashes4.654:10
45I Follow Rivers (The Magician remix)
remixer:
The Magician (Stephen Fasano)
phonographisches Urheberrecht (℗) von:
LL Recordings (in 2011)
Teil von:
Red Bull Elektropedia Awards: Remix (Nummer: 2011)
recording of:
I Follow Rivers
Texter:
Lykke Li Zachrisson
Komponist(in):
Lykke Li Zachrisson, Rick Nowels und Björn Yttling
publisher:
EMI Music Publishing (do not use as a release label!)
Lykke Li3.84:39
46Candy
Techniker(in):
Dani Castelar und Dom Monks
Produzent(in):
Paolo Nutini
zusätzliche(r) Produzent(in):
Ethan Johns
Akustikgitarre:
Dave Nelson (writes with Paolo Nutini)
Bassgitarre:
Michael McDaid
E-Gitarre:
Ethan Johns und Donny Little (guitar player)
mellotron und Omnichord:
Ethan Johns
Schlagzeug:
Seamus Simon
Hintergrundgesang:
Michael McDaid, Dave Nelson (writes with Paolo Nutini) und Paolo Nutini
Sologesang:
Paolo Nutini
recording of:
Candy
Texter und Komponist(in):
Paolo Nutini
Paolo Nutini34:58
47Dry Your Eyes
Produzent(in):
Mike Skinner (Mike Skinner)
Geige / Violine:
Gita Langley
Hintergrundgesang [backing vocals]:
Sam Blewitt und Tony Walters
zusätzlich vocals:
Matt Sladen
Musikvideo für:
Dry Your Eyes von The Streets (Mike Skinner)
recording of:
Dry Your Eyes
Komponist(in):
Mike Skinner (Mike Skinner)
The Streets3.654:29
48All My Love (Crystal Fighters x FeedMe edit)
Crystal Fighters3:21
49Lucy
Ten Tonnes2:45
50Before Anyone Knew Our Name
recording of:
Before Anyone Knew Our Name
Texter und Komponist(in):
Kelly Jones (Welsh guitarist vocalist for the Stereophonics)
Stereophonics4:43
51Let’s Make Love and Listen to Death From Above (Dan Carey mix)CSS3:33
52Don’t Dream It’s Over
recording engineer:
The Head and the Heart
Techniker(in):
Scott McDowell
Produzent(in):
The Head and the Heart und Scott McDowell
Mix:
Jim Eno
cover recording of:
Don’t Dream It’s Over
Texter und Komponist(in):
Neil Finn
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Mushroom Music (Mushroom label’s publishing company), Mushroom Music Publishing und Roundhead Music (Neil Finn)
Teil von:
APRA Top 100 New Zealand Songs of All Time (Nummer: 2)
The Head and the Heart3:39
53Hard to Beat
Produzent(in) und Mix:
Richard Archer und Wolsey White
phonographisches Urheberrecht (℗) von:
Necessary Records Limited (in 2005)
aufgenommen bei:
The Cherry Lips Hits Facility in Staines-upon-Thames, Surrey, England, Vereinigtes Königreich
recording of:
Hard to Beat
Verfasser(in):
Richard Archer
Hard‐Fi3.454:14
54There Is a Light That Never Goes Out
Techniker(in):
Stephen Street (famous producer, songwriter)
Produzent(in):
Johnny Marr und Morrissey (English singer‐songwriter)
Bassgitarre:
Andy Rourke
Gitarre:
Johnny Marr
Schlagzeug:
Mike Joyce (UK drummer)
Sologesang:
Morrissey (English singer‐songwriter)
phonographisches Urheberrecht (℗) von:
Rough Trade Records Ltd. und Warner Music UK Ltd. (not for release label use!) (in 2017)
Teil von:
NME: Greatest “Indie” Anthems Ever: 2007 (Nummer: 4), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 86), Indie 88: Top 500 Indie Rock Songs (Nummer: 159) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 226)
recording of:
There Is a Light That Never Goes Out (in 1985)
Texter:
Morrissey (English singer‐songwriter)
Komponist(in):
Johnny Marr
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
The Smiths4.44:02
55I Am the Mob
assistierende(r) Techniker(in):
Jason Harris (engineer)
Techniker(in):
Joe Gibb
Produzent(in):
Catatonia (Welsh alternative rock band, ~1992–2001) und TommyD
Mix:
David Bascombe
aufgenommen bei:
Monnow Valley Studio in Rockfield, Monmouthshire, Wales, Vereinigtes Königreich
recording of:
I Am the Mob
Texter:
Mark Roberts (Welsh guitarist, Catatonia)
Komponist(in):
Paul Jones (Welsh bassist for Catatonia), Cerys Matthews (lead singer, Catatonia), Owen Powell, Aled Richards (drummer, Catatonia) und Mark Roberts (Welsh guitarist, Catatonia)
Catatonia4.53:09
56Tequila
recording of:
Tequila (Terrorvision cover)
Verfasser(in):
Chuck Rio (Daniel Flores)
zusätzliche(r) Verfasser(in):
Terrorvision (British rock band)
basiert auf:
Tequila
Terrorvision3:52
57I Wanna Go Where the People Go
Techniker(in):
Pete 'Pee Wee' Coleman
Produzent(in):
Simon Efemey und The Wildhearts
Mix:
Al Clay
aufgenommen bei und mixed at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Vereinigtes Königreich
produced at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, Vereinigtes Königreich
Musikvideos:
I Wanna Go Where the People Go von The Wildhearts
recording of:
I Wanna Go Where the People Go
Texter und Komponist(in):
Ginger Wildheart (frontman of The Wildhearts)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Wildhearts5:04
58Winter Calls
The Rifles3:41
59Further
Longview2.85:01
60Let’s Dance to Joy Division
recording of:
Let's Dance to Joy Division
Texter:
Matthew Murphy (Murph, member of the Wombats)
Komponist(in):
Dan Haggis (drummer with The Wombats), Matthew Murphy (Murph, member of the Wombats) und Tord Øverland-Knudsen
publisher:
Good Soldier Songs Ltd.
The Wombats3:12
61Waves
Yonaka3:01
62Smile
Produzent(in):
Pete Smith (UK producer)
recording of:
Smile
Verfasser(in):
Ken McAlpine, James McColl und Alan Tilston
The Supernaturals4.53:43
63Mexico
phonographisches Urheberrecht (℗) von:
Warner Music UK Limited (not for release label use!) (in 2011)
recording of:
Mexico
Verfasser(in):
Camilla Staveley-Taylor, Emily Staveley-Taylor und Jessica Staveley-Taylor
The Staves4:06
64Obsessions
phonographisches Urheberrecht (℗) von:
679 Recordings Ltd. (in 2010, in 2021)
recording of:
Obsessions
Verfasser(in):
Marina Diamandis (MARINA, formerly Marina and the Diamonds)
publisher:
Warner/Chappell Music Publishing Ltd. (renamed as Warner Chappell Music Publishing Ltd. since 2019‐05‐16)
MARINA53:28
65Song 2
Techniker(in):
John Smith (UK producer/engineer)
Produzent(in):
Stephen Street (famous producer, songwriter)
Akustikgitarre:
Damon Albarn und Graham Coxon
Bassgitarre:
Alex James (UK bassist for Blur/Fat Les)
E-Gitarre, Theremin und Hintergrundgesang:
Graham Coxon
Hammond-Orgel, Keyboard, Klavier und Sologesang:
Damon Albarn
Perkussion:
Dave Rowntree
Schlagzeug:
Graham Coxon und Dave Rowntree
Herausgeber:
EMI Music Publishing Ltd. (PRS‐affiliated)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1997)
Musikvideos:
Song 2 (music video) von Blur (UK alternative rock band)
Teil von:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 8), NME: Greatest “Indie” Anthems Ever: 2007 (Nummer: 15), Indie 88: Top 500 Indie Rock Songs (Nummer: 57) und BILLIONS CLUB
recording of:
Song 2
Texter:
Damon Albarn
Komponist(in):
Damon Albarn, Graham Coxon, Alex James (UK bassist for Blur/Fat Les) und Dave Rowntree
publisher:
EMI Blackwood Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing (UK) Ltd., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), Wixen Music UK Ltd., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
sub-publisher:
EMI Music Publishing Hong Kong (division of EMI Music Publishing Group Hong Kong Ltd. that existed as early as 2000), FujiPacific Music (S.E. Asia) Ltd., 香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch) und 香港商華納音樂出版有限公司台灣分公司 (Warner Chappell Music, Hong Kong Limited Taiwan Branch)
Blur4.252:01
66There She Goes
assistierende(r) Techniker(in):
Mo Hausler
Techniker(in):
Tom Stanley
Produzent(in):
Stephen Street (famous producer, songwriter)
assistierende(r) Mix:
Neil Comber (engineer)
Mix:
Stephen Street (famous producer, songwriter) und Cenzo Townshend (engineer)
aufgenommen bei und mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
recording of:
There She Goes
Texter und Komponist(in):
Peter Doherty (Libertines)
Babyshambles43:35
67Golden Brown
Koproduzent(in):
Steve Churchyard
Produzent(in):
Steve Churchyard und The Stranglers
Mix:
Tony Visconti
Interpret(in):
The Stranglers
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981)
recording of:
Golden Brown
Verfasser(in):
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) und Dave Greenfield
publisher:
Complete Music, Complete Music Ltd., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. und Plumbshaft-Ltd.
The Stranglers4.43:26
68Don’t Panic
Techniker(in):
Ken Nelson (UK record producer)
zusätzliche(r) Techniker(in):
Simon “Barny” Barnicott, Jon Coles, Paul Read (UK engineer) und Andrea Wright
Produzent(in):
Coldplay und Ken Nelson (UK record producer)
Mix:
Michael Brauer (engineer)
Akustikgitarre, Keyboard, Klavier und Sologesang:
Chris Martin (lead singer of Coldplay)
Bassgitarre:
Guy Berryman
E-Gitarre:
Jonny Buckland
Perkussion und Schlagzeug:
Will Champion
Hintergrundgesang:
Jonny Buckland und Will Champion
Interpret(in):
Coldplay
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2000) und Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2000)
gemixt für:
MHB Productions
Musikvideos:
Don’t Panic von Coldplay
recording of:
Don’t Panic
Verfasser(in):
Guy Berryman, Jonny Buckland, Will Champion und Chris Martin (lead singer of Coldplay)
publisher:
BMG Music Publishing Ltd.
Coldplay3.72:16
69I Will Follow You Into the Dark
Assistent recording engineer:
Mike Lapierre und Ben Slater
recording engineer und Produzent(in):
Christopher Walla
assistierende(r) Mix:
Lonya Nenashev und Mike Zirkel
Mix:
Christopher Walla und Beau Sorenson
aufgenommen bei:
the barn at Longview Farms in North Brookfield, Massachusetts, Vereinigte Staaten
mixed at:
Smart Studios in Madison, Wisconsin, Vereinigte Staaten
Musikvideos:
I Will Follow You Into the Dark ("Directions" music video) von Death Cab for Cutie
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 150)
recording of:
I Will Follow You Into the Dark
Texter und Komponist(in):
Benjamin Gibbard
Death Cab for Cutie3.33:09
70Glockenspiel Song
recording of:
Glockenspiel Song
D.I.D.4:21
71Bring on the Dancing Horses
Produzent(in):
Laurie Latham
recording of:
Bring On the Dancing Horses
Verfasser(in):
Pete de Freitas, Ian McCulloch (Echo & the Bunnymen), Les Pattinson und Will Sergeant
publisher:
Warner Bros. Music (publisher; do NOT use as release label) und Zoo Music (US label)
Echo & the Bunnymen4.353:55
72We’ll Live and Die in These Towns
The Enemy3:55
73Decent Days and Nights
Techniker(in):
Al O'Connell und Richard Williams (engineer)
Produzent(in):
Paul Epworth
Mix:
Gareth Jones (UK producer/engineer)
recording of:
Decent Days and Nights
Verfasser(in):
David Craig, Barry Hyde, Dave Hyde (Futureheads) und Ross Millard
publisher:
Big Life Music Ltd.
The Futureheads42:32
74War of the Worlds
Get Cape. Wear Cape. Fly2:33
75Herculean
recording of:
Herculean
Verfasser(in):
The Good, the Bad & the Queen
The Good, the Bad & the Queen4.353:59
76DARE
Programmierung:
James Dring
Techniker(in):
Jason Cox (UK production/engineer)
Produzent(in):
Jason Cox (UK production/engineer), Danger Mouse (Brian Burton), James Dring und Gorillaz (virtual band)
Mix:
Jason Cox (UK production/engineer), Danger Mouse (Brian Burton) und Gorillaz (virtual band)
Gast Hintergrundgesang:
Rosie Wilson
Gast Sologesang:
Shaun Ryder
aufgenommen bei:
Kong Studios (Gorillaz recording studio) in Vereinigtes Königreich
mixed at:
Pierce Rooms in Hammersmith, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
DARE (video) von Gorillaz (virtual band)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 228)
recording of:
DARE
Verfasser(in):
Damon Albarn, Brian Burton, Jamie Hewlett und Shaun Ryder
publisher:
EMI Music Publishing (do not use as a release label!) und Underground Animals
Gorillaz3.654:05
77Living for the Weekend
Produzent(in) und Mix:
Richard Archer und Wolsey White
phonographisches Urheberrecht (℗) von:
Necessary Records Limited (in 2005)
aufgenommen bei:
The Cherry Lips Hits Facility in Staines-upon-Thames, Surrey, England, Vereinigtes Königreich
Musikvideos:
Living for the Weekend von Hard‐Fi
recording of:
Living for the Weekend
Verfasser(in):
Richard Archer
Hard‐Fi3.653:42
78A Modern Way of Letting Go
Techniker(in):
Guy Massey (UK producer/engineer)
Produzent(in) und Mix:
Dave Eringa
Teil von:
Anti-Hit List: February 13, 2003 (Nummer: 9)
recording of:
A Modern Way of Letting Go
Verfasser(in):
Bob Fairfoull, Rod Jones, Colin Newton und Roddy Woomble
Idlewild4.22:23
79Look What You’ve Done
assistierende(r) Techniker(in):
Evil Chris
Techniker(in):
Greg Fidelman (Greg Fields, US producer, engineer, mixer and songwriter)
zusätzliche(r) Techniker(in):
Greg Gordon (producer/engineer)
Produzent(in) und Mix:
Brooklyn’s own Dave Sardy (American score composer)
Editing:
Greg Gordon (producer/engineer)
Bassgitarre und Klavier:
Mark Wilson (Bass player for Jet)
Gitarre:
Cam Muncey und Nic Cester
Schlagzeug:
Chris Cester
vocals:
Cam Muncey, Chris Cester und Nic Cester
phonographisches Urheberrecht (℗) von:
Elektra Entertainment Group Inc. (not for release label use! a division of Warner Music Group) (in 2003), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2003) und Show Stopping Entertainment (in 2006)
aufgenommen bei:
Larrabee East in Los Angeles, California (Kalifornien), Vereinigte Staaten und Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Look What You've Done
Texter und Komponist(in):
Nic Cester
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Get Jet Music, Inc. und Sony/ATV Harmony
Jet3.53:50
80How Can I Compete
The Magic Gang2:54
81Two Doors Down
recording engineer:
Kai Fish und William Rees
Techniker(in):
Jimmy Robertson (sound engineer)
Produzent(in):
Erol Alkan
Mix:
Erol Alkan, Nick Launay und Jimmy Robertson (sound engineer)
Bass:
Kai Fish und Jack Flanagan (bassist, member of "Mystery Jets")
Gitarre:
Blaine Harrison und Henry Harrison
Keyboard:
Tamara Pearce-Higgins
Saxophon:
Nik Carter (Saxophonist)
Schlagzeug:
Kapil Trivedi
Hintergrundgesang:
William Rees
Sologesang:
Blaine Harrison
phonographisches Urheberrecht (℗) von:
679 Recordings Ltd. (in 2008)
aufgenommen bei:
Hoxton Square
mixed at:
Big Jesus Burger in Sydney, New South Wales, Australien und Hercules Studios in London (Greater London), England, Vereinigtes Königreich
recording of:
Two Doors Down
Texter und Komponist(in):
Blaine Harrison
publisher:
Zomba Music Publishing (music publisher – add no releases here!)
Mystery Jets4.653:39
82Jenny Don’t Be Hasty
assistierende(r) Techniker(in):
Darren Simpson (engineer)
Techniker(in):
Mark Phythian
Produzent(in):
Ken Nelson (UK record producer)
Mix:
Tom Elmhirst (mixing engineer)
Bassgitarre:
Mike Hunter (UK producer & engineer)
E-Gitarre [solo]:
Eddie Harrison
Gitarre und Hintergrundgesang:
Donny Little (guitar player)
Keyboard, Perkussion und Schlagzeug:
Jim Duguid
Sologesang:
Paolo Nutini
recording of:
Jenny Don’t Be Hasty
Verfasser(in):
Jimmy Hogarth (producer and songwriter) und Paolo Nutini
Paolo Nutini3:29
83Love Will Tear Us Apart
Produzent(in):
Joy Division und Martin Hannett
Bass:
Peter Hook
Gitarre:
Bernard Albrecht
Schlagzeug:
Stephen Morris (New Order)
vocals:
Bernard Albrecht und Ian Curtis
phonographisches Urheberrecht (℗) von:
Factory Communications Ltd. (holding company – file no releases here!) (in 1988)
aufgenommen bei:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, Vereinigtes Königreich
Teil von:
triple j’s Hottest 100 (Australian annual music listener poll) (Nummer: 1989 (All-time)), triple j’s Hottest 100 (Australian annual music listener poll) (Nummer: 1990 (All-time)), Indie 88: Top 500 Indie Rock Songs (Nummer: 5), Q50 – December 2005 (Nummer: 6), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 14), NME: Greatest “Indie” Anthems Ever: 2007 (Nummer: 19), Pitchfork: The Story of Goth in 33 Songs, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 41) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 179)
recording of:
Love Will Tear Us Apart
Texter:
Ian Curtis
Komponist(in):
Ian Curtis, Peter Hook, Stephen Morris (New Order) und Bernard Sumner
publisher:
Fractured Music (publisher) und Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Joy Division4.53:26
84True Faith (2011 Total version)
recording of:
True Faith
Verfasser(in):
Gillian Gilbert, Stephen Hague, Peter Hook, Stephen Morris (New Order) und Bernard Sumner
publisher:
Be Music (New Order’s own publishing company), Cut Music (UK publisher), MCA Music Inc. (US-based music publishers), Notting Hill Music (publisher) und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
Teil von:
American Psycho
New Order44:12
85Lisztomania
Produzent(in):
Phoenix (French indie band) und Zdar (founder of the Motorbass studio, half of Cassius)
Mix:
Philippe Zdar Cerboneschi (founder of the Motorbass studio, half of Cassius)
aufgenommen bei und mixed at:
Motorbass Studio in Paris, Île-de-France, Frankreich
Teil von:
Gary Calamar’s Top 10 Songs of ‘09 (Nummer: 6) und Indie 88: Top 500 Indie Rock Songs (Nummer: 99)
recording of:
Lisztomania
Verfasser(in):
Thomas Pablo Croquet, Christian Mazzalai, Laurent Mazzalai und Frederic Jean Joseph Moulin
publisher:
Ghettoblaster
Phoenix4.24:01
86Now That I’ve Found You
recording of:
Now That I’ve Found You
Verfasser(in):
Simon Aldred und Liam Gallagher (English musician, lead singer of Oasis)
Liam Gallagher3.53:20
87Bigmouth Strikes Again
Techniker(in):
Stephen Street (famous producer, songwriter)
Produzent(in):
Johnny Marr und Morrissey (English singer‐songwriter)
Bassgitarre:
Andy Rourke
Gitarre:
Johnny Marr
Schlagzeug:
Mike Joyce (UK drummer)
Sologesang:
Morrissey (English singer‐songwriter)
zusätzlich vocals:
Ann Coates
phonographisches Urheberrecht (℗) von:
Rough Trade Records Ltd. und Warner Music UK Ltd. (not for release label use!) (in 2017)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 290)
recording of:
Bigmouth Strikes Again (in 1985)
Texter:
Morrissey (English singer‐songwriter)
Komponist(in):
Johnny Marr
The Smiths4.653:13
88Silence Is Easy
Programmierung:
John Dunne
Techniker(in):
Danton Supple
Produzent(in):
Phil Spector
assistierende(r) Mix:
Nathaniel Chan
Mix:
Michael H Brauer (engineer)
Bass:
Ben Byrne
Bassgitarre:
James Stelfox
Bratsche / Viola:
Rob Spriggs
Cello:
Sarah Wilson (Cello player for Belle & Sebastian and Status Quo among others)
Geige / Violine:
Gillon Cameron (violinist) und Ruth Gottlieb
Gitarre:
James Walsh (from Starsailor)
Keyboard:
Barry Westhead
vocals:
James Walsh (from Starsailor)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2003)
recording of:
Silence Is Easy
Verfasser(in):
Ben Byrne, James Stelfox, James Walsh (from Starsailor) und Barry Westhead
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Starsailor23:40
89Oblivion
Hintergrundgesang:
Anita Madigan
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1994)
recording of:
Oblivion
Verfasser(in) und arranger:
Terrorvision (British rock band)
publisher:
Warner/Chappell Music Ltd. (1996–2019)
Terrorvision43:03
90Kill the Director
Produzent(in):
Stephen Harris (mixer/producer) und The Wombats (UK indie rock band)
Mix:
Rich Costey
recording of:
Kill the Director
Texter:
Matthew Murphy (Murph, member of the Wombats)
Komponist(in):
Dan Haggis (drummer with The Wombats), Matthew Murphy (Murph, member of the Wombats) und Tord Øverland-Knudsen
publisher:
Good Soldier Songs Ltd.
The Wombats2.52:41
91All My Friends
Produzent(in):
DFA (NYC disco‐punk DJs/remixers/producers) (in 2006)
Mix:
James Murphy (DFA, LCD Soundsystem) und David Sardy (American score composer)
Bass, Schlagzeug, Gitarre, Perkussion, Klavier und Synthesizer:
James Murphy (DFA, LCD Soundsystem)
vocals:
James Murphy (DFA, LCD Soundsystem)
Teil von:
Amazon – Best Songs of 2007: Editor Picks (Nummer: 1), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 61), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 87) und Indie 88: Top 500 Indie Rock Songs (Nummer: 175)
recording of:
All My Friends
Verfasser(in):
Patrick Mahoney, James Murphy (DFA, LCD Soundsystem) und Tyler Pope
LCD Soundsystem3.87:42
92Feel It Still
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 2017) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 2017)
Musikvideos:
Feel It Still von Portugal. The Man
Teil von:
Billboard Decade End Chart: Adult Contemporary Songs (2010s) (Nummer: 33), Billboard Year-End Hot 100 singles of 2018 (Nummer: 33), Grammy Award: Best Pop Duo/Group Performance nominees (Nummer: 2018 winner), Billboard Year-End Hot 100 singles of 2017 (Nummer: 45), BILLIONS CLUB und Indie 88: Top 500 Indie Rock Songs (Nummer: 386)
recording of:
Feel It Still
Verfasser(in):
Robert Bateman (R&B singer/songwriter/record producer), Zachary Scott Carothers, Frederick Gorman, John Baldwin Gourley, John Hill (producer and songwriter, aka Johnny Rodeo), Brian Holland (Motown producer & songwriter), Eric Howk, Zoe Manville, Kyle O’Quin, Jason Wade Sechrist und Asa Taccone
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
quotes music from:
Please Mr. Postman
Portugal. The Man4.32:42
93Juan BelmonteThe Snuts3:11
94Disparate Youth
recording of:
Disparate Youth
Santigold54:44
95Happy When It Rains
Produzent(in):
Bill Price (UK producer/engineer)
vocals:
Jim Reid (Jesus and Mary Chain)
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1987)
recording of:
Happy When It Rains
Verfasser(in):
Jim Reid (Jesus and Mary Chain) und William Reid (guitarist, The Jesus and Mary Chain)
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) (in 1987)
The Jesus and Mary Chain53:37
96Bust This Town
assistierende(r) Techniker(in):
Jack Taylor (engineer)
Techniker(in):
Phil Parsons
Produzent(in):
Kelly Jones (Welsh guitarist vocalist for the Stereophonics) und Jim Lowe (sound engineer)
Mix:
Al Clay
Bass:
Richard Jones (Welsh bassist for Stereophonics)
Gitarre:
Kelly Jones (Welsh guitarist vocalist for the Stereophonics) und Adam Zindani
Keyboard:
Tony Kirkham
Schlagzeug:
Jamie Morrison
vocals:
Kelly Jones (Welsh guitarist vocalist for the Stereophonics)
aufgenommen bei:
The Distillery (Distiller Records studio) in Bath, Somerset, England, Vereinigtes Königreich
mixed at:
Studio X (Chiswick) in Chiswick, Hounslow, London (Greater London), England, Vereinigtes Königreich
recording of:
Bust This Town
Texter und Komponist(in):
Kelly Jones (Welsh guitarist vocalist for the Stereophonics)
Stereophonics3:54
97Spectacular
recording of:
Spectacular
Graham Coxon4.12:47
98Love’s a Game
recording of:
Love’s a Game
Verfasser(in):
Romeo Stodart
The Magic Numbers34:48
99Walking With a Ghost
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 360)
recording of:
Walking With a Ghost
Verfasser(in):
Sara und Tegan
Tegan and Sara52:30
100Mulder and Scully
assistierende(r) Techniker(in):
Jason Harris (engineer)
Techniker(in):
Joe Gibb
Produzent(in):
Catatonia (Welsh alternative rock band, ~1992–2001) und TommyD
Mix:
Roland Herrington und TommyD
phonographisches Urheberrecht (℗) von:
Warner Music UK Ltd. (not for release label use!) (in 1998)
aufgenommen bei:
Monnow Valley Studio in Rockfield, Monmouthshire, Wales, Vereinigtes Königreich
recording of:
Mulder and Scully
Texter und Komponist(in):
Cerys Matthews (lead singer, Catatonia) und Mark Roberts (Welsh guitarist, Catatonia)
Catatonia3.54:11

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