Magic 70’s

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Stuck in the Middle With You
tecnico di registrazione:
Geoff Emerick (British recording engineer) (nel 1972) e John Mills (recording/mix engineer) (nel 1972)
produttore:
Jerry Leiber e Mike Stoller
basso elettrico :
Tony Williams (bass) (nel 1972)
batteria :
Rod Coombes (nel 1972)
chitarra :
Paul Pilnick (nel 1972) e Gerry Rafferty (nel 1972)
tastiera :
Joe Egan (Scottish singer-songwriter) (nel 1972)
voce:
Joe Egan (Scottish singer-songwriter) (nel 1972) e Gerry Rafferty (nel 1972)
diritti fonografici (℗) detenuti da:
A&M Records, Inc. (nel 1972) e A&M Records, Ltd. (nel 1972)
video musicali:
Stuck in the Middle With You di Stealers Wheel
registrazione di:
Stuck in the Middle With You (nel 1972)
paroliere e compositore:
Gerald Rafferty e Joe Egan (Scottish singer-songwriter)
editore:
Baby Bun Music Ltd, Mushroom Music Pty. Ltd., Polygram Music, PolyGram Music Publishing Ltd. e Universal Music Publishing (use ONLY if no country‐specific information is available)
Stealers Wheel4?:??
2Na Na Hey Hey Kiss Him Goodbye
registrazione di:
Na Na Hey Hey Kiss Him Goodbye (nel 1969)
autore:
Gary DeCarlo, Dale Frashuer, Mark Hall (2 for Joy), Paul Leka, Daz Sampson e Graham Turner
editore:
Warner Chappell North America e Warner/Chappell North America
parte di:
Goodbye
Steam5?:??
3Three Times a Lady
diritti fonografici (℗) detenuti da:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (nel 1976)
registrazione di:
Three Times a Lady
paroliere e compositore:
Lionel Richie
editore:
Brenda Richie Publishing, Brockman Enterprises, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc. e Libren Music
Commodores3?:??
4I'd Like to Teach the World To
registrazione di:
I’d Like to Teach the World to Sing
autore:
Bill Backer, Roger Cook (US‐based British singer, songwriter and producer), Roquel Davis e Roger Greenaway
editore:
PolyGram Music Publishing
versione di:
I’d Like to Buy the World a Coke (original commercial jingle off which “I’d Like to Teach the World to Sing” was based)
The New Seekers3?:??
5You Make Me Feel Brand New
arrangiatore:
Thom Bell (keyboards, songwriter, producer)
registrazione di:
You Make Me Feel Brand New
autore:
Thom Bell (keyboards, songwriter, producer) e Linda Creed
editore:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Stylistics3.5?:??
6Get Down
registrazione di:
Get Down
paroliere e compositore:
James Allen Thompson, Jr. (songwriter)
Gene Chandler?:??
7Don't Leave Me This Way
produttore:
Hal Davis
voce:
Thelma Houston (nel 1976)
arrangiatore:
Art Wright (guitar)
diritti fonografici (℗) detenuti da:
Motown Records (not for label use; use “Motown” instead) (nel 1976)
edit di:
Don’t Leave Me This Way di Thelma Houston
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 355) e Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 432)
registrazione cover di:
Don’t Leave Me This Way (Harold Melvin & The Blue Notes song)
autore:
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert e Leon Huff (Philly soul producer, of Gamble & Huff)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Thelma Houston4.5?:??
8I Will Survive
produttore:
Dino Fekaris
produttore associato:
Freddie Perren
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1978), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 1978) e Polydor Incorporated (manufacturer & distribution company, US subsidiary of Polydor International) (nel 1979)
edit di:
I Will Survive (12″ single version) di Gloria Gaynor
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 251) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 489)
registrazione di:
I Will Survive
autore:
Dino Fekaris e Freddie Perren
editore:
ATV Music, Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) e Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Gloria Gaynor3.95?:??
9Ladies Night
produttore:
Eumir Deodato e Kool & the Gang
registrazione di:
Ladies’ Night
autore:
Cliff Adams, Chris Alberts, Robert “Kool” Bell, Ronald Bell, George Brown (US percussionist of Kool & the Gang), Dennis Thomas (Kool & The Gang), Jon Faddis, Adam Ippolito, Robert Spike Mickens e Claydes Smith
editore:
EMI Music Publishing Ltd. (PRS‐affiliated)
Kool & the Gang4.25?:??
10Heart on My Sleeve
assistente tecnico:
Jon Kelly (engineer at Air London Studios)
tecnico:
Geoff Emerick (British recording engineer)
produttore:
David Kershenbaum
voce aggiuntiva:
Andy Fairweather‐Low
diritti fonografici (℗) detenuti da:
A&M Records, Ltd. (nel 1976)
registrazione di:
Heart on My Sleeve
autore:
Benny Gallagher e Graham Lyle
editore:
Concord Songs Ltd., Goodsingle Ltd. (publisher), Rondor Music (London) Ltd., フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
sub-editore:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present)) e Concord Music Publishing Sàrl
Gallagher & Lyle?:??
11You Ain't Seen Nothing Yet
tecnico:
Mark Smith (Canadian engineer)
produttore:
Randy Bachman (Canadian guitarist, singer & songwriter)
chitarra solista e voce principale:
Randy Bachman (Canadian guitarist, singer & songwriter)
diritti fonografici (℗) detenuti da:
Mercury Records (the holding company; for use as ℗&© credits only!) (nel 1974), Phonogram, Inc. (nel 1974, nel 1978), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1974), The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1974), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (nel 2018) e Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (nel 2018)
registrazione di:
You Ain’t Seen Nothing Yet
paroliere e compositore:
Randy Bachman (Canadian guitarist, singer & songwriter)
editore:
BMG Music Publishing Ltd., Ranbach Music (publisher), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Songs LLC e Top Soil Music (publisher)
sub-editore:
Ranbach Music Ltd. e Sony/ATV Music Publishing (Germany) GmbH (1998–2002)
Bachman–Turner Overdrive4.5?:??
12Bad Girls
produttore:
Pete Bellotte (English lyricist and producer) e Giorgio Moroder
voce:
Donna Summer (soul/disco diva)
remixer:
Dj Iraí Campos
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1979), UMG Recordings Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1979), The Island Def Jam Music Group (American holding company, not normally a release label) (nel 2003, nel 2013) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 2003)
parte di:
RuPaul’s Drag Race Lip Sync Performances (season 4) (numero: 2)
registrazione di:
Bad Girls
autore:
Donna Summer (soul/disco diva), Joe Esposito, Eddie Hokenson e Bruce Sudano
editore:
Earborne Music, Rick S. Music (publishing company associated with Casablanca), Rightsong Music Inc., Sweet Summer Night Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division) e 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
Donna Summer4.65?:??
13I Was Made for Dancing
produttore:
Michael Lloyd (US guitarist/singer producer)
arrangiatore:
John D’Andrea
diritti fonografici (℗) detenuti da:
All American Music Group (nel 1978) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1978)
è stato produttore per:
Mike Curb Productions Inc.
registrazione di:
I Was Made for Dancin’
paroliere e compositore:
Michael Lloyd (US guitarist/singer producer)
editore:
BMG Songs, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Michael's Music (publisher) (nel 1978) e Scot Music (publisher) (nel 1978)
Leif Garrett?:??
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