101 Love Songs

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1▶CD: CD / ONE
2▶CD: CD / TWO
3▼CD: CD / THREE
#TitleArtistRatingLength
1Woman
engineer:
Lee DeCarlo
producer:
Jack Douglas, John Lennon (The Beatles) and Yoko Ono (Japanese‐American musician and artist)
lead vocals:
John Lennon (The Beatles)
phonographic copyright (℗) by:
The David Geffen Company (legal rights relating to Geffen Records) (in 1980) and Calderstone Productions Limited (in 2016)
music videos:
Woman by John Lennon (The Beatles)
recording of:
Woman
lyricist and composer:
John Lennon (The Beatles)
publisher:
Geffen/Kaye Music, Lenono Music and フジパシフィックミュージック 第2事業部 (Fujipacific Music, Inc. Division 2)
John Lennon43:32
2Move Closer
producer:
Yves Dessca and Pascal Rivaton
phonographic copyright (℗) by:
OVC Ltd., Dessca Entertainment Company (in 1984) and Capricorn (imprint used by Carrère after 1989) (in 1985)
recording of:
Move Closer
lyricist and composer:
Phyllis Nelson (American singer)
publisher:
IQ Music Ltd.
Phyllis Nelson34:02
3Slave to Love
additional engineer:
Bob Clearmountain, Neil Dorfsman, Femi Jiya, Andy Lyden, Dominick Maita and Bryan McGee (sound engineer)
assistant engineer:
Benji Armbrister, Steve Churchyard, Randy Ezratty (engineer), Dave Greenberg (US engineer Sonopod/Boomtown), Julian Wheatley (Engineer), Carb Kanelle, Kevin Killen, Mike Krowiak, Bruce Lampcov, John Levell, Heff Moraes, Peter Revill, Kendal Stubbs and Nigel Walker (UK producer/engineer/guitarist)
engineer:
Rhett Davies
producer:
Rhett Davies and Bryan Ferry
mixer:
Bob Clearmountain
lead vocals:
Bryan Ferry
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1985) and Virgin Records Ltd. (not for release label use! for company relationships only) (in 1985, in 1999, in 2004)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom, Compass Point Studios in Nassau, Bahamas, Effanel Music in New York, United States, RPM Studios in New York, New York, United States, Sarm West Studios in Notting Hill, Kensington and Chelsea, London (Greater London), England, United Kingdom and The White House in Nashville, Tennessee, United States
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States
music videos:
Slave to Love by Bryan Ferry
recording of:
Slave to Love
lyricist and composer:
Bryan Ferry
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Mushroom Music Pty. Ltd., Virgin Songs, Inc., E.G. Music Inc. (in 1985), E.G. Music Ltd. (publisher) (in 1985), E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1985) and Virgin EG Records Ltd. (in 1985)
Bryan Ferry3.654:11
4Hard to Say I’m Sorry
producer:
David Foster (Canadian music producer, arranger and composer)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 2010)
recording of:
Hard to Say I’m Sorry (Chicago song)
writer:
Peter Cetera (in 1982) and David Foster (Canadian music producer, arranger and composer) (in 1982)
publisher:
Peermusic III, Ltd. (BMI), Universal Music Publishing MGB Ltd., Universal Music–MGB Songs, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Double Virgo Music (in 1982) and Foster Frees Music Inc. (in 1982)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Chicago4.653:37
5Right Here Waiting
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989) and EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1989)
recording of:
Right Here Waiting
lyricist:
Richard Marx
composer:
Bruce Gaitsch (American guitarist, producer, engineer and arranger) and Richard Marx
publisher:
BMG Monarch, Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint), Chi‐Boy Music, EMI Music Ltd. and EMI Songs Ltd.
sub-publisher:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Richard Marx4:05
6I Don’t Want to Lose You
engineer:
Mike Ging and Tommy Vicari
producer:
Roger Davies (producer), Albert Hammond and Graham Lyle
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1989) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recording of:
I Don’t Wanna Lose You
writer:
Albert Hammond and Graham Lyle
publisher:
Goodsingle Ltd. (publisher), Rondor Music Ltd. (publisher) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Tina Turner2.84:18
7Is This Love
producer:
Keith Olsen (US producer and engineer) and Mike Stone (producer and engineer, 1960s–80s)
mixer:
Keith Olsen (US producer and engineer)
bass guitar:
Neil Murray (British bass guitar player)
drums (drum set) and percussion:
Aynsley Dunbar
guest keyboard:
Don Airey and Bill Cuomo
guitar and background vocals:
John Sykes
keyboard:
Don Airey
lead vocals:
David Coverdale
phonographic copyright (℗) by:
Whitesnake Productions (Overseas) Ltd. (in 1987, in 2008) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2008)
mixed at:
Goodnight LA Studios in Van Nuys, California, United States
recording of:
Is This Love (Whitesnake song)
writer:
David Coverdale and John Sykes
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Scandinavia AB, WB Music Corp. (1929–2019), Whitesnake Music Ltd., Whitesnake Music Overseas Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Whitesnake4.24:44
8Missing You
producer:
Gary Gersh, David Thoener and John Waite
phonographic copyright (℗) by:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1984) and EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1984)
edit of:
Missing You by John Waite
recording of:
Missing You
lyricist:
John Waite
composer:
Mark Leonard, Chas Sandford and John Waite
publisher:
Alley Music Corp., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Everpop Songs, Markmeem Music (publisher), Paperwaite Music (publisher) (, in 1984), Quartet Music Inc., Sony Music Publishing (worldwide except Japan, ended 1995), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Fallwater Music (in 1984), Markeem Music (publisher) (in 1984), The Hudson Bay Music Co. (publisher) (in 1984) and WC Music Corp. (from 2019-05-28 to present)
John Waite3.653:29
9It Started With a Kiss
recording of:
It Started With a Kiss
lyricist and composer:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate)
publisher:
BMG Music Publishing Ltd., Chocolate Music, RAK Publishing Ltd. and Universal Music Publishing MGB Australia
Hot Chocolate3:49
10Saturday Love
performer:
Alexander O’Neal
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 498)
recording of:
Saturday Love
writer:
Jimmy Jam (James Harris of Jam & Lewis) and Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
Alexander O’Neal & Cherrelle5:01
11Rock Me Tonight
recording of:
Rock Me Tonight (For Old Times Sake)
lyricist and composer:
Paul Laurence
Freddie Jackson4:03
12Tonight I Celebrate My Love for You
recording engineer:
Alan R. Hirshberg (in 1983)
engineer:
Howard Wolin and Jeremy Smith (producer/engineer)
producer:
Michael Masser
mixer:
Dick Bogart (Recording and mixing engineer) and Russ Terrano
bass guitar [bass]:
Nathan East (in 1983)
drums (drum set):
Carlos Vega (in 1983)
guitar:
Paul Jackson (fusion/urban jazz composer, arranger, producer and guitarist) (in 1983)
piano:
Randy Kerber (in 1983)
vocals:
Peabo Bryson (in 1983) and Roberta Flack (in 1983)
arranger:
Michael Masser and Gene Page (conductor, composer, arranger and record producer)
orchestrator:
Gene Page (conductor, composer, arranger and record producer)
phonographic copyright (℗) by:
EMI USA (renamed EMI Records USA in the beginning of the 1990s) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983)
recorded at:
A&M Records Studios in Hollywood, Los Angeles, California, United States (in 1983) and Studio Sound in North Hollywood, Los Angeles, California, United States (in 1983)
mixed at:
Motown Hitsville (recording and mastering studios in West Hollywood, CA) in West Hollywood, California, United States
recording of:
Tonight, I Celebrate My Love (in 1983)
lyricist:
Gerry Goffin
composer:
Michael Masser
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Chelsea Music Publishing Co., Ltd., Lauren Wesley Music (BMI-affiliated), Prince Street Productions, Inc., Rondor Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Universal Music Corp. (USA, affiliated with ASCAP) and Warner Chappell Music Publishing (Warner/Chappell Music, Inc.)
sub-publisher:
Rondor Music (London) Ltd., Screen Gems–EMI Music Ltd., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Peabo Bryson & Roberta Flack3.753:29
13Give Me a Chance
Paul Carrack4:49
14Lavender
recording engineer:
Thomas Stiehler (from 1985-03 until 1985-05)
producer:
Chris Kimsey
mixer:
Mark Freegard and Chris Kimsey
bass guitar:
Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic) (from 1985-03 until 1985-05)
drums (drum set) and percussion:
Ian Mosley (from 1985-03 until 1985-05)
guitar:
Steve Rothery (from 1985-03 until 1985-05)
keyboard:
Mark Kelly (Marillion keyboardist) (from 1985-03 until 1985-05)
lead vocals:
Fish (Derek William Dick, ex‐Marillion frontman) (from 1985-03 until 1985-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Hansa Studios in Berlin, Germany (in 1985-03)
recording of:
Lavender (from 1985-03 until 1985-05)
lyricist:
Derek William Dick
composer:
Derek William Dick, Mark Kelly (Marillion keyboardist), Ian Mosley, Steve Rothery and Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic)
publisher:
Marillion Music and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985)
is based on:
Lavender’s Blue (late 17th c. English folk song)
Marillion2.53:42
15Save a Prayer
engineer and producer:
Colin Thurston
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1998)
recording of:
Save a Prayer (Duran Duran)
writer:
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Roger Taylor (Duran Duran drummer)
publisher:
Gloucester Place Music Ltd.
Duran Duran4.153:45
16Mary’s Prayer
producer:
Dave Bascombe
performer:
Danny Wilson (Scottish pop group) (in 1987)
produced at:
Marcus Studios in Bayswater, Westminster, London (Greater London), England, United Kingdom and Townhouse in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
recording of:
Mary’s Prayer (in 1987)
lyricist and composer:
Gary Clark (Scottish singer/producer; ex‐Danny Wilson, ex‐Transister, ex‐King L)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (, in 1988)
Danny Wilson33:50
17(I Just) Died in Your Arms
engineer:
Terry Brown (producer)
producer:
Terry Brown (producer), Cutting Crew and John Jansen (US recording engineer and producer)
mixer:
Tim Palmer (British producer/mixer)
acoustic guitar, electric guitar and synthesizer [E-mu Emulator]:
Kevin MacMichael
bass:
Colin Farley
drums (drum set), percussion and tambourine:
Martin Beedle
piano:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
background vocals:
Peter Birch
lead vocals:
Nick Van Eede
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) and Siren Records Ltd. (company and copyrights holder. File NO releases) (in 1986)
recorded at:
AIR Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom
mixed at:
Utopia Studios (London) in London (Greater London), England, United Kingdom
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 26)
recording of:
(I Just) Died in Your Arms
lyricist and composer:
Nick Van Eede
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Songs, Inc. and Sony/ATV Music Publishing (UK) Ltd.
Cutting Crew44:33
18It’s All Coming Back to Me Now
recording of:
It’s All Coming Back to Me Now
lyricist and composer:
Jim Steinman
publisher:
Lost Boys Music (BMI affiliated), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Pandora’s Box6:33
4▶CD: CD / FOUR
5▶CD: CD / FIVE

Credits

Release

ASIN:UK: B0012CK48I [info]