Just Great Songs

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1CD
#TitoloArtistaValutazioneDurata
1All Shook Up
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (dal 1957-01-12 al 1957-01-13)
batteria :
D.J. Fontana (dal 1957-01-12 al 1957-01-13)
chitarra :
Scotty Moore (American guitarist and recording engineer) (dal 1957-01-12 al 1957-01-13) e Elvis Presley (“The King of Rock and Roll”) (dal 1957-01-12 al 1957-01-13)
pianoforte :
Gordon Stoker (US pianist, tenor vocalist and music publisher) (dal 1957-01-12 al 1957-01-13)
voce:
Elvis Presley (“The King of Rock and Roll”) e The Jordanaires (southern gospel group) (dal 1957-01-12 al 1957-01-13)
voce principale:
Elvis Presley (“The King of Rock and Roll”)
remixer:
Dennis Ferrante
esecutore aggiunto:
The Jordanaires (southern gospel group)
diritti fonografici (℗) detenuti da:
BMG Entertainment (nel 1957), BMG Music (nel 1957) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2002)
registrata presso:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, Stati Uniti (dal 1957-01-12 al 1957-01-13) e Bloch Arena in Honolulu, Hawaii, Stati Uniti (il 1961-03-25)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 18) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 353)
registrazione cover di:
All Shook Up (il 1957-01-12)
autore:
Otis Blackwell (American pianist, singer and songwriter) e Elvis Presley (“The King of Rock and Roll”)
editore:
Carlin Music Corporation, Elvis Presley Music Inc., Global (publisher) e Shalimar Music Corp.
Elvis Presley3.651:59
2It Doesn’t Matter Anymore
registrazione di:
It Doesn’t Matter Anymore
paroliere e compositore:
Paul Anka (Canadian singer, songwriter and actor)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated) e Robert Mellin Ltd.
Buddy Holly2:06
3Bachelor Boy
registrazione di:
Bachelor Boy
autore:
Cliff Richard e Bruce Welch (English guitarist, singer, songwriter and producer)
Cliff Richard2:03
4Cathy’s Clown
basso :
Floyd Chance (il 1960-03-18)
batteria :
Buddy Harman (Session drummer and songwriter) (il 1960-03-18)
chitarra :
Don Everly (il 1960-03-18)
pianoforte :
Floyd Cramer (il 1960-03-18)
esecutore:
The Everly Brothers (il 1960-03-18)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1960 (numero: 30) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 149)
registrazione di:
Cathy’s Clown (il 1960-03-18)
paroliere e compositore:
Don Everly
autore:
Don Everly e Phil Everly
editore:
Acuff-Rose (BMI) e MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
The Everly Brothers3.52:26
5Only the Lonely
registrazione di:
Only the Lonely (Know the Way I Feel)
autore:
Joe Melson e Roy Orbison
editore:
Acuff-Rose Music Limited (UK) e Acuff-Rose Publications, Inc. (BMI) (il 1960-05-04)
è stata commissionata da:
Rondor Music (London) Ltd.
Roy Orbison2:28
6Who’s Sorry Now
voce:
Connie Francis (American former actress and chart-topping singer)
diritti fonografici (℗) detenuti da:
Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 1958)
registrazione cover di:
Who’s Sorry Now? (1923 song)
paroliere:
Bert Kalmar (nel 1923) e Harry Ruby (nel 1923)
compositore:
Ted Snyder (nel 1923)
editore:
B. Feldman & Co. Ltd. (publisher est. 1946), Waterson, Berlin & Snyder (il 1923-03-07) e Mills Music Corporation (nel 1929)
Connie Francis4.52:21
7Runaway
claviolino [musitron] solista :
Max Crook
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1962)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 5), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 100) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 466)
registrazione di:
Runaway (il 1961-01-24)
autore:
Max Crook e Del Shannon
editore:
Belinda Music, Bug Music (music publishing), Festival Music, Mole Hole Music, Noma Music Inc. e Vicki Music
Del Shannon4.42:20
8Rock Island Line
registrazione di:
Rock Island Line
paroliere e compositore:
Lead Belly
editore:
Folkways Music Publishers Inc.
parte di:
Roud Folk Song Index (numero: 15211)
Lonnie Donegan2:30
9It Might as Well Rain Until September
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1962) e Screen Gems (nel 1962)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1962 (numero: 28)
registrazione di:
It Might as Well Rain Until September
paroliere:
Gerry Goffin
compositore:
Carole King
Carole King2:25
10Breaking Up Is Hard to DoNeil Sedaka3.252:18
11Great Balls of Fire
registrazione di:
Great Balls of Fire
autore:
Otis Blackwell (American pianist, singer and songwriter) e Jack Hammer (Earl Burroughs, co-wrote Great Balls of Fire)
editore:
B.R.S. Music Corp., Carlin Music Corporation, Hill & Range Songs, Inc. (publisher) e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Jerry Lee Lewis1:56
12Will You Love Me Tomorrow?
batteria [drums] :
Gary Chester (studio drummer and educator) (nel 1960)
pianoforte :
Paul Griffin (American pianist, session musician) (nel 1960)
timpano :
Carole King (nel 1960)
voce:
Doris Coley (nel 1960), Addie Harris (nel 1960) e Beverly Lee (singer for The Shirelles) (nel 1960)
voce principale:
Shirley Owens (nel 1960)
diritti fonografici (℗) detenuti da:
HHO Licensing Ltd.
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1960 (numero: 4), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 33), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 125), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 151)
registrazione di:
Will You Love Me Tomorrow (Carole King song) (nel 1960)
paroliere:
Gerry Goffin
compositore:
Carole King
editore:
Lushmole Music, Pathe Publications (Far East) Limited, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Warner/Chappell Music Ltd. (1996–2019), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
The Shirelles3.82:43
13It’s Only Make Believe
registrazione di:
It’s Only Make Believe (il 1958-05-07)
autore:
Jack Nance (nel 1958) e Conway Twitty (nel 1958)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Tree Publishing Co., Inc. e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Conway Twitty42:14
14What Do You Want?
produttore:
John Barry (English score composer) e John Burgess (British record producer)
voce:
Adam Faith (il 1959-09-25)
direttore d'orchestra e esecutore:
John Barry (English score composer) (il 1959-09-25)
arrangiatore:
John Barry (English score composer)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
registrata presso:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Regno Unito (il 1959-09-25)
registrazione di:
What Do You Want? (il 1959-09-25)
paroliere e compositore:
Les Vandyke
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e EMI Mills Music Limited (PRS for Music-affiliated)
Adam Faith1:38
15Runaround Sue
registrazione di:
Runaround Sue
paroliere:
Dion (US singer-songerwriter, blends doo-wop, pop rock & R&B)
compositore:
Ernie Maresca
editore:
Bronx Soul Music, Mijac Music, Shinko Music Entertainment Co., Ltd. e Universal Music Publishing Group Japan (work publisher – do NOT use as a release label)
sub-editore:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division) e ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Dion2:41
16Please Mr Postman
registrazione di:
Please Mr. Postman
autore:
Robert Bateman (R&B singer/songwriter/record producer) (nel 1961), Georgia Dobbins (nel 1961), William Garrett (nel 1961), Freddie Gorman (nel 1961) e Brian Holland (Motown producer & songwriter) (nel 1961)
editore:
Dominion Music, EMI Blackwood Music Inc., EMI United Partnership Ltd., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Stone Agate Music Division e United Partnership Ltd.
The Marvelettes2:32
17At the Hop
registrazione di:
At the Hop
autore:
John L. Medora, Artie Singer (US songwriter, producer and bandleader) e David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors)
editore:
Sea-Lark Enterprises, Inc., Singular Music e Tristan Music Ltd.
Danny & the Juniors2:33
18Please, Please, Please
registrata a:
Cincinnati, Ohio, Stati Uniti (il 1956-02-04)
produttore:
Ralph Bass
basso :
Clarence Mack (US bassist) (il 1956-02-04)
batteria :
Edison Gore (il 1956-02-04)
chitarra :
Nafloyd Scott (il 1956-02-04)
pianoforte :
Lucas "Fats" Gonder (US pianist and organist from Macon, GA) (il 1956-02-04)
sassofono tenore :
Ray Felder (il 1956-02-04) e Wilbert Smith (il 1956-02-04)
voce di accompagnamento:
Bobby Byrd (founder of the Famous Flames, James Brown’s vocal group) (il 1956-02-04), Nashpendle Knox (il 1956-02-04), Sylvester Keels (member of James Brown & The Famous Flames) (il 1956-02-04) e Johnny Terry (bass vocals, member of James Brown & The Famous Flames) (il 1956-02-04)
voce principale:
James Brown (The Godfather of Soul) (il 1956-02-04)
esecutore:
James Brown & The Famous Flames (il 1956-02-04)
diritti fonografici (℗) detenuti da:
Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation) (nel 1956)
registrata presso:
King Studios in Cincinnati, Ohio, Stati Uniti (il 1956-02-04)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 142)
registrazione di:
Please, Please, Please (il 1956-02-04)
paroliere e compositore:
James Brown (The Godfather of Soul) e Johnny Terry (bass vocals, member of James Brown & The Famous Flames)
editore:
Intersong Music, Intersong Music Ltd. e Jadar Music Corp.
James Brown2:46
19Charlie BrownThe Coasters2:22
20Sherry
produttore:
Bob Crewe
chitarra :
Tommy DeVito
chitarra basso :
Nick Massi
pianoforte e tastiera :
Bob Gaudio
voce:
Bob Gaudio, Tommy DeVito, Nick Massi e Frankie Valli (American singer and actor, best known as the frontman of The Four Seasons)
arrangiatore voci:
Nick Massi
registrazione di:
Sherry
paroliere e compositore:
Bob Gaudio
The Four Seasons52:34
21Little White Bull
voce:
Tommy Steele ('50s English singer)
registrazione di:
Little White Bull
autore:
Lionel Bart, Jimmy Bennett ('50s English singer) e Michael Pratt
Tommy Steele3:45
22Do You Mind
registrazione di:
Do You Mind
paroliere e compositore:
Lionel Bart
Anthony Newley2:22
23Walkin’ Back to Happiness
registrazione di:
Walking Back to Happiness
autore:
Mike Hawker e John Schroeder (English composer, arranger, orchestra leader, record producer, author and A&R chief)
Helen Shapiro2:31
24Surfin’
registrazione di:
Surfin’
compositore:
Mike Love (Beach Boys) e Brian Wilson (Beach Boys co‐founder)
The Beach Boys2:12
25Love Me Do
registrazione di:
Love Me Do
autore:
John Lennon (The Beatles) (dal 1958 al 1962-05) e Paul McCartney (The Beatles) (dal 1958 al 1962-05)
editore:
Ardmore & Beechwood Ltd., Beechwood Music Corp., Castle Music (AU label of Castle Music Pty. Limited), EMI Music Publishing (do not use as a release label!), Lenono Publishing, McCartney Music e MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
The Beatles2:25
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Accreditamenti

Pubblicazione

ASIN:UK: B00D1HV45O [info]