Leonard Bernstein: The Remastered Edition IV

~ Release by Leonard Bernstein (see all versions of this release, 6 available)

Tracklist

61CD: Bach: Concertos
62CD: Mendelssohn: Scotch Symphony / Hebrides Overture
63CD: Mussorgsky: Night on Bald Mountain / Khovantchina Prelude / Ippolitov-Ivanov: Two Caucasian Sketches / Borodin: Polovetsian Dances / Glinka: Russlan and Ludmila Overture
64CD: Nielsen: Concerto for Flute and Orchestra / Concerto for Clarinet and Orchestra
65CD: Die Schöpfung (Parts I & II beginning)
#TitleArtistRatingLength
1Die Schöpfung, Hob. XXI:2: Part I, The First Day. No. 1 Orchestral Prelude: The Representation of Chaos - Recitative and Chorus: “Im Anfange schuf Got Himmel und Erde” (Raphael, Uriel)
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
baritone vocals [Raphael]:
John Reardon (baritone) (from 1966-05-17 until 1966-05-20)
choir vocals [chorus]:
Camerata Singers (from 1966-05-17 until 1966-05-20)
tenor vocals [Uriel]:
Alexander Young (tenor) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob. XX1:2: Teil I, No. 1. Orchestervorspiel Die Vorstellung der Chaos (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
recording of:
Die Schöpfung, Hob. XX1:2: Teil I, No. 2. Rezitativ und Chor "Im Anfange schuf Gott Himmel und Erde" (Raphael, Chor, Uriel) (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn9:16
2Die Schöpfung, Hob. XXI:2: Part I, The First Day. No. 2 Aria and Chorus: “Nun schwanden vor dem heiligen Strahle” (Uriel) - “Verzweiflung, Wut und Schrecken”
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
choir vocals [chorus]:
Camerata Singers (from 1966-05-17 until 1966-05-20)
tenor vocals [Uriel]:
Alexander Young (tenor) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob. XX1:2: Teil I, No. 3. Arie und Chor "Nun schwanden vor dem heiligen Strahle" (Uriel, Chor) (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn3:43
3Die Schöpfung, Hob. XXI:2: Part I, The Second Day. No. 3 Recitative: “Und Gott machte das Firmament” (Raphael)
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
baritone vocals [Raphael]:
John Reardon (baritone) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob. XX1:2: Teil I, No. 4. Rezitativ "Und Gott machte das Firmament" (Raphael) (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn2:09
4Die Schöpfung, Hob. XXI:2: Part I, The Second Day. No. 4 Solo and Chorus: “Mit Staunen sieht das Wunderwerk” (Gabriel) - “Und laut ertönt aus ihren Kehlen”
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
choir vocals [chorus]:
Camerata Singers (from 1966-05-17 until 1966-05-20)
soprano vocals [Gabriel]:
Judith Raskin (soprano) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob. XX1:2: Teil I, No. 5. Sopransolo mit Chor "Mit Staunen sieht das Wunderwerk" (Gabriel, Chor) (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn1:43
5Die Schöpfung, Hob. XXI:2: Part I, The Third Day. No. 5 Recitative: “Und Gott sprach: Es sammle sich das Wasser” (Raphael)
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
baritone vocals [Raphael]:
John Reardon (baritone) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob. XX1:2: Teil I, No. 6. Rezitativ "Und Gott sprach: Es sammle sich das Wasser" (Raphael) (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn0:50
6Die Schöpfung, Hob. XXI:2: Part I, The Third Day. No. 6 Aria: “Rollend in schäumenden Wellen” (Raphael)
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
baritone vocals [Raphael]:
John Reardon (baritone) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob. XX1:2: Teil I, No. 7. Arie "Rollend in schäumenden Wellen" (Raphael) (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn3:46
7Die Schöpfung, Hob. XXI:2: Part I, The Third Day. No. 7 Recitative: “Und Gott sprach: Es bringe die Erde Gras hervor” (Gabriel)
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
soprano vocals [Gabriel]:
Judith Raskin (soprano) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part I: VIII. Rezitativ: Und Gott sprach: Es bringe die Erde Gras hervor (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn0:37
8Die Schöpfung, Hob. XXI:2: Part I, The Third Day. No. 8 Aria: “Nun beut die Flur das frische Grün” (Gabriel)
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
soprano vocals [Gabriel]:
Judith Raskin (soprano) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part I: IX. Arie: Nun beut die Flur das frische Grün (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn5:18
9Die Schöpfung, Hob. XXI:2: Part I, The Third Day. No. 9 Recitative: “Und die himmlischen Heerscharen verkündigten” (Uriel)
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
tenor vocals [Uriel]:
Alexander Young (tenor) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part I: X. Rezitativ: Und die himmlischen Heerscharen verkündigten (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn0:14
10Die Schöpfung, Hob. XXI:2: Part I, The Third Day. No. 10 Chorus: “Stimmt an die Saiten”
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
choir vocals [chorus]:
Camerata Singers (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part I: XI. Chor: Stimmt an die Saiten (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn2:07
11Die Schöpfung, Hob. XXI:2: Part I, The Fourth Day. No. 11 Recitative: “Und Gott sprach: Es sei'n Lichter an der Feste des Himmels” (Uriel)
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
tenor vocals [Uriel]:
Alexander Young (tenor) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part I: XII. Rezitativ: Und Gott sprach: Es sei'n Lichter an der Feste des Himmels (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn0:44
12Die Schöpfung, Hob. XXI:2: Part I, The Fourth Day. No. 12 Recitative: “In vollem Glanze steiget jetzt” (Uriel)
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
tenor vocals [Uriel]:
Alexander Young (tenor) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part I: XIII. Accompagnato-Rezitativ: In vollem Glanze steiget jetzt (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn2:46
13Die Schöpfung, Hob. XXI:2: Part I, The Fourth Day. No. 13 Chorus and Soli: “Die Himmel erzählen die Ehre Gottes” (Gabriel, Uriel, Raphael) - “Dem kommenden Tage sagt es der Tag”
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
baritone vocals [Raphael]:
John Reardon (baritone) (from 1966-05-17 until 1966-05-20)
choir vocals [chorus]:
Camerata Singers (from 1966-05-17 until 1966-05-20)
soprano vocals [Gabriel]:
Judith Raskin (soprano) (from 1966-05-17 until 1966-05-20)
tenor vocals [Uriel]:
Alexander Young (tenor) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part I: XIV. Chor und Terzett: Die Himmel erzählen die Ehre Gottes (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
publisher:
Oxford University Press
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn4:47
14Die Schöpfung, Hob. XXI:2: Part II, The Fifth Day. No. 14 Recitative: “Und Gott sprach: Es bringe das Wasser in der Fülle hervor” (Gabriel)
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
soprano vocals [Gabriel]:
Judith Raskin (soprano) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XV. Rezitativ: Und Gott sprach: Es bringe das Wasser in der Fülle hervor (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II (The Creation, Hob. XXI:2: Part II)
Joseph Haydn0:40
15Die Schöpfung, Hob. XXI:2: Part II, The Fifth Day. No. 15 Aria: “Auf starkem Fittiche schwinget sich der Adler stolz” (Gabriel)
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
soprano vocals [Gabriel]:
Judith Raskin (soprano) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XVI. Arie: Auf starkem Fittiche schwinget sich der Adler stolz (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II (The Creation, Hob. XXI:2: Part II)
Joseph Haydn6:19
16Die Schöpfung, Hob. XXI:2: Part II, The Fifth Day. No. 16 Recitative: “Und Gott schuf große Walfische” (Raphael)
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
baritone vocals [Raphael]:
John Reardon (baritone) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XVII. Accompagnato-Rezitativ: Und Gott schuf große Walfische (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II (The Creation, Hob. XXI:2: Part II)
Joseph Haydn2:43
17Die Schöpfung, Hob. XXI:2: Part II, The Fifth Day. No. 17 Recitative: “Und die Engel rührten ihr' unsterblichen Harfen” (Raphael)
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
baritone vocals [Raphael]:
John Reardon (baritone) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XVIII. Rezitativ: Und die engel rührten ihr' unsterblichen Harfen (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II (The Creation, Hob. XXI:2: Part II)
Joseph Haydn0:30
18Die Schöpfung, Hob. XXI:2: Part II, The Fifth Day. No. 18 Trio: “In holder Anmut stehn” (Gabriel, Uriel, Raphael)
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
baritone vocals [Raphael]:
John Reardon (baritone) (from 1966-05-17 until 1966-05-20)
soprano vocals [Gabriel]:
Judith Raskin (soprano) (from 1966-05-17 until 1966-05-20)
tenor vocals [Uriel]:
Alexander Young (tenor) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XIXa. Terzett: In holder Anmut stehn (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob XXI:2: Part II: XIX. Terzett und Chor: In holder Anmut stehn
Joseph Haydn4:23
19Die Schöpfung, Hob. XXI:2: Part II, The Fifth Day. No. 19 Chorus and Soli: “Der Herr ist groß in seiner Macht” (Gabriel, Uriel, Raphael)
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
baritone vocals [Raphael]:
John Reardon (baritone) (from 1966-05-17 until 1966-05-20)
choir vocals [chorus]:
Camerata Singers (from 1966-05-17 until 1966-05-20)
soprano vocals [Gabriel]:
Judith Raskin (soprano) (from 1966-05-17 until 1966-05-20)
tenor vocals [Uriel]:
Alexander Young (tenor) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XIXb. Terzett und Chor: Der Herr ist groß (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob XXI:2: Part II: XIX. Terzett und Chor: In holder Anmut stehn
Joseph Haydn2:22
66CD: Die Schöpfung (Parts II conclusion & III)
67CD: Mahler: Symphony no. 6 in A minor
68CD: Mahler: Symphony no. 9 in D major
69CD: Brahms: Serenade in A
70CD: Prokofiev: Classical Symphony / Bizet: Symphony in C
71CD: Karl Goldmark: Rustic Wedding Symphony
72CD: Haydn: Symphony no. 88 / Symphony no. 102
73CD: Berlioz: Symphonie fantastique
74CD: On the Beautiful Blue Danube
75CD: Mahler: Des Knaben Wunderhorn
76CD: Hindemith: Symphony in E-flat / Symphonic Metamorphosis of Themes by Carl Maria von Weber
77CD: William Schuman: Symphony no. 3 / Symphony for Strings
78CD: Tchaikovsky: Swan Lake Ballet Suite
79CD: Der Rosenkavalier (Act I)
80CD: Der Rosenkavalier (Act II)