| # | Title | Artist | Rating | Length |
|---|
| 1 | Theme From Shaft | Isaac Hayes | 3.55 | 4:36 |
| 2 | Mamma Mia | ABBA | | 3:33 |
| 3 | Flashdance… What a Feeling (’95 version) | Irene Cara | | 3:53 |
| 4 | I Want You Back- producer:
- The Corporation
- bass guitar:
- Wilton Felder (in 1969-07)
- drums (drum set):
- Gene Pello and Johnny Jackson (in 1969-07)
- guitar:
- Donald Peake, David T. Walker and Tito Jackson (in 1969-07)
- guitar [lead guitar]:
- Louis Shelton (in 1969-07)
- keyboard:
- Clarence McDonald and Ronnie Rancifer (in 1969-07)
- percussion:
- Sandra Crouch and Marlon Jackson (in 1969-07)
- piano:
- Fonce Mizell, Freddie Perren, Joe Sample and Ronnie Rancifer (in 1969-07)
- background vocals:
- Jackie Jackson , Michael Jackson , Keith Washington, Jermaine Jackson (in 1969-07), Marlon Jackson (in 1969-07) and Tito Jackson (in 1969-07)
- lead vocals:
- Michael Jackson (in 1969-07)
- vocals:
- Jackie Jackson (in 1969-07)
- arranger:
- The Corporation
- phonographic copyright (℗) by:
- Motown Record Corporation (in 1969)
- recorded at:
- The Sound Factory West in West Hollywood, California, United States (in 1969-07, from 1969-07 until 1969-09)
- music videos:
- I Want You Back by The Jackson 5
- part of:
- Billboard: The 500 Best Pop Songs (number: 23), Billboard Year-End Hot 100 singles of 1970 (number: 28), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 104) and Rolling Stone: 500 Greatest Songs of All Time (number: 120)
- recording of:
- I Want You Back (in 1969-07)
- lyricist and composer:
- The Corporation
- publisher:
- EMI April Music Inc., Jobete Music Co., Inc., イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
- part of:
- MJ: The Musical
| The Jackson 5 | 4.15 | 2:54 |
| 5 | Son of a Preacher Man | Dusty Springfield | 4.45 | 2:26 |
| 6 | Easy (single version) | Commodores | 3.75 | 4:15 |
| 7 | Don’t You (Forget About Me) | Simple Minds | 4.25 | 4:21 |
| 8 | Feeling Good | Nina Simone | 4.15 | 2:53 |
| 9 | California Dreamin’ (single version)- engineer:
- Bones Howe
- producer:
- Lou Adler
- guitar:
- P.F. Sloan (in 1965)
- solo alto flute:
- Bud Shank (in 1965)
- phonographic copyright (℗) by:
- Geffen Records and Dunhill Records (in 1966)
- recorded at:
- Western Recorders in Los Angeles, California, United States (in 1965)
- part of:
- Billboard: The 500 Best Pop Songs (number: 52), Rolling Stone: 500 Greatest Songs of All Time (number: 89) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 420)
- recording of:
- California Dreamin’ (in 1965)
- writer:
- John Phillips and Michelle Phillips
- publisher:
- American Broadcasting Music, Inc., MCA Music Publishing , Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc., Universal Music Corp. and Universal/MCA Music Publishing GmbH
- sub-publisher:
- シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| The Mamas & the Papas | 4.35 | 2:39 |
| 10 | Rocket Man (from “Rocketman”) | Taron Egerton | 3 | 4:30 |
| 11 | You Never Can Tell – 1964 (single version) | Chuck Berry | 5 | 2:42 |
| 12 | Axel F (from “Beverly Hills Cop” soundtrack) | Harold Faltermeyer | 4.15 | 3:02 |
| 13 | Oh Yeah | Yello | 4 | 3:06 |
| 14 | The Power of Love (from “Back to the Future” soundtrack)- recording engineer:
- Jim Gaines and Robert Missbach
- additional engineer:
- Michael Christopher , Phil Kaffel and Malcolm Pollack
- assistant engineer:
- Rob Beaton, Alex Haas , Tom Size and Jim “Watts” Vereecke
- producer:
- Bob Clearmountain, Jellybean and Huey Lewis and the News
- mixer:
- Robert Missbach
- bass guitar:
- Mario Cipollina
- drums (drum set) and percussion:
- Bill Gibson
- guitar:
- Johnny Colla and Chris Hayes
- harmonica:
- Huey Lewis
- keyboard:
- Sean Hopper
- saxophone:
- Johnny Colla
- vocals:
- Johnny Colla , Bill Gibson , Chris Hayes , Sean Hopper and Huey Lewis
- phonographic copyright (℗) by:
- Chrysalis Records, Inc. (in 1984, in 1985, in 1986) and Chrysalis (in 1985)
- recorded at:
- Fantasy Studios in Berkeley, California, United States, Studio D Recording in Sausalito, California, United States and The Plant Studios in Sausalito, California, United States
- mixed at:
- Power Station Studios in Hell's Kitchen, New York, New York, United States
- music videos:
- The Power of Love by Huey Lewis and the News
- part of:
- Billboard: The 500 Best Pop Songs (number: 108)
- recording of:
- The Power of Love
- writer:
- Johnny Colla , Chris Hayes and Huey Lewis
- publisher:
- Cause and Effect Music, Copyright Control , Huey Lewis Music, Hulex Music , Kinda Blue Music, Mushroom Music and WB Music Corp.
- sub-publisher:
- Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc.
- part of:
- The 58th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1985 nominee)
- part of:
- Back to the Future: the Musical
| Huey Lewis and the News | 4 | 3:54 |
| 15 | I Saw Her Standing There (Tracks on the Tracks sessions) | Himesh Patel | | 1:47 |
| 16 | Goodnight Moon | Shivaree | 3.65 | 4:05 |
| 17 | Unchained Melody (single version)- engineer:
- Larry Levine
- producer:
- Phil Spector
- solo lead vocals:
- Bobby Hatfield (in 1965-03)
- arranger:
- Jack Nitzsche
- phonographic copyright (℗) by:
- Spectrum Music , PolyGram Records, Inc. (in 1965, in 1968) and Universal Records (in 1966)
- recorded at:
- Radio Recorders Studios in West Hollywood, California, United States (in 1965-03)
- part of:
- The Co-Op: Top 10 British Funeral Songs (number: 8), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 269) and Rolling Stone: 500 Greatest Songs of All Time (number: 366)
- cover recording of:
- Unchained Melody (in 1965-03)
- publisher:
- Hy Zaret
- lyricist:
- Hy Zaret
- composer:
- Alex North
- publisher:
- Frank Music Corp. (ended), HZUM Publishing, MPL Communication Ltd. , MPL Communications Australia, MPL Musik Verlags GmbH, North Melody Publishing and Unchained Melody Publishing, LLC
- sub-publisher:
- 日音 Synch事業部
- part of:
- The 28th Academy Award for Best Original Song (number: 2)
| The Righteous Brothers | 3 | 3:36 |
| 18 | Over the Rainbow (from “The Wizard of Oz”) | Judy Garland | | 2:48 |
| 19 | When You Say Nothing at All | Ronan Keating | 2.75 | 4:15 |
| 20 | Love Me Like You Do (from “Fifty Shades of Grey”) | Ellie Goulding | 4 | 3:58 |
| 21 | Young and Beautiful | Lana Del Rey | 5 | 3:57 |
| 22 | Car Wash (single version) | Rose Royce | 4.6 | 3:20 |
| 23 | I Will Survive (single version)- associate producer:
- Freddie Perren
- producer:
- Dino Fekaris
- phonographic copyright (℗) by:
- PolyGram Records, Inc. (in 1978), Universal Records (in 1978) and Polydor Incorporated (in 1979)
- edit of:
- I Will Survive by Gloria Gaynor
- part of:
- Billboard: The 500 Best Pop Songs (number: 35), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 251) and Rolling Stone: 500 Greatest Songs of All Time (number: 489)
- recording of:
- I Will Survive
- writer:
- Dino Fekaris and Freddie Perren
- publisher:
- ATV Music, Perren‐Vibes Music, Inc., PolyGram International Publishing, Inc. , Universal Music Publishing , Universal Music Publishing Ltd. , Universal Music Publishing Pty Ltd. and Universal PolyGram International Publishing, Inc.
| Gloria Gaynor | 3.95 | 3:12 |
| 24 | The Shoop Shoop Song (It’s in His Kiss) | Cher | 3.2 | 2:50 |
| 25 | I Got You (I Feel Good) (1966 version)- recorded in:
- Miami, Florida, United States (on 1965-05-06)
- producer:
- James Brown
- alto saxophone:
- Nat Jones (on 1965-05-06) and Maceo Parker (on 1965-05-06)
- bass:
- Bernard Odum (on 1965-05-06)
- drums (drum set):
- Melvin Parker (on 1965-05-06)
- guitar:
- Alphonso "Country" Kellum (on 1965-05-06) and Jimmy Nolen (on 1965-05-06)
- organ:
- Nat Jones (on 1965-05-06)
- tenor saxophone:
- Al "Brisco" Clark (on 1965-05-06), St. Clair Pinckney (on 1965-05-06) and Eldee Williams (on 1965-05-06)
- trombone:
- Levi Rasbury (on 1965-05-06)
- trumpet:
- Joe Dupars (on 1965-05-06), Mike Ridley (on 1965-05-06) and Ron Tooley (on 1965-05-06)
- lead vocals:
- James Brown (on 1965-05-06)
- phonographic copyright (℗) by:
- PolyGram Records, Inc. (in 1965), Universal Records Inc. (in 1965) and PolyGram Inc. (in 1988)
- recorded at:
- Criteria Studios in Miami, Florida, United States (on 1965-05-06)
- part of:
- Rolling Stone: 500 Greatest Songs of All Time (number: 78) and Billboard: The 500 Best Pop Songs (number: 359)
- cover recording of:
- I Found You (on 1965-05-06)
- lyricist and composer:
- James Brown
- publisher:
- Fort Knox Music Co, Hudson Bay Music Inc., J. Albert & Son Pty. Ltd., Peter Maurice Music Co. Ltd., Trio Music Co., Inc. and Try Me Inc.
| James Brown | 4.55 | 2:47 |
| 26 | You’re the One That I Want (from “Grease”)- engineer and mixer:
- David J. Holman
- producer:
- John Farrar
- electric bass guitar:
- David Hungate
- arranger:
- John Farrar, Michael Gibson and Louis St. Louis
- phonographic copyright (℗) by:
- Robert Stigwood Organisation Ltd. (in 1978) and RSO Records, Inc. (in 1978)
- karaoke version of:
- You’re the One That I Want (sing‐a‐long version) by John Farrar
- part of:
- Billboard Year-End Hot 100 singles of 1978 (number: 13) and Billboard: The 500 Best Pop Songs (number: 250)
- recording of:
- You’re the One That I Want
- lyricist and composer:
- John Farrar
- publisher:
- Famous Music Publishing Limited , Sony/ATV Melody, Unichappell Music, Inc., ソニー・ミュージックパブリッシング A事業部 , Ensign Music, Inc. (in 1978), John Farrar Music (in 1978), Stigwood Music, Inc. (in 1978) and Unichappell Music (in 1978)
- part of:
- Grease
| John Travolta & Olivia Newton‐John | 4 | 2:49 |
| 27 | Don’t Let Me Be Misunderstood | Santa Esmeralda | | 3:26 |
| 28 | Lovefool (radio edit) | The Cardigans | 3.75 | 3:17 |
| 29 | Call Me- engineer:
- Harold Faltermeyer
- producer:
- Giorgio Moroder
- additional synthesizer:
- Giorgio Moroder (in 1980-01)
- bass guitar [bass]:
- Nigel Harrison (in 1980-01)
- drums (drum set) [drums]:
- Clem Burke (in 1980-01)
- electric piano:
- Jimmy Destri (in 1980-01)
- guitar:
- Frank Infante (in 1980-01) and Chris Stein (in 1980-01)
- lead vocals:
- Debbie Harry (in 1980-01)
- phonographic copyright (℗) by:
- Chrysalis Records (in 1980, in 1981), Chrysalis Records Ltd. (in 1980), Chrysalis Records, Inc. (in 1980, in 2002), Capitol Records (in 1998), Capitol Records, Inc. (in 1998) and Capitol Records, LLC (in 2002)
- recorded at:
- Westlake Audio in Los Angeles, California, United States (in 1979) and The Power Station in Hell's Kitchen, New York, New York, United States (in 1980-01)
- mixed at:
- Allen Zentz Mastering in San Clemente, California, United States
- part of:
- Billboard: Greatest of All Time Hot 100 Songs (number: 64), VH1: 100 Greatest Songs of the 80’s (number: 78) and Billboard: The 500 Best Pop Songs (number: 157)
- recording of:
- Call Me (in 1980-01)
- lyricist:
- Deborah Harry
- composer:
- Giorgio Moroder
- publisher:
- BMG Monarch, Chrysalis Music , Chrysalis Music Ltd. , Copyright Control , EMI Music Publishing Ltd. , Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd., Rare Blue Music, inc., Sony/ATV Melody and Sony/ATV Music Publishing Australia Pty Ltd.
- sub-publisher:
- Mushroom Music Pty. Ltd., Sony Music Publishing (Japan), Inc., A Division , Sony/ATV Music Publishing Australia Pty Ltd., フジパシフィック音楽出版 (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
| Blondie | 4.2 | 3:30 |
| 30 | If I Can’t Have You (extended version) | Yvonne Elliman | | 4:01 |
| 31 | One Night in Bangkok (single version) | Murray Head | 4 | 3:15 |
| 32 | Mad World | Tears for Fears | 3.95 | 3:34 |
| 33 | Up Where We Belong (from “An Officer and a Gentleman”) | Joe Cocker & Jennifer Warnes | 3.55 | 3:52 |
| 34 | Cheek to Cheek | Ella Fitzgerald & Louis Armstrong | 4.2 | 5:53 |
| 35 | Be Like That (from “American Pie” soundtrack) | 3 Doors Down | 4.4 | 3:58 |
| 36 | How Do I Live (from “Con Air”) | Trisha Yearwood | 5 | 4:00 |
| 37 | I Am a Man of Constant Sorrow (radio edit) | The Soggy Bottom Boys & Dan Tyminski | 4 | 3:10 |
| 38 | Crockett’s Theme (from “Miami Vice II” soundtrack) | Jan Hammer | 3.5 | 3:32 |
| 39 | Now We Are Free (from“Gladiator” soundtrack) | Lisa Gerrard, Gavin Greenaway & The Lyndhurst Orchestra | 5 | 4:15 |
| 40 | Last Dance (single version) | Donna Summer | 3.65 | 3:19 |
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