Classic Rock: 1969: Shakin’ All Over

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
#TitleArtistRatingLength
1Aquarius/Let the Sunshine In (The Flesh Failures)
sound engineer, engineer and producer:
Bones Howe
assistant producer:
Ann McClelland
bass:
Joe Osborne (American bass guitar player, session musician and songwriter)
drums (drum set) and percussion:
Hal Blaine (U.S. studio drummer and percussionist)
performer:
Billy Davis, Jr., Florence LaRue, Lamonte McLemore, Marilyn McCoo and Ron Townson
arranger:
Bill Holman, Bob Alcivar (music producer, composer, conductor, pianist and keyboardist) and Bones Howe
vocals arranger:
Bob Alcivar (music producer, composer, conductor, pianist and keyboardist)
phonographic copyright (℗) by:
Arista (American label owned by Sony Music Entertainment) (in 1969)
music videos:
Age of Aquarius / Let the Sunshine In by The 5th Dimension (1960’s group)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 435)
medley including a recording of:
Aquarius (from “Hair”)
lyricist:
James Rado (US actor, playwright, director, writer & composer) and Gerome Ragni
composer:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
publisher:
EMI United Partnership Ltd. and United Artist Music Publishing
part of:
Hair (1967 musical)
recording of:
Aquarius / Let the Sunshine In (The Flesh Failures)
writer:
Gerome Ragni, James Rado (US actor, playwright, director, writer & composer) and Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
arranger:
Bill Holman, Bob Alcivar (music producer, composer, conductor, pianist and keyboardist) and Bones Howe
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Unart Catalog Inc. and United Artists Music Co., Inc.
adaptations:
Era de aquário / Deixa o sol entrar
medley of:
Aquarius (from “Hair”)
medley of:
The Flesh Failures (Let the Sunshine In) (from “Hair”)
medley including a recording of:
Let the Sunshine In
lyricist:
James Rado (US actor, playwright, director, writer & composer) and Gerome Ragni
composer:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
publisher:
EMI Music Publishing Scandinavia AB and United Artists Music Co., Inc.
The 5th Dimension4.154:47
2Eli’s Coming
recording of:
Eli’s Comin’
lyricist and composer:
Laura Nyro
publisher:
EMI Blackwood Music Inc. and Tuna Fish Music, Inc.
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
Three Dog Night52:43
3My Pledge of Love
recording of:
My Pledge of Love
lyricist and composer:
Joe Stafford, Jr.
The Joe Jeffrey Group2:46
4These Eyes
audio engineer:
David Greene (engineer recording, mixing) and Elliot Scheiner
producer:
Jack Richardson
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1968)
recorded at:
A & R Studios (Second studio, 799 7th Avenue) in Manhattan, New York, New York, United States
recording of:
These Eyes
writer:
Burton Cummings and Randall Bachman (Canadian guitarist, singer & songwriter)
publisher:
Bug Music, Inc.
The Guess Who3.43:42
5Nothing but a HeartacheThe Flirtations2:43
6I Started a Joke
engineer:
John Pantry
producer:
Bee Gees and Robert Stigwood
bass guitar, mellotron, organ and piano:
Maurice Gibb (in 1968-06)
drums (drum set):
Colin Petersen (in 1968-06)
guitar:
Barry Gibb (in 1968-06) and Vince Melouney (in 1968-06)
lead vocals:
Robin Gibb (in 1968-06)
conductor:
Bill Shepherd (British orchestra leader, arranger and music director, most known for his arrangements for the Bee Gees)
arranger:
Bill Shepherd (British orchestra leader, arranger and music director, most known for his arrangements for the Bee Gees)
phonographic copyright (℗) by:
Barry Gibb (in 1968), Maurice Gibb (in 1968) and Robin Gibb (in 1968)
phonographic copyright (℗) by:
PolyGram International Ltd. (in 1968) and RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1968)
recorded at:
IBC Studios in London (Greater London), England, United Kingdom (in 1968-06)
recording of:
I Started a Joke (in 1968-06)
writer:
Barry Gibb, Maurice Gibb and Robin Gibb
publisher:
BMG Music, Careers Music, Inc., Careers–BMG Music Publishing, Inc. and Gibb Brothers Music
Bee Gees2.753:09
7I’m Gonna Make You Mine
recording of:
I’m Gonna Make You Mine
lyricist and composer:
Tony Romeo
Lou Christie2:41
8It’s Your Thing
producer:
Ronald Isley (a.k.a. Mr. Biggs), Rudolph Isley and O'Kelly Isley
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 420)
recording of:
It’s Your Thing
writer:
O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs) and Rudolph Isley
publisher:
Tee Pee Music Ltd.
The Isley Brothers4.352:50
9Na Na Hey Hey Kiss Him GoodbyeSteam34:04
10Someday We’ll Be Together
producer:
Johnny Bristol
guitar:
Robert White (US funk/soul guitarist)
background vocals:
Merry Clayton, Julia Waters and Maxine Waters
guest vocals:
Johnny Bristol
lead vocals:
Diana Ross
arranger:
Wade Marcus
cover recording of:
Someday We’ll Be Together
lyricist:
Harvey Fuqua
composer:
Jackey Beavers (rhythm and blues and gospel singer and songwriter) and Johnny Bristol
publisher:
Fuqua Pub., Jobete Music Co., Inc., Quazical Music and Stone Agate Music
Diana Ross & The Supremes53:29
11Going in Circles
recording of:
Going in Circles (The Friends of Distinction)
lyricist and composer:
Jerry Peters and Anita Porée
publisher:
Porpete Music (BMI)
The Friends of Distinction34:13
12Commotion
producer:
John Fogerty
bass guitar:
Stu Cook (from 1969-03 until 1969-06)
drums (drum set):
Doug Clifford (from 1969-03 until 1969-06)
guitar:
John Fogerty (from 1969-03 until 1969-06) and Tom Fogerty (from 1969-03 until 1969-06)
vocals:
John Fogerty (from 1969-03 until 1969-06)
arranger:
John Fogerty
phonographic copyright (℗) by:
Fantasy Records (not for release label use! file releases under its "Fantasy" imprint instead) (in 1976)
recording of:
Commotion (in 1969-06)
lyricist and composer:
John Fogerty
publisher:
Jondora Music and Prestige Music ltd.
Creedence Clearwater Revival32:42
13Twenty‐Five MilesEdwin Starr33:20
14The Thrill Is GoneB.B. King3:53
15That’s the Way Love Is
cover recording of:
That’s the Way Love Is
writer:
Barrett Strong and Norman Whitfield
publisher:
Jobette-Carlin Music Ltd., Stone Agate Music, イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Marvin Gaye3:31
16Something in the Air
producer:
Pete Townshend (of The Who)
recording of:
Something in the Air (in 1969)
lyricist and composer:
John Keen (“Speedy”)
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Fabulous Music, Ltd. (this is a publisher, not an imprint!) and Songs of Windswept Pacific
Thunderclap Newman43:55
17Crossroads
recording engineer:
Tom Dowd and Bill Halverson
engineer:
Adrian Barber (producer/engineer)
producer:
Felix Pappalardi
drums (drum set):
Ginger Baker (on 1968-03-10)
electric bass guitar:
Jack Bruce (on 1968-03-10)
electric guitar:
Eric Clapton (on 1968-03-10)
vocals:
Eric Clapton (on 1968-03-10)
phonographic copyright (℗) by:
Robert Stigwood Group Ltd. (in 1968) and Universal International Music B.V. (not for release label use, for ℗ & © rights holder use only) (in 1968)
recorded at:
Winterland Ballroom in San Francisco, California, United States (on 1968-03-10)
part of:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (number: 26) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 409)
live cover recording of:
Cross Road Blues (a/k/a “Crossroads”) (on 1968-03-10)
lyricist and composer:
Robert Johnson (1930s blues legend)
publisher:
EMI Music Publishing Australia Pty. Limited (not for release label use!), Encore Music (US label), King of Spades Music, Lehsem II, LLC, MPCA King of Spades, Noma Music Inc., Paul Rodriguez Music Ltd., Unichappell Music, Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Cream44:13
18Stand!
bass guitar:
Larry Graham (US bassist & singer) (on 1969-02-27)
drums (drum set):
Greg Errico (on 1969-02-27)
guitar:
Freddie Stone (on 1969-02-27)
guitar and keyboard:
Sly Stone (on 1969-02-27)
keyboard:
Rose Stone (on 1969-02-27)
saxophone:
Jerry Martini (on 1969-02-27)
trumpet:
Cynthia Robinson (on 1969-02-27)
vocals:
Larry Graham (US bassist & singer) (on 1969-02-27), Jerry Martini (on 1969-02-27), Freddie Stone (on 1969-02-27), Rose Stone (on 1969-02-27) and Sly Stone (on 1969-02-27)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 241)
recording of:
Stand! (on 1969-02-27)
lyricist and composer:
Sylvester Stewart
publisher:
Mijac Music
Sly & the Family Stone3.53:05
19Hang ’Em High
producer:
Booker T. & the MG’s
cover recording of:
Hang ’em High
composer:
Dominic Frontiere
Booker T. & the MG’s13:56
20Worst That Could Happen
The Brooklyn Bridge3:03
21Atlantis
producer:
Mickie Most (English record producer)
acoustic guitar:
Donovan Leitch (Scottish singer, songwriter and guitarist) (in 1968-11)
bass:
Bobby Ray (60s/70s US folk artist/bassist) (in 1968-11)
drums (drum set):
Jim Gordon (US drummer with Derek and the Dominos) (in 1968-11)
electric guitar:
Ricki (in 1968-11)
keyboard:
Gabriel Mekler (in 1968-11)
background vocals:
Donovan's fans ([unknown], Special Purpose Artist – Do not add releases here, if possible.) (in 1968-11)
vocals:
Donovan Leitch (Scottish singer, songwriter and guitarist) (in 1968-11)
arranger:
Gabriel Mekler
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1968)
recorded at:
American Recording Co. (original Los Angeles location, 1959–1982) in Studio City, Los Angeles, California, United States (in 1968-11)
recording of:
Atlantis (Donovan song) (in 1968-11)
lyricist and composer:
Donovan Leitch (Scottish singer, songwriter and guitarist)
publisher:
Donovan (Music) Ltd., Peer International Corporation (BMI), Peer Musikverlag, peermusic (“Peermusic—the global independent”) and Peer Southern Music (publisher, affiliated to BMI in the US) (in 1968)
Donovan3.754:57

Credits

Release group

part of:Classic Rock (Time-Life Music) (number: 20) (order: 19)