100 Songs for a Centennial

~ Veröffentlichung von Ella Fitzgerald (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

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2▼CD
Nr.TitelKünstlerBewertungLänge
1Oh, Lady Be Good!
recorded in:
New York, New York, Vereinigte Staaten (am 1947-03-19)
baritone saxophone:
Ernie Caceres (am 1947-03-19)
Gitarre:
Danny Perri (am 1947-03-19)
Klavier:
Stan Freeman (am 1947-03-19)
Kontrabass [string bass]:
Bob Haggart (am 1947-03-19)
Posaune:
Will Bradley (US boogie woogie trombonist & bandleader) (am 1947-03-19), Fred Ohms (American jazz trombonist) (am 1947-03-19) und Jack Satterfield (am 1947-03-19)
Schlagzeug:
Morey Feld (am 1947-03-19)
Trompete:
Andy Ferretti (am 1947-03-19), Chris Griffin (Gordon Claude Griffin, trumpeter) (am 1947-03-19) und Bob Peck (am 1947-03-19)
vocals:
The Andy Love Quintet (am 1947-03-19) und Ella Fitzgerald (American jazz singer) (am 1947-03-19)
Orchester:
Bob Haggart and His Orchestra (am 1947-03-19)
cover recording of:
Oh, Lady Be Good! (am 1947-03-19)
Texter:
Ira Gershwin (in 1924)
Komponist(in):
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., George Gershwin Music, Ira Gershwin Music und WB Music Corp. (1929–2019) (bis 2019-05-28)
Teil von:
American Splendor
Teil von:
Lady, Be Good (full musical)
Ella Fitzgerald with Bob Haggart and His Orchestra53:15
2That Old Feeling
recorded in:
New York, New York, Vereinigte Staaten (am 1947-12-18)
vocals:
The Day Dreamers und Ella Fitzgerald (American jazz singer) (am 1947-12-18)
cover recording of:
That Old Feeling (am 1947-12-18)
Texter:
Lew Brown
Komponist(in):
Sammy Fain
publisher:
Leo Feist, Inc. und Warner Bros. Music Corp.
Teil von:
The 10th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1937 nominee)
Ella Fitzgerald with The Day Dreamers2:27
3I Hadn't Anyone Till You
recorded in:
New York, New York, Vereinigte Staaten (am 1949-09-21)
vocals:
Ella Fitzgerald (American jazz singer) (am 1949-09-21)
Orchester:
Gordon Jenkins & His Orchestra (am 1949-09-21)
conductor:
Gordon Jenkins (am 1949-09-21)
cover recording of:
I Hadn’t Anyone Till You (am 1949-09-21)
Texter und Komponist(in):
Ray Noble
publisher:
Bourne Co. (not for release label use, this is a music publisher)
Ella Fitzgerald with Gordon Jenkins and His Orchestra3:03
4Black Coffee
recorded in:
New York, New York, Vereinigte Staaten (am 1949-04-27)
vocals:
Ella Fitzgerald (American jazz singer) (am 1949-04-27)
Orchester:
Gordon Jenkins & His Orchestra (am 1949-04-27)
conductor:
Gordon Jenkins (am 1949-04-27)
cover recording of:
Black Coffee (1948 song) (am 1949-04-27)
Texter:
Paul Francis Webster (in 1948)
Komponist(in):
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (in 1948)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Chelsea Music Publishing Co., Ltd., Sondot Music Corp. und Webster Music Co.
Ella Fitzgerald with Gordon Jenkins and His Orchestra3:07
5Soon
recorded in:
New York, New York, Vereinigte Staaten (am 1950-09-12)
Produzent(in):
Milt Gabler
Klavier:
Ellis Larkins (am 1950-09-12)
vocals:
Ella Fitzgerald (American jazz singer) (am 1950-09-12)
cover recording of:
Soon (am 1950-09-12)
Texter:
Ira Gershwin (in 1927)
Komponist(in):
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co Ltd. und New World Music Corp. (in 1929)
Teil von:
My One and Only (1983 Broadway musical)
Teil von:
Strike up the Band (1927 Gershwin musical)
Ella Fitzgerald with Ellis Larkins2:46
6There Never Was a Baby Like My Baby
recorded in:
New York, New York, Vereinigte Staaten (am 1951-07-18)
alto saxophone:
Hymie Shertzer (am 1951-07-18) und Milt Yaner (am 1951-07-18)
baritone saxophone:
Stewart Blake (saxaphonist) (am 1951-07-18)
Gitarre:
Everett Barksdale (am 1951-07-18)
Klavier:
Hank Jones (piano) (am 1951-07-18)
Kontrabass:
Sandy Block (Jazz bassist, band leader) (am 1951-07-18)
Posaune:
Henderson Chambers (am 1951-07-18) und Frank Saracco (am 1951-07-18)
Schlagzeug:
Johnny Blowers (am 1951-07-18)
Tenorsaxophon:
Al Klink (am 1951-07-18) und Fred Williams (saxophonist) (am 1951-07-18)
Trompete:
Taft Jordan (am 1951-07-18), Carl Poole (US trumpeter) (am 1951-07-18) und Bernie Privin (am 1951-07-18)
vocals:
Ella Fitzgerald (American jazz singer) (am 1951-07-18)
recording of:
There Never Was a Baby Like My Baby (Two on the Aisle, musical revue) (am 1951-07-18)
Texter:
Betty Comden und Adolph Green
Komponist(in):
Jule Styne
Ella Fitzgerald with Sy Oliver and His Orchestra2:49
7Walkin' by the River
recorded in:
New York, New York, Vereinigte Staaten (am 1952-09-19)
Gitarre:
Hi White (am 1952-09-19)
Klavier:
Hank Jones (piano) (am 1952-09-19)
Kontrabass:
George Duvivier (am 1952-09-19)
Schlagzeug:
Stan Kane (drummer) (am 1952-09-19)
Vibraphon:
Phil Kraus (am 1952-09-19)
vocals:
Ella Fitzgerald (American jazz singer) (am 1952-09-19)
conductor:
Leroy Kirkland (am 1952-09-19)
cover recording of:
Walkin’ by the River
Verfasser(in):
Una Mae Carlisle und Robert Sour
Ella Fitzgerald with Leroy Kirkland and His Orchestra2:28
8Taking a Chance on Love
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1954-01-27)
Gitarre:
Perry Botkin
Klavier:
Buddy Cole
Kontrabass:
Phil Stephens (bass and tuba player)
Posaune:
Joe Howard (american trombone player), Wendell Mayhew und Ted Vesely
Saxophon:
Warren Baker, Dave Harris (tenor saxo) und Matty Matlock
Schlagzeug:
Nick Fatool
Trompete:
Ziggy Elman, Bobby Guy und Red Nichols
vocals:
Ella Fitzgerald (American jazz singer) (am 1954-01-27)
conductor:
John Scott Trotter (am 1954-01-27)
live cover recording of:
Taking a Chance on Love (am 1954-01-27)
Texter:
Ted Fetter und John Latouche
Komponist(in):
Vernon Duke
publisher:
EMI April Music Inc., EMI Miller Catalog, Inc., EMI United Partnership Ltd., SBK Miller Catalog, Inc. und Taking a Chance on Love Music Company
Teil von:
Cabin in the Sky
Ella Fitzgerald with John Scott Trotter and His Orchestra33:07
9Until the Real Thing Comes Along
recorded in:
New York, New York, Vereinigte Staaten (am 1954-03-29)
Produzent(in):
Milt Gabler
Klavier:
Ellis Larkins (am 1954-03-29)
Sologesang:
Ella Fitzgerald (American jazz singer) (am 1954-03-29)
vocals:
Ella Fitzgerald (American jazz singer) (am 1954-03-29)
cover recording of:
Until the Real Thing Comes Along (am 1954-03-29)
Texter und Komponist(in):
Sammy Cahn, Saul Chaplin, L.E. Freeman, Mann Holiner und Alberta Nichols
publisher:
Anne-Rachel Music Corp., Cahn Music Company, Chappell & Co., Inc. (USA) und WB Music Corp. (1929–2019)
Ella Fitzgerald with Ellis Larkins2:58
10You Leave Me Breathless
recorded in:
New York, New York, Vereinigte Staaten (am 1954-03-30)
Produzent(in):
Milt Gabler
Klavier:
Ellis Larkins (am 1954-03-30)
vocals:
Ella Fitzgerald (American jazz singer) (am 1954-03-30)
cover recording of:
You Leave Me Breathless (from the film “Cocoanut Grove”) (am 1954-03-30)
Texter:
Ralph Freed
Komponist(in):
Friedrich Hollaender
Ella Fitzgerald with Ellis Larkins3:07
11Lullaby of Birdland
recorded in:
New York, New York, Vereinigte Staaten (am 1954-06-04)
Gitarre:
Everett Barksdale (am 1954-06-04)
Klavier:
Hank Jones (piano) (am 1954-06-04)
Kontrabass:
Sandy Block (Jazz bassist, band leader) (am 1954-06-04)
Schlagzeug:
Jimmy Crawford (US swing-era jazz drummer) (am 1954-06-04)
Tenorsaxophon:
Sam “The Man” Taylor (US jazz/blues saxophonist 1916-1990) (am 1954-06-04)
vocals:
Ella Fitzgerald (American jazz singer) (am 1954-06-04, in 1956)
Orchester:
Sy Oliver and His Orchestra (am 1954-06-04)
conductor:
Sy Oliver (am 1954-06-04)
cover recording of:
Lullaby of Birdland (George Shearing/George David Weiss (as B. Y. Forster) jazz standard) (am 1954-06-04)
Texter:
B. Y. Forster (pseudonym of George David Weiss)
Verfasser(in):
George David Weiss
Komponist(in):
George Shearing (British jazz pianist)
publisher:
EMI Longitude Music, Good Music Limited und Planetary Nom (London) Ltd.
sub-publisher:
ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works)
Ella Fitzgerald with Sy Oliver and His Orchestra42:51
12Between the Devil and the Deep Blue Sea
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1955-04-27)
vocals:
Ella Fitzgerald (American jazz singer) (am 1955-04-27)
Orchester:
Benny Carter and His Orchestra (am 1955-04-27)
conductor:
Benny Carter (am 1955-04-27)
cover recording of:
Between the Devil and the Deep Blue Sea (am 1955-04-27)
Texter:
Ted Koehler
Komponist(in):
Harold Arlen
publisher:
Mills Music, S.A. Music Co. und Ted Koehler Music Co.
Ella Fitzgerald with Benny Carter and His Orchestra2:17
13It Might as Well Be Spring
recorded in:
New York, New York, Vereinigte Staaten (am 1955-04-01)
vocals:
Ella Fitzgerald (American jazz singer) (am 1955-04-01)
Orchester:
André Previn and His Orchestra (am 1955-04-01)
conductor:
André Previn (pianist, conductor, composer, arranger) (am 1955-04-01)
cover recording of:
It Might as Well Be Spring (State Fair) (am 1955-04-01)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945)
Komponist(in):
Richard Rodgers (composer) (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company, Williamson Music, Inc. und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The 18th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1945 winner)
Teil von:
State Fair (1945 film soundtrack)
Teil von:
State Fair (1962 film soundtrack)
Teil von:
State Fair
Ella Fitzgerald with André Previn and His Orchestra2:40
14Miss Otis Regrets
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-02-07)
Sologesang:
Ella Fitzgerald (American jazz singer) (am 1956-02-07)
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-02-07)
cover recording of:
Miss Otis Regrets (am 1956-02-07)
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1934)
Ella Fitzgerald33:02
15You Do Something to Me
Techniker(in):
Val Valentin (am 1956-02-08)
Produzent(in):
Norman Granz
alto saxophone:
Herb Geller (am 1956-02-08) und Bud Shank (am 1956-02-08)
baritone saxophone:
Chuck Gentry (am 1956-02-08)
Bassposaune:
George Roberts (american bass trombone) (am 1956-02-08)
Gitarre:
Barney Kessel (am 1956-02-08)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-02-08)
Kontrabass:
Joe Mondragon (am 1956-02-08)
Posaune:
Milt Bernhart (am 1956-02-08), Joe Howard (american trombone player) (am 1956-02-08) und Lloyd Ulyate (American trombonist (1927-2004)) (am 1956-02-08)
Schlagzeug:
Alvin Stoller (am 1956-02-08)
Tenorsaxophon:
Bob Cooper (US jazz saxophonist) (am 1956-02-08) und Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-02-08)
Trompete:
Pete Candoli (am 1956-02-08), Harry “Sweets” Edison (am 1956-02-08), Maynard Ferguson (am 1956-02-08) und Conrad Gozzo (am 1956-02-08)
Sologesang:
Ella Fitzgerald (American jazz singer) (am 1956-02-08)
conductor:
Buddy Bregman (am 1956-02-08)
arranger:
Buddy Bregman
concertmaster:
Mischa Russell (violinist) (am 1956-02-08)
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-02-08)
cover recording of:
You Do Something to Me (Fifty Million Frenchmen musical comedy) (am 1956-02-08)
Texter und Komponist(in):
Cole Porter (composer) (in 1929)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1929)
Teil von:
Can‐Can (1960 musical film)
Teil von:
Fifty Million Frenchmen
Ella Fitzgerald22:23
16I've Got You Under My Skin
Techniker(in):
Val Valentin (am 1956-02-09)
Produzent(in):
Norman Granz
Bassposaune:
George Roberts (american bass trombone) (am 1956-02-09)
Gitarre:
Barney Kessel (am 1956-02-09)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-02-09)
Kontrabass:
Joe Mondragon (am 1956-02-09)
Posaune:
Milt Bernhart (am 1956-02-09), Joe Howard (american trombone player) (am 1956-02-09) und Lloyd Ulyate (American trombonist (1927-2004)) (am 1956-02-09)
Schlagzeug:
Alvin Stoller (am 1956-02-09)
Sologesang:
Ella Fitzgerald (American jazz singer) (am 1956-02-09)
conductor:
Buddy Bregman (am 1956-02-09)
arranger:
Buddy Bregman
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-02-09)
cover recording of:
I’ve Got You Under My Skin (am 1956-02-09)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Teil von:
Born to Dance
Ella Fitzgerald2.252:43
17Moonlight in Vermont
Gitarre:
Herb Ellis (jazz guitarist) (am 1956-08-16)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1956-08-16)
Kontrabass:
Ray Brown (jazz bassist) (am 1956-08-16)
Schlagzeug:
Buddy Rich (am 1956-08-16)
Trompete:
Louis Armstrong (am 1956-08-16)
vocals:
Louis Armstrong (am 1956-08-16) und Ella Fitzgerald (American jazz singer) (am 1956-08-16)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-16)
cover recording of:
Moonlight in Vermont (am 1956-08-16)
Texter:
John Blackburn (songwriter)
Komponist(in):
Karl Suessdorf
publisher:
Chappell, Johnny R. Music, Michael H. Goldsen Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Ella Fitzgerald & Louis Armstrong53:40
18Cheek to Cheek
Gitarre:
Herb Ellis (jazz guitarist) (am 1956-08-16)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1956-08-16)
Kontrabass:
Ray Brown (jazz bassist) (am 1956-08-16)
Schlagzeug:
Buddy Rich (am 1956-08-16)
Trompete:
Louis Armstrong (am 1956-08-16)
vocals:
Louis Armstrong (am 1956-08-16) und Ella Fitzgerald (American jazz singer) (am 1956-08-16)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-16)
cover recording of:
Cheek to Cheek (from “Top Hat”) (am 1956-08-16)
Texter und Komponist(in):
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
Academy Award for Best Original Song (Nummer: 1935 nominee)
Teil von:
Top Hat (1935 film)
Ella Fitzgerald & Louis Armstrong4.155:54
19Manhattan
Techniker(in):
Val Valentin (am 1956-08-29)
Produzent(in):
Norman Granz
baritone saxophone, Bassklarinette und Fagott:
Chuck Gentry (am 1956-08-29)
Bass:
Joe Mondragon (von 1956-08-21 bis 1956-08-31)
Bratsche / Viola und Geige / Violine:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1956-08-29)
Cello:
Robert La Marchina (US cellist and conductor) (am 1956-08-29) und Edgar Lustgarten (am 1956-08-29)
Englischhorn [English horn] und Oboe:
Arnold Koblentz (Oboe player) (am 1956-08-29)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-08-29), Bud Shank (am 1956-08-29) und Willie Schwartz (am 1956-08-29)
Gitarre:
Barney Kessel (am 1956-08-29)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-08-29)
Perkussion:
Milt Holland (am 1956-08-29)
Schlagzeug:
Alvin Stoller (am 1956-08-29)
Waldhorn:
Vince DeRosa (am 1956-08-29)
vocals:
Ella Fitzgerald (American jazz singer) (am 1956-08-29)
conductor:
Buddy Bregman (am 1956-08-29)
arranger:
Buddy Bregman
concertmaster:
Misha Russell (am 1956-08-29)
aufgenommen bei:
Capitol Studios, Studio B in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-29)
cover recording of:
Manhattan (am 1956-08-29)
Texter:
Lorenz Hart (in 1925)
Komponist(in):
Richard Rodgers (composer) (in 1925)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Piedmont Music Company und Williamson Music Company
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Ella Fitzgerald2:50
20Thou Swell
Techniker(in):
Val Valentin
Produzent(in):
Norman Granz
baritone saxophone, Bassklarinette und Fagott:
Chuck Gentry (am 1956-08-29)
Bass:
Joe Mondragon (am 1956-08-29)
Bratsche / Viola und Geige / Violine:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1956-08-29)
Cello:
Robert La Marchina (US cellist and conductor) (am 1956-08-29) und Edgar Lustgarten (am 1956-08-29)
Englischhorn [English horn] und Oboe:
Arnold Koblentz (Oboe player) (am 1956-08-29)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-08-29), Bud Shank (am 1956-08-29) und Willie Schwartz (am 1956-08-29)
Gitarre:
Barney Kessel (am 1956-08-29)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-08-29)
Perkussion:
Milt Holland (am 1956-08-29)
Schlagzeug:
Alvin Stoller (am 1956-08-29)
Waldhorn:
Vince DeRosa (am 1956-08-29)
vocals:
Ella Fitzgerald (American jazz singer) (am 1956-08-29)
conductor:
Buddy Bregman (am 1956-08-29)
arranger:
Buddy Bregman
concertmaster:
Misha Russell (am 1956-08-29)
aufgenommen bei:
Capitol Studios, Studio B in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-29)
cover recording of:
Thou Swell (am 1956-08-29)
Texter:
Lorenz Hart (in 1927)
Komponist(in):
Richard Rodgers (composer) (in 1927)
publisher:
Marlin Enterprises und Warner Bros. (holding: file NO releases)
Ella Fitzgerald2:04
21I Wish I Were in Love Again
Techniker(in):
Val Valentin (am 1956-08-28)
Produzent(in):
Norman Granz
baritone saxophone:
Chuck Gentry (am 1956-08-28)
Bass:
Joe Mondragon (am 1956-08-28)
Bassposaune:
George Roberts (american bass trombone) (am 1956-08-28)
Bratsche / Viola und Geige / Violine:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1956-08-28)
Cello:
Robert La Marchina (US cellist and conductor) (am 1956-08-28) und Edgar Lustgarten (am 1956-08-28)
Gitarre:
Barney Kessel (am 1956-08-28)
Holzblasinstrumente:
Bob Cooper (US jazz saxophonist) (am 1956-08-28), Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-08-28), Bud Shank (am 1956-08-28) und Maurice Stein (American jazz saxophonist) (am 1956-08-28)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-08-28)
Posaune:
Milt Bernhart (am 1956-08-28), Joe Howard (american trombone player) (am 1956-08-28) und Lloyd Ulyate (am 1956-08-28)
Schlagzeug:
Alvin Stoller (am 1956-08-28)
Trompete:
Pete Candoli (am 1956-08-28), Maynard Ferguson (am 1956-08-28), Conrad Gozzo (am 1956-08-28) und Ray Linn (am 1956-08-28)
Waldhorn:
Vince DeRosa (am 1956-08-28)
vocals:
Ella Fitzgerald (American jazz singer) (am 1956-08-28)
conductor:
Buddy Bregman (am 1956-08-28)
arranger:
Buddy Bregman
concertmaster:
Misha Russell (am 1956-08-28)
aufgenommen bei:
Capitol Studios, Studio B in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-28)
cover recording of:
I Wish I Were in Love Again (am 1956-08-28)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell Music (UK)
Teil von:
Babes in Arms (full musical)
Ella Fitzgerald2:38
22Blue Moon
Techniker(in):
Val Valentin (am 1956-08-29)
Produzent(in):
Norman Granz
baritone saxophone, Bassklarinette und Fagott:
Chuck Gentry (am 1956-08-29)
Bass:
Joe Mondragon (am 1956-08-29)
Bratsche / Viola und Geige / Violine:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1956-08-29)
Cello:
Robert La Marchina (US cellist and conductor) (am 1956-08-29) und Edgar Lustgarten (am 1956-08-29)
Englischhorn [English horn] und Oboe:
Arnold Koblentz (Oboe player) (am 1956-08-29)
flute:
Ted Nash (40s-80s US swing reedman, uncle of the other) (am 1956-08-29), Bud Shank (am 1956-08-29) und Willie Schwartz (am 1956-08-29)
Gitarre:
Barney Kessel (am 1956-08-29)
Klavier:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (am 1956-08-29)
Perkussion:
Milt Holland (am 1956-08-29)
Schlagzeug:
Alvin Stoller (am 1956-08-29)
Waldhorn:
Vince DeRosa (am 1956-08-29)
vocals:
Ella Fitzgerald (American jazz singer) (am 1956-08-29)
conductor:
Buddy Bregman (am 1956-08-29)
arranger:
Buddy Bregman
concertmaster:
Misha Russell (am 1956-08-29)
aufgenommen bei:
Capitol Studios, Studio B in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1956-08-29)
cover recording of:
Blue Moon (am 1956-08-29)
Texter:
Lorenz Hart (in 1934)
Komponist(in):
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV und Francis Day Editions (SABAM)
Teil von:
New York, New York (1977 musical film soundtrack)
Ella Fitzgerald3:14
23(In My) Solitude
Techniker(in):
Val Valentin (am 1956-09-04)
Produzent(in):
Norman Granz
Gitarre:
Barney Kessel (am 1956-09-04)
Sologesang:
Ella Fitzgerald (American jazz singer) (am 1956-09-04)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1956-09-04)
cover recording of:
(In My) Solitude (am 1956-09-04)
Texter:
Eddie DeLange (in 1934) und Irving Mills (in 1934)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1934)
publisher:
American Academy of Music, Inc., De Lange Music Co., EMI Mills Music Inc. (ASCAP-affiliated) und J. R. Lafleur & Son Ltd.
Ella Fitzgerald with Duke Ellington and His Orchestra2:08
24Comes Love
Gitarre:
Herb Ellis (jazz guitarist) (am 1957-07-23)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1957-07-23)
Kontrabass:
Ray Brown (jazz bassist) (am 1957-07-23)
Schlagzeug:
Louie Bellson (am 1957-07-23)
Trompete:
Louis Armstrong (am 1957-07-23)
vocals:
Louis Armstrong (am 1957-07-23) und Ella Fitzgerald (American jazz singer) (am 1957-07-23)
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1957-07-23)
cover recording of:
Comes Love (am 1957-07-23)
Texter:
Lew Brown
Komponist(in):
Sam H. Stept und Charles Tobias (Tin Pan Alley songwriter)
Ella Fitzgerald, Louis Armstrong with The Oscar Peterson Quartet2:27
25I've Got My Love to Keep Me Warm
Gitarre:
Herb Ellis (jazz guitarist) (am 1957-08-13)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1957-08-13)
Kontrabass:
Ray Brown (jazz bassist) (am 1957-08-13)
Schlagzeug:
Louie Bellson (am 1957-08-13)
Trompete:
Louis Armstrong (am 1957-08-13)
vocals:
Ella Fitzgerald (American jazz singer) (in 1957, am 1957-08-13)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-08-13)
cover recording of:
I’ve Got My Love to Keep Me Warm (am 1957-08-13)
Texter und Komponist(in):
Irving Berlin (in 1937)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Ella Fitzgerald, Louis Armstrong with The Oscar Peterson Quartet43:10
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