Annotation

A 105-CD collection of Sir John Eliot Gardiner's recordings for Archiv Produktion and Deutsche Grammophon. It shipped with only 104 CDs, with CD 105 available on request from Deutsche Grammophon.

Annotation last modified on 2022-12-20 10:21 UTC.

Tracklist

1CD: Bach: Christmas Oratorio (Parts I-III)
2CD: Bach: Christmas Oratorio (Parts IV-VI)
3CD: Bach: St. Matthew Passion (Parts I & II beg.)
4CD: Bach: St. Matthew Passion (Part II cont.)
5CD: Bach: St. John Passion (Parts I & II beg.)
6CD: Bach: St. John Passion (Part II cont.)
7CD: Bach: Mass in B minor (Kyrie - Gloria)
8CD: Bach: Mass in B minor (Credo - Sanctus - Osanna, Benedictus, Agnus Dei, Dona nobis pacem)
9CD: Bach: Magnificat / Jauchzet Gott in allen Landen, BWV 51
10CD: Bach: “Nun komm, der Heiden Heiland”, BWV 61 / “Schwingt freudig euch empor”, BWV 36 / “Nun komm, der Heiden Heiland”, BWV 62
11CD: Bach: “Christen, ätzet diesen Tag”, BWV 63 / “Sehet, welch eine Liebe hat uns der Vater erzeiget”, BWV 64 / “Christum wir sollen loben schon”, BWV 121 / “Ich freue mich in dir”, BWV 133
12CD: Bach: “Was Gott tut, das ist wohlgetan”, BWV 98 / “Wohl dem, der sich auf seinen Gott”, BWV 139 / “Herr Gott, dich loben wir”, BWV 16
13CD: Bach: “Alles nur nach Gottes Willen”, BWV 72 / “Herr, wie du willt, so schicks mit mir”, BWV 73 / “Was mein Gott will, das g'scheh allzeit”, BWV 111 / “Ich steh mit einem Fuß im Grabe”, BWV 156
14CD: Bach: “Erfreute Zeit im neuen Bunde”, BWV 83 / “Ich habe genug”, BWV 82 / “Mit Fried und Freud ich fahr dahin”, BWV 125 / “Bekennen will ich seinen Namen”, BWV 200
15CD: Bach: “Bleib bei uns, denn es will Abend werden”, BWV 6 / “Erfreut euch, ihr Herzen”, BWV 66
16CD: Bach: “Gott fähret auf mit Jauchzen”, BWV 43 / “Auf Christi Himmelfahrt allein”, BWV 128 / “Wer da gläubet und getauft wird”, BWV 37 / “Lobet Gott in seinen Reichen”, BWV 11
17CD: Bach: “Erschallet, ihr Lieder”, BWV 172 / “Wer mich liebet, der wird mein Wort halten”, BWV 59 / “Wer mich liebet, der wird mein Wort halten”, BWV 74 / “O ewiges Feuer, o Ursprung der Liebe” BWV 34
18CD: Bach: “Was frag ich nach der Welt”, BWV 94 / “Tue Rechnung! Donnerwort”, BWV 168 / “Herr, gehe nicht ins Gericht”, BWV 105
19CD: Bach: “Siehe zu, dass deine Gottesfurcht nicht Heuchelei sei”, BWV 179 / “Mein Herze schwimmt im Blut”, BWV 199 / “Herr Jesu Christ, du höchstes Gut”, BWV 113
20CD: Bach: “Wachet auf, ruft uns die Stimme”, BWV 140 / “Herz und Mund und Tat und Leben”, BWV 147
21CD: Bach: “Gottes Zeit ist die allerbeste Zeit”, “Actus Tragicus” BWV 106 / “O Jesu Christ, mein's Lebens Licht”, BWV 118 / “Lass, Fürstin, lass noch einen Strahl”, BWV 198
22CD: Beethoven: Symphonies nos. 1 & 2
23CD: Beethoven: Symphonies nos. 3 “Eroica” & 4
24CD: Beethoven: Symphonies nos. 5 & 6 “Pastoral”
25CD: Beethoven: Symphonies nos. 7 & 8
26CD: Beethoven: Symphony no. 9 “Choral”
27CD: Beethoven: Piano Concertos nos. 1 & 2 / Rondo for Piano and Orchestra in B-flat major
28CD: Beethoven: Piano Concertos nos. 3 & 4
29CD: Beethoven: Piano Concerto no. 5 / Fantasy for Piano, Chorus and Orchestra “Choral Fantasy”, op. 80
30CD: Beethoven: Piano Concerto no. 4 (chamber version) / Symphony no. 2 (chamber version)
31CD: Beethoven: Violin Concerto
32CD: Beethoven: Missa solemnis
33CD: Beethoven: Concert Aria “Ah! Perfido” / Meeres Stille und Glückliche Fahrt / Mass in C major
34CD: Beethoven: Leonore oder Der Triumph der ehelichen Liebe (Acts I & II beg.)
35CD: Beethoven: Leonore oder Der Triumph der ehelichen Liebe (Acts II cont. & III)
36CD: Interviews with John Eliot Gardiner
37CD: Britten: War Requiem
38CD: Britten: Spring Symphony / Hymn to St. Cecilia / Five Flower Songs
39CD: Bruckner: Mass no. 1 / 5 Motets
40CD: Schütz: O bone Jesu, fili Mariae / Buxtehude: Membra Jesu Nostri
41CD: Chabrier: Suite pastorale / Habanera / España / Larghetto for Horn and Orchestra / Overture to Gwendoline / Prélude pastoral / Marche française / Fête polonaise
42CD: Dvořák: Symphonic Variations on an Original Theme / Czech Suite / Brahms: 9 Hungarian Dances
43CD: Elgar: In the South (Alassio) / Introduction and Allegro / Sospiri / Enigma Variations
44CD: Handel: Acis and Galatea (Act I)
45CD: Handel: Acis and Galatea (Act II)
46CD: Handel: Hercules (Acts I & II beg.)
47CD: Handel: Hercules (Acts II cont. & III)
48CD: Haydn: The Creation (Parts I & II beg.)
49CD: Haydn: The Creation (Parts II cont. & III)
50CD: Haydn: The Seasons (Spring - Summer)
51CD: Haydn: The Seasons (Autumn - Winter)
52CD: Grainger: The Warriors / Holst: The Planets
53CD: Lehár: Die lustige Witwe
54CD: Mahler: Lieder eines fahrenden Gesellen / 5 Rückert Lieder / Zemlinsky: 6 Maeterlinck Lieder
55CD: Mendelssohn: Symphony no. 4 “Italian” (original & revised versions) / Symphony no. 5 “Reformation”
56CD: Monteverdi: Vespro della Beata Vergine nos. 1-10
57CD: Monteverdi: Vespro della Beata Vergine nos. 11-13
58CD: Monteverdi: L'Orfeo (Prologue - Acts I & II)
59CD: Monteverdi: L'Orfeo (Acts III-V)
60CD: Monteverdi: L'incoronazione di Poppea (Prologue & Act I beg.)
61CD: Monteverdi: L'incoronazione di Poppea (Acts I cont. & II)
62CD: Monteverdi: L'incoronazione di Poppea (Act III)
63CD: Mozart: Piano Concertos nos. 5 & 6 / Concerto for 3 Pianos and Orchestra no. 7 “Lodron” / Rondo, K. 382
64CD: Mozart: Piano Concertos nos. 8 “Lützow” & 9 “Jeunehomme” / Concerto for Two Pianos and Orchestra no. 10
65CD: Mozart: Piano Concertos nos. 11, 12 & 13
66CD: Mozart: Piano Concertos nos. 14, 15 & 18
67CD: Mozart: Piano Concertos nos. 16, 19 “Second Coronation Concerto” & 21
68CD: Mozart: Piano Concertos nos. 17 & 20 / Rondo, K. 386
69CD: Mozart: Piano Concertos nos. 22 & 23
70CD: Mozart: Piano Concertos nos. 24 & 25
71CD: Mozart: Piano Concertos nos. 26 “Coronation” & 27
72CD: Mozart: Idomeneo (Acts I & II beg.)
73CD: Mozart: Idomeneo (Acts II cont. & III beg.)
74CD: Mozart: Idomeneo (Act III cont.)
75CD: Mozart: Die Entführung aus dem Serail (Acts I & II beg.)
76CD: Mozart: Die Entführung aus dem Serail (Acts II cont. & III)
77CD: Mozart: Le nozze di Figaro (Acts I & II beg.)
78CD: Mozart: Le nozze di Figaro (Acts II cont. & III)
79CD: Mozart: Le nozze di Figaro (Act IV)
80CD: Mozart: Don Giovanni (Act I beg.)
81CD: Mozart: Don Giovanni (Acts I cont. & II beg.)
82CD: Mozart: Don Giovanni (Act II cont.)
#TitleArtistRatingLength
1Don Giovanni, K. 527: Atto Secondo. Recitativo: “Dunque quello sei tu” (Zerlina, Donna Elvira, Don Ottavio, Masetto) / “Ah, pietà… compassion” (Leporello, Don Ottavio) / “Ferma, perfido, ferma” (Donna Elvira, Masetto, Zerlina, Don Ottavio)
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1994-07)
fortepiano:
Marco Zambelli (in 1994-07)
mandolin:
Steven Smith (mandolinist) (in 1994-07)
solo cello [violoncello]:
David Watkin (cellist) (in 1994-07)
baritone vocals [Masetto, amante di Zerlina]:
Julian Clarkson (baritone) (in 1994-07)
bass vocals [Leporello, servo di Don Giovanni]:
Ildebrando d’Arcangelo (operatic bass) (in 1994-07)
mezzo-soprano vocals [Zerlina, contadina]:
Eirian James (mezzo-soprano) (in 1994-07)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata da Don Giovanni]:
Charlotte Margiono (soprano) (in 1994-07)
tenor vocals [Don Ottavio]:
Christoph Prégardien (tenor) (in 1994-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1994-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1994-07)
concertmaster:
Alison Bury (violinist) (in 1994-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1994-07)
live recording of:
Don Giovanni: Atto II. No. 20 Aria “Ah pietà, signori miei” (Leporello) (in 1994-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
live recording of:
Don Giovanni: Atto II. Recitativo “Dunque quello sei tu” (Zerlina, Donna Elvira, Don Ottavio, Masetto) (in 1994-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Don Giovanni: Atto II
live recording of:
Don Giovanni: Atto II. Recitativo “Ferma, perfido, ferma” (Donna Elvira, Masetto, Zerlina, Don Ottavio) (in 1994-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:55
2Don Giovanni, K. 527: Atto Secondo. “Restat! qua!” (Zerlina, Leporello)
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1994-07)
fortepiano:
Marco Zambelli (in 1994-07)
mandolin:
Steven Smith (mandolinist) (in 1994-07)
solo cello [violoncello]:
David Watkin (cellist) (in 1994-07)
bass vocals [Leporello, servo di Don Giovanni]:
Ildebrando d’Arcangelo (operatic bass) (in 1994-07)
mezzo-soprano vocals [Zerlina, contadina] and mezzo-soprano vocals [Zerlina]:
Eirian James (mezzo-soprano) (in 1994-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1994-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1994-07)
concertmaster:
Alison Bury (violinist) (in 1994-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1994-07)
live recording of:
Don Giovanni: Atto II. No. 21a Recitativo “Restati qua” (Zerlina, Leporello) (in 1994-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:29
3Don Giovanni, K. 527: Atto Secondo. N. 21a Duetto: “Per queste tue manine” (Leporello, Zerlina)
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1994-07)
fortepiano:
Marco Zambelli (in 1994-07)
mandolin:
Steven Smith (mandolinist) (in 1994-07)
solo cello [violoncello]:
David Watkin (cellist) (in 1994-07)
mezzo-soprano vocals [Leporello]:
Ildebrando d’Arcangelo (operatic bass) (in 1994-07)
mezzo-soprano vocals [Zerlina, contadina] and mezzo-soprano vocals [Zerlina]:
Eirian James (mezzo-soprano) (in 1994-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1994-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1994-07)
concertmaster:
Alison Bury (violinist) (in 1994-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1994-07)
live recording of:
Don Giovanni: Atto II. Anhang. No. 21a Duetto “Per queste tue manine” (Zerlina, Leporello) [K. 540b] (in 1994-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart3:15
4Don Giovanni, K. 527: Atto Secondo. Recitativo: “Amico, per pietà” (Leporello) / “Andiam, andiam, signora” (Zerlina, Donna Elvira, Masetto)
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1994-07)
fortepiano:
Marco Zambelli (in 1994-07)
mandolin:
Steven Smith (mandolinist) (in 1994-07)
solo cello [violoncello]:
David Watkin (cellist) (in 1994-07)
baritone vocals [Masetto, amante di Zerlina]:
Julian Clarkson (baritone) (in 1994-07)
bass vocals [Leporello, servo di Don Giovanni]:
Ildebrando d’Arcangelo (operatic bass) (in 1994-07)
mezzo-soprano vocals [Zerlina, contadina]:
Eirian James (mezzo-soprano) (in 1994-07)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata da Don Giovanni]:
Charlotte Margiono (soprano) (in 1994-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1994-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1994-07)
concertmaster:
Alison Bury (violinist) (in 1994-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1994-07)
live recording of:
Don Giovanni: Atto II. Anhang. Recitativo “Andiam, andiam, signora” (Zerlina, Donna Elvira, Masetto) (in 1994-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:52
5Don Giovanni, K. 527: Atto Secondo. N. 21b Recitativo accompagnato ed Aria: “In quali eccessi, o Numi” (Donna Elvira) -
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1994-07)
fortepiano:
Marco Zambelli (in 1994-07)
mandolin:
Steven Smith (mandolinist) (in 1994-07)
solo cello [violoncello]:
David Watkin (cellist) (in 1994-07)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata da Don Giovanni]:
Charlotte Margiono (soprano) (in 1994-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1994-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1994-07)
concertmaster:
Alison Bury (violinist) (in 1994-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1994-07)
live recording of:
Don Giovanni: Atto II. Anhang. No. 21b Recitativo accompagnato “In quali eccessi, o Numi” (Donna Elvira) [540c/1] (in 1994-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
part of:
Don Giovanni: Recitative and Aria, K. 540c
Wolfgang Amadeus Mozart2:16
6Don Giovanni, K. 527: Atto Secondo. N. 21b Recitativo accompagnato ed Aria: “Mi tradì quell'alma ingrata” (Donna Elvira)
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1994-07)
fortepiano:
Marco Zambelli (in 1994-07)
mandolin:
Steven Smith (mandolinist) (in 1994-07)
solo cello [violoncello]:
David Watkin (cellist) (in 1994-07)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata da Don Giovanni]:
Charlotte Margiono (soprano) (in 1994-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1994-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1994-07)
concertmaster:
Alison Bury (violinist) (in 1994-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1994-07)
live recording of:
Don Giovanni: Atto II. Anhang. No. 21b Aria “Mi tradi quell’alma ingrata” (Donna Elvira) [540c/2] (in 1994-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
part of:
Don Giovanni: Recitative and Aria, K. 540c
Wolfgang Amadeus Mozart4:16
7Don Giovanni, K. 527: Atto Secondo. Recitativo: “Ah, ah, ah, ah, questa è buona” (Don Giovanni, Leporello, commendatore)
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1994-07)
fortepiano:
Marco Zambelli (in 1994-07)
mandolin:
Steven Smith (mandolinist) (in 1994-07)
solo cello [violoncello]:
David Watkin (cellist) (in 1994-07)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Rodney Gilfry (baritone) (in 1994-07)
bass vocals [Il commendatore]:
Andrea Silvestrelli (operatic bass) (in 1994-07)
bass vocals [Leporello, servo di Don Giovanni]:
Ildebrando d’Arcangelo (operatic bass) (in 1994-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1994-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1994-07)
concertmaster:
Alison Bury (violinist) (in 1994-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1994-07)
live recording of:
Don Giovanni: Atto II. Recitativo “Ah, ah, ah, ah, questa è buona” (Don Giovanni, Leporello) (in 1994-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart5:20
8Don Giovanni, K. 527: Atto Secondo. N. 22 Duetto: “O statua gentilissima” (Leporello, Don Giovanni, commendatore)
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1994-07)
fortepiano:
Marco Zambelli (in 1994-07)
mandolin:
Steven Smith (mandolinist) (in 1994-07)
solo cello [violoncello]:
David Watkin (cellist) (in 1994-07)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Rodney Gilfry (baritone) (in 1994-07)
bass vocals [Il commendatore]:
Andrea Silvestrelli (operatic bass) (in 1994-07)
bass vocals [Leporello, servo di Don Giovanni]:
Ildebrando d’Arcangelo (operatic bass) (in 1994-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1994-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1994-07)
concertmaster:
Alison Bury (violinist) (in 1994-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1994-07)
live recording of:
Don Giovanni: Atto II. No. 22 Duetto “O statua gentilissima” (Leporello, Don Giovanni) (in 1994-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart3:20
9Don Giovanni, K. 527: Atto Secondo. Recitativo: “Calmatevi, idol mio” (Don Ottavio, Donna Anna)
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1994-07)
fortepiano:
Marco Zambelli (in 1994-07)
mandolin:
Steven Smith (mandolinist) (in 1994-07)
solo cello [violoncello]:
David Watkin (cellist) (in 1994-07)
soprano vocals [Donna Anna, sua figlia, dama promessa sposa di Don Ottavio]:
Ľuba Orgonášová (soprano) (in 1994-07)
tenor vocals [Don Ottavio]:
Christoph Prégardien (tenor) (in 1994-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1994-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1994-07)
concertmaster:
Alison Bury (violinist) (in 1994-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1994-07)
live recording of:
Don Giovanni: Atto II. Recitativo “Calmatevi, idol mio” (Don Ottavio, Donna Anna) (in 1994-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart0:47
10Don Giovanni, K. 527: Atto Secondo. N. 23 Recitativo accompagnato e Rondo: “Crudele! Ah no, mio bene!” (Donna Anna)
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1994-07)
fortepiano:
Marco Zambelli (in 1994-07)
mandolin:
Steven Smith (mandolinist) (in 1994-07)
solo cello [violoncello]:
David Watkin (cellist) (in 1994-07)
soprano vocals [Donna Anna, sua figlia, dama promessa sposa di Don Ottavio]:
Ľuba Orgonášová (soprano) (in 1994-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1994-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1994-07)
concertmaster:
Alison Bury (violinist) (in 1994-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1994-07)
live recording of:
Don Giovanni: Atto II. No. 23 Recitativo accompagnato “Crudele! - Ah no, mio bene!” (Donna Anna) (in 1994-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:36
11Don Giovanni, K. 527: Atto Secondo. N. 23 Recitativo accompagnato e Rondo: “Non mi dir, bell'idol mio” (Donna Anna)
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1994-07)
fortepiano:
Marco Zambelli (in 1994-07)
mandolin:
Steven Smith (mandolinist) (in 1994-07)
solo cello [violoncello]:
David Watkin (cellist) (in 1994-07)
soprano vocals [Donna Anna, sua figlia, dama promessa sposa di Don Ottavio]:
Ľuba Orgonášová (soprano) (in 1994-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1994-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1994-07)
concertmaster:
Alison Bury (violinist) (in 1994-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1994-07)
live recording of:
Don Giovanni: Atto II. No. 23 Rondo “Non mi dir, bell’idol mio” (Donna Anna) (in 1994-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart4:22
12Don Giovanni, K. 527: Atto Secondo. Recitativo: “Ah, si segua il suo passo” (Don Ottavio)
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1994-07)
fortepiano:
Marco Zambelli (in 1994-07)
mandolin:
Steven Smith (mandolinist) (in 1994-07)
solo cello [violoncello]:
David Watkin (cellist) (in 1994-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1994-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1994-07)
concertmaster:
Alison Bury (violinist) (in 1994-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1994-07)
live recording of:
Don Giovanni: Atto II. Recitativo “Ah, si segua il suo passo” (Don Ottavio) (in 1994-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart0:22
13Don Giovanni, K. 527: Atto Secondo. N. 24 Finale: “Già la mensa è preparata” (Don Giovanni, Leporello)
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1994-07)
fortepiano:
Marco Zambelli (in 1994-07)
mandolin:
Steven Smith (mandolinist) (in 1994-07)
solo cello [violoncello]:
David Watkin (cellist) (in 1994-07)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Rodney Gilfry (baritone) (in 1994-07)
bass vocals [Leporello, servo di Don Giovanni]:
Ildebrando d’Arcangelo (operatic bass) (in 1994-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1994-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1994-07)
concertmaster:
Alison Bury (violinist) (in 1994-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1994-07)
live recording of:
Don Giovanni: Atto II. No. 24 Finale “Già la mensa e preparata” (Don Giovanni, Leporello, Donna Elvira) (in 1994-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart4:27
14Don Giovanni, K. 527: Atto Secondo. N. 24 Finale: “L'ultima prova dell'amor mio” (Donna Elvira, Don Giovanni, Leporello)
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1994-07)
fortepiano:
Marco Zambelli (in 1994-07)
mandolin:
Steven Smith (mandolinist) (in 1994-07)
solo cello [violoncello]:
David Watkin (cellist) (in 1994-07)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Rodney Gilfry (baritone) (in 1994-07)
bass vocals [Leporello, servo di Don Giovanni]:
Ildebrando d’Arcangelo (operatic bass) (in 1994-07)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata da Don Giovanni]:
Charlotte Margiono (soprano) (in 1994-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1994-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1994-07)
concertmaster:
Alison Bury (violinist) (in 1994-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1994-07)
live recording of:
Don Giovanni: Atto II. “L’ultima prova dell’amor mio” (Don Giovanni, Leporello, Donna Elvira) (in 1994-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart3:13
15Don Giovanni, K. 527: Atto Secondo. N. 24 Finale: “Don Giovanni, a cenar teco m'invitasti” (commendatore, Don Giovanni, Leporello, coro)
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1994-07)
fortepiano:
Marco Zambelli (in 1994-07)
mandolin:
Steven Smith (mandolinist) (in 1994-07)
solo cello [violoncello]:
David Watkin (cellist) (in 1994-07)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Rodney Gilfry (baritone) (in 1994-07)
bass vocals [Il commendatore]:
Andrea Silvestrelli (operatic bass) (in 1994-07)
bass vocals [Leporello, servo di Don Giovanni]:
Ildebrando d’Arcangelo (operatic bass) (in 1994-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1994-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1994-07)
concertmaster:
Alison Bury (violinist) (in 1994-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1994-07)
live recording of:
Don Giovanni: Atto II. “Don Giovanni, a cenar teco” … “Da qual tremore insolito” (Il Commendatore, Don Giovanni, Leporello) (in 1994-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart5:23
16Don Giovanni, K. 527: Atto Secondo. N. 24 Finale: “Ah! dov'è il perfido” (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Leporello)
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1994-07)
fortepiano:
Marco Zambelli (in 1994-07)
mandolin:
Steven Smith (mandolinist) (in 1994-07)
solo cello [violoncello]:
David Watkin (cellist) (in 1994-07)
baritone vocals [Masetto, amante di Zerlina]:
Julian Clarkson (baritone) (in 1994-07)
bass vocals [Leporello, servo di Don Giovanni]:
Ildebrando d’Arcangelo (operatic bass) (in 1994-07)
mezzo-soprano vocals [Zerlina, contadina]:
Eirian James (mezzo-soprano) (in 1994-07)
soprano vocals [Donna Anna, sua figlia, dama promessa sposa di Don Ottavio]:
Ľuba Orgonášová (soprano) (in 1994-07)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata da Don Giovanni]:
Charlotte Margiono (soprano) (in 1994-07)
tenor vocals [Don Ottavio]:
Christoph Prégardien (tenor) (in 1994-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1994-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1994-07)
concertmaster:
Alison Bury (violinist) (in 1994-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1994-07)
live recording of:
Don Giovanni: Atto II. “Ah! dove è il perfido” (Donna Anna, Donna Elvira, Zerlina, Don Ottavio, Masetto, Leporello) (in 1994-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart6:56
17Don Giovanni, K. 527: Atto Secondo. Appendix. Recitativo: “Dunque quello sei tu” (Zerlina, Donna Elvira, Don Ottavio, Masetto)
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1994-07)
fortepiano:
Marco Zambelli (in 1994-07)
mandolin:
Steven Smith (mandolinist) (in 1994-07)
solo cello [violoncello]:
David Watkin (cellist) (in 1994-07)
baritone vocals [Masetto, amante di Zerlina]:
Julian Clarkson (baritone) (in 1994-07)
mezzo-soprano vocals [Zerlina, contadina]:
Eirian James (mezzo-soprano) (in 1994-07)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata da Don Giovanni]:
Charlotte Margiono (soprano) (in 1994-07)
tenor vocals [Don Ottavio]:
Christoph Prégardien (tenor) (in 1994-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1994-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1994-07)
concertmaster:
Alison Bury (violinist) (in 1994-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1994-07)
live recording of:
Don Giovanni: Atto II. Recitativo “Dunque quello sei tu” (Zerlina, Donna Elvira, Don Ottavio, Masetto) (in 1994-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart0:25
18Don Giovanni, K. 527: Atto Secondo. Appendix. N. 20 Aria: “Ah, pietà, signori miei” (Leporello)
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1994-07)
fortepiano:
Marco Zambelli (in 1994-07)
mandolin:
Steven Smith (mandolinist) (in 1994-07)
solo cello [violoncello]:
David Watkin (cellist) (in 1994-07)
bass vocals [Leporello, servo di Don Giovanni]:
Ildebrando d’Arcangelo (operatic bass) (in 1994-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1994-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1994-07)
concertmaster:
Alison Bury (violinist) (in 1994-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1994-07)
live recording of:
Don Giovanni: Atto II. No. 20 Aria “Ah pietà, signori miei” (Leporello) (in 1994-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart1:45
19Don Giovanni, K. 527: Atto Secondo. Appendix. Recitativo: “Ferma, perfido, ferma” (Donna Elvira, Masetto, Zerlina, Don Ottavio)
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1994-07)
fortepiano:
Marco Zambelli (in 1994-07)
mandolin:
Steven Smith (mandolinist) (in 1994-07)
solo cello [violoncello]:
David Watkin (cellist) (in 1994-07)
baritone vocals [Masetto, amante di Zerlina]:
Julian Clarkson (baritone) (in 1994-07)
mezzo-soprano vocals [Zerlina, contadina]:
Eirian James (mezzo-soprano) (in 1994-07)
soprano vocals [Donna Elvira, dama di Burgos, abbandonata da Don Giovanni]:
Charlotte Margiono (soprano) (in 1994-07)
tenor vocals [Don Ottavio]:
Christoph Prégardien (tenor) (in 1994-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1994-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1994-07)
concertmaster:
Alison Bury (violinist) (in 1994-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1994-07)
live recording of:
Don Giovanni: Atto II. Recitativo “Ferma, perfido, ferma” (Donna Elvira, Masetto, Zerlina, Don Ottavio) (in 1994-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart0:41
20Don Giovanni, K. 527: Atto Secondo. Appendix. N. 21 Aria: “Il mio tesoro intanto” (Don Ottavio)
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1994-07)
fortepiano:
Marco Zambelli (in 1994-07)
mandolin:
Steven Smith (mandolinist) (in 1994-07)
solo cello [violoncello]:
David Watkin (cellist) (in 1994-07)
tenor vocals [Don Ottavio]:
Christoph Prégardien (tenor) (in 1994-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1994-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1994-07)
concertmaster:
Alison Bury (violinist) (in 1994-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1994-07)
live recording of:
Don Giovanni: Atto II. No. 21 Aria “Il mio tesoro intanto” (Don Ottavio) (in 1994-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart3:43
21Don Giovanni, K. 527: Atto Secondo. Appendix. Recitativo: “Ah, ah, ah, ah, questa è buona” (Don Giovanni, Leporello, commendatore)
recording engineer:
Ulrich Vette (engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
cello [violoncello]:
Timothy Mason (classical cellist) (in 1994-07)
fortepiano:
Marco Zambelli (in 1994-07)
mandolin:
Steven Smith (mandolinist) (in 1994-07)
solo cello [violoncello]:
David Watkin (cellist) (in 1994-07)
baritone vocals [Don Giovanni, giovane cavaliere estremamente licenzioso]:
Rodney Gilfry (baritone) (in 1994-07)
bass vocals [Il commendatore]:
Andrea Silvestrelli (operatic bass) (in 1994-07)
bass vocals [Leporello, servo di Don Giovanni]:
Ildebrando d’Arcangelo (operatic bass) (in 1994-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1994-07)
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner) (in 1994-07)
concertmaster:
Alison Bury (violinist) (in 1994-07)
recorded at:
Forum am Schlosspark in Ludwigsburg, Baden-Württemberg, Germany (in 1994-07)
live recording of:
Don Giovanni: Atto II. Recitativo “Ah, ah, ah, ah, questa è buona” (Don Giovanni, Leporello) (in 1994-07)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart8:38
83CD: Mozart: Così fan tutte (Act I beg.)
84CD: Mozart: Così fan tutte (Acts I cont. & II beg.)
85CD: Mozart: Così fan tutte (Act II cont.)
86CD: Mozart: La clemenza di Tito (Act I)
87CD: Mozart: La clemenza di Tito (Act II)
88CD: Mozart: Die Zauberflöte (Acts I & II beg.)
89CD: Mozart: Die Zauberflöte (Act II cont.)
90CD: Purcell: The Fairy Queen (Acts I-III)
91CD: Purcell: The Fairy Queen (Acts IV & V)
92CD: Rachmaninoff: Symphonic Dances / Janáček: Taras Bulba
93CD: Schubert: Gesang der Geister über den Wassern / Symphony no. 9 “Great”
94CD: Schütz: 4 Motets and Songs / Musikalische Exequien
95CD: Schumann: Symphony in G minor “Zwickau Symphony” / Symphony no. 1 “Spring” / Overture, Scherzo and Finale, op. 52
96CD: Schumann: Symphonies nos. 4 (original version) & 2
97CD: Schumann: Konzertstück for 4 Horns and Orchestra, op. 86 / Symphonies nos. 3 “Rhenish” & 4 (revised version 1851)
98CD: Schumann: Requiem für Mignon / Nachtlied / Das Paradies und die Peri (Part I)
99CD: Schumann: Das Paradies und die Peri (Parts II & III)
100CD: Boulanger: Psalms 24 & 129 / Vieille Prière bouddhique / Du fond de l'abîme (Psalm 130) / Stravinsky: Symphony of Psalms
101CD: Stravinsky: The Rake's Progress (Acts I & II beg.)
102CD: Stravinsky: The Rake's Progress (Acts II cont. & III)
103CD: Weill: Die sieben Todsünden / Songs from Lady in the Dark, Happy End, One Touch of Venus / Songs with Piano
104CD: Vienna Soirée: Suppé, Ziehrer, Lehár, Lanner, Heuberger
105CD: Mozart: Thamos, König in Ägypten

Credits

Release

photography:Clive Barda (photographer)
Sheila Rock (UK photographer)
miscellaneous support:Andreas Fischer (product manager at Deutsche Grammophon) (task: product manager)
Lars Hoffman (creative production manager) (task: creative production manager)
Alan Newcombe (Producer, coordinator, researcher, and liner notes translator) (task: compilation)
design:Mareike Walter (designer)
booklet editor:Annette Nubbemeyer
Discogs:https://www.discogs.com/release/23477642 [info]
discography entry:https://www.deutschegrammophon.com/en/catalogue/products/john-eliot-gardiner-complete-recordings-on-archiv-produktion-deutsche-grammophon-12272 [info]