Music: An Appreciation, Fifth Edition, Second Brief Edition

~ Veröffentlichung von Roger Kamien (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

CD 1: P/N 033952-X
CD 2: P/N 033953-8
CD 3: P/N 033954-6

Anmerkung zuletzt geändert am 2021-11-28 01:23 UTC.

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Lohengrin, Prelude to Act III: 1a. Main Melody
Orchester:
Vienna Philharmonic (Wiener Philharmoniker)
conductor:
Sir Georg Solti (conductor)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1987)
Richard Wagner0:22
2Lohengrin, Prelude to Act III: 1b. Brass Melody
Orchester:
Vienna Philharmonic (Wiener Philharmoniker)
conductor:
Sir Georg Solti (conductor)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1987)
Richard Wagner0:55
3Lohengrin, Prelude to Act III: 2. Contrasting oboe melody
Orchester:
Vienna Philharmonic (Wiener Philharmoniker)
conductor:
Sir Georg Solti (conductor)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1987)
Richard Wagner0:57
4Lohengrin, Prelude to Act III: 3a. Main Melody
Orchester:
Vienna Philharmonic (Wiener Philharmoniker)
conductor:
Sir Georg Solti (conductor)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1987)
Richard Wagner0:48
5Hotter Than That: 1. All instruments, trumpet predominates
Interpret(in):
Louis Armstrong and His Hot Five
Lillian Hardin Armstrong0:44
6Hotter Than That: 3. Clarinet
Interpret(in):
Louis Armstrong and His Hot Five
Lillian Hardin Armstrong0:36
7Hotter Than That: 4. Voice, guitar accompaniment
Interpret(in):
Louis Armstrong and His Hot Five
Lillian Hardin Armstrong0:36
8Hotter Than That: 5. Twangy voice imitated by guitar
Interpret(in):
Louis Armstrong and His Hot Five
Lillian Hardin Armstrong0:23
9Hotter Than That: 6a. Muted trombone
Interpret(in):
Louis Armstrong and His Hot Five
Lillian Hardin Armstrong0:16
10Hotter Than That: 6b. Trumpet, all instruments join
Interpret(in):
Louis Armstrong and His Hot Five
Lillian Hardin Armstrong0:30
11"Farandole" from "L'Arlésienne" Suite No. 2: 1a. March theme, homophonic
Orchester:
Orchestre des Concerts Lamoureux (Lamoureux Orchestra)
conductor:
Igor Markevitch (conductor)
phonographisches Urheberrecht (℗) von:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1960)
teilweise recording of:
L’Arlésienne Suite no. 2: IV. Farandole (catch-all for arrangements)
Komponist(in):
Georges Bizet (French composer) (in 1872)
Arrangement von:
L’Arlésienne Suite no. 2: IV. Farandole (for orchestra)
Georges Bizet0:16
12"Farandole" from "L'Arlésienne" Suite No. 2: 1b. March theme, polyphonic
Orchester:
Orchestre des Concerts Lamoureux (Lamoureux Orchestra)
conductor:
Igor Markevitch (conductor)
phonographisches Urheberrecht (℗) von:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1960)
teilweise recording of:
L’Arlésienne Suite no. 2: IV. Farandole (catch-all for arrangements)
Komponist(in):
Georges Bizet (French composer) (in 1872)
Arrangement von:
L’Arlésienne Suite no. 2: IV. Farandole (for orchestra)
Georges Bizet0:16
13"Farandole" from "L'Arlésienne" Suite No. 2: 2a. Dance theme, homophonic
Orchester:
Orchestre des Concerts Lamoureux (Lamoureux Orchestra)
conductor:
Igor Markevitch (conductor)
phonographisches Urheberrecht (℗) von:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1960)
teilweise recording of:
L’Arlésienne Suite no. 2: IV. Farandole (catch-all for arrangements)
Komponist(in):
Georges Bizet (French composer) (in 1872)
Arrangement von:
L’Arlésienne Suite no. 2: IV. Farandole (for orchestra)
Georges Bizet0:52
14"Farandole" from "L'Arlésienne" Suite No. 2: 3a. March theme, monophonic
Orchester:
Orchestre des Concerts Lamoureux (Lamoureux Orchestra)
conductor:
Igor Markevitch (conductor)
phonographisches Urheberrecht (℗) von:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1960)
teilweise recording of:
L’Arlésienne Suite no. 2: IV. Farandole (catch-all for arrangements)
Komponist(in):
Georges Bizet (French composer) (in 1872)
Arrangement von:
L’Arlésienne Suite no. 2: IV. Farandole (for orchestra)
Georges Bizet0:48
15"Farandole" from "L'Arlésienne" Suite No. 2: 4. Dance and march themes combined, polyphonic
Orchester:
Orchestre des Concerts Lamoureux (Lamoureux Orchestra)
conductor:
Igor Markevitch (conductor)
phonographisches Urheberrecht (℗) von:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1960)
teilweise recording of:
L’Arlésienne Suite no. 2: IV. Farandole (catch-all for arrangements)
Komponist(in):
Georges Bizet (French composer) (in 1872)
Arrangement von:
L’Arlésienne Suite no. 2: IV. Farandole (for orchestra)
Georges Bizet0:53
16"Dance of the Reed Pipes" from "Nutcracker" Suite, Op 71a: 1. A
Orchester:
Montreal Symphony Orchestra
conductor:
Charles Dutoit (conductor)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1986)
Tchaikovsky1:13
17"Dance of the Reed Pipes" from "Nutcracker" Suite, Op 71a: 2. B
Orchester:
Montreal Symphony Orchestra
conductor:
Charles Dutoit (conductor)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1986)
Tchaikovsky0:33
18"Dance of the Reed Pipes" from "Nutcracker" Suite, Op 71a: 3. A'
Orchester:
Montreal Symphony Orchestra
conductor:
Charles Dutoit (conductor)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1986)
Tchaikovsky0:35
19"Badinerie" from Suite No. 2 in B Minor: 1. Part A (repeated)
Orchester:
The Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1988)
Johann Sebastian Bach0:31
20"Badinerie" from Suite No. 2 in B Minor: 2. Part B (repeated)
Orchester:
The Academy of Ancient Music
conductor:
Christopher Hogwood (conductor, harpsichordist)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1988)
Johann Sebastian Bach0:56
21Alleluia: Vidimus stellam: 1. Section A
sonstige Unterstützung:
Gabriel Maria Steinschulte (Aufgabe: director)
Chorgesang:
Schola Cantorum Coloniensis und Schola Choralis Solingen
phonographisches Urheberrecht (℗) von:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1991)
[anonymous]0:23
22Alleluia: Vidimus stellam: 2. Section B
sonstige Unterstützung:
Gabriel Maria Steinschulte (Aufgabe: director)
Chorgesang:
Schola Cantorum Coloniensis und Schola Choralis Solingen
phonographisches Urheberrecht (℗) von:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1991)
[anonymous]1:20
23Alleluia: Vidimus stellam: 3. Section A
sonstige Unterstützung:
Gabriel Maria Steinschulte (Aufgabe: director)
Chorgesang:
Schola Cantorum Coloniensis und Schola Choralis Solingen
phonographisches Urheberrecht (℗) von:
EMI Electrola GmbH (not for release label use! DE subsidiary of EMI Records from 1972–2002) (in 1991)
[anonymous]0:30
24Agnus Dei from "Notre Dame" Mass: 1. Agnus Dei (I)
sonstige Unterstützung:
Alfred Deller (countertenor) (Aufgabe: director)
Interpret(in):
The Deller Consort (UK vocal & instrumental early music ensemble)
Guillaume de Machaut0:59
25Agnus Dei from "Notre Dame" Mass: 2. Agnus Dei (II)
sonstige Unterstützung:
Alfred Deller (countertenor) (Aufgabe: director)
Interpret(in):
The Deller Consort (UK vocal & instrumental early music ensemble)
Guillaume de Machaut1:13
26Agnus Dei from "Notre Dame" Mass: 3. Agnus Dei (III)
sonstige Unterstützung:
Alfred Deller (countertenor) (Aufgabe: director)
Interpret(in):
The Deller Consort (UK vocal & instrumental early music ensemble)
Guillaume de Machaut1:11
27"Ave Maria ...virgo serena": "Ave Maria gratia plena", duple meter
sonstige Unterstützung:
Richard Taruskin (musicologist) (Aufgabe: director)
Chorgesang:
Cappella Nova Chorus (New York vocal ensemble led by Richard Taruskin)
phonographisches Urheberrecht (℗) von:
Amreco, Inc. Courtesy of Musical Heritage Society, Inc (vom 1982 bis heute)
Josquin Desprez2:49
28"Ave Maria ...virgo serena": "Ave, vera virginitas", triple meter
Chorgesang:
Cappella Nova Chorus (New York vocal ensemble led by Richard Taruskin)
Interpret(in):
Richard Taruskin (musicologist)
phonographisches Urheberrecht (℗) von:
Amreco, Inc. Courtesy of Musical Heritage Society, Inc (vom 1982 bis heute)
Josquin Desprez0:26
29"Ave Maria ...virgo serena": "Ave, praeclara omnibus", duple meter
Chorgesang:
Cappella Nova Chorus (New York vocal ensemble led by Richard Taruskin)
Interpret(in):
Richard Taruskin (musicologist)
phonographisches Urheberrecht (℗) von:
Amreco, Inc. Courtesy of Musical Heritage Society, Inc (vom 1982 bis heute)
Josquin Desprez1:32
30As Vesta Was Descending
sonstige Unterstützung:
Grayston Burgess (counter tenor / conductor) (Aufgabe: director)
Cembalo:
Simon Preston (organist, conductor, composer)
vocals:
The Purcell Consort of Voices
Interpret(in):
The Jaye Consort of Viols
Thomas Weelkes2:57
31"Brandenburg" Concerto No. 5 in D Major; First Movement: Allegro: 1a. Opening ritornello
Cembalo:
Trevor Pinnock (conductor / harpsichord)
Orchester:
The English Concert
conductor:
Trevor Pinnock (conductor / harpsichord)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH. Hamburg (not for release label use!) (in 1982)
Johann Sebastian Bach0:21
32"Brandenburg" Concerto No. 5 in D Major; First Movement: Allegro: 1b. First solo section
Cembalo:
Trevor Pinnock (conductor / harpsichord)
Orchester:
The English Concert
conductor:
Trevor Pinnock (conductor / harpsichord)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH. Hamburg (not for release label use!) (in 1982)
Johann Sebastian Bach0:29
33"Brandenburg" Concerto No. 5 in D Major; First Movement: Allegro: 2b. Solo section
Cembalo:
Trevor Pinnock (conductor / harpsichord)
Orchester:
The English Concert
conductor:
Trevor Pinnock (conductor / harpsichord)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH. Hamburg (not for release label use!) (in 1982)
Johann Sebastian Bach2:05
34"Brandenburg" Concerto No. 5 in D Major; First Movement: Allegro: 5c. New theme in minor, solo section
Cembalo:
Trevor Pinnock (conductor / harpsichord)
Orchester:
The English Concert
conductor:
Trevor Pinnock (conductor / harpsichord)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH. Hamburg (not for release label use!) (in 1982)
Johann Sebastian Bach3:27
35"Brandenburg" Concerto No. 5 in D Major; First Movement: Allegro: 8c. Harpsichord solo
Cembalo:
Trevor Pinnock (conductor / harpsichord)
Orchester:
The English Concert
conductor:
Trevor Pinnock (conductor / harpsichord)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH. Hamburg (not for release label use!) (in 1982)
Johann Sebastian Bach3:28
36Organ Fugue in G Minor (Little Fugue): 1a. Subject, soprano voice alone
Orgel:
E. Power Biggs (English organist/harpsichordist)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. Under license from Sony Special Products, a division of Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1988)
Johann Sebastian Bach1:14
37Organ Fugue in G Minor (Little Fugue): 1e. Brief episode
Orgel:
E. Power Biggs (English organist/harpsichordist)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. Under license from Sony Special Products, a division of Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1988)
Johann Sebastian Bach0:38
38Organ Fugue in G Minor (Little Fugue): 3a. Sunject in alto, major key
Orgel:
E. Power Biggs (English organist/harpsichordist)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. Under license from Sony Special Products, a division of Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1988)
teilweise recording of:
Fugue in G minor, BWV 578 ("Little")
Komponist(in):
Johann Sebastian Bach (German Baroque period composer & musician)
Teil von:
Bach Compendium (Nummer: BC J 66) und Bach-Werke-Verzeichnis (Nummer: BWV 578)
Johann Sebastian Bach2:15
39"Tu se' morta" from "Orfeo", Act II
Chorgesang:
Monteverdi Choir (English vocal Baroque ensemble)
Tenor-Gesang:
Anthony Rolfe Johnson (tenor)
Orchester:
The English Baroque Soloists
conductor:
John Eliot Gardiner
phonographisches Urheberrecht (℗) von:
Polydor International GmbH, Hamburg (not for release label use!) (in 1987)
Claudio Monteverdi2:25
40"La Primavera (Spring)", Concerto for Violin and String Orchestra, Op. 8, No. 1, from "The Four Seasons", first movement: Allegro: 1a. Opening ritornello: Spring has come
Geige / Violine:
Simon Standage (English violinist and conductor)
Orchester:
The English Concert
conductor:
Trevor Pinnock (conductor / harpsichord)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH, Hamburg (not for release label use!) (in 1986)
Antonio Vivaldi0:30
41"La Primavera (Spring)", Concerto for Violin and String Orchestra, Op. 8, No. 1, from "The Four Seasons", first movement: Allegro: 1b. Song of the birds
Geige / Violine:
Simon Standage (English violinist and conductor)
Orchester:
The English Concert
conductor:
Trevor Pinnock (conductor / harpsichord)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH, Hamburg (not for release label use!) (in 1986)
Antonio Vivaldi0:40
42"La Primavera (Spring)", Concerto for Violin and String Orchestra, Op. 8, No. 1, from "The Four Seasons", first movement: Allegro: 2b. Murmuring streams
Geige / Violine:
Simon Standage (English violinist and conductor)
Orchester:
The English Concert
conductor:
Trevor Pinnock (conductor / harpsichord)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH, Hamburg (not for release label use!) (in 1986)
Antonio Vivaldi0:30
43"La Primavera (Spring)", Concerto for Violin and String Orchestra, Op. 8, No. 1, from "The Four Seasons", first movement: Allegro: 3b. Thunder and lightning
Geige / Violine:
Simon Standage (English violinist and conductor)
Orchester:
The English Concert
conductor:
Trevor Pinnock (conductor / harpsichord)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH, Hamburg (not for release label use!) (in 1986)
Antonio Vivaldi0:33
44"La Primavera (Spring)", Concerto for Violin and String Orchestra, Op. 8, No. 1, from "The Four Seasons", first movement: Allegro: 4b. Song of the birds
Geige / Violine:
Simon Standage (English violinist and conductor)
Orchester:
The English Concert
conductor:
Trevor Pinnock (conductor / harpsichord)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH, Hamburg (not for release label use!) (in 1986)
Antonio Vivaldi1:06
45Cantata No. 140: Wachtet auf, ruft uns die Stimme: Fourth Movement, Chorale (tenor): "Zion hört die Wächter singen": String ritornello
Tenor-Gesang:
Gösta Winbergh (tenor)
vocals:
Hymnuschor
Orchester:
Karl Münchinger (German conductor) und Stuttgart Chamber Orchestra
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited, Londen (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1985)
Johann Sebastian Bach0:37
46Cantata No. 140: Wachtet auf, ruft uns die Stimme: Fourth Movement, Chorale (tenor): "Zion hört die Wächter singen": "Zion hört die Wächter singen"
Tenor-Gesang:
Gösta Winbergh (tenor)
vocals:
Hymnuschor
Orchester:
Karl Münchinger (German conductor) und Stuttgart Chamber Orchestra
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited, Londen (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1985)
Johann Sebastian Bach1:59
47Cantata No. 140: Wachtet auf, ruft uns die Stimme: Fourth Movement, Chorale (tenor): "Zion hört die Wächter singen": "Nun kommen, du werte Kron"
Tenor-Gesang:
Gösta Winbergh (tenor)
vocals:
Hymnuschor
Orchester:
Karl Münchinger (German conductor) und Stuttgart Chamber Orchestra
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited, Londen (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1985)
Johann Sebastian Bach1:25
48Cantata No. 140: Wachtet auf, ruft uns die Stimme: Seventh Movement, Chorale: "Gloria sei dir gesungen"
Tenor-Gesang:
Gösta Winbergh (tenor)
vocals:
Hymnuschor
Orchester:
Karl Münchinger (German conductor) und Stuttgart Chamber Orchestra
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited, Londen (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1985)
Johann Sebastian Bach1:48
49Messiah: Ev'ry Valley Shall Be Exalted
Cembalo:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger)
Orgel:
Ralph Downes
Chorgesang:
Lendon Symphony Choir
Tenor-Gesang:
John Wakefield (tenor)
Orchester:
London Symphony Orchestra
conductor:
Sir Colin Davis (English conductor)
chorus master:
John Alldis (chorusmaster and conductor)
phonographisches Urheberrecht (℗) von:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1966)
George Frideric Handel3:31
50Messiah: "Hallelujah" Chorus: Opening, homophonic
Cembalo:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger)
Orgel:
Ralph Downes
Chorgesang:
Lendon Symphony Choir
Tenor-Gesang:
John Wakefield (tenor)
Orchester:
London Symphony Orchestra
conductor:
Sir Colin Davis (English conductor)
chorus master:
John Alldis (chorusmaster and conductor)
phonographisches Urheberrecht (℗) von:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1966)
George Frideric Handel0:26
51Messiah: "Hallelujah" Chorus: "For the Lord God", monophonic
Cembalo:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger)
Orgel:
Ralph Downes
Chorgesang:
Lendon Symphony Choir
Tenor-Gesang:
John Wakefield (tenor)
Orchester:
London Symphony Orchestra
conductor:
Sir Colin Davis (English conductor)
chorus master:
John Alldis (chorusmaster and conductor)
phonographisches Urheberrecht (℗) von:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1966)
George Frideric Handel0:24
52Messiah: "Hallelujah" Chorus: "For the Lord God" combined with "Hallelujah", polyphonic
Cembalo:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger)
Orgel:
Ralph Downes
Chorgesang:
Lendon Symphony Choir
Tenor-Gesang:
John Wakefield (tenor)
Orchester:
London Symphony Orchestra
conductor:
Sir Colin Davis (English conductor)
chorus master:
John Alldis (chorusmaster and conductor)
phonographisches Urheberrecht (℗) von:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1966)
George Frideric Handel0:28
53Messiah: "Hallelujah" Chorus: "The kingdom of this world", hymnlike homophonic texture
Cembalo:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger)
Orgel:
Ralph Downes
Chorgesang:
Lendon Symphony Choir
Tenor-Gesang:
John Wakefield (tenor)
Orchester:
London Symphony Orchestra
conductor:
Sir Colin Davis (English conductor)
chorus master:
John Alldis (chorusmaster and conductor)
phonographisches Urheberrecht (℗) von:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1966)
George Frideric Handel0:21
54Messiah: "Hallelujah" Chorus: "And He shall reign for ever and ever", monophonic, then polyphonic imitation
Cembalo:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger)
Orgel:
Ralph Downes
Chorgesang:
Lendon Symphony Choir
Tenor-Gesang:
John Wakefield (tenor)
Orchester:
London Symphony Orchestra
conductor:
Sir Colin Davis (English conductor)
chorus master:
John Alldis (chorusmaster and conductor)
phonographisches Urheberrecht (℗) von:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1966)
George Frideric Handel0:24
55Messiah: "Hallelujah" Chorus: Rising sequence on "King of Kings-for ever and ever"
Cembalo:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger)
Orgel:
Ralph Downes
Chorgesang:
Lendon Symphony Choir
Tenor-Gesang:
John Wakefield (tenor)
Orchester:
London Symphony Orchestra
conductor:
Sir Colin Davis (English conductor)
chorus master:
John Alldis (chorusmaster and conductor)
phonographisches Urheberrecht (℗) von:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1966)
George Frideric Handel1:51
56Symphony No. 40 in G Minor, K. 550, first movement: Molto allegro: Exposition: 1a. First Theme
Orchester:
Chamber Orchestra of Europe
conductor:
Sir Georg Solti (conductor)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited, London (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1985)
Wolfgang Amadeus Mozart0:24
57Symphony No. 40 in G Minor, K. 550, first movement: Molto allegro: Exposition: 2a. Bridge
Orchester:
Chamber Orchestra of Europe
conductor:
Sir Georg Solti (conductor)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited, London (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1985)
Wolfgang Amadeus Mozart0:29
58Symphony No. 40 in G Minor, K. 550, first movement: Molto allegro: Exposition: 3a. Second theme
Orchester:
Chamber Orchestra of Europe
conductor:
Sir Georg Solti (conductor)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited, London (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1985)
Wolfgang Amadeus Mozart0:36
59Symphony No. 40 in G Minor, K. 550, first movement: Molto allegro: Exposition: 4a. Closing section
Orchester:
Chamber Orchestra of Europe
conductor:
Sir Georg Solti (conductor)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited, London (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1985)
Wolfgang Amadeus Mozart0:35
60Symphony No. 40 in G Minor, K. 550, first movement: Molto allegro: Exposition: 4b. Exposition is repeated
Orchester:
Chamber Orchestra of Europe
conductor:
Sir Georg Solti (conductor)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited, London (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1985)
Wolfgang Amadeus Mozart2:05
61Symphony No. 40 in G Minor, K. 550, first movement: Molto allegro: Exposition: Development (LO 1-3)
Orchester:
Chamber Orchestra of Europe
conductor:
Sir Georg Solti (conductor)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited, London (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1985)
Wolfgang Amadeus Mozart1:17
62Symphony No. 40 in G Minor, K. 550, first movement: Molto allegro: Recapitulation: 1a. First Theme
Orchester:
Chamber Orchestra of Europe
conductor:
Sir Georg Solti (conductor)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited, London (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1985)
Wolfgang Amadeus Mozart1:16
63Symphony No. 40 in G Minor, K. 550, first movement: Molto allegro: Recapitulation: 3a. Second Theme
Orchester:
Chamber Orchestra of Europe
conductor:
Sir Georg Solti (conductor)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited, London (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1985)
Wolfgang Amadeus Mozart1:12
64Symphony No. 40 in G Minor, K. 550, first movement: Molto allegro: Recapitulation: Coda (LO 1a)
Orchester:
Chamber Orchestra of Europe
conductor:
Sir Georg Solti (conductor)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited, London (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1985)
Wolfgang Amadeus Mozart0:26
65Symphony No. 94 in G Major ("Surprise"), second movemnt: Andante: Theme
Orchester:
Royal Concertgebouw Orchestra, Amsterdam (Concertgebouworkest Amsterdam)
conductor:
Sir Colin Davis (English conductor)
phonographisches Urheberrecht (℗) von:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1982)
Joseph Haydn1:07
66Symphony No. 94 in G Major ("Surprise"), second movemnt: Andante: Variation 1
Orchester:
Royal Concertgebouw Orchestra, Amsterdam (Concertgebouworkest Amsterdam)
conductor:
Sir Colin Davis (English conductor)
phonographisches Urheberrecht (℗) von:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1982)
Joseph Haydn1:05
67Symphony No. 94 in G Major ("Surprise"), second movemnt: Andante: Variation 2
Orchester:
Royal Concertgebouw Orchestra, Amsterdam (Concertgebouworkest Amsterdam)
conductor:
Sir Colin Davis (English conductor)
phonographisches Urheberrecht (℗) von:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1982)
Joseph Haydn1:08
68Symphony No. 94 in G Major ("Surprise"), second movemnt: Andante: Variation 3
Orchester:
Royal Concertgebouw Orchestra, Amsterdam (Concertgebouworkest Amsterdam)
conductor:
Sir Colin Davis (English conductor)
phonographisches Urheberrecht (℗) von:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1982)
Joseph Haydn1:03
69Symphony No. 94 in G Major ("Surprise"), second movemnt: Andante: Variation 4
Orchester:
The Cleveland Orchestra und Royal Concertgebouw Orchestra, Amsterdam (Concertgebouworkest Amsterdam)
conductor:
Sir Colin Davis (English conductor) und George Szell (conductor, pianist, composer)
phonographisches Urheberrecht (℗) von:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1982)
teilweise recording of:
Symphony no. 94 in G major, Hob. I:94 “Surprise”: II. Andante (Symphonie Nr. 94 G-Dur "3. Londoner (Mit dem Paukenschlag - The Surprise)", Hob. I:94: II. Andante)
Komponist(in):
Joseph Haydn (composer) (in 1791)
Teil von:
Symphony no. 94 in G major, Hob. I:94 “Surprise”
Joseph Haydn1:22
70Symphony No. 94 in G Major ("Surprise"), second movemnt: Andante: Closing section
Orchester:
Royal Concertgebouw Orchestra, Amsterdam (Concertgebouworkest Amsterdam)
conductor:
Sir Colin Davis (English conductor)
phonographisches Urheberrecht (℗) von:
Philips Classics Productions (not for release label use!—classical music division of Polygram, reorganized as Philips Music Group in 1997) (in 1982)
Joseph Haydn0:32
71"Eine kleine Nachtmusik" in G Major, K. 525, third movement: Minuet (Allegretto): Minuet (A)
Orchester:
The Academy of St. Martin-on-the-Fields (Academy of St Martin in the Fields)
conductor:
Sir Neville Marriner (conductor)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited, London (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1973)
Wolfgang Amadeus Mozart0:42
72"Eine kleine Nachtmusik" in G Major, K. 525, third movement: Minuet (Allegretto): Trio (B)
Orchester:
The Academy of St. Martin-on-the-Fields (Academy of St Martin in the Fields)
conductor:
Sir Neville Marriner (conductor)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited, London (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1973)
Wolfgang Amadeus Mozart0:56
73"Eine kleine Nachtmusik" in G Major, K. 525, third movement: Minuet (Allegretto): Minuet (A)
Orchester:
The Academy of St. Martin-on-the-Fields (Academy of St Martin in the Fields)
conductor:
Sir Neville Marriner (conductor)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited, London (The Decca Record Company Limited, not a release label; for copyrights use only) (in 1973)
Wolfgang Amadeus Mozart0:24
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3▶CD

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Veröffentlichung

hergestellt von:PolyGram Special Markets (US only)
urheberrechtlich geschützt (©) von:McGraw-Hill, Inc (in 1992)
phonographisches Urheberrecht (℗) von:PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1992)