The Funky End

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Lift Off
miscellaneous support:
Makoto Matsumiya (task: technical support)
programming:
Itaal Shur
assistant engineer:
下田けんじ (engineer)
engineer:
Hiroyuki Sanada
producer:
Groove Collective (contemporary jazz group), Itaal Shur and Genji Siraisi
assistant mixer:
Sean Coffey (US recording engineer)
mixer:
Tim Latham
background vocals and lead vocals:
Vinia Mojica
phonographic copyright (℗) by:
GRP Records, Inc. (do not use as a release label!) (in 1996)
recorded at:
Funky Slice Studios in Brooklyn, New York, New York, United States
mixed at:
Platinum Island Studios in New York, New York, United States
recording of:
Lift Off
Groove Collective44:29
2For What It Is Worth
cover recording of:
For What It’s Worth
lyricist and composer:
Stephen Stills
publisher:
Cotillion, Cotillion Music Inc. (BMI), Richie Furay Music (BMI), Springalo Toones (BMI), Ten East and Ten‐East Music (BMI)
Sérgio Mendes & Brasil ’663:40
3Everybody Loves the Sunshine
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1976) and Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1976)
recording of:
Everybody Loves the Sunshine
lyricist and composer:
Roy Ayers
publisher:
Arlovol Music and BMG Monarch
Roy Ayers43:59
4Giblet Gravy
recorded in:
New York, New York, United States (in 1968-02)
producer:
Esmond Edwards
baritone saxophone:
Pepper Adams (baritone saxophonist) (in 1968-02)
bass:
Bob Cranshaw (in 1968-02)
bass trombone:
Alan Raph (in 1968-02)
congas and tambourine:
Johnny Pacheco (in 1968-02)
drums (drum set):
Billy Cobham (in 1968-02)
flugelhorn and trumpet:
Jimmy Owens (jazz trumpeter) (in 1968-02)
guitar:
George Benson (jazz guitarist/singer) (in 1968-02) and Eric Gale (in 1968-02)
trumpet:
Ernie Royal (in 1968-02) and Snooky Young (in 1968-02)
conductor:
Tom McIntosh (in 1968-02)
arranger:
Tom McIntosh
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1997)
recording of:
Giblet Gravy (in 1968-02)
composer:
George Benson (jazz guitarist/singer)
George Benson4:49
5Blind Man Blind Man
engineer:
Rudy van Gelder (on 1964-10-06)
double bass [bass]:
Bob Cranshaw (on 1964-10-06)
drums (drum set):
Grady Tate (on 1964-10-06)
guitar:
Kenny Burrell (on 1964-10-06)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1964-10-06)
tenor saxophone:
Jimmy Heath (on 1964-10-06)
trumpet:
Donald Byrd (American jazz trumpeter) (on 1964-10-06)
vocals:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (on 1964-10-06)
conductor:
Claus Ogerman (on 1964-10-06)
arranger:
Claus Ogerman
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1964-10-06)
cover recording of:
Blind Man, Blind Man (on 1964-10-06)
composer:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
Donald Byrd2:52
6Testify
recording of:
I Wanna Testify
writer:
George Clinton (US funk musician), Daron Taylor and Roger Taylor (Queen drummer)
publisher:
RSO Publishing Inc.
Parliament3:56
7Just Bring It Out
remixer:
Andy Smith and Scott Hendy
Wolfgang Dauner24:26
8There Was a Time
lead vocals:
James Brown (The Godfather of Soul)
recording of:
There Was a Time
lyricist and composer:
James Brown (The Godfather of Soul) and Bud Hobgood
live recording of:
There Was a Time
lyricist and composer:
James Brown (The Godfather of Soul) and Bud Hobgood
James Brown4:27
9Makes Your Nature Rise
Nuyorican Soul5:01
10Monticello (Vinyl Vibes remix)
Monty Alexander5:29
11Sneakers (Fifty Four)
producer:
Stewart Levine (record producer and saxophonist)
phonographic copyright (℗) by:
Capricorn Records Inc. (not for release label use) (in 1979)
remix of:
Fifty-Four by Sea Level (southern rock / jazz rock)
recording of:
Fifty Four
composer:
Jimmy Nalls
publisher:
No Exit Music Co., Inc. and Under the Cover Music Company
Sea Level6:40
12Hump
recorded in:
California, United States (from 1993 until 1994)
membranophone programming:
Will Griffin
synthesizer programming:
Darrell Smith (US jazz pianist)
bass:
Jay Shanklin (from 1993 until 1994)
bass guitar:
Armand Sabal‐Lecco (from 1993 until 1994)
djembe and percussion:
Bill Summers (from 1993 until 1994)
drums (drum set):
Will Kennedy (drummer) (from 1993 until 1994)
guitar:
Darrell Robertson (from 1993 until 1994) and Melvin “Wah Wah” Watson (from 1993 until 1994)
keyboard:
Darrell Smith (US jazz pianist) (from 1993 until 1994)
Minimoog and synthesizer and piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (from 1993 until 1994)
sampler:
Will Griffin (from 1993 until 1994)
tenor saxophone:
Bennie Maupin (from 1993 until 1994)
trumpet:
Wallace Roney (jazz trumpeter) (from 1993 until 1994)
additional arranger:
Will Griffin, Darrell Robertson, Jay Shanklin, Darrell Smith (US jazz pianist) and Bill Summers
arranger:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1994)
recording of:
Hump (from 1993 until 1994)
composer:
Bennie Maupin, Wallace Roney (jazz trumpeter) and Jay Shanklin
Herbie Hancock4:45
13What Games Shall We Play Today?
recording of:
What Game Shall We Play Today
lyricist:
Neville Potter
composer:
Chick Corea (jazz pianist)
Chick Corea3:22
14Hot Chicken
Manu Dibango4:24
15Tutu
assistant engineer:
Maureen Thompson
engineer:
Eric Calvi and Peter Doell
producer:
Tommy LiPuma and Marcus Miller (jazz musician)
assistant mixer:
Eddie Garcia
mixer:
Bill Schnee
bass guitar, drum machine, guitar and synthesizer and other instruments [all other instruments]:
Marcus Miller (jazz musician)
bongos and drums (drum set):
Billy Hart (US jazz drummer aka “Jabali” Billy Hart)
percussion:
Paulinho da Costa (Brazilian percussionist)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter)
instruments arranger and arranger:
Marcus Miller (jazz musician)
engineered at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States and Clinton Recording Studios (NYC 10th Ave till 2010) in New York, New York, United States
recording of:
Tutu
composer:
Marcus Miller (jazz musician)
Miles Davis4.55:16
16The Favourite
assistant engineer:
Robin Gist
producer:
Jim Bonnefond and Directions in Groove
mixer:
Jim Bonnefond
guitar:
Tim Rollinson (from 1993-07 until 1993-08)
keyboard:
Scott Saunders (keyboards) (from 1993-07 until 1993-08)
percussion:
Terepai Richmond (from 1993-07 until 1993-08)
phonographic copyright (℗) by:
Id (Australian label)
recorded at:
Trafalgar Studios in Annandale, Sydney, New South Wales, Australia (from 1993-07 until 1993-08)
recording of:
The Favourite (from 1993-07 until 1993-08)
composer:
Alex Hewetson, Terepai Richmond, Rick Robertson (Australian saxophononist), Tim Rollinson and Scott Saunders (keyboards)
Directions in Groove5:51
17Pick Up the Pieces
producer:
Arif Mardin
horn arranger:
Roger Ball
arranger:
AWB
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974, in 1975)
part of:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
Pick Up the Pieces
writer:
Roger Ball, Alan Gorrie, Malcolm Duncan, Robbie McIntosh (Scottish drummer for Average White Band), Onnie McIntyre (Scottish guitarist and vocalist) and Hamish Stuart (Scottish guitarist, bassist, singer composer & producer)
publisher:
Average Music, BMG Bumblebee (a BMI‐affiliated publishing entity of BMG Rights Management), Bug Music Ltd., Fairwood Music (USA) Inc. (affiliated to ASCAP), Fairwood Music Ltd. and Joe’s Songs Inc. (publisher, ASCAP‐affiliated)
Average White Band3.93:59
2▶CD