| Nr. | Titel | Künstler | Bewertung | Länge |
|---|
| 1 | The Power of Love- recording engineer:
- Jim Gaines und Robert Missbach
- assistierende(r) Techniker(in):
- Rob Beaton, Alex Haas , Tom Size und Jim “Watts” Vereecke
- zusätzliche(r) Techniker(in):
- Michael Christopher , Phil Kaffel und Malcolm Pollack
- Produzent(in):
- Bob Clearmountain, Jellybean und Huey Lewis and the News
- Mix:
- Robert Missbach
- Bassgitarre:
- Mario Cipollina
- Gitarre:
- Johnny Colla und Chris Hayes
- Keyboard:
- Sean Hopper
- Mundharmonika:
- Huey Lewis
- Perkussion und Schlagzeug:
- Bill Gibson
- Saxophon:
- Johnny Colla
- vocals:
- Johnny Colla , Bill Gibson , Chris Hayes , Sean Hopper und Huey Lewis
- phonographisches Urheberrecht (℗) von:
- Chrysalis Records, Inc. (in 1984, in 1985, in 1986) und Chrysalis (in 1985)
- aufgenommen bei:
- Fantasy Studios in Berkeley, California , Vereinigte Staaten, Studio D Recording in Sausalito, California , Vereinigte Staaten und The Plant Studios in Sausalito, California , Vereinigte Staaten
- mixed at:
- Power Station Studios in Hell's Kitchen, New York, New York, Vereinigte Staaten
- Musikvideos:
- The Power of Love von Huey Lewis and the News
- Teil von:
- Billboard: The 500 Best Pop Songs (Nummer: 108)
- recording of:
- The Power of Love
- Verfasser(in):
- Johnny Colla , Chris Hayes und Huey Lewis
- publisher:
- Cause and Effect Music, Copyright Control , Huey Lewis Music, Hulex Music , Kinda Blue Music, Mushroom Music und WB Music Corp.
- sub-publisher:
- Warner/Chappell Music Japan, Synch division und Yamaha Music Entertainment Holdings, Inc.
- Teil von:
- The 58th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1985 nominee)
- Teil von:
- Back to the Future: the Musical
- recording of:
- The Power of Love
- Verfasser(in):
- Peter Gill , Holly Johnson, Brian Nash und Mark O’Toole
- publisher:
- Perfect Songs Ltd. und Rubet Music Publishing, Inc.
| Huey Lewis & The News | 4 | 3:52 |
| 2 | If You Leave | Orchestral Manoeuvres in the Dark | | 4:25 |
| 3 | Maniac- Produzent(in):
- Phil Ramone und Michael Sembello
- vocals:
- Michael Sembello (in 1983)
- phonographisches Urheberrecht (℗) von:
- Polygram Records, Inc. (New York) (in 1983) und The Island Def Jam Music Group (in 1983)
- recording of:
- Maniac (in 1983)
- Verfasser(in):
- Dennis Matkosky und Michael Sembello
- publisher:
- Copyright Control , Famous Music Corporation , Intersong Music, Intersong Music Ltd., Intersong USA, Inc. , Riva Music Ltd., Rondor Music (London) Ltd., Sony/ATV Harmony, Warner Bros. Music Co. Inc., Warner Bros. Music Corp. und WB Music Corp.
- Teil von:
- The 56th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1983 nominee)
| Michael Sembello | 4.15 | 4:07 |
| 4 | Everybody Wants to Rule the World | Tears for Fears | 3.9 | 4:12 |
| 5 | The Heat Is On | Glenn Frey | 3.5 | 3:47 |
| 6 | Oh Yeah | Yello | | 3:08 |
| 7 | Call Me (single version)- Techniker(in):
- Harold Faltermeyer
- Produzent(in):
- Giorgio Moroder
- Bassgitarre [bass]:
- Nigel Harrison (in 1980-01)
- Gitarre:
- Frank Infante (in 1980-01) und Chris Stein (in 1980-01)
- Hybrid-Piano:
- Jimmy Destri (in 1980-01)
- Schlagzeug [drums]:
- Clem Burke (in 1980-01)
- zusätzlich Synthesizer:
- Giorgio Moroder (in 1980-01)
- Sologesang:
- Debbie Harry (in 1980-01)
- phonographisches Urheberrecht (℗) von:
- Chrysalis Records (in 1980, in 1981), Chrysalis Records Ltd. (in 1980), Chrysalis Records, Inc. (in 1980, in 2002), Capitol Records (in 1998), Capitol Records, Inc. (in 1998) und Capitol Records, LLC (in 2002)
- aufgenommen bei:
- Westlake Audio in Los Angeles, California , Vereinigte Staaten (in 1979) und The Power Station in Hell's Kitchen, New York, New York, Vereinigte Staaten (in 1980-01)
- mixed at:
- Allen Zentz Mastering in San Clemente, California , Vereinigte Staaten
- Teil von:
- Billboard: Greatest of All Time Hot 100 Songs (Nummer: 64), VH1: 100 Greatest Songs of the 80’s (Nummer: 78) und Billboard: The 500 Best Pop Songs (Nummer: 157)
- recording of:
- Call Me (in 1980-01)
- Texter:
- Deborah Harry
- Komponist(in):
- Giorgio Moroder
- publisher:
- BMG Monarch, Chrysalis Music , Chrysalis Music Ltd. , Copyright Control , EMI Music Publishing Ltd. , Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd., Rare Blue Music, inc., Sony/ATV Melody und Sony/ATV Music Publishing Australia Pty Ltd.
- sub-publisher:
- Mushroom Music Pty. Ltd., Sony Music Publishing (Japan), Inc., A Division , Sony/ATV Music Publishing Australia Pty Ltd., フジパシフィック音楽出版 (bis 2014-12-31) und Fujipacific Music, Inc. (vom 2015-01-01 bis heute)
| Blondie | 4.2 | 3:32 |
| 8 | Going Back to Cali | LL Cool J | | 4:11 |
| 9 | I Can Dream About You | Dan Hartman | 4.2 | 4:09 |
| 10 | Say You, Say Me | Lionel Richie | 4.15 | 4:02 |
| 11 | New Attitude (remix) | Patti LaBelle & Louil Silas Jr. | | 4:37 |
| 12 | Weird Science | Oingo Boingo | | 3:48 |
| 13 | Rhythm of the Night | DeBarge | 3.6 | 3:47 |
| 14 | We Got the Beat | The Go‐Go’s | | 2:31 |
| 15 | Rebel Yell | Billy Idol | | 4:47 |
| 16 | Bad to the Bone | George Thorogood & the Destroyers | | 3:38 |
| 17 | Invincible | Pat Benatar | | 4:29 |
| 18 | Breakin’… There’s No Stopping Us (club mix) | Ollie & Jerry | | 3:40 |
| 19 | Axel F | Harold Faltermeyer | 4.15 | 3:00 |
| 20 | Don’t You (Forget About Me) | Simple Minds | 4.25 | 4:20 |
| 21 | Bring the Noise | Public Enemy | 3.85 | 3:46 |
| 22 | Change | John Waite | | 3:14 |
| 23 | Far From Over | Frank Stallone | | 3:54 |
| 24 | Up Where We Belong | Joe Cocker & Jennifer Warnes | 3.55 | 3:49 |
| 25 | I Just Called to Say I Love You | Stevie Wonder | 4.35 | 4:22 |
| 26 | A Million Miles Away | The Plimsouls | | 3:32 |
| 27 | Endless Love | Lionel Richie & Diana Ross | 3.5 | 4:28 |
| 28 | Chariots of Fire | Vangelis | | 3:28 |
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