Reflections: Great Instrumentals for Today

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Elenco tracce

1Audiocassetta: Great Hits of the 70s / Easy-Listening Classics
2Audiocassetta: Yesterday's Memories-Today's Hits / Memorable Screen Themes
#TitoloArtistaValutazioneDurata
C1Tuxedo Junction
registrazione di:
Tuxedo Junction
paroliere:
Buddy Feyne
autore:
Dash, Feyne, Hawkins e Johnson (US jazz alto saxophonist, clarinetist & arranger)
compositore:
Bill Johnson (US jazz alto saxophonist, clarinetist & arranger), Julian Dash, Buddy Feyne e Erskine Hawkins
Klaus Wunderlich3:01
C2Begin the Beguine
registrazione strumentale di:
Begin the Beguine
paroliere e compositore:
Cole Porter (composer) (nel 1935)
editore:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
Jubilee
Chet Atkins3:19
C3My Resistance Is Low
registrazione strumentale di:
My Resistance Is Low
paroliere:
Harold Adamson
compositore:
Hoagy Carmichael
Frank Chacksfield & His Orchestra3:00
C4Indian Love Call
registrazione strumentale di:
Indian Love Call (from the 1924/1936 musicals “Rose Marie”)
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein) e Otto Harbach
compositore:
Rudolf Friml e Herbert Stothart (composer)
editore:
Bill-Bob Publ. Company, Chappell Music Ltd. e Harms, Inc. (il 1924-09-02)
parte di:
Rose-Marie (1924 operetta-style musical)
parte di:
Rose-Marie (1936 musical film)
Los Índios Tabajaras2:57
C5The Twelfth of Never
registrazione strumentale di:
The Twelfth of Never
paroliere:
Paul Francis Webster
compositore:
Jerry Livingston (songwriter)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hallmark Music Co. Inc. (ASCAP affiliated), Rondor Music (London) Ltd., Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Webster Music Co.
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.)
si basa su:
The Riddle Song (aka “I Gave My Love a Cherry”)
Floyd Cramer3:04
C6Plaisir d’amour
arrangiatore:
Brian Rogers (UK arranger & composer)
registrazione strumentale di:
Plaisir d’amour (Romance du chevrier)
paroliere:
Jean-Pierre Claris de Florian
compositore:
Jean‐Paul‐Égide Martini (Plaisir d'amour)
editore:
Warlock Music Ltd.
Adrian Brett2:55
C7I Get a Kick Out of You
registrazione strumentale di:
I Get a Kick Out of You
paroliere e compositore:
Cole Porter (composer) (nel 1934)
editore:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell e Chappell (nel 1974)
parte di:
Anything Goes
Percy Faith and His Orchestra3:08
C8Singing in the Rain
registrazione strumentale di:
Singin’ in the Rain
paroliere:
Arthur Freed
compositore:
Nacio Herb Brown (US songwriter)
editore:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.), Robbins Music Corp. Ltd., Robbins Music Corporation e シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
sub-editore:
香港商百代音樂股份有限公司台灣分公司 (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch)
parte di:
Singin’ in the Rain (stage musical)
parte di:
Singin’ in the Rain (soundtrack of the 1952 film)
parte di:
The Hollywood Revue (1929 MGM musical film)
Roger Williams3:13
C9Nature Boy
registrazione strumentale di:
Nature Boy
paroliere e compositore:
eden ahbez (nel 1947)
editore:
Burke-Van Heusen, Inc., Crestview Music Corp., David J. Janowiak d/b/a Golden World (music publisher, ASCAP-affiliated), Edwin H. Morris & Company (a division of MPL Communications Inc.) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Acker Bilk5:58
C10Yours
registrazione strumentale di:
Yours (1931 version of "Quiéreme mucho")
paroliere e traduttore:
Albert Gamse e Jack Sherr
compositore:
Gonzalo Roig
editore:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) e Peter Maurice Music Co. Ltd.
si basa su:
Quiéreme mucho
Chet Atkins2:33
C11I Only Have Eyes for You
registrazione strumentale di:
I Only Have Eyes for You
paroliere:
Al Dubin
compositore:
Harry Warren (US composer and lyricist)
editore:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), B. Feldman Ltd., EMI Music Publishing (do not use as a release label!), Remick Music Corp. e Warner Bros. Inc. (not for release label use!)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
parte di:
42nd Street (full musical)
parte di:
Dames (film)
parte di:
Twins (1988)
Percy Faith and His Orchestra4:45
C12Blue Moon
registrazione strumentale di:
Blue Moon
paroliere:
Lorenz Hart (nel 1934)
compositore:
Richard Rodgers (composer) (nel 1934)
editore:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-editore:
EMI Music Publishing Belgium NV e Francis Day Editions (SABAM)
parte di:
New York, New York (1977 musical film soundtrack)
Los Índios Tabajaras2:18
C13Vaya con dios
registrazione strumentale di:
Vaya con Dios (original)
autore:
Inez James, Buddy Pepper e Larry Russell (Film composer)
editore:
Ardmore Music Corp., Chappell Music Ltd. e Manuskript (not for release label use! this is only for copyrights and publishing relationships)
Floyd Cramer2:48
C14The Third Man (theme)
registrazione cover di:
Harry Lime Theme (The Third Man Theme)
compositore:
Anton Karas
editore:
Chappell & Co., Inc. (USA), Chappell Music Ltd. e Warner Chappell Music, Inc.
Malcolm Lockyer and His Orchestra2:33
D1Theme From “Chariots of Fire”
registrazione di:
Chariots of Fire (title theme of the 1981 film)
compositore:
Vangelis (Greek composer of electronic, new age and classical)
editore:
EMI Music Publishing (do not use as a release label!) e WB Music Corp. (1929–2019)
Hawk & Co.3:21
D2Cavatina (theme from “The Deer Hunter”)
registrazione di:
Cavatina (theme from The Deer Hunter, for guitar)
compositore:
Stanley Myers
editore:
EMI Music Publishing (do not use as a release label!), Robbins Music Corp. e Robbins Music Corp. Ltd.
John Williams3:55
D3Theme From “Bilitis”
registrazione di:
Bilitis (générique) (Bilitis, 1977, main theme)
compositore:
Francis Lai (French composer)
editore:
Montana (German publisher/label) e Siegel (publisher)
parte di:
Bilitis (1977 film soundtrack)
Gheorghe Zamfir4:29
D4Song From “10" (It’s Easy to Say)
registrazione strumentale di:
Song From "10" (It's Easy to Say) (from the film "10")
paroliere:
Robert Wells (songwriter)
compositore:
Henry Mancini (US composer, conductor & arranger)
Henry Mancini & His Orchestra3:26
D5Nobody Does It Better (from “The Spy Who Loved Me”)
registrazione strumentale di:
Nobody Does It Better (from “The Spy Who Loved Me”)
paroliere:
Carole Bayer Sager
compositore:
Marvin Hamlisch
editore:
EMI U Catalog Inc. (publisher; do NOT use as release label), EMI Unart Catalog Inc., EMI United Partnership Ltd. e United Artists Music Ltd.
parte di:
The 50th Academy Award for Best Original Song (numero: 2) e James Bond themes
parte di:
The Spy Who Loved Me
Acker Bilk2:57
D6Arthur’s Theme (Best That You Can Do)Roger Webb2:30
D7Theme From “Close Encounters of the Third Kind”
registrazione di:
Theme From “Close Encounters of the Third Kind” (Close Encounters of the Third Kind)
compositore:
John Williams (American score composer and conductor)
editore:
Gold Horizon Music Corp. (conclusa), EMI Gold Horizon Music Corp., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (dal 2021-07-01 a oggi)
parte di:
Close Encounters of the Third Kind (film soundtrack)
Tomita2:23
D8Evergreen (from “A Star Is Born”)
registrazione strumentale di:
Evergreen (love theme from “A Star Is Born”)
paroliere:
Paul Williams (US songwriter/soft rock vocalist) (nel 1976)
compositore:
Barbra Streisand (nel 1976)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Olive Music LLC, Warner/Chappell North America, WB Music Corp. (1929–2019) (fino al 2019-05-28), Emmanuel Music Corp (nel 1976) e First Artists Music Co. (nel 1976)
parte di:
Academy Award for Best Original Song (numero: 1976 winner)
Acker Bilk3:10
D9Theme From “The Godfather II”
registrazione di:
Love Theme from The Godfather
compositore:
Nino Rota (Italian composer)
versione di:
Buongiorno Fortunella
parte di:
The Godfather (1972 film soundtrack)
Roger Williams3:13
D10Theme From “Z”
tecnico:
Keith Grant (classical recording engineer)
produttore:
Stanley Myers
chitarra classica :
John Williams (classical guitarist)
orchestra:
Stanley Myers and His Orchestra
lavorazione tecnica effettuata presso:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Regno Unito
registrazione strumentale cover di:
Το γελαστό παιδί (To yelasto pedi)
paroliere:
Brendan Behan
compositore:
Μίκης Θεοδωράκης (Mikis Theodorakis, Greek composer and lyricist)
traduttore:
Βασίλης Ρώτας (Greek author and translator)
John Williams53:13
D11The Way We Were
registrazione strumentale di:
The Way We Were
paroliere:
Alan Bergman (American lyricist) (nel 1973) e Marilyn Bergman (nel 1973)
compositore:
Marvin Hamlisch (nel 1973)
editore:
Pathe Publications (Far East) Limited, Screen Gems–EMI Music Ltd. e Colgems-EMI Music Inc. (nel 1973)
sub-editore:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
parte di:
The 46th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1973 winner)
parte di:
The Way We Were
Lenny Dee2:56
D12Flying (theme from “E.T.”)
registrazione di:
E.T.: Main Theme
compositore:
John Williams (American score composer and conductor) (nel 1982)
parte di:
E.T. the Extra-Terrestrial (concert arrangement soundtrack)
John Gregory & The Orchestra Unlimited3:30
D13A Clockwork Orange (title music)Walter Carlos2:22
D14Bright Eyes (from “Watership Down”)Adrian Brett & Brian Rogers3:15
3Audiocassetta: Today's Great Standards / Small Screen Favourites
4Audiocassetta: Showstoppers! / Reflections From the 60s

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Pubblicazione

copyright (©) detenuto da:The Reader’s Digest Association Limited (not for release label use!) (nel 1983)