The Originals

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1CD
#TitleArtistRatingLength
1Funnel of Love
recording of:
Funnel of Love
writer:
Charlie McCoy (white blues harmonica player, 1960s-present) and Kent Westberry (US rockabilly / country artist and songwriter)
Wanda Jackson2:09
2What a Difference a Day MakeDinah Washington2:31
3All I Could Do Was Cry
producer:
Leonard Chess and Phil Chess
lead vocals:
Etta James (in 1960-01)
orchestra:
Riley Hampton Orchestra (in 1960-01)
conductor:
Riley Hampton (in 1960-01)
arranger:
Riley Hampton
recording of:
All I Could Do Was Cry (in 1960-01)
writer:
Billy Davis (r&b producer/songwriter/performer Roquel Davis), Berry Gordy and Gwen Gordy (US songwriter/composer, née Gwendolyn Gordy)
publisher:
Jobete Music (UK) Ltd
Etta James42:56
4Summertime
clarinet:
Artie Shaw (on 1936-07-10)
double bass and double bass [string bass]:
Pete Peterson (jazz bassist) (on 1936-07-10)
drums (drum set) and drums (drum set) [drums]:
Cozy Cole (on 1936-07-10)
guitar:
Dick McDonough (on 1936-07-10)
piano:
Joe Bushkin (on 1936-07-10)
trumpet:
Bunny Berigan (on 1936-07-10)
vocals:
Billie Holiday (on 1936-07-10)
recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess) (on 1936-07-10)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Billie Holiday2:56
5At Last!
producer:
Leonard Chess, Phil Chess and Leonard and Phil Chess (legendary US production duo)
lead vocals:
Etta James
orchestra:
Riley Hampton Orchestra
conductor:
Riley Hampton
arranger:
Riley Hampton
phonographic copyright (℗) by:
Windswept Pacific Music Ltd.
part of:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 115) and Billboard: The 500 Best Pop Songs (as of October 2023) (number: 356)
cover recording of:
At Last (in 1960-10)
writer:
Mack Gordon and Harry Warren (US composer and lyricist)
publisher:
Twentieth Century Fox Music Corp., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Etta James4.53:02
6FeverPeggy Lee3:20
7Wild Is the Wind
orchestra:
Ray Ellis and His Orchestra
recording of:
Wild Is the Wind (theme song from the Paramount movie “Wild Is the Wind”)
lyricist:
Ned Washington
composer:
Dimitri Tiomkin
publisher:
BMG Music Publishing Ltd., Carlin Music Corporation, Shapiro, Bernstein & Co., Inc., Universal Music Publishing MGB Ltd., Anne-Rachel Music Corp. (in 1957, in 1985), Catharine Hinen Music (in 1957, in 1985), Chappell & Co., Inc. (USA) (in 1957), Largo Music Inc. (in 1957, in 1985) and Patti Washington Music (in 1957, in 1985)
part of:
The 30th Academy Award for Best Original Song (number: 2)
Johnny Mathis2:28
8Quarter to ThreeGary “U.S.” Bonds2:30
9Cheek to Cheek
engineer:
Val Valentin (on 1958-03-18)
producer:
Norman Granz
lead vocals:
Ella Fitzgerald (American jazz singer) (in 1958)
vocals:
Ella Fitzgerald (American jazz singer) (on 1958-03-18)
conductor:
Paul Weston (in 1958)
performer:
Paul Weston and His Orchestra (in 1958)
arranger:
Paul Weston (in 1958)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1958-03-18)
cover recording of:
Cheek to Cheek (from “Top Hat”) (on 1958-03-18)
lyricist and composer:
Irving Berlin (in 1935)
publisher:
Irving Berlin (England) Music Ltd., Irving Berlin Music Company, Irving Berlin Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
Academy Award for Best Original Song (number: 1935 nominee)
part of:
Top Hat (1935 film)
Ella Fitzgerald3:47
10Come Fly With Me
producer:
Voyle Gilmore
cello:
Elizabeth Greenschpoon, Armand Kaproff, Edgar Lustgarten and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Mondragon
drums (drum set):
Alvin Stoller
guitar:
Al Hendrickson
harp:
Verlye Mills
percussion:
Frank Flynn
piano:
Bill Miller (pianist)
trombone:
Joe Howard (american trombone player), Ed Kusby, Murray McEachern and Si Zentner
trumpet:
Conrad Gozzo, Manny Klein, Vito N. Mangano and Shorty Sherock
tuba:
Joe Washburne
viola:
Alvin Dinkin, Alexander Neiman (violist), Paul Robyn and Dave Sterkin
violin:
Harold Dicterow, David Frisina, Jacques Gasselin, Ben Gill, Dan Lube, Alex Murray (violinist), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff), Lou Raderman, Mischa Russell (violinist), Paul Shure, Felix Slatkin and Marshall Sosson
woodwind:
Buddy Collette, Fred Falensby, Jules Jacob (US jazz woodwind player), Harry Klee and Wilbur Schwartz
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1957-10-08)
orchestra:
The Billy May Orchestra (on 1957-10-08)
conductor:
Billy May (on 1957-10-08)
arranger:
Billy May
recorded at:
Capitol Studios, Studio A in Hollywood, Los Angeles, California, United States (on 1957-10-08)
recording of:
Come Fly With Me (on 1957-10-08)
lyricist:
Sammy Cahn (in 1957)
composer:
Jimmy Van Heusen (in 1957)
publisher:
Cahn Music Company, Maraville Music Corp., PW Arrangements, The International Music Network, Universal Music Corp. (USA, affiliated with ASCAP), Van Heusen Music Corp. and WB Music Corp. (1929–2019) (until 2019-05-28)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Warner Chappell Music Ltd. (no slash; used 1988–1996) and フジパシフィックミュージック (Fujipacific Music, Inc.)
Frank Sinatra4.653:18
11Turn On Your Love LightBobby “Blue” Bland52:37
12Long Time Gone
cover recording of:
Long Time Gone
lyricist and composer:
Leslie York (US country musician and songwriter)
The Everly Brothers2:26
13Let the Good Times Roll
producer:
Ahmet Ertegun (US songwriter/producer), Nesuhi Ertegun and Jerry Wexler
alto saxophone:
Marshall Royal (from 1959-05-06 until 1959-06-23)
flute and saxophone:
Frank Wess (from 1959-05-06 until 1959-06-23)
piano:
Ray Charles (soul musician, singer and songwriter) (from 1959-05-06 until 1959-06-23)
tenor saxophone:
Paul Gonsalves (from 1959-05-06 until 1959-06-23), David “Fathead” Newman (American jazz saxophonist) (from 1959-05-06 until 1959-06-23) and Zoot Sims (US jazz saxophonist) (from 1959-05-06 until 1959-06-23)
trombone:
Quentin Jackson (from 1959-05-06 until 1959-06-23) and Melba Liston (US jazz trombonist) (from 1959-05-06 until 1959-06-23)
trumpet:
Marcus Belgrave (from 1959-05-06 until 1959-06-23), Joe Newman (US jazz trumpeter) (from 1959-05-06 until 1959-06-23), Ernie Royal (from 1959-05-06 until 1959-06-23), Clark Terry (American swing trumpeter) (from 1959-05-06 until 1959-06-23) and Snookie Young (from 1959-05-06 until 1959-06-23)
vocals:
Ray Charles (soul musician, singer and songwriter) (from 1959-05-06 until 1959-06-23)
arranger:
Quincy Jones
recorded at:
6 West Recording in New York, New York, United States (from 1959-05-06 until 1959-06-23)
cover recording of:
Let the Good Times Roll (from 1959-05-06 until 1959-06-23)
writer:
Fleecie Moore (in 1946) and Sam Theard (in 1946)
publisher:
Rytvoc, Inc. (ASCAP), Theard Swanson Publishing and Warock Corp.
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Ray Charles22:53
14Hound Dog
recorded in:
Los Angeles, California, United States (on 1952-08-13)
recording engineer and mixer:
Joel Moss
assistant engineer:
Tom Hardisty (film score engineer), Brandon Harris (US engineer) and Sue McLean
producer:
Hummie Mann, Johnny Otis and Marc Shaiman (American score composer and lyricist)
editor:
Curtis Roush
double bass [bass]:
Albert Winston (R&B bassist) (on 1952-08-13)
drums (drum set):
Leard Bell (R&B drummer) (on 1952-08-13)
guitar:
Pete Lewis (on 1952-08-13)
piano:
Devonia Williams (US R&B pianist/singer) (on 1952-08-13)
vibraphone [vibes]:
Johnny Otis (on 1952-08-13)
vocals:
Big Mama Thornton (on 1952-08-13)
orchestra:
Johnny Otis & His Orchestra (on 1952-08-13)
conductor:
Artie Kane
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 2006)
recording of:
Hound Dog (on 1952-08-13)
lyricist:
Jerry Leiber (on 1952-08-12)
composer:
Mike Stoller (on 1952-08-12)
previously attributed to:
Johnny Otis
publisher:
Chappell Morris Ltd., Cherry Lane, Cherry Lane Music, Cherry Lane Music Publishing, Elvis Presley Music, Gladys Music, Lion Publishing Co., MCA Music Inc. (US-based music publishers), MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Sony/ATV Songs LLC, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal/MCA Music (music publisher; do not use as release label!), Williamson Music Company and Williamson Music, Inc.
Big Mama Thornton4.652:51
15I Fought the Law
later releases:
I Fought the Law by The Crickets (band originally with Buddy Holly)
recording of:
I Fought the Law
lyricist and composer:
Sonny Curtis
publisher:
Acuff-Rose Publications, Inc. (BMI), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
The Crickets2:13
16Roll Over Beethoven
recording of:
Roll Over Beethoven
lyricist and composer:
Chuck Berry (in 1956-01)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dualtone Words and Songs, Isalee Music Publishing Company and Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
sub-publisher:
Fujipacific Music, Inc. and Rock ’n’ Roll Music
Chuck Berry2:25
17You Shook Me
double bass:
Willie Dixon (on 1962-06-27)
guitar:
Earl Hooker (on 1962-06-27)
membranophone:
Bobby Little (drummer) (on 1962-06-27)
organ:
Johnny "Big Moose" Walker (on 1962-06-27)
piano:
Lafayette Leake (on 1962-06-27)
tenor saxophone:
A.C. Reed (on 1962-06-27)
vocals:
Muddy Waters (blues musician) (on 1962-06-27)
recording of:
You Shook Me (on 1962-06-27)
lyricist and composer:
Willie Dixon
additional writer:
J.B. Lenoir
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), BMG Rights Management (US) LLC (file releases under its imprint “BMG (2008–present)” if the release has an imprint) and Hoochie Coochie Music
Muddy Waters32:46
18Last Kiss
recording of:
Last Kiss
lyricist and composer:
Wayne Cochran
publisher:
Boblo Music, Fort Knox Music Inc. and Trio Music Co., Inc.
Wayne Cochran2:28
19La Bamba
recording engineer:
Larry Levine and Stan Ross (recording engineer, mixer & producer)
producer:
Bob Keane
phonographic copyright (℗) by:
Del-Fi Records Inc. (in 1958)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (number: 19), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 142) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 346)
recording of:
La bamba (additional lyrics by Ritchie Valens) (on 1958-11-17)
additional lyricist:
Ritchie Valens
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Ritchie Valens
publisher:
Carlin Music Corporation, EMI Longitude Music and M.P.A. (M.P.A.)
version of:
La bamba
Ritchie Valens4.752:08
20Naima
recording engineer:
Tom Dowd (on 1959-12-02) and Phil Iehle (on 1959-12-02)
producer:
Nesuhi Ertegun
double bass:
Paul Chambers (US jazz bassist) (on 1959-12-02)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-12-02)
piano:
Wynton Kelly (on 1959-12-02)
tenor saxophone:
John Coltrane (on 1959-12-02)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1959-12-02)
recording of:
Naima (original instrumental version) (on 1959-12-02)
composer:
John Coltrane
named after artist:
Juanita Naima Grubbs
publisher:
Jowcol Music
John Coltrane44:23
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