The Classic 100: Baroque & Before

~ Parution par Various Artists (afficher toutes les versions de cette parution, 1 proposée)

Liste de pistes

1▶CD : Volume I CD1
2▶CD : Volume I CD2
3▶CD : Volume I CD3
4▼CD : Volume 1 CD4
noTitreArtisteÉvaluationDurée
1Brandenburg Concerto No. 5 in D major, BWV1050: I. Allegro (excerpt)
clavecin :
Erin Helyard
orchestre :
Orchestra of the Antipodes
conductor :
Erin Helyard
partiel recording of :
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
version de :
Concerto D-Dur, BWV 1050a: I. Allegro
partie de :
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
Johann Sebastian Bach6:07
2Solomon, HWV67: The Arrival of the Queen of Sheba
orchestre :
Australian Brandenburg Orchestra
conductor :
Paul Dyer (conductor)
recording of :
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba”
compositeur :
George Frideric Handel (Georg Haendel, German‐British baroque composer) (le 1748)
éditeur :
Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft et Public Domain (refers to works that are in the public domain)
partie de :
Solomon, HWV 67: Act III
George Frideric Handel3:10
3Brandenburg Concerto No. 1 in F major, BWV1046: I. [Allegro]
orchestre :
Orchestra of the Antipodes
conductor :
Antony Walker (Australian conductor)
recording of :
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046: I.
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Brandenburgisches Konzert Nr. 1 F-Dur, BWV 1046 (Brandenburg Concerto no. 1 in F major, BWV 1046)
Johann Sebastian Bach3:57
4The Well-Tempered Clavier, Book I: Prelude in C major, BWV846
clavecin :
Erin Helyard
recording of :
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician) (le 1722)
partie de :
Notebook for Anna Magdalena Bach (Petits livres de notes d'Anna Magdalena Bach, 1725) (numéro : 29)
partie de :
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
révision de :
Prelude and Fugue no. 1 in C major, BWV 846.1/846a: I. Prelude (early version)
Johann Sebastian Bach2:06
5Greensleeves
guitare :
Gareth Koch
recording of :
Greensleeves (generic entry for traditional and unknown arrangements)
parolier et compositeur :
[traditional] (Traditionnel, special purpose artist)
Anonymous2:26
6Come, Ye Sons of Art, Away (Birthday Ode for Queen Mary), Z323: Sound the Trumpet
voix de contreténor [countertenor] :
Christophe Dumaux (countertenor) et Andreas Scholl (countertenor)
orchestre :
Accademia Bizantina
conductor :
Stefano Montanari (violinist and conductor)
recording of :
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323: III. Sound the Trumpet
compositeur :
Henry Purcell (Baroque composer) (le 1694)
librettiste :
Nahum Tate
partie de :
Birthday Ode for Queen Mary "Come Ye Sons of Art", Z. 323
Henry Purcell3:03
7Serse (Xerxes), HWV40: Ombra mai fù (Never Was Shade So Lovely)
voix de ténor [tenor] :
David Hobson (tenor, composer)
orchestre :
Sinfonia Australis
conductor :
Antony Walker (Australian conductor)
recording of :
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
compositeur :
George Frideric Handel (Georg Haendel, German‐British baroque composer) (du 1737-12-26 au 1738-01-09)
librettiste :
[anonymous] (special purpose artist)
partie de :
Serse, HWV 40: Atto I
George Frideric Handel2:47
8Brandenburg Concerto No. 4 in G major, BWV1049: I. Allegro
orchestre :
Orchestra of the Antipodes
conductor :
Anna McDonald (Australian violinist and conductor) et Antony Walker (Australian conductor)
recording of :
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049: I. Allegro
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Brandenburgisches Konzert Nr. 4 G-Dur, BWV 1049 (Brandenburg Concerto No. 4 in G major, BWV 1049)
Johann Sebastian Bach6:56
9Flow My Tears
luth :
Tommie Andersson
viole de gambe :
Daniel Yeadon (cello and viol player)
voix de ténor [tenor] :
Paul McMahon (Australian tenor)
recording of :
Lachrimae Pavane (Flow My Tears)
compositeur :
John Dowland (English Renaissance composer, lutenist, and singer)
John Dowland5:08
10Christmas Oratorio, BWV248: Jauchzet, frohlocket (Rejoice, exult)
chœurs :
The Sixteen (UK choir)
orchestre :
Orchestra of The Sixteen
conductor :
Harry Christophers (conductor)
interprète :
The Sixteen (UK choir)
enregistré à :
Rosslyn Hill Unitarian Chapel dans Hampstead, Camden (District londonien de Camden), London (Londres, Greater London), England, Royaume-Uni
recording of :
Weihnachts‐Oratorium, BWV 248: Teil I, I. Coro „Jauchzet, frohlocket“ (le 1993-01)
première en :
Leipzig, Sachsen (Saxony), Allemagne (le 1734-12-25)
composé en :
Leipzig, Sachsen (Saxony), Allemagne (du 1734 au 1735)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
est basée sur :
Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!"
partie de :
Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")
Johann Sebastian Bach7:55
11Rinaldo, HWV7: Lascia ch'io pianga (Let Me Lament)
voix de soprano :
Yvonne Kenny (Australian soprano) (du 1997-09-22 au 1997-09-30)
orchestre :
Australian Brandenburg Orchestra (du 1997-09-22 au 1997-09-30)
conductor :
Paul Dyer (conductor) (du 1997-09-22 au 1997-09-30)
enregistré à :
Eugene Goossens Hall, ABC Centre (ABC Studio 200) dans Sydney, New South Wales, Australie (du 1997-09-22 au 1997-09-30)
recording of :
Rinaldo, HWV 7a: Atto II, Scene IV, no. 22. Aria “Lascia ch’io pianga mia cruda sorte” (Almirena)
compositeur :
George Frideric Handel (Georg Haendel, German‐British baroque composer) (le 1711)
librettiste :
Giacomo Rossi
partie de :
Rinaldo, HWV 7a: Atto II
George Frideric Handel4:25
12St John Passion, BWV245 (1724 Version): Ruht wohl (Rest In Peace)
chœurs :
Choir of the AAM
orchestre :
Academy of Ancient Music
conductor :
Richard Egarr (conductor)
recording of :
Johannes-Passion, BWV 245: Teil II. No. 39 Chorus "Ruht wohl, ihr heiligen Gebeine"
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Johannes-Passion, BWV 245 (Passion selon saint Jean, BWV 245)
Johann Sebastian Bach6:33
13Brandenburg Concerto No. 2 in F major, BWV1047: I. [Allegro]
orchestre :
Orchestra of the Antipodes
conductor :
Antony Walker (Australian conductor)
recording of :
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: I.
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach5:02
14Brandenburg Concerto No. 6 in B-flat major, BWV1051: I. [Allegro]
orchestre :
Orchestra of the Antipodes
conductor :
Erin Helyard et Antony Walker (Australian conductor)
recording of :
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051: I.
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Brandenburgisches Konzert Nr. 6 B-Dur, BWV 1051 (Brandenburg Concerto No. 6 in B flat major, BWV 1051)
Johann Sebastian Bach5:56
15The Prince of Denmark's March (Trumpet Voluntary)
orchestre :
West Australian Symphony Orchestra
conductor :
Benjamin Northey (Australian conductor)
recording of :
The Prince of Denmark’s March (erroneously called “Trumpet Voluntary”)
compositeur :
Jeremiah Clarke (English baroque composer and organist) (le 1700)
Jeremiah Clarke2:31
16Concerto for Two Guitars in G major, RV532 (originally for two mandolins): I. Allegro
guitare :
Leonard Grigoryan (Australian classical guitarist) et Slava Grigoryan (Australian classical guitarist)
orchestre :
Tasmanian Symphony Orchestra
conductor :
Benjamin Northey (Australian conductor)
recording of :
Concerto for Two Mandolins and Strings in G major, RV 532: I. Allegro (orch. Bream)
orchestrateur :
Julian Bream
compositeur :
Antonio Vivaldi (Italian baroque composer and violinist)
arrangeur luth :
Julian Bream
orchestration de :
Concerto in G major for Two Mandolins, Strings and Continuo, RV 532: I. Allegro
partie de :
Concerto in G major for Two Mandolins, Strings and Continuo, RV 532 (for two lutes in D major)
Antonio Vivaldi4:16
17Giulio Cesare in Egitto (Julius Caesar in Egypt), HWV17 Piangerò la sorte mia (I Will Lament My Fate)
voix de soprano [soprano] :
Yvonne Kenny (Australian soprano)
orchestre :
Australian Brandenburg Orchestra
conductor :
Paul Dyer (conductor)
recording of :
Giulio Cesare in Egitto, HWV 17: Atto III, Scena III, 35. Aria “Piangerò la sorte mia” (Cleopatra)
compositeur :
George Frideric Handel (Georg Haendel, German‐British baroque composer) (le 1724)
librettiste :
Nicola Francesco Haym
partie de :
Giulio Cesare in Egitto, HWV 17: Atto III
George Frideric Handel5:38
5▶CD : Volume II CD1
6▶CD : Volume II CD2
7▶CD : Volume II CD3
8▶CD : Volume II CD4

Crédits

Parution

producteur délégué :Toby Chadd (Producer)
Robert Patterson (producer)
monteur :Natalie Shea (alto / producer)
matriçage :Virginia Read (engineer/editor/producer)
design :Imagecorp Pty Ltd
entrée discographique :http://musictrust.com.au/the-classic-100-baroque-and-before/ [info]

Groupe de parution

inclut :The Classic 100: Baroque & Before; Volume 1
partie de :Classic 100 (numéro : 2014) (ordre : 12)