Pure Ella

~ Veröffentlichung von Ella Fitzgerald (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Anmerkung

Notes

This late reissue features two interesting late Decca LP releases, Songs In A Mellow Mood and Sings Gershwin (not to be confused with the later Verve Songbooks) bundled in one disc. Be careful, though, that there also exists another release with that name from Verve (a compilation, totally unrelated to this).
Recommended.

Anmerkung zuletzt geändert am 2007-11-22 01:59 UTC.

Titelliste

1CD
Nr.TitelBewertungLänge
1Someone to Watch Over Me
recorded in:
New York, New York, Vereinigte Staaten (am 1950-09-12)
Produzent(in):
Milt Gabler
Klavier:
Ellis Larkins
vocals:
Ella Fitzgerald (American jazz singer) (am 1950-09-12)
cover recording of:
Someone to Watch Over Me (Oh, Kay!) (am 1950-09-12)
Texter:
Ira Gershwin (in 1926)
Komponist(in):
George Gershwin (composer) (in 1926)
publisher:
Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28), Harms, Inc. (in 1926) und WC Music Corp. (von 2019-05-28 bis 2022-01-01)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Crazy for You (1992 musical)
Teil von:
Oh, Kay! (1926 musical)
3:14
2My One and Only
recorded in:
New York, New York, Vereinigte Staaten (am 1950-09-11)
Produzent(in):
Milt Gabler
Klavier:
Ellis Larkins
vocals:
Ella Fitzgerald (American jazz singer) (am 1950-09-11)
cover recording of:
My One and Only (from “Funny Face”) (am 1950-09-11)
Texter:
Ira Gershwin (in 1927)
Komponist(in):
George Gershwin (composer) (in 1927)
publisher:
WB Music Corp. (1929–2019) (bis 2019-05-28)
Teil von:
Funny Face (1927 musical)
Teil von:
My One and Only (1983 Broadway musical)
3:14
3But Not for Me
recorded in:
New York, New York, Vereinigte Staaten (am 1950-09-12)
Produzent(in):
Milt Gabler
Klavier:
Ellis Larkins
vocals:
Ella Fitzgerald (American jazz singer) (am 1950-09-12)
cover recording of:
But Not for Me (am 1950-09-12)
Texter:
Ira Gershwin (in 1930)
Komponist(in):
George Gershwin (composer) (in 1930)
publisher:
WB Music Corp. (1929–2019) (bis 2019-05-28), New World Music Co. (in 1930) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Girl Crazy (1930 Musical)
Teil von:
When the Boys Meet the Girls (1965 film)
3:13
4Looking for a Boy
recorded in:
New York, New York, Vereinigte Staaten (am 1950-09-11)
Produzent(in):
Milt Gabler
Klavier:
Ellis Larkins (am 1950-09-11)
vocals:
Ella Fitzgerald (American jazz singer) (am 1950-09-11)
cover recording of:
Looking for a Boy (am 1950-09-11)
Texter:
Ira Gershwin (in 1925)
Komponist(in):
George Gershwin (composer) (in 1925)
publisher:
WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis ????)
Teil von:
Tip-Toes
3:07
5I’ve Got a Crush on You
recorded in:
New York, New York, Vereinigte Staaten (am 1950-09-11)
Produzent(in):
Milt Gabler
Klavier:
Ellis Larkins
vocals:
Ella Fitzgerald (American jazz singer) (am 1950-09-11)
cover recording of:
I’ve Got a Crush on You (am 1950-09-11)
Texter:
Ira Gershwin (in 1928)
Komponist(in):
George Gershwin (composer) (in 1928)
publisher:
New World Music Corp. (beendet), Warner Bros. Music Corp. (beendet), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (von 2019-05-28 bis 2024-01-01)
Teil von:
Treasure Girl (1928 musical)
3:14
6How Long Has This Been Going On?
recorded in:
New York, New York, Vereinigte Staaten (am 1950-09-11)
Produzent(in):
Milt Gabler
Klavier:
Ellis Larkins
vocals:
Ella Fitzgerald (American jazz singer) (am 1950-09-11)
cover recording of:
How Long Has This Been Going On? (Funny Face, 1957 film) (am 1950-09-11)
Texter:
Ira Gershwin (in 1928)
Komponist(in):
George Gershwin (composer) (in 1928)
publisher:
New World Music Co. (in 1927)
Teil von:
My One and Only (1983 Broadway musical)
Teil von:
Rosalie
3:15
7Maybe
recorded in:
New York, New York, Vereinigte Staaten (am 1950-09-12)
Produzent(in):
Milt Gabler
Klavier:
Ellis Larkins (am 1950-09-12)
vocals:
Ella Fitzgerald (American jazz singer) (am 1950-09-12)
cover recording of:
Maybe (am 1950-09-12)
Texter:
Ira Gershwin
Komponist(in):
George Gershwin (composer)
publisher:
New World Music Corp. (in 1926)
Teil von:
Oh, Kay! (1926 musical)
3:25
8Soon
recorded in:
New York, New York, Vereinigte Staaten (am 1950-09-12)
Produzent(in):
Milt Gabler
Klavier:
Ellis Larkins (am 1950-09-12)
vocals:
Ella Fitzgerald (American jazz singer) (am 1950-09-12)
cover recording of:
Soon (am 1950-09-12)
Texter:
Ira Gershwin (in 1927)
Komponist(in):
George Gershwin (composer) (in 1927)
publisher:
Chappell & Co Ltd. und New World Music Corp. (in 1929)
Teil von:
My One and Only (1983 Broadway musical)
Teil von:
Strike up the Band (1927 Gershwin musical)
2:45
9I’m Glad There Is You
recorded in:
New York, New York, Vereinigte Staaten (am 1954-03-29)
Produzent(in):
Milt Gabler
Klavier:
Ellis Larkins (am 1954-03-29)
vocals:
Ella Fitzgerald (American jazz singer) (am 1954-03-29)
cover recording of:
I’m Glad There Is You (am 1954-03-29)
Verfasser(in):
Jimmy Dorsey und Paul Madeira (Paul Madeira Mertz)
publisher:
Chappell/Morris Ltd. und Mayfair Music Corp.
3:07
10What Is There to Say?
recorded in:
New York, New York, Vereinigte Staaten (am 1954-03-29)
Produzent(in):
Milt Gabler
Klavier:
Ellis Larkins (am 1954-03-29)
Sologesang:
Ella Fitzgerald (American jazz singer)
vocals:
Ella Fitzgerald (American jazz singer) (am 1954-03-29)
cover recording of:
What Is There to Say? (am 1954-03-29)
Texter:
Yip Harburg
Komponist(in):
Vernon Duke
publisher:
BMG Songs, Next Decade Entertainment und T.B. Harms Co.
3:20
11People Will Say We’re in Love
recorded in:
New York, New York, Vereinigte Staaten (am 1954-03-29)
Produzent(in):
Milt Gabler
Klavier:
Ellis Larkins (am 1954-03-29)
vocals:
Ella Fitzgerald (American jazz singer) (am 1954-03-29)
cover recording of:
People Will Say We’re in Love (am 1954-03-29)
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Rodgers & Hammerstein Theatrical Europe Ltd., Williamson Music Company und Williamson Music, Inc.
Teil von:
Oklahoma! (Rodgers & Hammerstein musical)
3:09
12Please Be Kind
recorded in:
New York, New York, Vereinigte Staaten (am 1954-03-30)
Produzent(in):
Milt Gabler
Klavier:
Ellis Larkins (am 1954-03-30)
vocals:
Ella Fitzgerald (American jazz singer) (am 1954-03-30)
cover recording of:
Please Be Kind (am 1954-03-30)
Texter:
Sammy Cahn (in 1938)
Komponist(in):
Saul Chaplin (in 1938)
publisher:
Harms, Inc.
3:33
13Until the Real Thing Comes Along
recorded in:
New York, New York, Vereinigte Staaten (am 1954-03-29)
Produzent(in):
Milt Gabler
Klavier:
Ellis Larkins (am 1954-03-29)
Sologesang:
Ella Fitzgerald (American jazz singer) (am 1954-03-29)
vocals:
Ella Fitzgerald (American jazz singer) (am 1954-03-29)
cover recording of:
Until the Real Thing Comes Along (am 1954-03-29)
Texter und Komponist(in):
Sammy Cahn, Saul Chaplin, L.E. Freeman, Mann Holiner und Alberta Nichols
publisher:
Anne-Rachel Music Corp., Cahn Music Company, Chappell & Co., Inc. (USA) und WB Music Corp. (1929–2019)
2:55
14Makin’ Whoopee
recorded in:
New York, New York, Vereinigte Staaten (am 1954-03-29)
Produzent(in):
Milt Gabler
Klavier:
Ellis Larkins (am 1954-03-29)
vocals:
Ella Fitzgerald (American jazz singer) (am 1954-03-29)
cover recording of:
Makin’ Whoopee! (am 1954-03-29)
Texter:
Gus Kahn
Komponist(in):
Walter Donaldson
Übersetzer:
Harrie Geelen
publisher:
Beth Dryer Music, Donaldson Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, Keith Prowse Music Publishing Co. Ltd., Tobago Music Co. und WB Music Corp. (1929–2019)
3:04
15Imagination
recorded in:
New York, New York, Vereinigte Staaten (am 1954-03-30)
Produzent(in):
Milt Gabler
Klavier:
Ellis Larkins (am 1954-03-30)
vocals:
Ella Fitzgerald (American jazz singer) (am 1954-03-30)
cover recording of:
Imagination (am 1954-03-30)
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music und Music Sales Corporation (American copyright holder in both popular and classical music)
2:35
16Star Dust
recorded in:
New York, New York, Vereinigte Staaten (am 1954-03-30)
Produzent(in):
Milt Gabler
Klavier:
Ellis Larkins (am 1954-03-30)
Sologesang:
Ella Fitzgerald (American jazz singer)
vocals:
Ella Fitzgerald (American jazz singer) (am 1954-03-30)
cover recording of:
Stardust (the jazz standard) (am 1954-03-30)
Texter:
Mitchell Parish (in 1929)
Komponist(in):
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (beendet), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. und Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Teil von:
American Splendor
3:59
17My Heart Belongs to Daddy
recorded in:
New York, New York, Vereinigte Staaten (am 1954-03-30)
Produzent(in):
Milt Gabler
Klavier:
Ellis Larkins (am 1954-03-30)
vocals:
Ella Fitzgerald (American jazz singer) (am 1954-03-30)
cover recording of:
My Heart Belongs to Daddy (am 1954-03-30)
Texter und Komponist(in):
Cole Porter (composer) (in 1938)
publisher:
Chappell (library/production music), Chappell & Co. und Chappell Music Ltd.
2:37
18You Leave Me Breathless
recorded in:
New York, New York, Vereinigte Staaten (am 1954-03-30)
Produzent(in):
Milt Gabler
Klavier:
Ellis Larkins (am 1954-03-30)
vocals:
Ella Fitzgerald (American jazz singer) (am 1954-03-30)
cover recording of:
You Leave Me Breathless (from the film “Cocoanut Grove”) (am 1954-03-30)
Texter:
Ralph Freed
Komponist(in):
Friedrich Hollaender
3:03
19Baby, What Else Can I Do?
recorded in:
New York, New York, Vereinigte Staaten (am 1954-03-29)
Produzent(in):
Milt Gabler
Klavier:
Ellis Larkins (am 1954-03-29)
vocals:
Ella Fitzgerald (American jazz singer) (am 1954-03-29)
cover recording of:
Baby, What Else Can I Do? (am 1954-03-29)
Texter:
Walter Hirsch
Komponist(in):
Gerald Marks
3:47
20Nice Work If You Can Get It
recorded in:
New York, New York, Vereinigte Staaten (am 1954-03-30)
Produzent(in):
Milt Gabler
Klavier:
Ellis Larkins (am 1954-03-30)
vocals:
Ella Fitzgerald (American jazz singer) (am 1954-03-30)
cover recording of:
Nice Work If You Can Get It (am 1954-03-30)
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) und Gershwin Publishing Corp (in 1937)
Teil von:
A Damsel in Distress (1937 film score)
Teil von:
Crazy for You (1992 musical)
Teil von:
My One and Only (1983 Broadway musical)
2:38

Nennungen

Veröffentlichung

Produzent(in):Orrin Keepnews (Aufgabe: reissue)
mastering:Erick Labson
transferrer:Paul Elmore (engineer)
mastered at und transferred at:MCA Music Media Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
ASIN:US: B000003N3Y [Info]

Veröffentlichungsgruppe

Wikipedia:en: Pure Ella [Info]
Wikidata:Q1331710 [Info]