Secular Cantatas, BWV 202–204

~ Release by Johann Sebastian Bach; Bach‐Collegium Stuttgart, Helmuth Rilling (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
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1Kantate, BWV 202 “Weichet nur, betrübte Schatten”: I. Aria (Sopran) “Weichet nur, betrübte Schatten”
soprano vocals:
Sibylla Rubens (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Mozartsaal, Liederhalle in Stuttgart, Baden-Württemberg, Germany (in 1997-04)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": I. Aria "Weichet nur, betrübte Schatten" (in 1997-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach5:59
2Kantate, BWV 202 “Weichet nur, betrübte Schatten”: II. Recitativo (Sopran) “Die Welt wird wieder neu”
soprano vocals:
Sibylla Rubens (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Mozartsaal, Liederhalle in Stuttgart, Baden-Württemberg, Germany (in 1997-04)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": II. Recitativo "Die Welt wird wieder neu" (in 1997-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach0:27
3Kantate, BWV 202 “Weichet nur, betrübte Schatten”: III. Aria (Sopran) “Phoebus eilt mit schnellen Pferden”
soprano vocals:
Sibylla Rubens (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Mozartsaal, Liederhalle in Stuttgart, Baden-Württemberg, Germany (in 1997-04)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": III. Aria "Phoebus eilt mit schnellen Pferden" (in 1997-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach2:59
4Kantate, BWV 202 “Weichet nur, betrübte Schatten”: IV. Recitativo (Sopran) “Drum sucht auch Amor sein Vergnügen”
soprano vocals:
Sibylla Rubens (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Mozartsaal, Liederhalle in Stuttgart, Baden-Württemberg, Germany (in 1997-04)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": IV. Recitativo "Drum sucht auch Amor sein Vergnügen" (in 1997-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach0:34
5Kantate, BWV 202 “Weichet nur, betrübte Schatten”: V. Aria (Sopran) “Wenn die Frühlingslüfte streichen”
soprano vocals:
Sibylla Rubens (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Mozartsaal, Liederhalle in Stuttgart, Baden-Württemberg, Germany (in 1997-04)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": V. Aria "Wenn die Frühlingslüfte streichen" (in 1997-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach2:20
6Kantate, BWV 202 “Weichet nur, betrübte Schatten”: VI. Recitativo (Sopran) “Und dieses ist das Glücke”
soprano vocals:
Sibylla Rubens (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Mozartsaal, Liederhalle in Stuttgart, Baden-Württemberg, Germany (in 1997-04)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": VI. Recitativo "Und dieses ist das Glücke" (in 1997-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach0:37
7Kantate, BWV 202 “Weichet nur, betrübte Schatten”: VII. Aria (Sopran) “Sich üben im Lieben”
soprano vocals:
Sibylla Rubens (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Mozartsaal, Liederhalle in Stuttgart, Baden-Württemberg, Germany (in 1997-04)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": VII. Aria "Sich üben im Lieben" (in 1997-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach4:17
8Kantate, BWV 202 “Weichet nur, betrübte Schatten”: VIII. Recitativo (Sopran) “So sei das Band der keuschen Liebe”
soprano vocals:
Sibylla Rubens (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Mozartsaal, Liederhalle in Stuttgart, Baden-Württemberg, Germany (in 1997-04)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": VIII. Recitativo "So sei das Band der keuschen Liebe" (in 1997-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach0:25
9Kantate, BWV 202 “Weichet nur, betrübte Schatten”: IX. Gavotte (Sopran) “Sehet in Zufriedenheit”
soprano vocals:
Sibylla Rubens (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Mozartsaal, Liederhalle in Stuttgart, Baden-Württemberg, Germany (in 1997-04)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": IX. Gavotte "Sehet in Zufriedenheit" (in 1997-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach1:39
10Kantate, BWV 203 “Amore traditore”: I. Aria (Bass) “Amore traditore”
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
bass vocals:
Dietrich Henschel (baritone)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1998-01)
recording of:
Kantate, BWV 203 "Amore traditore": I. Aria (Bass) "Amore traditore" (in 1998-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 203 "Amore traditore"
Johann Sebastian Bach5:18
11Kantate, BWV 203 “Amore traditore”: II. Recitativo (Bass) “Voglio provar”
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
bass vocals:
Dietrich Henschel (baritone)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1998-01)
recording of:
Kantate, BWV 203 "Amore traditore": II. Recitativo (Bass) "Voglio provar" (in 1998-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 203 "Amore traditore"
Johann Sebastian Bach0:40
12Kantate, BWV 203 “Amore traditore”: III. Aria (Bass) “Chi in amore ha nemica la sorte”
harpsichord:
Michael Behringer (conductor, organist and harpsichordist)
bass vocals:
Dietrich Henschel (baritone)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1998-01)
recording of:
Kantate, BWV 203 "Amore traditore": III. Aria (Bass) "Chi in amore ha nemica la sorte" (in 1998-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 203 "Amore traditore"
Johann Sebastian Bach5:13
13Kantate, BWV 204 “Ich bin in mir vergnügt”: I. Recitativo (Sopran) “Ich bin in mir vergnügt”
soprano vocals:
Sibylla Rubens (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1998-01)
recording of:
Kantate, BWV 204 "Ich bin in mir vergnügt": I. Recitativo (Sopran) "Ich bin in mir vergnügt" (in 1998-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1726 until 1727)
librettist:
Christian Friedrich Hunold
part of:
Kantate, BWV 204 "Ich bin in mir vergnügt"
Johann Sebastian Bach1:45
14Kantate, BWV 204 “Ich bin in mir vergnügt”: II. Aria (Sopran) “Ruhig und in sich zufrieden”
soprano vocals:
Sibylla Rubens (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1998-01)
recording of:
Kantate, BWV 204 "Ich bin in mir vergnügt": II. Aria (Sopran) "Ruhig und in sich zufrieden" (in 1998-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1726 until 1727)
librettist:
Christian Friedrich Hunold
part of:
Kantate, BWV 204 "Ich bin in mir vergnügt"
Johann Sebastian Bach6:41
15Kantate, BWV 204 “Ich bin in mir vergnügt”: III. Recitativo (Sopran) “Ihr Seelen, die ihr außer euch stets in die Irre lauft”
soprano vocals:
Sibylla Rubens (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1998-01)
recording of:
Kantate, BWV 204 "Ich bin in mir vergnügt": III. Recitativo (Sopran) "Ihr Seelen, die ihr außer euch stets in die Irre lauft" (in 1998-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1726 until 1727)
librettist:
Christian Friedrich Hunold
part of:
Kantate, BWV 204 "Ich bin in mir vergnügt"
Johann Sebastian Bach2:05
16Kantate, BWV 204 “Ich bin in mir vergnügt”: IV. Aria (Sopran) “Die Schätzbarkeit der weiten Erden”
soprano vocals:
Sibylla Rubens (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1998-01)
recording of:
Kantate, BWV 204 "Ich bin in mir vergnügt": IV. Aria (Sopran) "Die Schätzbarkeit der weiten Erden" (in 1998-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1726 until 1727)
librettist:
Christian Friedrich Hunold
part of:
Kantate, BWV 204 "Ich bin in mir vergnügt"
Johann Sebastian Bach4:08
17Kantate, BWV 204 “Ich bin in mir vergnügt”: V. Recitativo (Sopran) “Schwer ist es zwar, viel Eitles zu besitzen”
soprano vocals:
Sibylla Rubens (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1998-01)
recording of:
Kantate, BWV 204 "Ich bin in mir vergnügt": V. Recitativo (Sopran) "Schwer ist es zwar, viel Eitles zu besitzen" (in 1998-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1726 until 1727)
librettist:
Christian Friedrich Hunold
part of:
Kantate, BWV 204 "Ich bin in mir vergnügt"
Johann Sebastian Bach1:57
18Kantate, BWV 204 “Ich bin in mir vergnügt”: VI. Aria (Sopran) “Meine Seele sei vergnügt”
soprano vocals:
Sibylla Rubens (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1998-01)
recording of:
Kantate, BWV 204 "Ich bin in mir vergnügt": VI. Aria (Sopran) "Meine Seele sei vergnügt" (in 1998-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1726 until 1727)
librettist:
Christian Friedrich Hunold
part of:
Kantate, BWV 204 "Ich bin in mir vergnügt"
Johann Sebastian Bach5:32
19Kantate, BWV 204 “Ich bin in mir vergnügt”: VII. Recitativo (Sopran) “Ein edler Mensch ist Perlenmuscheln gleich”
soprano vocals:
Sibylla Rubens (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1998-01)
recording of:
Kantate, BWV 204 "Ich bin in mir vergnügt": VII. Recitativo (Sopran) "Ein edler Mensch ist Perlenmuscheln gleich" (in 1998-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1726 until 1727)
librettist:
Christian Friedrich Hunold
part of:
Kantate, BWV 204 "Ich bin in mir vergnügt"
Johann Sebastian Bach1:55
20Kantate, BWV 204 “Ich bin in mir vergnügt”: VIII. Aria (Sopran) “Himmlische Vergnügsamkeit”
soprano vocals:
Sibylla Rubens (soprano)
orchestra:
Bach‐Collegium Stuttgart (German baroque ensemble led by Helmuth Rilling, aka Bach‐Ensemble)
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany (in 1998-01)
recording of:
Kantate, BWV 204 "Ich bin in mir vergnügt": VIII. Aria (Sopran) "Himmlische Vergnügsamkeit" (in 1998-01)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1726 until 1727)
librettist:
Christian Friedrich Hunold
part of:
Kantate, BWV 204 "Ich bin in mir vergnügt"
Johann Sebastian Bach4:39

Credits

Release group

part of:Die kompletten Werke von Johann Sebastian Bach (Hänssler Classic) (number: 62) (order: 62)