A Natural Woman

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1(You Make Me Feel Like) A Natural Woman
Techniker(in):
Hank Cicalo
Produzent(in):
Lou Adler
Keyboard:
Carole King
Kontrabass:
Charles Larkey
vocals:
Carole King
aufgenommen bei:
A&M Recording Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
(You Make Me Feel Like) A Natural Woman
Texter:
Gerry Goffin
zusätzliche(r) Verfasser(in):
Jerry Wexler
Komponist(in):
Carole King
publisher:
Screen Gems–Columbia Music, Inc. und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
Screen Gems–EMI Music Ltd. und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Carole King4.353:48
2The Name of the Game
Techniker(in):
Michael B. Tretow
Produzent(in):
Benny Andersson (ABBA) und Björn Ulvaeus
Akustikgitarre:
Björn Ulvaeus (am 1977-05-31)
Bassgitarre:
Rutger Gunnarsson (am 1977-05-31)
Conga und Perkussion:
Malando Gassama (am 1977-05-31)
E-Gitarre [lead guitar]:
Lasse Wellander (am 1977-05-31)
flute und Saxophon:
Lars O. Carlsson (am 1977-07-19)
Keyboard:
Benny Andersson (ABBA) (am 1977-05-31)
Schlagzeug:
Ola Brunkert (am 1977-05-31)
arranger:
Benny Andersson (ABBA) und Björn Ulvaeus
phonographisches Urheberrecht (℗) von:
Polar Music International AB (in 1977)
aufgenommen bei:
Marcus Music Ab in Stockholm, Stockholms län (Stockholm county), Schweden (am 1977-05-31, am 1977-07-19)
mixed at:
Bohus Sound Recording in Kungälv Municipality (Kungälv), Västra Götaland (Västra Götaland county), Schweden (in 1977-09)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 97)
recording of:
The Name of the Game (in 1977)
Texter:
Stig Anderson (Stikkan)
Verfasser(in):
Benny Andersson (ABBA) und Björn Ulvaeus
publisher:
EMI Music Publishing (do not use as a release label!), Union Songs AB (publisher), Union Songs Music, Universal Music Publishing Group, EMI Waterford Music (vom 1977 bis heute), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (vom 1977 bis heute) und Universal/Union Songs Musikförlag AB (vom 1977 bis heute)
Teil von:
Mamma Mia! (1999 musical)
ABBA3.654:51
3Jolene
Techniker(in):
Tom Pick
Produzent(in):
Bob Ferguson
Banjo:
Bobby Thompson (guitar & banjo player) (am 1972-05-03) und Buck Trent (am 1972-05-03)
Bass:
Bobby Dyson (am 1972-05-03)
E-Gitarre:
Jimmy Colvard (American session guitarist) (am 1972-05-03)
Fiddle:
Johnny Gimble (am 1972-05-03) und Mack Magaha (Bluegrass Fiddler) (am 1972-05-03)
Gitarre:
Dolly Parton (am 1972-05-03)
Gitarre [rhythm guitar]:
Dave Kirby (US country singer/songwriter) (am 1972-05-03)
Klavier:
Hargus "Pig" Robbins (am 1972-05-03)
Schlagzeug:
Kenny Malone (session drummer/percussion) (am 1972-05-03)
Steel-Gitarre:
Stu Basore (am 1972-05-03)
Hintergrundgesang:
Joe Babcock (am 1972-05-03), Dolores Edgin (am 1972-05-03), June Page (am 1972-05-03) und Hurshel Wiginton (am 1972-05-03)
vocals:
Dolly Parton (am 1972-05-03)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1973) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1973)
aufgenommen bei:
RCA Studio B (Nashville, TN) in Nashville, Tennessee, Vereinigte Staaten (am 1972-05-03)
Teil von:
Rolling Stone: The 200 Greatest Country Songs of All Time (Nummer: 1), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 28), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 63) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 217)
recording of:
Jolene (am 1972-05-03)
Texter und Komponist(in):
Dolly Parton
publisher:
Carlin Music Corporation, Neue Welt Musikverlag GmbH (2017 – present), Owepar Publishing Inc. und Velvet Apple Music
Dolly Parton4.252:39
4Wuthering Heights
Produzent(in):
Andrew Powell (known for contributions to Alan Parsons Project)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1977)
recording of:
Wuthering Heights
publisher:
Kate Bush (vom 1978 bis heute)
Texter und Komponist(in):
Kate Bush (am 1977-03-05)
publisher:
Beechwood Music Corp., Castle (publisher), Ed. Itaipu, Glenwood Music Corporation, Kate Bush Music Ltd. und EMI Music Publishing Ltd. (PRS‐affiliated) (vom 1978 bis heute)
Kate Bush3:24
5Gypsies, Tramps and Thieves
Techniker(in):
Lenny Roberts (producer/engineer)
Produzent(in):
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
arranger:
Al Capps (American record producer, arranger, songwriter, multi-instrumentalist, and vocalist; Born: Allan Alfonzo Capps)
produced for:
Garrett Music Enterprises (company owned by Tommy Garrett)
recording of:
Gypsys, Tramps & Thieves
Texter und Komponist(in):
Bob Stone (engineer, studio technician, producer, songwriter)
Verfasser(in):
Bob Stone (US lyricist, producer, arranger)
publisher:
Peso Music (publisher) (in 1971)
Cher4.252:34
6Ain’t No Mountain High Enough
Produzent(in):
Nickolas Ashford, Henry Cosby und Valerie Simpson
arranger:
Paul Riser
phonographisches Urheberrecht (℗) von:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1970)
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 6)
cover recording of:
Ain’t No Mountain High Enough
Verfasser(in):
Nickolas Ashford und Valerie Simpson
publisher:
EMI Music Publishing (do not use as a release label!), EMI Songs, Jobete Music (appears also as: Jobete Msc.) und Jobete Music Co., Inc.
sub-publisher:
EMI Songs Australia Pty. Ltd. und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Diana Ross4.153:30
7Don’t Leave Me This Way
Produzent(in):
Hal Davis
vocals:
Thelma Houston (in 1976)
arranger:
Art Wright (guitar)
phonographisches Urheberrecht (℗) von:
Motown Records (not for label use; use “Motown” instead) (in 1976)
Bearbeitung von:
Don’t Leave Me This Way von Thelma Houston
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 355) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 432)
cover recording of:
Don’t Leave Me This Way (Harold Melvin & The Blue Notes song)
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Thelma Houston4.43:37
8Proud Mary
cover recording of:
Proud Mary
Texter und Komponist(in):
John Fogerty
publisher:
Burlington Music Co., Ltd., Burlington Music Ltd., Cierco Music, Warner Chappell, Jondora Music (am 1968-12-27) und Jondora Musikverlag (publisher) (in 1970)
Ike & Tina Turner3:22
9Sunday Girl
assistierende(r) Techniker(in):
Grey Russell und Peter Coleman (British engineer & producer)
Techniker(in):
Peter Coleman (British engineer & producer)
assistierende(r) Produzent(in):
Peter Coleman (British engineer & producer)
Produzent(in):
Mike Chapman (Australian producer and songwriter)
Bassgitarre:
Nigel Harrison (von 1978-06 bis 1978-07)
Gitarre:
Frank Infante (von 1978-06 bis 1978-07) und Chris Stein (von 1978-06 bis 1978-07)
Keyboard:
Jimmy Destri (von 1978-06 bis 1978-07)
Schlagzeug:
Clem Burke (von 1978-06 bis 1978-07)
Sologesang:
Deborah Harry (von 1978-06 bis 1978-07)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978, in 1979), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001) und Capitol Records (imprint of Capitol Records, Inc.) (in 2001)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (von 1978-06 bis 1978-07)
mixed at:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, Vereinigte Staaten
recording of:
Sunday Girl (von 1978-06 bis 1978-07)
Texter und Komponist(in):
Chris Stein
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (beendet), Monster Island Music Publishing Corporation (beendet), BMG Monarch, Chrysalis Music Ltd. (music publisher, affiliated with PRS), EMI Music Publishing Ltd. (PRS‐affiliated) und Rare Blue Music Inc (in 1978)
Blondie3.83:11
10Da Doo Ron Ron
Techniker(in):
Larry Levine
Produzent(in):
Phil Spector
Sologesang:
LaLa Brooks (in 1963-03)
arranger:
Jack Nitzsche (American musician and score composer)
aufgenommen bei:
Gold Star Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1963-03)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 114) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 366)
recording of:
Da Doo Ron Ron (in 1963-03)
Verfasser(in):
Jeff Barry, Ellie Greenwich und Phil Spector
publisher:
Universal Music Publishing Group Japan (work publisher – do NOT use as a release label) (beendet), ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Intersong (publisher), Mother Bertha Music Inc., Trio Music Co., Inc., Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), 日本アブコ音楽出版 (ABKCO Japan Publishing), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31), イーエムアイ音楽出版 C・F事業部 (EMI Music Publishing Japan C.F. division) (bis 2021-06-30), フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
The Crystals52:18
11I Only Want to Be With You
Produzent(in):
Tom Allom
recording of:
I Only Want to Be With You (Dusty Springfield song)
Verfasser(in):
Mike Hawker und Ivor Raymonde
publisher:
Chappell & Co Ltd., Chappell Music Ltd., Springfield Music Ltd., Warner Chappell, Warner Chappell Music, Inc., Chappell & Co. (bis 1987) und Warner/Chappell Music International Ltd. (vom 1987 bis heute)
cover recording of:
I Only Want to Be With You (Dusty Springfield song)
Verfasser(in):
Mike Hawker und Ivor Raymonde
publisher:
Chappell & Co Ltd., Chappell Music Ltd., Springfield Music Ltd., Warner Chappell, Warner Chappell Music, Inc., Chappell & Co. (bis 1987) und Warner/Chappell Music International Ltd. (vom 1987 bis heute)
The Tourists52:23
12If You Can’t Give Me Love
Produzent(in):
Mike Chapman (Australian producer and songwriter)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978, in 1980) und RAK Records Ltd. (in 1978)
produced for:
Chinnichap (production company and publisher)
recording of:
If You Can’t Give Me Love (in 1980)
Texter und Komponist(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
publisher:
BMG Music Publishing Ltd., Chinnichap (production company and publisher), Chinnichap Ltd. (production company), RAK Publishing Ltd. und Universal Music–MGB Songs
Suzi Quatro4.53:52
13Say You Love Me
recording engineer:
Keith Olsen (US producer and engineer)
Techniker(in):
David DeVore
Produzent(in):
Lindsey Buckingham (guitarist, singer, songwriter and producer), Mick Fleetwood, Christine McVie, John McVie, Stevie Nicks und Keith Olsen (US producer and engineer)
Akustikgitarre, Banjo, E-Gitarre, Gitarre und Resonatorgitarre:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (in 1975-02)
Bassgitarre:
John McVie (in 1975-02)
Keyboard [keyboards] und Synthesizer:
Christine McVie (in 1975-02)
Schlagzeug [drums] und Perkussion:
Mick Fleetwood (in 1975-02)
vocals:
Lindsey Buckingham (guitarist, singer, songwriter and producer) (in 1975-02), Christine McVie (in 1975-02) und Stevie Nicks (in 1975-02)
phonographisches Urheberrecht (℗) von:
Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1975) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1975)
recording of:
Say You Love Me (in 1975-02)
Texter und Komponist(in):
Christine McVie
publisher:
Bright Music Ltd. (publisher) und Universal Music Careers
Fleetwood Mac4.24:08
14Spanish Harlem
recording engineer:
Ron Albert (am 1971-02-16) und Chuck Kirkpatrick (am 1971-02-16)
Techniker(in):
Ron Albert und Chuck Kirkpatrick
Produzent(in):
Tom Dowd, Arif Mardin und Jerry Wexler
Mix:
Arif Mardin
Bass:
Chuck Rainey (American bassist) (am 1971-02-16)
Gitarre:
Cornell Dupree (am 1971-02-16)
Hybrid-Piano und Orgel:
Donny Hathaway (am 1971-02-16)
Klavier:
Aretha Franklin (am 1971-02-16)
Schlagzeug:
Bernard Purdie (am 1971-02-16)
Hintergrundgesang:
Carolyn Franklin (am 1971-02-16), Erma Franklin (am 1971-02-16) und The Sweethearts of Soul (am 1971-02-16)
vocals:
Aretha Franklin (am 1971-02-16)
flute arranger, Horn arranger, Saiteninstrumente arranger und Hintergrundgesang arranger:
Arif Mardin
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1971) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1971)
aufgenommen bei:
Criteria Studios in Miami, Florida, Vereinigte Staaten (am 1971-02-16)
cover recording of:
Spanish Harlem (am 1971-02-16)
Texter:
Jerry Leiber
Komponist(in):
Phil Spector
publisher:
ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Carlin Music Corporation, Mother Bertha Music Inc., Sony/ATV Songs LLC, Trio Music Co., Inc. und Unichappell Music
Aretha Franklin23:27
15Mercedes Benz
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1970-10-01)
Techniker(in):
Phil Macy (50s-70s engineer)
Produzent(in):
Paul A. Rothchild
Bassgitarre:
Brad Campbell (bassist, member of Full Tilt Boogie) (am 1970-10-01)
Gast-Bongos und Gast-Conga:
Bobbye Hall
Gast-Bongos und Conga:
Bobbye Hall (am 1970-10-01)
Gast-Tamburin:
Sandra Crouch (am 1970-10-01)
Gitarre:
John Till (rock guitarist) (am 1970-10-01)
Klavier:
Richard Bell (Canadian keyboardist for The Band/Janis Joplin) (am 1970-10-01)
Orgel:
Ken Pearson (am 1970-10-01)
Schlagzeug:
Clark Pierson (am 1970-10-01)
Hintergrundgesang:
Phil Badella (am 1970-10-01), Richard Bell (Canadian keyboardist for The Band/Janis Joplin) (am 1970-10-01), Brad Campbell (bassist, member of Full Tilt Boogie) (am 1970-10-01), John Cooke (am 1970-10-01), Janis Joplin (am 1970-10-01), Vince Mitchell (am 1970-10-01), Ken Pearson (am 1970-10-01), Clark Pierson (am 1970-10-01) und John Till (rock guitarist) (am 1970-10-01)
Sologesang:
Janis Joplin (am 1970-10-01)
Interpret(in):
Full Tilt Boogie (am 1970-10-01)
aufgenommen bei:
Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1970-10-01)
recording of:
Mercedes Benz (am 1970-10-01)
Verfasser(in):
Janis Joplin, Michael McClure und Bob Neuwirth
Janis Joplin3.551:46
16Sunshine After the Rain
cover recording of:
The Sunshine After the Rain
Texter und Komponist(in):
Ellie Greenwich
publisher:
EMI Unart Catalog Inc.
Elkie Brooks3:21
17Caravan Song
recording of:
Caravan Song
Orchestrator(in), Texter und Komponist(in):
Mike Batt
Barbara Dickson3:29
18Stay With Me Till Dawn
recording of:
Stay With Me Till Dawn
Verfasser(in):
Mike Paxman (multi-instrumentalist & record producer) und Judie Tzuke
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Rocket Music Ltd. (publisher)
Judie Tzuke3:52
19Amoureuse
recording of:
Amoureuse (English version)
Verfasser(in):
Véronique Sanson
Übersetzer:
Gary Osborne
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
übersetzte Version von:
Amoureuse
Kiki Dee4:08
20Down to Zero
Techniker(in) und Produzent(in):
Glyn Johns
Bassgitarre:
Dave Markee
E-Gitarre:
Jerry Donahue
Gitarre und Sologesang:
Joan Armatrading
Klavier:
Peter Wood (UK keyboardist/pianist)
Schlagzeug:
Kenney Jones (drummer for Small Faces, Faces, and The Who)
Steel-Gitarre:
BJ Cole
zwölfsaitige Gitarre:
Graham Lyle
phonographisches Urheberrecht (℗) von:
A&M Records, Inc. (in 1976)
aufgenommen bei:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
recording of:
Down to Zero
Texter und Komponist(in):
Joan Armatrading
Joan Armatrading53:49
21Best Thing That Ever Happened to Me
cover recording of:
Best Thing That Ever Happened to Me
Texter und Komponist(in):
James D. Weatherly (American singer/songwriter)
Gladys Knight & the Pips43:44
22Woman in Love
vocals:
Sheila Ferguson, Valerie Holiday und Helen Scott
Bearbeitung von:
Woman in Love (Ferguson, Holiday, Scott) von The Three Degrees
cover recording of:
A Woman in Love (Twiggy song popularized by The Three Degrees)
Verfasser(in):
Dominic Bugatti und Frank Musker
publisher:
Chappell & Co., Inc. (USA), Pendulum Music (publisher), Sea Shanty Music (publisher) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Three Degrees34:11
23Don’t It Make My Brown Eyes Blue
phonographisches Urheberrecht (℗) von:
Capitol Records Nashville (in 1975), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1976), Liberty Records (a division of Capitol Records, Inc. since 1980 – not for release label use, but for copyrights and record company credits only) (in 1976) und Capitol Nashville (in 1977, in 1979)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 71)
cover recording of:
Don’t It Make My Brown Eyes Blue
Texter und Komponist(in):
Richard Leigh (American country music songwriter and singer)
publisher:
EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI U Catalog Inc. (publisher; do NOT use as release label) und EMI United Partnership Ltd.
Crystal Gayle4.42:31
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