25 Super Oldies, Volume 1

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

Annotazione

Tentative metadata, derived from others in the series (no info on the web):

Title: 25 Super Oldies, Vol. 1: 60 Minutes of Music from the 50's ▪ 60's

Label: Point Productions - Cat#: 2620852 - Barcode: 027726208527 - Format: CD

Annotazione modificata l'ultima volta il 2016-01-09 15:22 UTC.

Elenco tracce

1▼Supporto
#TitoloArtistaValutazioneDurata
1Only the Lonely
registrata a:
Nashville, Tennessee, Stati Uniti (il 1960-03-26)
produttore:
Fred Foster
batteria [drums] :
Buddy Harman (Session drummer and songwriter) (il 1960-03-26)
chitarra :
Hank Garland (il 1960-03-26) e Harold Bradley (il 1960-03-26)
contrabbasso [bass] :
Bob Moore (U.S. bassist and bandleader) (il 1960-03-26)
pianoforte :
Floyd Cramer (il 1960-03-26)
voce:
Roy Orbison (il 1960-03-26)
voce di accompagnamento:
Joe Melson (il 1960-03-26) e The Anita Kerr Singers (mixed vocal group) (il 1960-03-26)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1960 (numero: 2) e Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
registrazione di:
Only the Lonely (Know the Way I Feel) (il 1960-03-26)
autore:
Joe Melson e Roy Orbison
editore:
Acuff-Rose Music Limited (UK) e Acuff-Rose Publications, Inc. (BMI) (il 1960-05-04)
è stata commissionata da:
Rondor Music (London) Ltd.
Roy Orbison4.72:29
2Diana
voce:
Paul Anka (Canadian singer, songwriter and actor)
direttore d'orchestra:
Don Costa (US pop music arranger & producer)
parte di:
Huffington Post: 100 Best Canadian Songs Ever (numero: 26)
registrazione di:
Diana (il 1957-05-20)
paroliere e compositore:
Paul Anka (Canadian singer, songwriter and actor)
editore:
Pamco Music Inc. (conclusa), Epa Publishing, Robert Mellin Music Publishing Corp. e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
sub-editore:
ミュージカル・ライツ・東京 株式会社 (Musical Lights Tokyo)
Paul Anka4.22:20
3Sweet Little Sixteen
batteria :
Jasper Thomas (nel 1957-12)
chitarra e voce principale:
Chuck Berry (nel 1957-12)
contrabbasso :
Willie Dixon (nel 1957-12)
pianoforte :
Johnnie Johnson (US jazz/blues/rock’n’roll pianist) (nel 1957-12)
registrata presso:
Sheldon Recording Studios, Inc. in Chicago, Illinois, Stati Uniti (nel 1957-12)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 272)
registrazione di:
Sweet Little Sixteen (nel 1957-12)
paroliere e compositore:
Chuck Berry
editore:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Fermata do Brasil, Isalee Music Publishing Co. (Chuck Berry’s music publishing company), Isalee Music Publishing Company e Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Chuck Berry0.13:11
4Friendly Persuasion
Pat Boone3:05
5Twenty‐Four Hours From Tulsa
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1963 (numero: 36)
registrazione di:
Twenty Four Hours From Tulsa
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Gene Pitney2.53:00
6Mama Said
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1961 (numero: 17)
registrazione di:
Mama Said (nel 1961)
compositore:
Willie Denson e Luther Dixon
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Shirelles52:03
7You Send Me
produttore:
Robert “Bumps” Blackwell
basso :
Ted Brinson (il 1957-06-01)
batteria :
Earl Palmer (il 1957-06-01)
chitarra :
Clifton White (il 1957-06-01) e René Hall (il 1957-06-01)
voce di accompagnamento:
Charles Parlato, Alicia Adams (singer) (il 1957-06-01), Sue Allen (il 1957-06-01) e Lee Gotch (il 1957-06-01)
voce principale:
Sam Cooke (American singer and songwriter, “King of Soul”) (il 1957-06-01)
orchestra:
Bumps Blackwell Orchestra (Robert Alexander "Bumps" Blackwell) (il 1957-06-01)
direttore d'orchestra:
Glenn Osser (il 1957-06-01)
diritti fonografici (℗) detenuti da:
Keen (nel 1958)
registrata presso:
Specialty Studios in Los Angeles, California, Stati Uniti (il 1957-06-01)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 8) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 115)
registrazione di:
You Send Me (il 1957-06-01)
paroliere e compositore:
Sam Cooke (American singer and songwriter, “King of Soul”)
autore aggiunto:
L. C. Cooke
editore:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Burlington Music Co., Ltd., Warner/Chappell Music Ltd. (1996–2019), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 日本アブコ音楽出版 (ABKCO Japan Publishing), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
Sam Cooke42:47
8Kansas City
registrazione cover di:
Kansas City (aka “K.C. Loving”)
paroliere:
Jerry Leiber (nel 1952)
autore:
J.Leiber, M.Stoller (songwriting team)
compositore:
Mike Stoller (nel 1952)
editore:
EMI Music Ltd., Jerry Leiber Music, Mike Stoller Music (ASCAP), Peter Maurice Music Co., Peter Maurice Music Co. Ltd. e Sony/ATV Songs LLC
Wilbert Harrison2:30
9But I Do
Clarence “Frogman” Henry2:20
10Mother‐in‐Law
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1961)
registrazione di:
Mother‐in‐Law
paroliere e compositore:
Allen Toussaint
editore:
EMI Unart Catalog Inc. e J. Albert & Son Pty. Ltd.
Ernie K‐Doe32:37
11Ten Commandments of Love
The Moonglows3:41
12Blue Suede Shoes
batteria :
W.S. Holland (nel 1955-12)
chitarra :
Carl Perkins (American pioneer of rockabilly music) (nel 1955-12) e Jay Perkins (nel 1955-12)
contrabbasso :
Clayton Perkins (nel 1955-12)
voce:
Carl Perkins (American pioneer of rockabilly music) (nel 1955-12)
diritti fonografici (℗) detenuti da:
Sun (US label founded in 1952) (nel 1955, dal 1956 a oggi)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 5) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 95)
registrazione di:
Blue Suede Shoes (nel 1955-12)
paroliere e compositore:
Carl Perkins (American pioneer of rockabilly music) (nel 1955)
editore:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., EMI Music Publishing (do not use as a release label!), Hi Lo Music, Hill and Range Songs, Inc. (publisher), Unichappell Music, Unichappell Music, Inc. e Wren Music Co.
parte di:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Carl Perkins42:16
13Keep Searchin’
registrazione di:
Keep Searching (We’ll Follow the Sun)
paroliere e compositore:
Del Shannon
Del Shannon2:11
14I Walk the Line
produttore:
Sam Phillips (founder of Sun Records)
chitarra acustica e voce principale:
Johnny Cash (country music legend) (il 1956-04-02)
chitarra elettrica :
Luther Perkins (il 1956-04-02)
contrabbasso :
Marshall Grant (il 1956-04-02)
diritti fonografici (℗) detenuti da:
Sun Entertainment Corporation (company credits only; do not use as release label!) (nel 1956) e Sun Record Company (nel 1956)
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti (il 1956-04-02)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 30), Dave Marsh: The Best of the Top 40 Singles: 1956 (numero: 33) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 76)
registrazione di:
I Walk the Line (il 1956-04-02)
paroliere e compositore:
John R. Cash (country music legend) (nel 1956)
editore:
Aberbach (London) (publisher), Bug Music, Inc., Carlin Music Corporation, Hill and Range Songs, Inc. (publisher), Hill and Range Southwind Mus S A (BMI-affiliated) e House of Cash, Inc. (BMI-affiliated, publisher for works of Johnny Cash)
Johnny Cash4.152:46
15Happy Birthday Baby
The Tune Weavers2:17
16Great Balls of Fire
registrazione di:
Great Balls of Fire
autore:
Otis Blackwell (American pianist, singer and songwriter) e Jack Hammer (Earl Burroughs, co-wrote Great Balls of Fire)
editore:
B.R.S. Music Corp., Carlin Music Corporation, Hill & Range Songs, Inc. (publisher) e Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Jerry Lee Lewis1:53
17Mona Lisa
registrazione cover di:
Mona Lisa
paroliere:
Raymond B. Evans (American songwriter)
compositore:
Jay Livingston
editore:
Famous Chappell e Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
sub-editore:
BMG Unisong Music Publishers BV
parte di:
The 23rd Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1950 winner)
Carl Mann2:31
18Duke of Earl
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1962 (numero: 4)
registrazione di:
Duke of Earl
autore:
Earl Edwards (soul singer-songwriter), Eugene Dixon e Bernice Williams (songwriter)
editore:
Conrad Music (publisher; do NOT use as release label)
sub-editore:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present))
Gene Chandler52:20
19I Like It Like That
Chris Kenner1:58
20In Dreams
registrazione di:
In Dreams
paroliere e compositore:
Roy Orbison
editore:
Barbara Orbison Music Company, Roy Orbison Music Company, Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) e Acuff-Rose Publications, Inc. (BMI) (il 1963-02-13)
Roy Orbison2:50
21Susie Q
basso :
Sonny Trammell (nel 1957)
batteria :
Ronnie Lewis (drummer) (nel 1957)
chitarra :
James Burton (guitarist) (nel 1957) e Dale Hawkins (nel 1957)
voce:
Dale Hawkins (nel 1957)
voce di accompagnamento:
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (nel 1957)
parte di:
Dave Marsh: The Best of the Top 40 Singles: 1957 (numero: 24) e Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (numero: 73)
registrazione di:
Susie Q (nel 1957)
paroliere e compositore:
Dale Hawkins
compositore aggiunto:
Eleanor Broadwater e Stanley Lewis (well known 60s/70s US producer/songwriter)
editore:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) e PeerMusic AB
Dale Hawkins32:17
22Wonderful Time Up There
registrazione cover di:
Everybody’s Gonna Have a Wonderful Time Up There (Gospel Boogie) (dal 1957-08-15 al 1957-09-29)
paroliere:
Lee Roy Abernathy
compositore:
Lee Roy Abernathy (nel 1947)
Pat Boone2:04
23Lonely Boy
registrata a:
New York, New York, Stati Uniti
produttore:
Joe Sherman
direttore d'orchestra:
Joe Sherman
arrangiatore:
Joe Sherman
diritti fonografici (℗) detenuti da:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1962)
registrazione di:
Lonely Boy
paroliere e compositore:
Paul Anka (Canadian singer, songwriter and actor)
editore:
Spanka Music (conclusa), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) e Epa Publishing
Paul Anka2:25
24Any Day Now
registrazione di:
Any Day Now
paroliere:
Bob Hilliard
compositore:
Burt Bacharach
editore:
Anne-Rachel Music Corp., Bourne Music Co., Hee Bee Dooinit Music, Plan Two Music Inc. e WB Music Corp. (1929–2019)
Chuck Jackson3:25
25Johnny B. Goode
registrazione di:
Johnny B. Goode
paroliere e compositore:
Chuck Berry (nel 1955)
editore:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Isalee Music, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) e ロックンロール ミュージック (Rock ’n’ Roll Music)
parte di:
Back to the Future: the Musical
Chuck Berry3:11