Music for Stage and Screen

~ Release by John Williams, Aaron Copland; The Boston Pops Orchestra, John Williams (see all versions of this release, 2 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1The Red Pony: 1. Morning on the Ranch
recording engineer:
Bud Graham (classical sound engineer) (from 1990-11-03 until 1990-11-05)
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (from 1990-11-03 until 1990-11-05)
conductor:
John Williams (American score composer and conductor) (from 1990-11-03 until 1990-11-05)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1990-11-03 until 1990-11-05)
recording of:
The Red Pony Suite: I. Morning on the Ranch (for orchestra) (from 1990-11-03 until 1990-11-05)
composer:
Aaron Copland (composer) (in 1948)
part of:
The Red Pony Suite (for orchestra)
Aaron Copland4:41
2The Red Pony: 2. The Gift
recording engineer:
Bud Graham (classical sound engineer) (from 1990-11-03 until 1990-11-05)
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (from 1990-11-03 until 1990-11-05)
conductor:
John Williams (American score composer and conductor) (from 1990-11-03 until 1990-11-05)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1990-11-03 until 1990-11-05)
recording of:
The Red Pony Suite: II. The Gift (for orchestra) (from 1990-11-03 until 1990-11-05)
composer:
Aaron Copland (composer) (in 1948)
part of:
The Red Pony Suite (for orchestra)
Aaron Copland4:58
3The Red Pony: 3a. Dream March
recording engineer:
Bud Graham (classical sound engineer) (from 1990-11-03 until 1990-11-05)
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (from 1990-11-03 until 1990-11-05)
conductor:
John Williams (American score composer and conductor) (from 1990-11-03 until 1990-11-05)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1990-11-03 until 1990-11-05)
partial recording of:
The Red Pony Suite: III. Dream March and Circus Music (for orchestra) (from 1990-11-03 until 1990-11-05)
composer:
Aaron Copland (composer) (in 1948)
part of:
The Red Pony Suite (for orchestra)
Aaron Copland2:30
4The Red Pony: 3b. Circus March
recording engineer:
Bud Graham (classical sound engineer) (from 1990-11-03 until 1990-11-05)
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (from 1990-11-03 until 1990-11-05)
conductor:
John Williams (American score composer and conductor) (from 1990-11-03 until 1990-11-05)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1990-11-03 until 1990-11-05)
partial recording of:
The Red Pony Suite: III. Dream March and Circus Music (for orchestra) (from 1990-11-03 until 1990-11-05)
composer:
Aaron Copland (composer) (in 1948)
part of:
The Red Pony Suite (for orchestra)
Aaron Copland1:55
5The Red Pony: 4. Walk to the Bunkhouse
recording engineer:
Bud Graham (classical sound engineer) (from 1990-11-03 until 1990-11-05)
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (from 1990-11-03 until 1990-11-05)
conductor:
John Williams (American score composer and conductor) (from 1990-11-03 until 1990-11-05)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1990-11-03 until 1990-11-05)
recording of:
The Red Pony Suite: IV. Walk to the Bunkhouse (for orchestra) (from 1990-11-03 until 1990-11-05)
composer:
Aaron Copland (composer) (in 1948)
part of:
The Red Pony Suite (for orchestra)
Aaron Copland2:49
6The Red Pony: 5. Grandfather's Tale
recording engineer:
Bud Graham (classical sound engineer) (from 1990-11-03 until 1990-11-05)
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (from 1990-11-03 until 1990-11-05)
conductor:
John Williams (American score composer and conductor) (from 1990-11-03 until 1990-11-05)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1990-11-03 until 1990-11-05)
recording of:
The Red Pony Suite: V. Grandfather’s Story (for orchestra) (from 1990-11-03 until 1990-11-05)
composer:
Aaron Copland (composer) (in 1948)
part of:
The Red Pony Suite (for orchestra)
Aaron Copland4:47
7The Red Pony: 6. Happy Ending
recording engineer:
Bud Graham (classical sound engineer) (from 1990-11-03 until 1990-11-05)
producer:
Thomas Z. Shepard
orchestra:
Boston Pops Orchestra (from 1990-11-03 until 1990-11-05)
conductor:
John Williams (American score composer and conductor) (from 1990-11-03 until 1990-11-05)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1990-11-03 until 1990-11-05)
recording of:
The Red Pony Suite: VI. Happy Ending (for orchestra) (from 1990-11-03 until 1990-11-05)
composer:
Aaron Copland (composer) (in 1948)
part of:
The Red Pony Suite (for orchestra)
Aaron Copland3:18
8Born on the Fourth of July: I. Theme from "Born on the Fourth of July"
recording engineer:
Bud Graham (classical sound engineer)
producer:
Thomas Z. Shepard
trumpet:
Tim Morrison (trumpeter) (on 1990-11-05, on 1991-02-11)
orchestra:
Boston Pops Orchestra (on 1990-11-05, on 1991-02-11)
conductor:
John Williams (American score composer and conductor) (on 1990-11-05, on 1991-02-11)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1990-11-05, on 1991-02-11)
recording of:
Born on the Fourth of July (from 1990-11-05 until 1991-02-11)
composer:
John Williams (American score composer and conductor)
part of:
Born on the Fourth of July
John Williams6:21
9Born on the Fourth of July: II. Cua Viet River, Vietnam 1968
recording engineer:
Bud Graham (classical sound engineer)
producer:
Thomas Z. Shepard
trumpet:
Tim Morrison (trumpeter) (on 1990-11-05, on 1991-02-11)
orchestra:
Boston Pops Orchestra (on 1990-11-05, on 1991-02-11)
conductor:
John Williams (American score composer and conductor) (on 1990-11-05, on 1991-02-11)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1990-11-05, on 1991-02-11)
recording of:
Cua Viet River, Vietnam 1968 (Born on the Fourth of July) (from 1990-11-05 until 1991-02-11)
composer:
John Williams (American score composer and conductor)
part of:
Born on the Fourth of July
John Williams3:37
10Born on the Fourth of July: III. Massapequa...The Early Days
recording engineer:
Bud Graham (classical sound engineer)
producer:
Thomas Z. Shepard
trumpet:
Tim Morrison (trumpeter) (on 1990-11-05, on 1991-02-11)
orchestra:
Boston Pops Orchestra (on 1990-11-05, on 1991-02-11)
conductor:
John Williams (American score composer and conductor) (on 1990-11-05, on 1991-02-11)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1990-11-05, on 1991-02-11)
recording of:
Massapequa... The Early Days (Born on the Fourth of July) (from 1990-11-05 until 1991-02-11)
composer:
John Williams (American score composer and conductor)
part of:
Born on the Fourth of July
John Williams4:06
11Quiet City for Strings, Trumpet & English Horn
recording engineer:
Bud Graham (classical sound engineer) (on 1991-02-11)
producer:
Thomas Z. Shepard
cor anglais:
Laurence Thorstenberg (on 1991-02-11)
trumpet:
Tim Morrison (trumpeter) (on 1991-02-11)
orchestra:
Boston Pops Orchestra (on 1991-02-11)
conductor:
John Williams (American score composer and conductor) (on 1991-02-11)
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (on 1991-02-11)
recording of:
Quiet City (suite for English horn, trumpet and string orchestra) (on 1991-02-11)
premiered in:
New York, New York, United States (on 1941-01-28)
composer:
Aaron Copland (composer) (in 1940)
premiered by:
Daniel Saidenberg (on 1941-01-28)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
is based on:
Quiet City (incidental music)
Aaron Copland10:35
12The Reivers
recording engineer:
Bud Graham (classical sound engineer) (from 1991-02-09 until 1991-02-11)
engineer:
Milton Cherin (audio engineer)
producer:
Michael Matessino and Thomas Z. Shepard
editor:
Michael Matessino and Robert Takagi
spoken vocals [narrator]:
Burgess Meredith (from 1991-02-09 until 1991-02-11)
orchestra:
Boston Pops Orchestra (from 1991-02-09 until 1991-02-11)
conductor:
John Williams (American score composer and conductor) (from 1991-02-09 until 1991-02-11)
phonographic copyright (℗) by:
Sony Music Corporation
recorded at:
Symphony Hall (Boston) in Boston, Massachusetts, United States (from 1991-02-09 until 1991-02-11)
recording of:
The Reivers: Suite
miscellaneous support:
Harriet Ravetch (task: narration adapted by) and Irving Ravetch (task: narration adapted by)
orchestrator:
Herbert Spencer (Production music composer)
composer:
John Williams (American score composer and conductor)
librettist:
William Faulkner
John Williams18:42

Credits

Release

purchase for download:https://play.google.com/store/music/album?id=Bkpc2qcrpgpslyeet3qddkchztu [info] (until 2020-10-12)
stream for free:https://open.spotify.com/album/0UdMDoqlLFDNgQRiGgVpxF [info]

Release group

included in:John Williams: Conductor by John Williams (American score composer and conductor)
part of:Boston Pops conducted by John Williams (order: 34)
Allmusic:https://www.allmusic.com/album/mw0000146150 [info]