Dido & Aeneas

~ Release by Purcell; Fleur Barron, Matthew Brook, Giulia Semenzato, Tim Mead, Nicky Spence, La Nuova Musica, David Bates (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Dido and Aeneas: Overture
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Jonathan Freeman-Attwood
orchestra:
La Nuova Musica (from 2022-11-16 until 2022-11-18)
conductor:
David Bates (English countertenor, conductor) (from 2022-11-16 until 2022-11-18)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 2022-11-16 until 2022-11-18)
recording of:
Dido and Aeneas, Z. 626: Overture (from 2022-11-16 until 2022-11-18)
composer:
Henry Purcell (Baroque composer) (in 1689)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626
Henry Purcell3:13
2Dido and Aeneas, Act 1: Shake the cloud – Banish Sorrow
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Jonathan Freeman-Attwood
choir vocals:
La Nuova Musica (from 2022-11-16 until 2022-11-18)
soprano vocals [Belinda]:
Giulia Semenzato (soprano) (from 2022-11-16 until 2022-11-18)
orchestra:
La Nuova Musica (from 2022-11-16 until 2022-11-18)
conductor:
David Bates (English countertenor, conductor) (from 2022-11-16 until 2022-11-18)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 2022-11-16 until 2022-11-18)
recording of:
Dido and Aeneas, Z. 626: Act I, 1. Aria “Shake the cloud from off your brow” (Belinda) – “Banish sorrow, banish care” (Chorus) (from 2022-11-16 until 2022-11-18)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell1:07
3Dido and Aeneas, Act 1: Ah! Belinda
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Jonathan Freeman-Attwood
mezzo-soprano vocals [Dido]:
Fleur Barron (Singaporean-British mezzo-soprano) (from 2022-11-16 until 2022-11-18)
orchestra:
La Nuova Musica (from 2022-11-16 until 2022-11-18)
conductor:
David Bates (English countertenor, conductor) (from 2022-11-16 until 2022-11-18)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 2022-11-16 until 2022-11-18)
recording of:
Dido and Aeneas, Z. 626: Act I, 2. “Ah! Belinda, I am prest with torment” (Dido) (from 2022-11-16 until 2022-11-18)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell4:27
4Dido and Aeneas, Act 1: Grief increases by concealing – When Monarchs unite – When could so much virtue spring
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Jonathan Freeman-Attwood
choir vocals:
La Nuova Musica (from 2022-11-16 until 2022-11-18)
mezzo-soprano vocals [Dido]:
Fleur Barron (Singaporean-British mezzo-soprano) (from 2022-11-16 until 2022-11-18)
soprano vocals [Belinda]:
Giulia Semenzato (soprano) (from 2022-11-16 until 2022-11-18)
soprano vocals [Second Lady]:
Hilary Cronin (soprano) (from 2022-11-16 until 2022-11-18)
orchestra:
La Nuova Musica (from 2022-11-16 until 2022-11-18)
conductor:
David Bates (English countertenor, conductor) (from 2022-11-16 until 2022-11-18)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 2022-11-16 until 2022-11-18)
recording of:
Dido and Aeneas, Z. 626: Act I, 3. Recitative “Grief increases by concealing” (Belinda, Dido, Second Woman) (from 2022-11-16 until 2022-11-18)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
recording of:
Dido and Aeneas, Z. 626: Act I, 4. “When monarchs unite” (Chorus) (from 2022-11-16 until 2022-11-18)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
recording of:
Dido and Aeneas, Z. 626: Act I, 5. Recitative “Whence could so much virtue spring?” (Dido, Belinda, Second Woman) (from 2022-11-16 until 2022-11-18)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell2:30
5Dido and Aeneas, Act 1: Fear no danger – See, your royal guest appears
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Jonathan Freeman-Attwood
bass-baritone vocals [Aeneas]:
Matthew Brook (bass-baritone) (from 2022-11-16 until 2022-11-18)
choir vocals:
La Nuova Musica (from 2022-11-16 until 2022-11-18)
mezzo-soprano vocals [Dido]:
Fleur Barron (Singaporean-British mezzo-soprano) (from 2022-11-16 until 2022-11-18)
soprano vocals [Belinda]:
Giulia Semenzato (soprano) (from 2022-11-16 until 2022-11-18)
soprano vocals [Second Lady]:
Hilary Cronin (soprano) (from 2022-11-16 until 2022-11-18)
orchestra:
La Nuova Musica (from 2022-11-16 until 2022-11-18)
conductor:
David Bates (English countertenor, conductor) (from 2022-11-16 until 2022-11-18)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 2022-11-16 until 2022-11-18)
recording of:
Dido and Aeneas, Z. 626: Act I, 6. “Fear no danger to ensue” (Belinda, Second Woman, Chorus) (from 2022-11-16 until 2022-11-18)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
recording of:
Dido and Aeneas, Z. 626: Act I, 7. Recitative “See, your royal guest appears” (Belinda, Aeneas, Dido) (from 2022-11-16 until 2022-11-18)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
recording of:
Dido and Aeneas, Z. 626: Act I. Dance (interstitial, unnumbered, after Act I, 6) (from 2022-11-16 until 2022-11-18)
composer:
Henry Purcell (Baroque composer)
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell2:23
6Dido and Aeneas, Act 1: Cupid only throws the dart – If not for mine for Empire’s sake – Persue thy conquest Love
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Jonathan Freeman-Attwood
bass-baritone vocals [Aeneas]:
Matthew Brook (bass-baritone) (from 2022-11-16 until 2022-11-18)
choir vocals:
La Nuova Musica (from 2022-11-16 until 2022-11-18)
soprano vocals [Belinda]:
Giulia Semenzato (soprano) (from 2022-11-16 until 2022-11-18)
orchestra:
La Nuova Musica (from 2022-11-16 until 2022-11-18)
conductor:
David Bates (English countertenor, conductor) (from 2022-11-16 until 2022-11-18)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 2022-11-16 until 2022-11-18)
recording of:
Dido and Aeneas, Z. 626: Act I, 8. “Cupid only throws the dart” (Chorus) (from 2022-11-16 until 2022-11-18)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
recording of:
Dido and Aeneas, Z. 626: Act I, 9. Recitative “If not for mine, for empire’s sake” (Aeneas) (from 2022-11-16 until 2022-11-18)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
recording of:
Dido and Aeneas, Z. 626: Act I, 10. Aria “Pursue thy conquest, love” (Belinda) (from 2022-11-16 until 2022-11-18)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
recording of:
Dido and Aeneas, Z. 626: Act I. Guitar Dance (interstitial, unnumbered, after Act I, 10) (from 2022-11-16 until 2022-11-18)
composer:
Henry Purcell (Baroque composer)
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell1:58
7Dido and Aeneas, Act 1: To the hills and the vales – The Triumphing Dance
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Jonathan Freeman-Attwood
orchestra:
La Nuova Musica (from 2022-11-16 until 2022-11-18)
conductor:
David Bates (English countertenor, conductor) (from 2022-11-16 until 2022-11-18)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 2022-11-16 until 2022-11-18)
recording of:
Dido and Aeneas, Z. 626: Act I, 11. “To the hills and the vales” (Chorus) (from 2022-11-16 until 2022-11-18)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act I
recording of:
Dido and Aeneas, Z. 626: Act I, 12. The Triumphing Dance (from 2022-11-16 until 2022-11-18)
composer:
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626: Act I
Henry Purcell2:28
8Dido and Aeneas, Act 2: Prelude for the Witches
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Jonathan Freeman-Attwood
alto vocals [Sorceress]:
Avery Amereau (from 2022-11-16 until 2022-11-18)
mezzo-soprano vocals [First Witch]:
Helen Charlston (mezzo-soprano) (from 2022-11-16 until 2022-11-18)
mezzo-soprano vocals [Second Witch]:
Martha McLorinan
soprano vocals [Belinda]:
Giulia Semenzato (soprano) (from 2022-11-16 until 2022-11-18)
orchestra:
La Nuova Musica (from 2022-11-16 until 2022-11-18)
conductor:
David Bates (English countertenor, conductor) (from 2022-11-16 until 2022-11-18)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 2022-11-16 until 2022-11-18)
partial recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 13. Prelude for the Witches – “Wayward sisters” (Sorceress, First Witch) (from 2022-11-16 until 2022-11-18)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell0:47
9Dido and Aeneas, Act 2: Wayward sisters – Harm’s our delight
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Jonathan Freeman-Attwood
alto vocals [Sorceress]:
Avery Amereau (from 2022-11-16 until 2022-11-18)
choir vocals:
La Nuova Musica (from 2022-11-16 until 2022-11-18)
mezzo-soprano vocals [First Witch]:
Helen Charlston (mezzo-soprano) (from 2022-11-16 until 2022-11-18)
orchestra:
La Nuova Musica (from 2022-11-16 until 2022-11-18)
conductor:
David Bates (English countertenor, conductor) (from 2022-11-16 until 2022-11-18)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 2022-11-16 until 2022-11-18)
partial recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 13. Prelude for the Witches – “Wayward sisters” (Sorceress, First Witch) (from 2022-11-16 until 2022-11-18)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 14. “Harm’s our delight” (Witches chorus) (from 2022-11-16 until 2022-11-18)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:22
10Dido and Aeneas, Act 2: The queen of Carthage – Ho, Ho, Ho
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Jonathan Freeman-Attwood
alto vocals [Sorceress]:
Avery Amereau (from 2022-11-16 until 2022-11-18)
choir vocals:
La Nuova Musica (from 2022-11-16 until 2022-11-18)
orchestra:
La Nuova Musica (from 2022-11-16 until 2022-11-18)
conductor:
David Bates (English countertenor, conductor) (from 2022-11-16 until 2022-11-18)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 2022-11-16 until 2022-11-18)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 15. Recitative “The Queen of Carthage, whom we hate” (Sorceress) (from 2022-11-16 until 2022-11-18)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 16. “Ho ho ho!” (Chorus) (from 2022-11-16 until 2022-11-18)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell0:42
11Dido and Aeneas, Act 2: Ruined ere the set of Sun! – The trojan Prince – Ho, Ho, Ho
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Jonathan Freeman-Attwood
alto vocals [Sorceress]:
Avery Amereau (from 2022-11-16 until 2022-11-18)
choir vocals:
La Nuova Musica (from 2022-11-16 until 2022-11-18)
mezzo-soprano vocals [First Witch]:
Helen Charlston (mezzo-soprano) (from 2022-11-16 until 2022-11-18)
mezzo-soprano vocals [Second Witch]:
Martha McLorinan (from 2022-11-16 until 2022-11-18)
orchestra:
La Nuova Musica (from 2022-11-16 until 2022-11-18)
conductor:
David Bates (English countertenor, conductor) (from 2022-11-16 until 2022-11-18)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 2022-11-16 until 2022-11-18)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 17. Recitative “Ruin’d ere the set of sun?” (Two Witches, Sorceress) (from 2022-11-16 until 2022-11-18)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 18. “Ho ho ho!” (Chorus) (from 2022-11-16 until 2022-11-18)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:08
12Dido and Aeneas, Act 2: But ere we this perform – In our deep vaulted cell – Dance
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Jonathan Freeman-Attwood
choir vocals:
La Nuova Musica (from 2022-11-16 until 2022-11-18)
mezzo-soprano vocals [First Witch]:
Helen Charlston (mezzo-soprano) (from 2022-11-16 until 2022-11-18)
mezzo-soprano vocals [Second Witch]:
Martha McLorinan (from 2022-11-16 until 2022-11-18)
orchestra:
La Nuova Musica (from 2022-11-16 until 2022-11-18)
conductor:
David Bates (English countertenor, conductor) (from 2022-11-16 until 2022-11-18)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 2022-11-16 until 2022-11-18)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 19. “But ere we this perform” (Two Witches) (from 2022-11-16 until 2022-11-18)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 20. “In our deep vaulted cell” (Chorus) (from 2022-11-16 until 2022-11-18)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene I, 21. Echo Dance of Furies (from 2022-11-16 until 2022-11-18)
composer:
Henry Purcell (Baroque composer)
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell3:37
13Dido and Aeneas, Act 2: The Grove – Thanks to these lonesome vales
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Jonathan Freeman-Attwood
choir vocals:
La Nuova Musica (from 2022-11-16 until 2022-11-18)
soprano vocals [Belinda]:
Giulia Semenzato (soprano) (from 2022-11-16 until 2022-11-18)
orchestra:
La Nuova Musica (from 2022-11-16 until 2022-11-18)
conductor:
David Bates (English countertenor, conductor) (from 2022-11-16 until 2022-11-18)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 2022-11-16 until 2022-11-18)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 22. Ritornelle (from 2022-11-16 until 2022-11-18)
composer:
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 23. Aria and Chorus “Thanks to these lonesome vales” (Belinda, Chorus) (from 2022-11-16 until 2022-11-18)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell3:44
14Dido and Aeneas, Act 2: Gitter Ground at Dance – Often she visits
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Jonathan Freeman-Attwood
soprano vocals [Second Lady]:
Hilary Cronin (soprano) (from 2022-11-16 until 2022-11-18)
orchestra:
La Nuova Musica (from 2022-11-16 until 2022-11-18)
conductor:
David Bates (English countertenor, conductor) (from 2022-11-16 until 2022-11-18)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 2022-11-16 until 2022-11-18)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 24. Aria “Oft she visits this lone mountain” (Second Woman) / Ritornelle (from 2022-11-16 until 2022-11-18)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II. Gittar Ground a Dance (interstitial, unnumbered) (from 2022-11-16 until 2022-11-18)
composer:
Henry Purcell (Baroque composer)
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell3:01
15Dido and Aeneas, Act 2: Behold, apon my bending spear – The skies are coloured – Haste haste to town
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Jonathan Freeman-Attwood
bass-baritone vocals [Aeneas]:
Matthew Brook (bass-baritone) (from 2022-11-16 until 2022-11-18)
choir vocals:
La Nuova Musica (from 2022-11-16 until 2022-11-18)
mezzo-soprano vocals [Dido]:
Fleur Barron (Singaporean-British mezzo-soprano) (from 2022-11-16 until 2022-11-18)
soprano vocals [Belinda]:
Giulia Semenzato (soprano) (from 2022-11-16 until 2022-11-18)
orchestra:
La Nuova Musica (from 2022-11-16 until 2022-11-18)
conductor:
David Bates (English countertenor, conductor) (from 2022-11-16 until 2022-11-18)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 2022-11-16 until 2022-11-18)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 25. Recitative “Behold, upon my bending spear” (Aeneas, Dido) (from 2022-11-16 until 2022-11-18)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 26. Aria and Chorus “Haste, haste to town” (Belinda, Chorus) (from 2022-11-16 until 2022-11-18)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell1:17
16Dido and Aeneas, Act 2: Stay Prince
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Jonathan Freeman-Attwood
alto vocals [Sorceress]:
Avery Amereau (from 2022-11-16 until 2022-11-18)
bass-baritone vocals [Aeneas]:
Matthew Brook (bass-baritone) (from 2022-11-16 until 2022-11-18)
choir vocals:
La Nuova Musica (from 2022-11-16 until 2022-11-18)
countertenor vocals [Spirit]:
Tim Mead (from 2022-11-16 until 2022-11-18)
orchestra:
La Nuova Musica (from 2022-11-16 until 2022-11-18)
conductor:
David Bates (English countertenor, conductor) (from 2022-11-16 until 2022-11-18)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 2022-11-16 until 2022-11-18)
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II, 27. Recitative “Stay, Prince, and hear great Jove’s command” (Spirit, Aeneas) (from 2022-11-16 until 2022-11-18)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II. Chorus “Then since our charmes have sped” (Sorceress, Two Witches) (unnumbered) (from 2022-11-16 until 2022-11-18)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act II
recording of:
Dido and Aeneas, Z. 626: Act II, Scene II. The Groves Dance (unnumbered, end of Act II) (from 2022-11-16 until 2022-11-18)
composer:
Henry Purcell (Baroque composer)
part of:
Dido and Aeneas, Z. 626: Act II
Henry Purcell2:44
17Dido and Aeneas, Act 3: The Sailors dance
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Jonathan Freeman-Attwood
choir vocals:
La Nuova Musica (from 2022-11-16 until 2022-11-18)
tenor vocals [Sailor]:
Nicky Spence (tenor) (from 2022-11-16 until 2022-11-18)
orchestra:
La Nuova Musica (from 2022-11-16 until 2022-11-18)
conductor:
David Bates (English countertenor, conductor) (from 2022-11-16 until 2022-11-18)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 2022-11-16 until 2022-11-18)
recording of:
Dido and Aeneas, Z. 626: Act III, 28. Prelude “Come away, fellow sailors, your anchors be weighing” (First Sailor, Chorus) (from 2022-11-16 until 2022-11-18)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 29. The Sailors’ Dance (from 2022-11-16 until 2022-11-18)
composer:
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell2:17
18Dido and Aeneas, Act 3: See, See the flags – Our next motion – Destruction’s our delight
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Jonathan Freeman-Attwood
alto vocals [Sorceress]:
Avery Amereau (from 2022-11-16 until 2022-11-18)
choir vocals:
La Nuova Musica (from 2022-11-16 until 2022-11-18)
mezzo-soprano vocals [First Witch]:
Helen Charlston (mezzo-soprano) (from 2022-11-16 until 2022-11-18)
mezzo-soprano vocals [Second Witch]:
Martha McLorinan (from 2022-11-16 until 2022-11-18)
orchestra:
La Nuova Musica (from 2022-11-16 until 2022-11-18)
conductor:
David Bates (English countertenor, conductor) (from 2022-11-16 until 2022-11-18)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 2022-11-16 until 2022-11-18)
recording of:
Dido and Aeneas, Z. 626: Act III, 30. Recitative “See, the flags and streamers curling” (Sorceress, Witches) (from 2022-11-16 until 2022-11-18)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 31. “Destruction’s our delight” (Chorus) (from 2022-11-16 until 2022-11-18)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III. Aria “Our next motion” (Sorceress) (interstitial, unnumbered, latter part of Act III, 30) (from 2022-11-16 until 2022-11-18)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell2:01
19Dido and Aeneas, Act 3: The Witches’ Dance
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Jonathan Freeman-Attwood
orchestra:
La Nuova Musica (from 2022-11-16 until 2022-11-18)
conductor:
David Bates (English countertenor, conductor) (from 2022-11-16 until 2022-11-18)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 2022-11-16 until 2022-11-18)
recording of:
Dido and Aeneas, Z. 626: Act III, 32. The Witches’ Dance (from 2022-11-16 until 2022-11-18)
composer:
Henry Purcell (Baroque composer)
publisher:
Public Domain (refers to works that are in the public domain)
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell2:12
20Dido and Aeneas, Act 3: Your counsel all is urged in vain – Great minds
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Jonathan Freeman-Attwood
bass-baritone vocals [Aeneas]:
Matthew Brook (bass-baritone) (from 2022-11-16 until 2022-11-18)
choir vocals:
La Nuova Musica (from 2022-11-16 until 2022-11-18)
mezzo-soprano vocals [Dido]:
Fleur Barron (Singaporean-British mezzo-soprano) (from 2022-11-16 until 2022-11-18)
soprano vocals [Belinda]:
Giulia Semenzato (soprano) (from 2022-11-16 until 2022-11-18)
orchestra:
La Nuova Musica (from 2022-11-16 until 2022-11-18)
conductor:
David Bates (English countertenor, conductor) (from 2022-11-16 until 2022-11-18)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 2022-11-16 until 2022-11-18)
recording of:
Dido and Aeneas, Z. 626: Act III, 33. Recitative “Your counsel all is urg’d in vain” (Dido, Belinda, Aeneas) (from 2022-11-16 until 2022-11-18)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 34. Recitative “But death, alas! I cannot shun” (Dido) (from 2022-11-16 until 2022-11-18)
composer:
Henry Purcell (Baroque composer) (in 1689)
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III, 35. “Great minds against themselves conspire” (Chorus) (from 2022-11-16 until 2022-11-18)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell4:59
21Dido and Aeneas, Act 3: Thy Hand Belinda
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Jonathan Freeman-Attwood
mezzo-soprano vocals [Dido]:
Fleur Barron (Singaporean-British mezzo-soprano) (from 2022-11-16 until 2022-11-18)
orchestra:
La Nuova Musica (from 2022-11-16 until 2022-11-18)
conductor:
David Bates (English countertenor, conductor) (from 2022-11-16 until 2022-11-18)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 2022-11-16 until 2022-11-18)
recording of:
Dido and Aeneas, Z. 626: Act III, 36. Recitative “Thy hand, Belinda; darkness shades me” (Dido) (from 2022-11-16 until 2022-11-18)
composer:
Henry Purcell (Baroque composer)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell0:53
22Dido and Aeneas, Act 3: When I am laid
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Jonathan Freeman-Attwood
mezzo-soprano vocals [Dido]:
Fleur Barron (Singaporean-British mezzo-soprano) (from 2022-11-16 until 2022-11-18)
orchestra:
La Nuova Musica (from 2022-11-16 until 2022-11-18)
conductor:
David Bates (English countertenor, conductor) (from 2022-11-16 until 2022-11-18)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 2022-11-16 until 2022-11-18)
recording of:
Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido) (from 2022-11-16 until 2022-11-18)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell3:28
23Dido and Aeneas, Act 3: With drooping wings
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Jonathan Freeman-Attwood
choir vocals:
La Nuova Musica (from 2022-11-16 until 2022-11-18)
orchestra:
La Nuova Musica (from 2022-11-16 until 2022-11-18)
conductor:
David Bates (English countertenor, conductor) (from 2022-11-16 until 2022-11-18)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 2022-11-16 until 2022-11-18)
recording of:
Dido and Aeneas, Z. 626: Act III, 38. “With drooping wings” (Chorus) (from 2022-11-16 until 2022-11-18)
composer:
Henry Purcell (Baroque composer) (in 1689)
librettist:
Nahum Tate
part of:
Dido and Aeneas, Z. 626: Act III
recording of:
Dido and Aeneas, Z. 626: Act III. Cupids’ Dance (interstitial, unnumbered, end of Act III) (from 2022-11-16 until 2022-11-18)
composer:
Henry Purcell (Baroque composer)
part of:
Dido and Aeneas, Z. 626: Act III
Henry Purcell5:16

Credits

Release

photography:Chris Christodoulou (photographer)
liner notes:Lindsay Kemp
executive producer:David Bates (English countertenor, conductor)
Renaud Loranger (producer)
design:Marjolein Coenrady
Kasper van Kooten (product manager for Pentatone Classics)
Francesca Mariani
purchase for download:https://itunes.apple.com/us/album/id1701422014 [info]
stream for free:https://open.spotify.com/album/1L3QEjyBrLrlGh16dPeaeD [info]