Compact Jazz: Duke Ellington and Friends

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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Nr.TitelKünstlerBewertungLänge
1Take the "A" Train
recorded in:
New York, New York, Vereinigte Staaten (von 1957-06-25 bis 1957-06-27)
alto saxophone:
Johnny Hodges (in 1957-06) und Russell Procope (in 1957-06)
baritone saxophone:
Harry Carney (in 1957-06)
Klarinette:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) und Russell Procope (in 1957-06)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1957-06)
Kontrabass [bass]:
Jimmy Woode (in 1957-06)
Posaune:
Quentin Jackson (in 1957-06), John Sanders (US jazz trombonist) (in 1957-06) und Britt Woodman (in 1957-06)
Schlagzeug:
Sam Woodyard (in 1957-06)
Tenorsaxophon:
Frank Foster (saxophonist) (in 1957-06), Paul Gonsalves (in 1957-06) und Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (in 1957-06)
Trompete:
William “Cat” Anderson (in 1957-06), Willie Cook (US jazz trumpeter) (in 1957-06), Dizzy Gillespie (in 1957-06), Ray Nance (in 1957-06) und Clark Terry (American swing trumpeter) (in 1957-06)
vocals:
Ella Fitzgerald (American jazz singer) (in 1957-06)
recording of:
Take the “A” Train (version with lyrics by Sherrill) (in 1957-06)
Texter:
Joya Sherrill (in 1944)
Komponist(in):
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
Version von:
Take the “A” Train (original instrumental version)
Ella Fitzgerald with Duke Ellington & His Orchestra6:40
2Caravan
recorded in:
New York, New York, Vereinigte Staaten (in 1956-01)
Klavier:
Leroy Lovett (in 1956-01)
Kontrabass [bass]:
Lloyd Trotman (US jazz bassist) (in 1956-01)
Posaune:
Lawrence Brown (jazz trombonist) (in 1956-01)
Schlagzeug:
Louie Bellson (in 1956-01)
Tenorsaxophon:
Sam “The Man” Taylor (US jazz/blues saxophonist 1916-1990) (in 1956-01)
instrumental recording of:
Caravan (in 1956-01)
Texter:
Irving Mills (in 1937)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1936) und Juan Tizol (in 1936)
publisher:
American Academy of Music, Inc., Duke Ellington Music, EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Mills Music, Inc., Sony/ATV Harmony und Lafleur Music Ltd. (vom 1995-12-12 bis heute)
Lawrence Brown5:59
3Cottontail
recorded in:
New York, New York, Vereinigte Staaten (am 1953-05-21)
Gitarre:
Barney Kessel (am 1953-05-21)
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (am 1953-05-21)
Kontrabass [bass]:
Ray Brown (jazz bassist) (am 1953-05-21)
Schlagzeug:
J.C. Heard (am 1953-05-21)
Tenorsaxophon:
Ben Webster (am 1953-05-21)
recording of:
Cotton Tail (am 1953-05-21)
Texter und Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader)
Ben Webster3:22
4Mood Indigo
recorded in:
New York, New York, Vereinigte Staaten (am 1955-01-07)
alto saxophone:
Johnny Hodges (am 1955-01-07)
Klavier:
Leroy Lovett (am 1955-01-07)
Kontrabass [bass]:
John Williams (jazz bassist) (am 1955-01-07)
Posaune:
Lawrence Brown (jazz trombonist) (am 1955-01-07)
Schlagzeug:
Louie Bellson (am 1955-01-07)
Tenorsaxophon:
Arthur Clarke (baritone saxophonist) (am 1955-01-07)
Trompete:
Harold "Shorty" Baker (am 1955-01-07)
instrumental recording of:
Mood Indigo (1930 jazz composition and song) (am 1955-01-07)
Texter:
Irving Mills (in 1930)
Komponist(in):
Barney Bigard (in 1930) und Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) und Lawrence Wright Music Co., Ltd. (in 1930)
sub-publisher:
ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Johnny Hodges6:20
5I Let a Song Go Out of My Heart
recorded in:
New York, New York, Vereinigte Staaten (am 1954-02-11)
alto saxophone:
George Dorsey (am 1954-02-11) und Hilton Jefferson (am 1954-02-11)
baritone saxophone:
Haywood Henry (US jazz saxophonist) (am 1954-02-11)
Klavier:
Leroy Lovett (am 1954-02-11)
Kontrabass [bass]:
Lloyd Trotman (US jazz bassist) (am 1954-02-11)
Posaune:
Ted Kelly (US jazz trombonist) (am 1954-02-11) und George Matthews (trombone) (am 1954-02-11)
Schlagzeug:
Billy Smith (American jazz drummer, 1950s) (am 1954-02-11)
Tenorsaxophon:
Pizza Simon (am 1954-02-11)
Trompete:
Bob Johnson (jazz trumpeter) (am 1954-02-11), Taft Jordan (am 1954-02-11) und William Scott (jazz trumpeter, 1940s-1950s) (am 1954-02-11)
vocals:
Al Hibbler (am 1954-02-11)
recording of:
I Let a Song Go Out of My Heart (am 1954-02-11)
Texter:
Irving Mills (in 1938), Henry Nemo (in 1938) und John Redmond (House vocalist) (in 1938)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1938)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Al Hibbler with Leroy Lovett & His Orchestra2:44
6Prelude to a Kiss
recorded in:
New York, New York, Vereinigte Staaten (am 1954-12-14)
baritone saxophone:
Danny Bank (reeds) (am 1954-12-14)
Klarinette:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1954-12-14)
Klavier:
Teddy Wilson (am 1954-12-14)
Kontrabass [bass]:
Wendell Marshall (am 1954-12-14)
Schlagzeug:
Louie Bellson (am 1954-12-14)
Tenorsaxophon:
Ben Webster (am 1954-12-14)
instrumental recording of:
Prelude to a Kiss (am 1954-02-14)
Texter:
Irving Gordon (US songwriter) (in 1938) und Irving Mills (in 1938)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1938)
publisher:
J. R. Lafleur & Son Ltd. und Lafleur Music Ltd.
Ben Webster4:48
7Satin Doll
recorded in:
New York, New York, Vereinigte Staaten (am 1958-04-05)
alto saxophone:
Johnny Hodges (am 1958-04-05)
Klavier:
Billy Strayhorn (am 1958-04-05)
Kontrabass [bass]:
Jimmy Woode (am 1958-04-05)
Schlagzeug:
Sam Woodyard (am 1958-04-05)
instrumental recording of:
Satin Doll (am 1958-04-05)
Texter:
Johnny Mercer (in 1953)
Komponist(in):
Billy Strayhorn (in 1953)
zusätzliche(r) Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1953)
publisher:
Campbell Connelly & Co. Ltd., Duke Ellington Music, Tempo Music, Inc. (Duke Ellington’s music publishing company) und WB Music Corp. (1929–2019)
Johnny Hodges5:03
8Stompy Jones
Produzent(in):
Norman Granz
alto saxophone:
Johnny Hodges (am 1959-02-20)
Bass und Kontrabass:
Al Hall (am 1959-02-20)
flute und Gitarre:
Les Spann (am 1959-02-20)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1959-02-20)
Schlagzeug:
Jo Jones (US jazz drummer) (am 1959-02-20)
Trompete:
Harry “Sweets” Edison (am 1959-02-20)
aufgenommen bei:
Columbia Studios in New York, New York, Vereinigte Staaten (am 1959-02-20)
recording of:
Stompy Jones (am 1959-02-20)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader)
Duke Ellington & Johnny Hodges6:40
9I Got It Bad (and That Ain't Good)
recorded in:
New York, New York, Vereinigte Staaten (am 1954-12-14)
baritone saxophone:
Harry Carney (am 1954-12-14)
Geige / Violine:
Ray Nance (am 1954-12-14)
Gitarre:
Billy Bauer (US cool jazz guitarist) (am 1954-12-14)
Klarinette:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1954-12-14)
Klavier:
Leroy Lovett (am 1954-12-14)
Kontrabass [bass]:
Wendell Marshall (am 1954-12-14)
Schlagzeug:
Louie Bellson (am 1954-12-14)
Waldhorn:
Tony Miranda (US French hornist) (am 1954-12-14)
instrumental recording of:
I Got It Bad (and That Ain’t Good) (am 1954-12-14)
Texter:
Paul Francis Webster (in 1941)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp., Sony/ATV Harmony und Webster Music Co.
Teil von:
The Real Book (compilation of jazz standards, volume I)
Harry Carney4:24
10Don't Get Around Much Anymore
recorded in:
New York, New York, Vereinigte Staaten (von 1961-12-11 bis 1961-12-12)
alto saxophone:
Johnny Hodges (in 1961-12) und Russell Procope (in 1961-12)
baritone saxophone:
Harry Carney (in 1961-12)
Bassposaune:
Chuck Connors (trombonist) (in 1961-12)
Klarinette:
Russell Procope (in 1961-12)
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975) (in 1961-12)
Kontrabass [bass]:
Aaron Bell (jazz double bassist) (in 1961-12)
Posaune:
Lawrence Brown (jazz trombonist) (in 1961-12) und Quentin Jackson (in 1961-12)
Schlagzeug:
Sam Woodyard (in 1961-12)
Tenorsaxophon:
Paul Gonsalves (in 1961-12) und Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (in 1961-12)
Trompete:
William “Cat” Anderson (in 1961-12), Harold “Shorty” Baker (in 1961-12), Bill Berry (Jazz trumpeter, cornetist and big band leader) (in 1961-12) und Ed Mullens (in 1961-12)
instrumental recording of:
Don’t Get Around Much Anymore (in 1961-12)
Texter:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (in 1942)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1940)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp. und Sony/ATV Harmony
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Version von:
Never No Lament
Johnny Hodges3:02
11It Don't Mean a Thing (If It Ain't Got That Swing)
alto saxophone:
Johnny Hodges (am 1966-07-26) und Russell Procope (am 1966-07-26)
baritone saxophone:
Harry Carney (am 1966-07-26)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1966-07-26)
Kontrabass [bass]:
John Lamb (bass) (am 1966-07-26)
Posaune:
Lawrence Brown (jazz trombonist) (am 1966-07-26), Chuck Connors (trombonist) (am 1966-07-26) und Buster Cooper (am 1966-07-26)
Schlagzeug:
Sam Woodyard (am 1966-07-26)
Tenorsaxophon:
Paul Gonsalves (am 1966-07-26) und Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1966-07-26)
Trompete:
William “Cat” Anderson (am 1966-07-26), Mercer Ellington (am 1966-07-26), Herbie Jones (am 1966-07-26) und Cootie Williams (am 1966-07-26)
vocals:
Ella Fitzgerald (American jazz singer) (am 1966-07-26)
aufgenommen bei:
Antibes Jazz Festival in Antibes, Alpes-Maritimes, Provence-Alpes-Côte-d'Azur, Frankreich (am 1966-07-26)
live recording of:
It Don’t Mean a Thing (If It Ain’t Got That Swing) (am 1966-07-26)
Texter:
Irving Mills (in 1931)
Komponist(in):
Edward Kennedy “Duke” Ellington (Duke Ellington, US composer, pianist & jazz bandleader) (in 1931-08)
publisher:
Duke Ellington Music und EMI Mills Music (ASCAP-affiliated)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Ella Fitzgerald with Duke Ellington & His Orchestra7:11

Nennungen

Veröffentlichung

Teil von:Compact Jazz (Reihenfolge: 56)
ASIN:US: B00000475Q [Info]