MTV Closet Classics

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Who Can It Be Now?
Techniker(in):
Jim Barbour und Peter McIan
zusätzliche(r) Techniker(in):
Paul Ray (70s/80s US engineer)
Produzent(in):
Peter McIan
Bass:
John Rees
Gitarre:
Colin Hay und Ron Strykert
Saxophon:
Greg Ham (member of Men at Work)
Schlagzeug:
Jerry Speiser (drummer for Men at Work)
vocals:
Colin Hay
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1981, in 1982), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1981), CBS, Inc. (US broadcasting company; file no releases here!) (in 1982) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1996)
aufgenommen bei:
Richmond Recorders in Melbourne, Victoria, Australien
recording of:
Who Can It Be Now?
Texter und Komponist(in):
Colin Hay
publisher:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Songs Australia Pty. Ltd. und EMI Songs Ltd.
Men at Work4.43:24
2Bette Davis Eyes
recording engineer:
Val Garay (in 1981-01)
Produzent(in):
Val Garay
E-Gitarre:
Waddy Wachtel (in 1981-01)
Sologesang:
Kim Carnes (in 1981-01)
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.) (in 1981), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1981), EMI America Records, Inc. (holding – file NO releases here!) (in 1981), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1981), EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1981), EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1981) und Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1997)
aufgenommen bei:
Record One in Sherman Oaks, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1981-01)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 18) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 425)
cover recording of:
Bette Davis Eyes (in 1981-01)
Verfasser(in):
Jackie DeShannon und Donna Weiss
publisher:
Donna Weiss Music Inc., Mothfrog Publishing, Plain and Simple Music, PolyGram Music Publishing Ltd., Warner Brothers Inc., Warner Chappell Music, Inc. und Warner/Chappell Music Ltd. (1996–2019)
Kim Carnes3.953:46
3Our Lips Are Sealed
Assistent recording engineer:
Ted Blechta und John Terelle
recording engineer und Mix:
Rob Freeman (engineer)
zusätzlich Assistent recording engineer:
James Ball, Eric Kortee und Darroll Gustamachio
Produzent(in):
Rob Freeman (engineer) und Richard Gottehrer (American songwriter and music executive)
assistierende(r) Mix:
Gray Russell
Bassgitarre und Gitarre:
Kathy Valentine
Gitarre [lead guitar] und Keyboard:
Charlotte Caffey
Gitarre [rhythm guitar]:
Jane Wiedlin
Perkussion und Schlagzeug:
Gina Schock
Sologesang:
Belinda Carlisle
vocals:
Charlotte Caffey und Jane Wiedlin
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1981) und I.R.S., Inc. (in 1981)
aufgenommen bei:
Pennylane Studios in New York, New York, Vereinigte Staaten
zusätzlich aufgenommen bei:
Sound Mixers Studio in New York, New York, Vereinigte Staaten und The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten
mixed at:
Sound Mixers Studio in New York, New York, Vereinigte Staaten
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 25), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 317) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 477)
recording of:
Our Lips Are Sealed
Verfasser(in):
Go‐Go’s (all-female American rock band formed in 1978), Terence Edward Hall und Jane Wiedlin
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Gotown Music und Plangent Visions Music
The Go‐Go’s4.52:46
4Total Control
recording of:
Total Control
Verfasser(in):
Martha Davis (of The Motels) und Jeff Jourard
publisher:
Bug Music (music publishing), Clean Sheets Music (in 1979) und Frettssongs (in 1979)
The Motels3:52
5Wuthering Heights
recording of:
Wuthering Heights
publisher:
Kate Bush (vom 1978 bis heute)
Texter und Komponist(in):
Kate Bush (am 1977-03-05)
publisher:
Beechwood Music Corp., Castle (publisher), Ed. Itaipu, Glenwood Music Corporation, Kate Bush Music Ltd. und EMI Music Publishing Ltd. (PRS‐affiliated) (vom 1978 bis heute)
Kate Bush4:30
6Piano Man
recording of:
Piano Man
Texter und Komponist(in):
Billy Joel (American singer‐songwriter and pianist)
publisher:
April Music Ltd., Blackwood Music Inc. (1953-02-07–1987-12-30), EMI Songs Australia Pty. Ltd., Home Grown Music, Inc. (work publisher), Impulsive Music, Tinker Street Tunes, ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), CBS Songs Ltd. (in 1973) und Joelsongs (in 1973)
Billy Joel3:44
7Dream Police
recording of:
Dream Police
Texter und Komponist(in):
Rick Nielsen
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty. Limited (not for release label use!), Adult Music (von 1978 bis 1979) und Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (von 1978 bis 1979)
Cheap Trick3:50
8You Took the Words Right Out of My Mouth
recording of:
You Took the Words Right Out of My Mouth (Hot Summer Night)
Texter und Komponist(in):
Jim Steinman
publisher:
Carlin Music Corporation und J. Albert & Son Pty. Ltd.
Meat Loaf3:49
9Turn! Turn! Turn! (To Everything There Is a Season)
Produzent(in):
Terry Melcher
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 95)
cover recording of:
Turn! Turn! Turn! (To Everything There Is a Season)
Texter:
[traditional] (special purpose artist)
Komponist(in):
Pete Seeger (in 1959)
publisher:
Melody Trails und TRO Essex Music Ltd.
The Byrds4.853:45
10It's Along Way to the Top (If You Want to Rock and Roll)
recording of:
It’s a Long Way to the Top (If You Wanna Rock ’n’ Roll)
Verfasser(in):
Bon Scott (AC/DC member), Angus Young (member of AC/DC) und Malcolm Young (guitar player for AC/DC)
publisher:
J. Albert & Son (USA) Inc. und J. Albert & Son Pty. Ltd.
AC/DC45:15
11Sorry
Produzent(in):
Ted Albert (producer) (in 1966) und Tony Geary (Australia producer and A&R producer for Albert Productions.) (in 1966)
E-Bass:
Dick Diamonde (in 1966)
E-Gitarre und Hintergrundgesang:
Harry Vanda (Australian musician) (in 1966) und George Young (Australian musician and producer) (in 1966)
Schlagzeug:
Snowy Fleet (in 1966)
Sologesang:
Stevie Wright (in 1966)
phonographisches Urheberrecht (℗) von:
Albert Productions (in 1966, in 1967)
aufgenommen bei:
EMI Studios Sydney in Sydney, New South Wales, Australien (in 1966)
recording of:
Sorry (in 1966)
Verfasser(in):
Stevie Wright und George Young (Australian musician and producer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
The Easybeats42:36
12Don't Let Me Be Misunderstood
cover recording of:
Don’t Let Me Be Misunderstood
Verfasser(in):
Bennie Benjamin, Gloria Caldwell, Sol Marcus und Horace Ott
publisher:
Bennie Benjamin Music Inc., Carlin Music Corporation, Chris-n-Jen Music, WB Music Corp. (1929–2019) und Unichappell Music, Inc. (in 1981)
The Animals2:20
13Good Vibrations
recording engineer:
Bruce Botnick (von 1966-02 bis 1966-06), Chuck Britz (von 1966-02 bis 1966-06) und Larry Levine (von 1966-02 bis 1966-06)
Techniker(in):
Chuck Britz und Jim Lockert (Enginear)
Produzent(in):
The Beach Boys (American rock band) und Brian Wilson (Beach Boys co‐founder)
Mix:
Derry FitzGerald
Sologesang:
Mike Love (Beach Boys) (von 1966-02 bis 1966-06) und Carl Wilson (Beach Boys) (von 1966-02 bis 1966-06)
vocals:
Mike Love (Beach Boys) (von 1966-02 bis 1966-06)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1966)
aufgenommen bei:
Gold Star Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1966-02 bis 1966-06), Sunset Sound in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1966-02 bis 1966-06) und Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1966-02 bis 1966-06)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 6), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 25), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 53)
recording of:
Good Vibrations (Love/Wilson lyrics, common version) (von 1966-02 bis 1966-06)
Texter:
Mike Love (Beach Boys) und Brian Wilson (Beach Boys co‐founder)
Komponist(in):
Brian Wilson (Beach Boys co‐founder)
publisher:
Irving Music, Inc., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Rondor Music (London) Ltd., Rondor Music Publishing, Sea of Tunes Publishing Co. (work publisher, NOT the bootleg label) und Universal Music Publishing (use ONLY if no country‐specific information is available)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Version von:
Good Vibrations (Tony Asher lyrics)
The Beach Boys4.33:38
14Pretty Woman
recording of:
Pretty Woman
Verfasser(in):
Bill Dees (songwriter, singer, guitarist) und Roy Orbison
Übersetzer:
Henk van Broekhoven und Tom Peters (80s Dutch pop producer/composer)
Roy Orbison3:01
15Sunshine Superman
recording of:
Sunshine Superman
Texter und Komponist(in):
Donovan Leitch (Scottish singer, songwriter and guitarist)
publisher:
Donovan Music Ltd. und Peer International Corporation (BMI)
Donovan4:36
16Are You Old Enough
Bass:
Todd Hunter (Todd Stuart Hunter of Dragon)
Gitarre:
Robert Taylor (singer-songwriter and guitarist)
Keyboard:
Paul Hewson (New Zealand keyboardist; not to be confused with the Irish rock star better known as Bono)
Schlagzeug:
Kerry Jacobson
vocals:
Marc Hunter
phonographisches Urheberrecht (℗) von:
Sony Music Productions Pty. Ltd. (for copyrights use only) und Sony Music Entertainment (Australia) Limited (not for release label use! AU subsidiary of Sony Music Entertainment Inc., 1995/02–2004/02) (in 1976, in 1978)
recording of:
Are You Old Enough
Texter und Komponist(in):
Paul Hewson (New Zealand keyboardist; not to be confused with the Irish rock star better known as Bono)
publisher:
EMI Songs und EMI Songs Australia Pty. Ltd.
Dragon4:06
17Can the Can
recording of:
Can the Can
Texter:
Nicky Chinn
Komponist(in):
Mike Chapman (Australian producer and songwriter)
publisher:
BMG Music, Chinnichap (production company and publisher) und Universal Music Publishing MGB Australia
Suzi Quatro3:37
18Bus Stop
The Hollies2:56