Classic Buddy Holly

~ Veröffentlichung von Buddy Holly (alle Versionen dieser Veröffentlichung ansehen, 3 vorhanden)

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Peggy Sue
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-07-01)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01) und Niki Sullivan (am 1957-07-01)
Schlagzeug:
Jerry Allison (am 1957-07-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1957) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-07-01)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 5), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 194) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 370)
recording of:
Peggy Sue (von 1957-06-29 bis 1957-07-01)
Verfasser(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), McCartney Music, Melody Lane Publications Inc., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), Peermusic (UK) Limited, Southern Music (publisher) und Wren Music Co.
4.52:31
2Listen to Me
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-07-01)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01) und Niki Sullivan (am 1957-07-01)
Schlagzeug:
Jerry Allison (am 1957-07-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-07-01)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1958) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1969)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-07-01)
recording of:
Listen to Me (von 1957-06-29 bis 1957-07-01)
Texter und Komponist(in):
Buddy Holly (1950s rock & roll singer‐songwriter)
Verfasser(in):
Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Southern Music (publisher) und Wren Music Co.
3.52:21
3Early in the Morning
cover recording of:
Early in the Morning
Verfasser(in):
Bobby Darin und Woody Harris
publisher:
Good Music Ltd., Royalty und United Artists Music Co., Inc.
2:07
4Rave On
recorded in:
New York, New York, Vereinigte Staaten (am 1958-01-25)
Produzent(in):
Milton DeLugg, Norman Petty und Bob Thiele (producer & songwriter)
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1958-01-25, am 1958-01-26)
Gitarre:
Donald Amone (am 1958-01-25), Al Caiola (am 1958-01-25) und Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-01-26)
Klavier:
Norman Petty (am 1958-01-25, am 1958-01-26)
Schlagzeug:
Jerry Allison (am 1958-01-25, am 1958-01-26)
Hintergrundgesang:
Robert Bollinger (am 1958-01-25), Robert Harter (am 1958-01-25), Abby Hoffer (am 1958-01-25), William Marine (am 1958-01-25) und Merril Ostrus (am 1958-01-25)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-01-25, am 1958-01-26)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1958) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
aufgenommen bei:
Bell Sound Studios in New York, New York, Vereinigte Staaten (am 1958-01-26)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 154)
cover recording of:
Rave On (am 1958-01-26)
Verfasser(in):
Norman Petty, Bill Tilghman (songwriter) und Sonny West (American songwriter and musician Joseph “Sonny” West)
publisher:
Melody Lane Publications Inc., Nor-Va-Jak Music, Southern Music (publisher) und Wren Music Co.
4.21:50
5Heartbeat
Produzent(in):
Norman Petty
Bass:
George Atwood (von 1958-05-25 bis 1958-05-26)
Gitarre:
Tommy Allsup (von 1958-05-25 bis 1958-05-26) und Buddy Holly (1950s rock & roll singer‐songwriter) (von 1958-05-25 bis 1958-05-26)
Schlagzeug:
Jerry Allison (von 1958-05-25 bis 1958-05-26)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1958-05-25 bis 1958-05-26)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1958)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (von 1958-05-25 bis 1958-05-26)
recording of:
Heartbeat (von 1958-05-25 bis 1958-05-26)
Verfasser(in):
Bob Montgomery (USA) und Norman Petty
publisher:
Melody Lane Publications Inc. und Peermusic (UK) Limited
4.652:09
6It Doesn't Matter Anymore
Produzent(in):
Dick Jacobs (arranger, musician and bandleader) und Norman Petty
Bassgitarre:
Sanford Bloch (Bass player) (am 1958-10-21)
Bratsche / Viola:
Howard Kay (Violin player) (am 1958-10-21) und David Schwartz (violist) (am 1958-10-21)
Cello:
Maurice Bialkin (am 1958-10-21) und Maurice Brown (jazz cellist) (am 1958-10-21)
Geige / Violine:
Herbert Bourne (am 1958-10-21), Ray Free (am 1958-10-21), Julius Held (am 1958-10-21), Leo Kruczek (am 1958-10-21), Leonard Posner (am 1958-10-21), Sylvia Shulman (am 1958-10-21), Irving Spice (violinist, concertmaster and strings) (am 1958-10-21) und Paul Winter (violin) (am 1958-10-21)
Gitarre:
Al Caiola (am 1958-10-21)
Harfe:
Doris Johnson (harpist) (am 1958-10-21)
Klavier:
Ernest Hayes (American pianist, organist and arranger) (am 1958-10-21)
Schlagzeug:
Cliff Leeman (am 1958-10-21)
Tenorsaxophon:
Abraham “Boomie” Richman (am 1958-10-21)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-10-21)
Orchester:
Dick Jacobs & His Orchestra (am 1958-10-21)
conductor:
Dick Jacobs (arranger, musician and bandleader) (am 1958-10-21)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1959) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1959)
aufgenommen bei:
Pythian Temple in Lincoln Square, New York, New York, Vereinigte Staaten (am 1958-10-21)
recording of:
It Doesn’t Matter Anymore (am 1958-10-21)
Texter und Komponist(in):
Paul Anka (Canadian singer, songwriter and actor)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated) und Robert Mellin Ltd.
2.752:07
7Midnight Shift
recorded in:
Nashville, Tennessee, Vereinigte Staaten (am 1956-01-26)
Produzent(in):
Owen Bradley
Bass:
Don Guess (best known for his association with Buddy Holly) (am 1956-01-26)
Gitarre:
Sonny Curtis (am 1956-01-26), Buddy Holly (1950s rock & roll singer‐songwriter) (am 1956-01-26) und Grady Martin (country/rockabilly guitarist) (am 1956-01-26)
Perkussion:
Doug Kirkham (am 1956-01-26)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1956-01-26)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1958) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
cover recording of:
Midnight Shift (am 1956-01-26)
Verfasser(in):
Jimmie Ainsworth und Earl Lee (Luke McDaniel, track "Midnight Shift")
publisher:
Good Music (UK Publisher (1950s - 1970s)) und Sony Tree Publishing Co., Inc.
42:11
8True Love Ways
Produzent(in):
Dick Jacobs (arranger, musician and bandleader)
Bassgitarre:
Sanford Bloch (Bass player) (am 1958-10-21)
Geige / Violine:
Herbert Bourne (am 1958-10-21), Ray Free (am 1958-10-21), Julius Held (am 1958-10-21), Leo Kruczek (am 1958-10-21), Leonard Posner (am 1958-10-21), Sylvia Shulman (am 1958-10-21), Irving Spice (violinist, concertmaster and strings) (am 1958-10-21) und Paul Winter (violin) (am 1958-10-21)
Gitarre:
Al Caiola (am 1958-10-21)
Harfe:
Doris Johnson (harpist) (am 1958-10-21)
Klavier:
Ernest Hayes (American pianist, organist and arranger) (am 1958-10-21)
Schlagzeug:
Cliff Leeman (am 1958-10-21)
Tenorsaxophon:
Abraham “Boomie” Richman (am 1958-10-21)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-10-21)
Orchester:
Dick Jacobs & His Orchestra (am 1958-10-21)
conductor:
Dick Jacobs (arranger, musician and bandleader) (am 1958-10-21)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1960) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1960)
aufgenommen bei:
Pythian Temple in Lincoln Square, New York, New York, Vereinigte Staaten (am 1958-10-21)
recording of:
True Love Ways (am 1958-10-21)
Verfasser(in):
Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
publisher:
McCartney Music, Melody Lane Publications Inc., Peermusic (UK) Ltd. und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
4.52:50
9Peggy Sue Got Married
recorded in:
New York, Vereinigte Staaten (in 1959-01)
Produzent(in):
Norman Petty
Akustikgitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (in 1959-01)
Instrumente:
The Fireballs (USA 1960s surf rock band)
Hintergrundgesang:
The Fireballs (USA 1960s surf rock band)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter)
recording of:
Peggy Sue Got Married (vom 1959-01 bis heute)
Komponist(in):
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) und Norman Petty
51:51
10Learning the Game
Produzent(in):
Norman Petty
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1966)
recording of:
Learning the Game
Texter und Komponist(in):
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)) und Southern Music Pub. Co. Ltd.
2:02
11What to Do
recording of:
What to Do
Verfasser(in):
Buddy Holly (1950s rock & roll singer‐songwriter)
publisher:
Southern Music (publisher)
51:54
12You're So Square (Baby I Don't Care)
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1957-12-19)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-12-19)
Schlagzeug:
Jerry Allison (am 1957-12-19)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1957-12-19)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1958)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1957-12-19)
cover recording of:
(You’re So Square) Baby I Don’t Care (am 1957-12-19)
Texter:
Jerry Leiber (in 1957)
Komponist(in):
Mike Stoller (in 1957)
publisher:
Belinda (London) Ltd. (publisher), Carlin Music Corporation, Elvis Presley Music Inc., Gladys Music, Jerry Leiber Music, Mike Stoller Music (ASCAP), Sony/ATV Songs LLC und WB Music Corp. (1929–2019)
51:36
13Valley of Tears
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (von 1957-05 bis 1957-07)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1957-05 bis 1957-07)
Klavier:
Vi Petty (von 1957-05 bis 1957-07)
Orgel:
Norman Petty (von 1957-05 bis 1957-07)
Schlagzeug:
Jerry Allison (von 1957-05 bis 1957-07)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1957-05 bis 1957-07)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (von 1957-05 bis 1957-07)
cover recording of:
Valley of Tears (von 1957-05 bis 1957-07)
Texter und Komponist(in):
Antoine Dominique Domino (Fats Domino) und Dave Bartholomew
publisher:
EMI Unart Catalog Inc., Francis, Day & Hunter und Travis Music Co.
2:08
14Reminiscing
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (am 1958-09-10)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-09-10)
Schlagzeug:
Jerry Allison (am 1958-09-10)
Tenorsaxophon:
King Curtis (saxophonist) (am 1958-09-10)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-09-10)
Interpret(in):
The Fireballs (USA 1960s surf rock band) (in 1962)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1962)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (am 1958-09-10)
recording of:
Reminiscing (von 1958-09-10 bis 1962)
Texter und Komponist(in):
King Curtis (saxophonist)
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company) und Nor-Va-Jak Music, Inc
42:00
15Brown-Eyed Handsome Man
recording engineer:
Norman Petty (von 1956-12 bis 1957-01)
Produzent(in):
Norman Petty
Bass:
Larry Welborn (von 1956-12 bis 1957-01)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1956-12 bis 1957-01)
Schlagzeug:
Jerry Allison (von 1956-12 bis 1957-01)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1956-12 bis 1957-01)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1963) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1963)
aufgenommen bei:
Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (von 1956-12 bis 1957-01)
cover recording of:
Brown Eyed Handsome Man (von 1956-12 bis 1957-01)
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corporation (U.S. rock & blues publisher) und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Teil von:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
3.352:04
16Bo Diddley
phonographisches Urheberrecht (℗) von:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1963)
cover recording of:
Bo Diddley
Texter und Komponist(in):
Ellas McDaniel (American singer, guitarist, songwriter and music producer) (bis 1955-03-02)
publisher:
Arc Music Corp. (U.S. rock & blues publisher) und Good Music Ltd.
52:21
17Wishing
recorded in:
Clovis, New Mexico, Vereinigte Staaten (am 1958-06-02)
Produzent(in):
Norman Petty
Bass:
George Atwood (am 1958-06-02)
Gitarre:
Tommy Allsup (am 1958-06-02) und Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-06-02)
Schlagzeug:
Bo Clarke (am 1958-06-02)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (am 1958-06-02)
Interpret(in):
The Fireballs (USA 1960s surf rock band) (in 1963)
recording of:
Wishing (von 1958-06-02 bis 1963)
Verfasser(in):
Buddy Holly (1950s rock & roll singer‐songwriter) und Bob Montgomery (USA)
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) und MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
2:03
18You've Got Love
Produzent(in):
Norman Petty
Bass:
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (von 1957-09-27 bis 1957-09-28)
Gitarre:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1957-09-27 bis 1957-09-28) und Niki Sullivan (von 1957-09-27 bis 1957-09-28)
Schlagzeug:
Jerry Allison (von 1957-09-27 bis 1957-09-28)
Hintergrundgesang:
The Picks (American vocal Quartet that backed Buddy Holly) (von 1957-09-28 bis 1957-11-27)
vocals:
Buddy Holly (1950s rock & roll singer‐songwriter) (von 1957-09-27 bis 1958-09-28)
phonographisches Urheberrecht (℗) von:
Geffen Records (in 1957)
aufgenommen bei:
Tinker Air Force Base (Tinker Air Force Base) in Oklahoma City, Oklahoma, Vereinigte Staaten (von 1957-09-27 bis 1957-09-28) und Norman Petty Studios in Clovis, New Mexico, Vereinigte Staaten (von 1957-09-28 bis 1957-11-27)
recording of:
You’ve Got Love (von 1957-09-27 bis 1957-11-27)
Verfasser(in):
Roy Orbison, Norman Petty und Johnny Wilson (aka Johnny A. Wilson & Peanuts Wilson)
42:07
19Love's Made a Fool of You
recording of:
Love’s Made a Fool of You
Verfasser(in):
Buddy Holly (1950s rock & roll singer‐songwriter) und Bob Montgomery (USA)
publisher:
Southern Music Ltd. (publisher) (in 1981)
2:00

Nennungen

Veröffentlichung

hergestellt in:Europa
urheberrechtlich geschützt (©) von und phonographisches Urheberrecht (℗) von:MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1999)
Teil von:The Universal Masters Collection (Reihenfolge: 6)
Discogs:https://www.discogs.com/release/3639684 [Info]
ASIN:UK: B00004OCP5 [Info]

Veröffentlichungsgruppe

Discogs:https://www.discogs.com/master/698810 [Info]