"Entartete Musik": Meisterwerke einer verlorenen Epoche

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Die Vögel: Vorspiel
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1994-12)
conductor:
Lothar Zagrosek (German conductor) (in 1994-12)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1994-12)
recording of:
Die Vögel, op. 30: Vorspiel und Prolog. Vorspiel (Langsam und zart) (in 1994-12)
composer:
Walter Braunfels (German composer)
part of:
Die Vögel, op. 30
Walter Braunfels4:26
2Die Vögel: Liebenswerte Freunde
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1994-12)
conductor:
Lothar Zagrosek (German conductor) (in 1994-12)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1994-12)
recording of:
Die Vögel, op. 30: Vorspiel und Prolog. "Liebwerte Freunde" (Nachtigal) (in 1994-12)
composer:
Walter Braunfels (German composer)
part of:
Die Vögel, op. 30
Walter Braunfels3:42
3Konzert für Klavier und kleines Orchester: III. Alla zingaresca
engineer:
Andy Groves and Colin Moorfoot (engineer)
producer:
Morten Winding
editor:
Matthew Hutchinson (engineer / editor)
piano:
Aleksandar Madžar (pianist) (in 1994-10)
orchestra:
Deutsche Kammerphilharmonie Bremen (in 1994-10)
conductor:
Andreas Delfs (conductor) (in 1994-10)
recorded at:
Freie Waldorfschule Bremen in Bremen, Bremen, Germany (in 1994-10)
recording of:
Concerto for Piano and Small Orchestra, op. 43, WV 66: III. Allegro alla Jazz (in 1994-10)
composer:
Erwin Schulhoff (composer and pianist) (in 1923)
part of:
Concerto for Piano and Small Orchestra, op. 43, WV 66
Erwin Schulhoff6:30
4Commedy of Errors: Ouvertüre
producer:
Michael Haas (classical music producer)
editor:
Sally Drew (Decca engineer)
orchestra:
City of Birmingham Symphony Orchestra (in 1995-07)
conductor:
Berthold Goldschmidt (composer) (in 1995-07)
balance engineer:
John Dunkerley (engineer)
recorded at:
Symphony Hall (Birmingham) in Birmingham, West Midlands, England, United Kingdom (in 1995-07)
recording of:
Comedy of Errors: Overture (in 1995-07)
composer:
Berthold Goldschmidt (composer)
Berthold Goldschmidt5:33
5Africa Songs: Tante Sues Geschichten
producer:
Morten Winding
editor:
Matthew Hutchinson (engineer / editor)
baritone vocals:
Jake Gardner (bass-baritone singer)
soprano vocals:
Cynthia Clarey (soprano) (in 1995-07)
orchestra:
Matrix Ensemble
conductor:
Robert Ziegler (conductor)
balance engineer:
Jonathan Stokes (engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom
edit of:
Afrika-Songs, op. 29: Tante Sues Geschichten — Zwischenspiel 4 by Cynthia Clarey (soprano), Jake Gardner (bass-baritone singer), Matrix Ensemble, Robert Ziegler (conductor)
recording of:
Afrika-Songs, op. 29: Tante Sues Geschichten
lyricist:
Langston Hughes
composer:
Wilhelm Grosz (aka Hugh Williams)
part of:
Afrika-Songs, op. 29
Wilhelm Grosz3:33
6Klaviersonate No. 2: II. Lento
producer:
Morten Winding
editor:
Simon Bertram and Debbie Gilbert (engineer)
piano:
Kolja Lessing (pianist, violinist, composer) (in 1996-08)
balance engineer:
John Dunkerley (engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1996-08)
recording of:
Piano Sonata no. 2: II. Lento (in 1996-08)
composer:
Ignace Strasfogel (in 1926)
part of:
Piano Sonata no. 2
Ignace Strasfogel4:06
7Das Lied von Terezin: Der Garten
producer:
Morten Winding
choir vocals:
Rundfunkchor Berlin (Berlin Radio Chorus) (from 1997-02-03 until 1997-02-08)
orchestra:
Rundfunk‐Sinfonieorchester Berlin (Berlin Radio Symphony Orchestra, East Berlin, 1923–) (from 1997-02-03 until 1997-02-08)
conductor:
Lawrence Foster (conductor) (from 1997-02-03 until 1997-02-08)
balance engineer:
James Lock (James Locke, engineer) and Philip Siney (sound engineer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1997-02-03 until 1997-02-08)
recording of:
Das Lied von Terezín: Der Garten (from 1997-02-03 until 1997-02-08)
composer:
Franz Waxman
part of:
Das Lied von Terezín
Franz Waxman2:53
8Violinkonzert: III. Gigue
producer:
Chris Hazell
solo violin:
Chantal Juillet (violinist) (in 1994-12)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1994-12)
conductor:
Berthold Goldschmidt (composer) (in 1994-12)
balance engineer:
Simon Eadon (classical music engineer)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1994-12)
recording of:
Violin Concerto: III. Gigue (in 1994-12)
composer:
Berthold Goldschmidt (composer) (in 1952)
part of:
Violin Concerto
Berthold Goldschmidt4:09
9Verlobung im Traum: Casta Diva
orchestra:
Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1996-08)
conductor:
Lothar Zagrosek (German conductor) (in 1996-08)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1996-08)
edit of:
Verlobung im Traum: Erster Akt, 3. Bild: Casta dive (Sina) by Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Lothar Zagrosek (German conductor)
partial recording of:
Verlobung im Traum: Erster Akt (in 1996-08)
composer:
Hans Krása (composer) (from 1928 until 1930)
part of:
Verlobung im Traum
Hans Krása2:18
10Eine florentinische Tragödie: Ouvertüre
producer:
Michael Haas (classical music producer)
editor:
Nigel Gayler and Deborah Gilbert (engineer)
orchestra:
Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra) (from 1996-04-25 until 1996-04-29)
conductor:
Riccardo Chailly (conductor) (from 1996-04-25 until 1996-04-29)
balance engineer:
John Dunkerley (engineer) and Simon Eadon (classical music engineer)
recorded at:
Concertgebouw: Grote Zaal in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1996-04-25 until 1996-04-29)
recording of:
Eine florentinische Tragödie, op. 16: Ouvertüre (from 1996-04-25 until 1996-04-29)
composer:
Alexander von Zemlinsky (Austrian composer)
part of:
Eine florentinische Tragödie, op. 16
Alexander von Zemlinsky4:38
11Der Kaiser von Atlantis: Schau, die Wolken
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1993-02)
conductor:
Lothar Zagrosek (German conductor) (in 1993-02)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1993-02)
recording of:
Der Kaiser von Atlantis: XIV. Schau, die Wolken (in 1993-02)
composer:
Viktor Ullmann (Czech-Austrian composer)
part of:
Der Kaiser von Atlantis
Viktor Ullmann1:24
12Der Geburtstag der Infantin: Die Marionetten
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra)
conductor:
Lothar Zagrosek (German conductor)
recording of:
Der Geburtstag der Infantin: III. Die Marionetten (in 1994-03)
composer:
Franz Schreker (composer) (in 1908)
revised by:
Franz Schreker (composer) (in 1923)
part of:
Der Geburtstag der Infantin
Franz Schreker2:46
13Der Kaiser von Atlantis: Komm Tod, du unser werter Gast
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (in 1993-02)
conductor:
Lothar Zagrosek (German conductor) (in 1993-02)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (in 1993-02)
recording of:
Der Kaiser von Atlantis: XX. Komm Tod, du unser werter Gast (in 1993-02)
composer:
Viktor Ullmann (Czech-Austrian composer)
part of:
Der Kaiser von Atlantis
Viktor Ullmann2:51
14Die Mondsüchtige: Shimmy
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra)
conductor:
Lothar Zagrosek (German conductor)
partial recording of:
Die Mondsüchtige, WV 78
composer:
Erwin Schulhoff (composer and pianist) (in 1925)
part of:
Erwin Schulhoff, Leben und Werk (number: WV 78)
Erwin Schulhoff2:36
15Das Wunder der Heliane: Ich ging zu ihm
engineer:
John Pellowe (audio engineer) and Jonathan Stokes (engineer)
assistant producer:
Morten Winding
producer:
Michael Haas (classical music producer)
editor:
Caroline Loweth
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1992-02-20 until 1992-02-29)
partial recording of:
Das Wunder der Heliane, Akt II (from 1992-02-20 until 1992-02-29)
composer:
Erich Wolfgang Korngold (Austrian composer and conductor)
librettist:
Hans Müller-Einigen
part of:
Das Wunder der Heliane, op. 20
Erich Wolfgang Korngold7:00
16Jonny spielt auf: Einleitung
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (from 1991-11-14 until 1991-11-26)
conductor:
Lothar Zagrosek (German conductor) (from 1991-11-14 until 1991-11-26)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1991-11-14 until 1991-11-26)
partial recording of:
Jonny spielt auf, op. 45: I. Teil (from 1991-11-14 until 1991-11-26)
composer:
Ernst Krenek (Austrian composer) (from 1925 until 1926)
librettist:
Ernst Krenek (Austrian composer)
part of:
Jonny spielt auf, op. 45
Ernst Krenek2:05
17Jonny spielt auf: Oh, das ist mein Johnny
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (from 1991-11-14 until 1991-11-26)
conductor:
Lothar Zagrosek (German conductor) (from 1991-11-14 until 1991-11-26)
recorded at:
Paul-Gerhardt-Kirche in Leipzig, Sachsen (Saxony), Germany (from 1991-11-14 until 1991-11-26)
partial recording of:
Jonny spielt auf, op. 45: I. Teil (from 1991-11-14 until 1991-11-26)
composer:
Ernst Krenek (Austrian composer) (from 1925 until 1926)
librettist:
Ernst Krenek (Austrian composer)
part of:
Jonny spielt auf, op. 45
Ernst Krenek3:34
18Blues
producer:
Michael Haas (classical music producer)
instruments:
Ebony Band (from 1997-06-30 until 1997-07-04)
choir vocals:
Cappella Amsterdam (Dutch chamber choir)
orchestra:
Ebony Band
conductor:
Werner Herbers (oboist and conductor) (from 1997-06-30 until 1997-07-04)
balance engineer:
Simon Eadon (classical music engineer)
recorded at:
Muziekcentrum van de Omroep: Studio 5 in Hilversum, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1997-06-30 until 1997-07-04)
recording of:
Blues - Stimmen aus dem Massengrab - Marsch: Blues (from 1997-06-30 until 1997-07-04)
composer:
Stefan Wolpe (German-American composer) (in 1929)
part of:
Blues - Stimmen aus dem Massengrab - Marsch
Stefan Wolpe2:12
19Ich bin ein Vamp!
engineer:
Martin Atkinson (engineer)
producer:
Michael Haas (classical music producer)
editor:
Jenni Whiteside (engineer)
piano:
Jeff Cohen (US pianist, active in France) (from 1996-01 until 1996-02)
vocals:
Ute Lemper (from 1996-01 until 1996-02)
orchestra:
Matrix Ensemble (from 1996-01 until 1996-02)
conductor:
Robert Ziegler (conductor) (from 1996-01 until 1996-02)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (from 1996-01 until 1996-02)
recording of:
Ich bin ein Vamp (from 1996-01 until 1996-02)
lyricist:
Géza Herczeg and Marcellus Schiffer
composer:
Mischa Spoliansky (composer)
Mischa Spoliansky3:56
20Die Herzogin von Chicago: Charleston
assistant producer:
Florian Schmidt (classical engineer and producer)
producer:
Michael Haas (classical music producer)
orchestra:
Rundfunk‐Sinfonieorchester Berlin (Berlin Radio Symphony Orchestra, East Berlin, 1923–) (from 1998-02-02 until 1998-02-08)
conductor:
Richard Bonynge (conductor and pianist) (from 1998-02-02 until 1998-02-08)
balance engineer:
James Lock (James Locke, engineer) and Philip Siney (sound engineer)
recorded at:
Haus des Rundfunks: Großer Sendesaal in Berlin, Germany (from 1998-02-02 until 1998-02-08)
Imre Kálmán1:59

Credits

Release

ASIN:DE: B000BEVD74 [info]