Copland Conducts Copland: The Complete Columbia Album Collection

~ Release by Aaron Copland (see all versions of this release, 1 available)

Tracklist

1▶CD: Copland: Clarinet Concerto & Piano Quartet & Piano Variations & Nocturne & Vitebsk & Ukelele Serenade
2▼CD: Copland: Old American Songs & Twelve Poems of Emily Dickinson
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1Old American Songs - Set I (arco 65) No. 1, The Boatmen's Dance "'Minstrel Song"
producer:
David Oppenheim (clarinetist) and David Oppenheim (producer of classical recordings)
piano:
Aaron Copland (composer) (on 1951-08-16)
baritone vocals:
William Warfield (bass-baritone) (on 1951-08-16)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1951-08-16)
recording of:
Old American Songs, Set 1: No. 1. The Boatmen's Dance (on 1951-08-16)
composer:
Aaron Copland (composer) (in 1950)
part of:
Old American Songs, Set 1
3:32
2Old American Songs - Set I (arco 65) No. 2, The Dodger "Campaign Song"
producer:
David Oppenheim (clarinetist) and David Oppenheim (producer of classical recordings)
piano:
Aaron Copland (composer) (on 1951-08-16)
baritone vocals:
William Warfield (bass-baritone) (on 1951-08-16)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1951-08-16)
recording of:
Old American Songs, Set 1: No. 2. The Dodger (on 1951-08-16)
composer:
Aaron Copland (composer) (in 1950)
part of:
Old American Songs, Set 1
2:11
3Old American Songs - Set I (arco 65) No. 3, Long Time Ago "Ballad"
producer:
David Oppenheim (clarinetist) and David Oppenheim (producer of classical recordings)
piano:
Aaron Copland (composer) (on 1951-08-16)
baritone vocals:
William Warfield (bass-baritone) (on 1951-08-16)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1951-08-16)
recording of:
Old American Songs, Set 1: No. 3. Long Time Ago (on 1951-08-16)
composer:
Aaron Copland (composer) (in 1950)
part of:
Old American Songs, Set 1
3:12
4Old American Songs - Set I (arco 65) No. 4, Simple Gifts "Shaker Song"
producer:
David Oppenheim (clarinetist) and David Oppenheim (producer of classical recordings)
piano:
Aaron Copland (composer) (on 1951-08-16)
baritone vocals:
William Warfield (bass-baritone) (on 1951-08-16)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1951-08-16)
recording of:
Old American Songs, Set 1: No. 4. Simple Gifts (on 1951-08-16)
composer:
Aaron Copland (composer) (in 1950)
part of:
Old American Songs, Set 1
1:35
5Old American Songs - Set I (arco 65) No. 5, I Bought Me a Cat "Children's Song"
producer:
David Oppenheim (clarinetist) and David Oppenheim (producer of classical recordings)
piano:
Aaron Copland (composer) (on 1951-08-16)
baritone vocals:
William Warfield (bass-baritone) (on 1951-08-16)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1951-08-16)
recording of:
Old American Songs, Set 1: No. 5. I Bought Me a Cat (on 1951-08-16)
composer:
Aaron Copland (composer) (in 1950)
part of:
Old American Songs, Set 1
2:13
6Old American Songs - Set II (arco 68) No. 1, The Little Horses "A Children's Lullaby"
producer:
Howard H. Scott (classical music producer)
piano:
Aaron Copland (composer) (on 1953-08-18)
baritone vocals:
William Warfield (bass-baritone) (on 1953-08-18)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1953-08-18)
recording of:
Old American Songs, Set 2: No. 1. The Little Horses (on 1953-08-18)
composer:
Aaron Copland (composer) (in 1952)
part of:
Old American Songs, Set 2
2:55
7Old American Songs - Set II (arco 68) No. 2, Zion's Walls "A Revivalist Song"
producer:
Howard H. Scott (classical music producer)
piano:
Aaron Copland (composer) (on 1953-08-18)
baritone vocals:
William Warfield (bass-baritone) (on 1953-08-18)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1953-08-18)
recording of:
Old American Songs, Set 2: No. 2. Zion's Walls (on 1953-08-18)
composer:
Aaron Copland (composer) (in 1952)
part of:
Old American Songs, Set 2
2:01
8Old American Songs - Set II (arco 68) No. 3, The Golden Willow Tree "Anglo-American Ballad'"
producer:
Howard H. Scott (classical music producer)
piano:
Aaron Copland (composer) (on 1953-08-18)
baritone vocals:
William Warfield (bass-baritone) (on 1953-08-18)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1953-08-18)
recording of:
Old American Songs, Set 2: No. 3. The Golden Willow Tree (on 1953-08-18)
composer:
Aaron Copland (composer) (in 1952)
part of:
Old American Songs, Set 2
3:35
9Old American Songs - Set II (arco 68) No. 4, At the River "Hymn Tune"
producer:
Howard H. Scott (classical music producer)
piano:
Aaron Copland (composer) (on 1953-08-18)
baritone vocals:
William Warfield (bass-baritone) (on 1953-08-18)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1953-08-18)
recording of:
Old American Songs, Set 2: No. 4. At the River (on 1953-08-18)
lyricist:
Robert Lowry (American hymn writer, 1826-1899)
composer:
Aaron Copland (composer) (in 1952)
part of:
Old American Songs, Set 2
3:05
10Old American Songs - Set II (arco 68) No. 5, Ching-a-Ring Chaw "Minstrel Song"
producer:
Howard H. Scott (classical music producer)
piano:
Aaron Copland (composer) (on 1953-08-18)
baritone vocals:
William Warfield (bass-baritone) (on 1953-08-18)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1953-08-18)
recording of:
Old American Songs, Set 2: No. 5. Ching-A-Ring Chaw (on 1953-08-18)
composer:
Aaron Copland (composer) (in 1952)
part of:
Old American Songs, Set 2
1:33
1112 Poems of Emily Dickinson (arco 66) No. 1, "Nature, the gentlest mother" to David Diamond
piano:
Aaron Copland (composer) (from 1950 until 1952, on 1952-04-02)
mezzo-soprano vocals:
Martha Lipton (mezzo soprano) (from 1950 until 1952, on 1952-04-02)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1952-04-02)
recording of:
Twelve Poems of Emily Dickinson: I. Nature, the gentlest mother (from 1950 until 1952)
lyricist:
Emily Dickinson (US poet)
composer:
Aaron Copland (composer) (in 1950)
dedicated to:
David Diamond (American composer)
part of:
Twelve Poems of Emily Dickinson
recording of:
Twelve Poems of Emily Dickinson: I. Nature, the gentlest mother (on 1952-04-02)
lyricist:
Emily Dickinson (US poet)
composer:
Aaron Copland (composer) (in 1950)
dedicated to:
David Diamond (American composer)
part of:
Twelve Poems of Emily Dickinson
3:55
1212 Poems of Emily Dickinson (arco 66) No. 2, "There came a wind like a bugle" to Elliott Carter
piano:
Aaron Copland (composer) (from 1950 until 1952, on 1952-04-02)
mezzo-soprano vocals:
Martha Lipton (mezzo soprano) (from 1950 until 1952, on 1952-04-02)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1952-04-02)
recording of:
Twelve Poems of Emily Dickinson: II. There came a wind like a bugle (from 1950 until 1952)
lyricist:
Emily Dickinson (US poet)
composer:
Aaron Copland (composer) (in 1950)
dedicated to:
Elliott Carter (American composer)
part of:
Twelve Poems of Emily Dickinson
recording of:
Twelve Poems of Emily Dickinson: II. There came a wind like a bugle (on 1952-04-02)
lyricist:
Emily Dickinson (US poet)
composer:
Aaron Copland (composer) (in 1950)
dedicated to:
Elliott Carter (American composer)
part of:
Twelve Poems of Emily Dickinson
1:37
1312 Poems of Emily Dickinson (arco 66) No. 3, "Why do they shut me out of Heaven" to Ingolf Dahl
piano:
Aaron Copland (composer) (from 1950 until 1952, on 1952-04-02)
mezzo-soprano vocals:
Martha Lipton (mezzo soprano) (from 1950 until 1952, on 1952-04-02)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1952-04-02)
recording of:
Twelve Poems of Emily Dickinson: III. Why do they shut me out of Heaven? (from 1950 until 1952)
lyricist:
Emily Dickinson (US poet)
composer:
Aaron Copland (composer)
dedicated to:
Ingolf Dahl (German-American composer)
part of:
Twelve Poems of Emily Dickinson
recording of:
Twelve Poems of Emily Dickinson: III. Why do they shut me out of Heaven? (on 1952-04-02)
lyricist:
Emily Dickinson (US poet)
composer:
Aaron Copland (composer)
dedicated to:
Ingolf Dahl (German-American composer)
part of:
Twelve Poems of Emily Dickinson
1:55
1412 Poems of Emily Dickinson (arco 66) No. 4, "The world feels dusty" to Alexei Haieff
piano:
Aaron Copland (composer) (from 1950 until 1952, on 1952-04-02)
mezzo-soprano vocals:
Martha Lipton (mezzo soprano) (from 1950 until 1952, on 1952-04-02)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1952-04-02)
recording of:
Twelve Poems of Emily Dickinson: IV. The world feels dusty (from 1950 until 1952)
lyricist:
Emily Dickinson (US poet)
composer:
Aaron Copland (composer) (in 1950)
dedicated to:
Alexei Haieff (American composer)
part of:
Twelve Poems of Emily Dickinson
recording of:
Twelve Poems of Emily Dickinson: IV. The world feels dusty (on 1952-04-02)
lyricist:
Emily Dickinson (US poet)
composer:
Aaron Copland (composer) (in 1950)
dedicated to:
Alexei Haieff (American composer)
part of:
Twelve Poems of Emily Dickinson
1:50
1512 Poems of Emily Dickinson (arco 66) No. 5, "Heart, we will forget him!" to Marcelle de Manziarly
piano:
Aaron Copland (composer) (from 1950 until 1952, on 1952-04-02)
mezzo-soprano vocals:
Martha Lipton (mezzo soprano) (from 1950 until 1952, on 1952-04-02)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1952-04-02)
recording of:
Twelve Poems of Emily Dickinson: V. Heart, we will forget him! (from 1950 until 1952)
lyricist:
Emily Dickinson (US poet)
composer:
Aaron Copland (composer) (in 1950)
dedicated to:
Marcelle de Manziarly
part of:
Twelve Poems of Emily Dickinson
recording of:
Twelve Poems of Emily Dickinson: V. Heart, we will forget him! (on 1952-04-02)
lyricist:
Emily Dickinson (US poet)
composer:
Aaron Copland (composer) (in 1950)
dedicated to:
Marcelle de Manziarly
part of:
Twelve Poems of Emily Dickinson
2:18
1612 Poems of Emily Dickinson (arco 66) No. 6, "Dear March, come In!" to Juan Orrego-Salas
piano:
Aaron Copland (composer) (from 1950 until 1952, on 1952-04-02)
mezzo-soprano vocals:
Martha Lipton (mezzo soprano) (from 1950 until 1952, on 1952-04-02)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1952-04-02)
recording of:
Twelve Poems of Emily Dickinson: VI. Dear March, come in! (from 1950 until 1952)
lyricist:
Emily Dickinson (US poet)
composer:
Aaron Copland (composer) (in 1950)
dedicated to:
Juan Orrego-Salas (Chilean composer)
part of:
Twelve Poems of Emily Dickinson
recording of:
Twelve Poems of Emily Dickinson: VI. Dear March, come in! (on 1952-04-02)
lyricist:
Emily Dickinson (US poet)
composer:
Aaron Copland (composer) (in 1950)
dedicated to:
Juan Orrego-Salas (Chilean composer)
part of:
Twelve Poems of Emily Dickinson
2:14
1712 Poems of Emily Dickinson (arco 66) No. 7, "Sleep is supposed to be" to Irving Fine
piano:
Aaron Copland (composer) (from 1950 until 1952, on 1952-04-02)
mezzo-soprano vocals:
Martha Lipton (mezzo soprano) (from 1950 until 1952, on 1952-04-02)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1952-04-02)
recording of:
Twelve Poems of Emily Dickinson: VII. Sleep is supposed to be (from 1950 until 1952)
lyricist:
Emily Dickinson (US poet)
composer:
Aaron Copland (composer) (in 1950)
dedicated to:
Irving Fine (American composer)
part of:
Twelve Poems of Emily Dickinson
recording of:
Twelve Poems of Emily Dickinson: VII. Sleep is supposed to be (on 1952-04-02)
lyricist:
Emily Dickinson (US poet)
composer:
Aaron Copland (composer) (in 1950)
dedicated to:
Irving Fine (American composer)
part of:
Twelve Poems of Emily Dickinson
2:52
1812 Poems of Emily Dickinson (arco 66) No. 8, "When they come back" to Harold Shapero
piano:
Aaron Copland (composer) (from 1950 until 1952, on 1952-04-02)
mezzo-soprano vocals:
Martha Lipton (mezzo soprano) (from 1950 until 1952, on 1952-04-02)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1952-04-02)
recording of:
Twelve Poems of Emily Dickinson: VIII. When they come back (from 1950 until 1952)
lyricist:
Emily Dickinson (US poet)
composer:
Aaron Copland (composer)
dedicated to:
Harold Shapero (American composer)
part of:
Twelve Poems of Emily Dickinson
recording of:
Twelve Poems of Emily Dickinson: VIII. When they come back (on 1952-04-02)
lyricist:
Emily Dickinson (US poet)
composer:
Aaron Copland (composer)
dedicated to:
Harold Shapero (American composer)
part of:
Twelve Poems of Emily Dickinson
1:55
1912 Poems of Emily Dickinson (arco 66) No. 9, "I Felt a funeral in my brain" to Camargo Guarnieri
piano:
Aaron Copland (composer) (from 1950 until 1952, on 1952-04-02)
mezzo-soprano vocals:
Martha Lipton (mezzo soprano) (from 1950 until 1952, on 1952-04-02)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1952-04-02)
recording of:
Twelve Poems of Emily Dickinson: IX. I felt a funeral in my brain (from 1950 until 1952)
lyricist:
Emily Dickinson (US poet)
composer:
Aaron Copland (composer)
dedicated to:
M. Camargo Guarnieri (Brazilian composer)
part of:
Twelve Poems of Emily Dickinson
recording of:
Twelve Poems of Emily Dickinson: IX. I felt a funeral in my brain (on 1952-04-02)
lyricist:
Emily Dickinson (US poet)
composer:
Aaron Copland (composer)
dedicated to:
M. Camargo Guarnieri (Brazilian composer)
part of:
Twelve Poems of Emily Dickinson
2:16
2012 Poems of Emily Dickinson (arco 66) No. 10, "I've heard an organ talk sometimes" to Alberto Ginastera
piano:
Aaron Copland (composer) (from 1950 until 1952, on 1952-04-02)
mezzo-soprano vocals:
Martha Lipton (mezzo soprano) (from 1950 until 1952, on 1952-04-02)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1952-04-02)
recording of:
Twelve Poems of Emily Dickinson: X. I've heard an organ talk sometimes (from 1950 until 1952)
lyricist:
Emily Dickinson (US poet)
composer:
Aaron Copland (composer)
dedicated to:
Alberto Ginastera (Argentinean composer)
part of:
Twelve Poems of Emily Dickinson
recording of:
Twelve Poems of Emily Dickinson: X. I've heard an organ talk sometimes (on 1952-04-02)
lyricist:
Emily Dickinson (US poet)
composer:
Aaron Copland (composer)
dedicated to:
Alberto Ginastera (Argentinean composer)
part of:
Twelve Poems of Emily Dickinson
2:03
2112 Poems of Emily Dickinson (arco 66) No. 11, "Going to Heaven!" to Lukas Foss
piano:
Aaron Copland (composer) (from 1950 until 1952, on 1952-04-02)
mezzo-soprano vocals:
Martha Lipton (mezzo soprano) (from 1950 until 1952, on 1952-04-02)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1952-04-02)
recording of:
Twelve Poems of Emily Dickinson: XI. Going to heaven! (from 1950 until 1952)
lyricist:
Emily Dickinson (US poet)
composer:
Aaron Copland (composer) (in 1950)
dedicated to:
Lukas Foss (German-American composer, pianist and conductor)
part of:
Twelve Poems of Emily Dickinson
recording of:
Twelve Poems of Emily Dickinson: XI. Going to heaven! (on 1952-04-02)
lyricist:
Emily Dickinson (US poet)
composer:
Aaron Copland (composer) (in 1950)
dedicated to:
Lukas Foss (German-American composer, pianist and conductor)
part of:
Twelve Poems of Emily Dickinson
2:50
2212 Poems of Emily Dickinson (arco 66) No. 12, "The Chariot" to Arthur Berger
piano:
Aaron Copland (composer) (from 1950 until 1952, on 1952-04-02)
mezzo-soprano vocals:
Martha Lipton (mezzo soprano) (from 1950 until 1952, on 1952-04-02)
recorded at:
CBS 30th Street Studio in Manhattan, New York, New York, United States (on 1952-04-02)
recording of:
Twelve Poems of Emily Dickinson: XII. The Chariot (from 1950 until 1952)
lyricist:
Emily Dickinson (US poet)
composer:
Aaron Copland (composer) (in 1950)
dedicated to:
Arthur Berger (American composer)
part of:
Twelve Poems of Emily Dickinson
recording of:
Twelve Poems of Emily Dickinson: XII. The Chariot (on 1952-04-02)
lyricist:
Emily Dickinson (US poet)
composer:
Aaron Copland (composer) (in 1950)
dedicated to:
Arthur Berger (American composer)
part of:
Twelve Poems of Emily Dickinson
3:01
3▶CD: Copland Conducts Appalachian Spring & The Tender Land: Suite
4▶CD: Copland Conducts Copland: Concerto for Clarinet, Strings and Harp & Old American Songs
5▶CD: Bernstein Conducts Copland
6▶CD: Copland: The Tender Land (Opera in Three Acts)
7▶CD: Copland Conducts Music for a Great City & Statements for Orchestra
8▶CD: Copland: Twelve Poems of Emily Dickinson & Three Choruses
9▶CD: Copland: Piano Quartet & Sextet & Vitebsk
10▶CD: Copland Conducts Copland: Short Symphony & Dance Symphony
11▶CD: Copland Conducts Copland: Our Town & An Outdoor Overture & Quiet City & Two Pieces for String Quartet
12▶CD: Copland Conducts Copland: Billy the Kid - Ballet Suite & 4 Dance Episodes from Rodeo
13▶CD: Copland Conducts Copland: Appalachian Spring & Fanfare for the Common Man
14▶CD: Copland Conducts Copland: Symphonic Ode & Preamble for a Solemn Orchestra & Orchestral Variations
15▶CD: Copland Conducts Copland: Appalachian Spring
16▶CD: Copland Conducts Copland: Violin Sonata & Duo & Nonet
17▶CD: Copland Conducts Copland: El Salón México & 3 Latin American Sketches & Dance Panels
18▶CD: Copland Conducts Copland: The Red Pony & Music for Movies & Letter from Home
19▶CD: Copland Conducts Copland: Symphony No. 3
20▶CD: Bernstein Conducts Copland: Inscape & Connotations for Orchestra