Kantaten, Vol. 1: Advent und Weihnachten

~ Release by Bach; Münchener Bach‐Chor, Münchener Bach‐Orchester, Karl Richter (see all versions of this release, 2 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1Kantate, BWV 121 "Christum wir sollen loben schon": I. Coro "Christum wir sollen loben schon"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1971-06 until 1971-07), Karl Kolbinger (bassoonist) (from 1971-06 until 1971-07, in 1972-03) and Detlev Kühl (bassoonist) (in 1972-03)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1971-06 until 1971-07, in 1972-03) and Fritz Kiskalt (cellist) (from 1971-06 until 1971-07, in 1972-03)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1971-06 until 1971-07, in 1975-03)
oboe d'amore:
Manfred Clement (oboist) (from 1971-06 until 1971-07, in 1972-03)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1971-06 until 1971-07, in 1972-03) and Elmar Schloter (organist) (from 1971-06 until 1971-07, in 1972-03)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1971-06 until 1971-07, in 1972-03)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1971-06 until 1971-07, in 1972-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1971-06 until 1971-07, in 1972-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1971-06 until 1971-07, in 1972-03)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": I. Coro "Christum wir sollen loben schon" (from 1971-06 until 1971-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach2:30
2Kantate, BWV 121 "Christum wir sollen loben schon": II. Aria (Tenore) "O du von Gotte erhöhte Kreatur"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1971-06 until 1971-07), Karl Kolbinger (bassoonist) (from 1971-06 until 1971-07, in 1972-03) and Detlev Kühl (bassoonist) (in 1972-03)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1971-06 until 1971-07, in 1972-03) and Fritz Kiskalt (cellist) (from 1971-06 until 1971-07, in 1972-03)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1971-06 until 1971-07, in 1975-03)
oboe d'amore:
Manfred Clement (oboist) (from 1971-06 until 1971-07, in 1972-03)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1971-06 until 1971-07, in 1972-03) and Elmar Schloter (organist) (from 1971-06 until 1971-07, in 1972-03)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1971-06 until 1971-07, in 1972-03)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1971-06 until 1971-07, in 1972-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1971-06 until 1971-07, in 1972-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1971-06 until 1971-07, in 1972-03)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": II. Aria (Tenor) "O du von Gott erhöhte Kreatur" (from 1971-06 until 1971-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach5:02
3Kantate, BWV 121 "Christum wir sollen loben schon": III. Recitativo (Alto) "Der Gnade unermeßlichs Wesen"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1971-06 until 1971-07), Karl Kolbinger (bassoonist) (from 1971-06 until 1971-07, in 1972-03) and Detlev Kühl (bassoonist) (in 1972-03)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1971-06 until 1971-07, in 1972-03) and Fritz Kiskalt (cellist) (from 1971-06 until 1971-07, in 1972-03)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1971-06 until 1971-07, in 1975-03)
oboe d'amore:
Manfred Clement (oboist) (from 1971-06 until 1971-07, in 1972-03)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1971-06 until 1971-07, in 1972-03) and Elmar Schloter (organist) (from 1971-06 until 1971-07, in 1972-03)
alto vocals:
Anna Reynolds (alto) (from 1971-06 until 1971-07, in 1972-03)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1971-06 until 1971-07, in 1972-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1971-06 until 1971-07, in 1972-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1971-06 until 1971-07, in 1972-03)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": III. Recitativo (Alt) "Der Gnad unermeßlichs Wesen" (from 1971-06 until 1971-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach1:32
4Kantate, BWV 121 "Christum wir sollen loben schon": IV. Aria (Basso) "Johannis freudenvolles Springen"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1971-06 until 1971-07), Karl Kolbinger (bassoonist) (from 1971-06 until 1971-07, in 1972-03) and Detlev Kühl (bassoonist) (in 1972-03)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1971-06 until 1971-07, in 1972-03) and Fritz Kiskalt (cellist) (from 1971-06 until 1971-07, in 1972-03)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1971-06 until 1971-07, in 1975-03)
oboe d'amore:
Manfred Clement (oboist) (from 1971-06 until 1971-07, in 1972-03)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1971-06 until 1971-07, in 1972-03) and Elmar Schloter (organist) (from 1971-06 until 1971-07, in 1972-03)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1971-06 until 1971-07, in 1972-03)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1971-06 until 1971-07, in 1972-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1971-06 until 1971-07, in 1972-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1971-06 until 1971-07, in 1972-03)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": IV. Aria (Bass) "Johannis freudenvolles Springen" (from 1971-06 until 1971-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach8:50
5Kantate, BWV 121 "Christum wir sollen loben schon": V. Recitativo (Soprano) "Doch wie erblickt es dich in deiner Krippen"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1971-06 until 1971-07), Karl Kolbinger (bassoonist) (from 1971-06 until 1971-07, in 1972-03) and Detlev Kühl (bassoonist) (in 1972-03)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1971-06 until 1971-07, in 1972-03) and Fritz Kiskalt (cellist) (from 1971-06 until 1971-07, in 1972-03)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1971-06 until 1971-07, in 1975-03)
oboe d'amore:
Manfred Clement (oboist) (from 1971-06 until 1971-07, in 1972-03)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1971-06 until 1971-07, in 1972-03) and Elmar Schloter (organist) (from 1971-06 until 1971-07, in 1972-03)
soprano vocals:
Edith Mathis (soprano) (from 1971-06 until 1971-07, in 1972-03)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1971-06 until 1971-07, in 1972-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1971-06 until 1971-07, in 1972-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1971-06 until 1971-07, in 1972-03)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": V. Recitativo (Sopran) "Doch wie erblickt es dich in deiner Krippen" (from 1971-06 until 1971-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-26)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach1:23
6Kantate, BWV 121 "Christum wir sollen loben schon": VI. Coro "Lob, Ehr und Dank sei dir gesagt"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1971-06 until 1971-07), Karl Kolbinger (bassoonist) (from 1971-06 until 1971-07, in 1972-03) and Detlev Kühl (bassoonist) (in 1972-03)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1971-06 until 1971-07, in 1972-03) and Fritz Kiskalt (cellist) (from 1971-06 until 1971-07, in 1972-03)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1971-06 until 1971-07, in 1975-03)
oboe d'amore:
Manfred Clement (oboist) (from 1971-06 until 1971-07, in 1972-03)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1971-06 until 1971-07, in 1972-03) and Elmar Schloter (organist) (from 1971-06 until 1971-07, in 1972-03)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1971-06 until 1971-07, in 1972-03)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1971-06 until 1971-07, in 1972-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1971-06 until 1971-07, in 1972-03)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1971-06 until 1971-07, in 1972-03)
recording of:
Kantate, BWV 121 "Christum wir sollen loben schon": VI. Choral "Lob, Ehr und Dank sei dir gesagt" (from 1971-06 until 1971-07)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-26)
part of:
Breitkopf 389 Choralgesänge (number: 42)
part of:
Kantate, BWV 121 "Christum wir sollen loben schon"
Johann Sebastian Bach1:11
7Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": I. Coro "Sehet, welch eine Liebe hat uns der Vater erzeiget"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, in 1972-04) and Detlev Kühl (bassoonist) (in 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07, in 1972-04) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07, in 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, in 1972-04)
oboe d'amore:
Manfred Clement (oboist) (from 1970-06 until 1970-07, in 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, in 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, in 1972-04)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1970-06 until 1970-07, in 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, in 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, in 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, in 1972-04)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": I. Coro "Sehet, welch eine Liebe hat uns der Vater erzeiget" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach2:23
8Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": II. Choral "Das hat er alles uns getan"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, in 1972-04) and Detlev Kühl (bassoonist) (in 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07, in 1972-04) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07, in 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, in 1972-04)
oboe d'amore:
Manfred Clement (oboist) (from 1970-06 until 1970-07, in 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, in 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, in 1972-04)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1970-06 until 1970-07, in 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, in 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, in 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, in 1972-04)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": II. Choral "Das hat er alles uns getan" (from 1970-06 until 1970-07)
composer:
Martin Luther (German theologian of the Reformation) and Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 108)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach0:49
9Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": III. Recitativo (Alto) "Geh, Welt!, behalte nur das Deine"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, in 1972-04) and Detlev Kühl (bassoonist) (in 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07, in 1972-04) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07, in 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, in 1972-04)
oboe d'amore:
Manfred Clement (oboist) (from 1970-06 until 1970-07, in 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, in 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, in 1972-04)
alto vocals:
Anna Reynolds (alto) (from 1970-06 until 1970-07, in 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, in 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, in 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, in 1972-04)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": III. Recitativo (Alto) "Geh, Welt! behalte nur das Deine" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach0:55
10Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": IV. Choral "Was frag ich nach der Welt"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, in 1972-04) and Detlev Kühl (bassoonist) (in 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07, in 1972-04) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07, in 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, in 1972-04)
oboe d'amore:
Manfred Clement (oboist) (from 1970-06 until 1970-07, in 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, in 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, in 1972-04)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1970-06 until 1970-07, in 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, in 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, in 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, in 1972-04)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": IV. Choral "Was frag ich nach der Welt" (from 1970-06 until 1970-07)
lyricist:
Georg Michael Pfefferkorn
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 280)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach1:02
11Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": V. Aria (Soprano) "Was die Welt in sich hält"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, in 1972-04) and Detlev Kühl (bassoonist) (in 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07, in 1972-04) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07, in 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, in 1972-04)
oboe d'amore:
Manfred Clement (oboist) (from 1970-06 until 1970-07, in 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, in 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, in 1972-04)
soprano vocals:
Edith Mathis (soprano) (from 1970-06 until 1970-07, in 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, in 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, in 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, in 1972-04)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": V. Aria (Soprano) "Was die Welt in sich hält" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach5:23
12Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": VI. Recitativo (Basso) "Der Himmel belibet mit gewiss"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, in 1972-04) and Detlev Kühl (bassoonist) (in 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07, in 1972-04) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07, in 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, in 1972-04)
oboe d'amore:
Manfred Clement (oboist) (from 1970-06 until 1970-07, in 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, in 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, in 1972-04)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1970-06 until 1970-07, in 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, in 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, in 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, in 1972-04)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": VI. Recitativo (Basso) "Der Himmel bleibet mir gewiß" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach1:33
13Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": VII. Aria (Alto) "Von der Welt verlang ich nichts"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, in 1972-04) and Detlev Kühl (bassoonist) (in 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07, in 1972-04) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07, in 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, in 1972-04)
oboe d'amore:
Manfred Clement (oboist) (from 1970-06 until 1970-07, in 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, in 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, in 1972-04)
alto vocals:
Anna Reynolds (alto) (from 1970-06 until 1970-07, in 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, in 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, in 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, in 1972-04)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": VII. Aria (Alto) "Von der Welt verlang ich nichts" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach6:45
14Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": VIII. Choral "Gute Nacht o Wesen"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon) and Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, in 1972-04) and Detlev Kühl (bassoonist) (in 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07, in 1972-04) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07, in 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, in 1972-04)
oboe d'amore:
Manfred Clement (oboist) (from 1970-06 until 1970-07, in 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, in 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, in 1972-04)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1970-06 until 1970-07) and Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, in 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, in 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, in 1972-04)
recording of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget": VIII. Choral "Gute Nacht, o Wesen" (from 1970-06 until 1970-07)
lyricist:
Johann Franck (German poet of the 17th century)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Breitkopf 389 Choralgesänge (number: 200)
part of:
Kantate, BWV 64 "Sehet, welch eine Liebe hat uns der Vater erzeiget"
Johann Sebastian Bach1:29
15Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende": I. Aria (Soprano) "Gottlob! nun geht das Jahr zu Ende"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) and Detlev Kühl (bassoonist) (from 1971-06 until 1971-07, in 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04)
organ:
Elmar Schloter (organist) (in 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04)
soprano vocals:
Edith Mathis (soprano) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, in 1972-04, from 1972-06 until 1972-07)
recording of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende": I. Aria (Soprano) "Gottlob! nun geht das Jahr zu Ende" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Erdmann Neumeister (from 1714 until 1717)
part of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende"
Johann Sebastian Bach3:44
16Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende": II. Coro "Nun lob, mein Seel, den Herren"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) and Detlev Kühl (bassoonist) (from 1971-06 until 1971-07, in 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04)
organ:
Elmar Schloter (organist) (in 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, in 1972-04, from 1972-06 until 1972-07)
recording of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende": II. Coro "Nun lob, mein Seel, den Herren" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Johann Gramann (in 1530)
is based on:
Nun lob, mein Seel, den Herren (german hymn, lyrics after Psalm 103, with the melody of "Weiß mir ein Blümlein blaue", 16th century)
part of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende"
Johann Sebastian Bach4:25
17Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende": III. Recitativo (Arioso: Basso) "So spricht der Herr"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) and Detlev Kühl (bassoonist) (from 1971-06 until 1971-07, in 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04)
organ:
Elmar Schloter (organist) (in 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, in 1972-04, from 1972-06 until 1972-07)
recording of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende": III. Recitativo (Arioso: Basso) "So spricht der Herr" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende"
Johann Sebastian Bach1:55
18Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende": IV. Recitativo (Tenore) "Gott ist ein Quell, wo lauter Güte fleußt"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) and Detlev Kühl (bassoonist) (from 1971-06 until 1971-07, in 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04)
organ:
Elmar Schloter (organist) (in 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, in 1972-04, from 1972-06 until 1972-07)
recording of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende": IV. Recitativo (Tenore) "Gott ist ein Quell, wo lauter Güte fleußt" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Erdmann Neumeister (from 1714 until 1717)
part of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende"
Johann Sebastian Bach1:31
19Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende": V. Aria (Duetto: Alto, Tenore) "Gott hat uns im heurigen Jahre gesegnet"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) and Detlev Kühl (bassoonist) (from 1971-06 until 1971-07, in 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04)
organ:
Elmar Schloter (organist) (in 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04)
alto vocals:
Hertha Töpper (mezzo soprano) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04)
tenor vocals:
Peter Schreier (German tenor and conductor) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, in 1972-04, from 1972-06 until 1972-07)
recording of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende": V. Aria (Duetto: Alto, Tenore) "Gott hat uns im heurigen Jahre gesegnet" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Erdmann Neumeister (from 1714 until 1717)
part of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende"
Johann Sebastian Bach2:50
20Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende": VI. Choral "All solch dein Güt wir preisen"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (from 1970-06 until 1970-07), Karl Kolbinger (bassoonist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) and Detlev Kühl (bassoonist) (from 1971-06 until 1971-07, in 1972-04)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) and Fritz Kiskalt (cellist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04)
organ:
Elmar Schloter (organist) (in 1972-04)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04) and Elmar Schloter (organist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1970-06 until 1970-07, from 1971-06 until 1971-07, in 1972-04)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1970-06 until 1970-07, in 1972-04, from 1972-06 until 1972-07)
recording of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende": VI. Choral "All solch dein Güt wir preisen" (from 1970-06 until 1970-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Paul Eber (in 1580)
part of:
Breitkopf 389 Choralgesänge (number: 124)
part of:
Kantate, BWV 28 "Gottlob! nun geht das Jahr zu Ende"
Johann Sebastian Bach1:14
21Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (in 1970-06), Karl Kolbinger (bassoonist) (in 1970-06, from 1971-06 until 1971-07) and Detlev Kühl (bassoonist) (from 1971-06 until 1971-07)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (in 1970-06, from 1971-06 until 1971-07) and Fritz Kiskalt (cellist) (in 1970-06, from 1971-06 until 1971-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (in 1970-06, from 1971-06 until 1971-07)
oboe [Oboe I]:
Manfred Clement (oboist) (in 1970-06, from 1971-06 until 1971-07)
oboe [Oboe II]:
Kurt Hausmann (oboist) (in 1970-06, from 1971-06 until 1971-07)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (in 1970-06, from 1971-06 until 1971-07) and Elmar Schloter (organist) (in 1970-06, from 1971-06 until 1971-07)
solo instruments:
Trompetenensemble Edward H. Tarr (in 1970-06)
violin [Violine]:
Otto Büchner (violinist) (in 1970-06, from 1971-06 until 1971-07)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1970-06, from 1971-06 until 1971-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1970-06, from 1971-06 until 1971-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1970-06, from 1971-06 until 1971-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1970-06, from 1971-06 until 1971-07)
recording of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": I. Coro "Gott, wie dein Name, so ist auch dein Ruhm" (in 1970-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
part of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm"
Johann Sebastian Bach2:06
22Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": II. Aria (Tenore) "Herr, so weit die Wolken gehen"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (in 1970-06), Karl Kolbinger (bassoonist) (in 1970-06, from 1971-06 until 1971-07) and Detlev Kühl (bassoonist) (from 1971-06 until 1971-07)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (in 1970-06, from 1971-06 until 1971-07) and Fritz Kiskalt (cellist) (in 1970-06, from 1971-06 until 1971-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (in 1970-06, from 1971-06 until 1971-07)
oboe [Oboe I]:
Manfred Clement (oboist) (in 1970-06, from 1971-06 until 1971-07)
oboe [Oboe II]:
Kurt Hausmann (oboist) (in 1970-06, from 1971-06 until 1971-07)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (in 1970-06, from 1971-06 until 1971-07) and Elmar Schloter (organist) (in 1970-06, from 1971-06 until 1971-07)
solo instruments:
Trompetenensemble Edward H. Tarr (in 1970-06)
violin [Violine]:
Otto Büchner (violinist) (in 1970-06, from 1971-06 until 1971-07)
tenor vocals:
Peter Schreier (German tenor and conductor) (in 1970-06, from 1971-06 until 1971-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1970-06, from 1971-06 until 1971-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1970-06, from 1971-06 until 1971-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1970-06, from 1971-06 until 1971-07)
recording of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": II. Aria (Tenor) "Herr, so weit die Wolken gehen" (in 1970-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm"
Johann Sebastian Bach4:30
23Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": III. Recitativo (Alto) "Du süsser Jesus Name Du"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (in 1970-06), Karl Kolbinger (bassoonist) (in 1970-06, from 1971-06 until 1971-07) and Detlev Kühl (bassoonist) (from 1971-06 until 1971-07)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (in 1970-06, from 1971-06 until 1971-07) and Fritz Kiskalt (cellist) (in 1970-06, from 1971-06 until 1971-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (in 1970-06, from 1971-06 until 1971-07)
oboe [Oboe I]:
Manfred Clement (oboist) (in 1970-06, from 1971-06 until 1971-07)
oboe [Oboe II]:
Kurt Hausmann (oboist) (in 1970-06, from 1971-06 until 1971-07)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (in 1970-06, from 1971-06 until 1971-07) and Elmar Schloter (organist) (in 1970-06, from 1971-06 until 1971-07)
solo instruments:
Trompetenensemble Edward H. Tarr (in 1970-06)
violin [Violine]:
Otto Büchner (violinist) (in 1970-06, from 1971-06 until 1971-07)
alto vocals:
Hertha Töpper (mezzo soprano) (in 1970-06, from 1971-06 until 1971-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1970-06, from 1971-06 until 1971-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1970-06, from 1971-06 until 1971-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1970-06, from 1971-06 until 1971-07)
recording of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": III. Recitativo (Alt) "Du süßer Jesus-Name du" (in 1970-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm"
Johann Sebastian Bach1:17
24Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": IV. Aria (Soprano) "Jesus soll mein erstes Wort"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (in 1970-06), Karl Kolbinger (bassoonist) (in 1970-06, from 1971-06 until 1971-07) and Detlev Kühl (bassoonist) (from 1971-06 until 1971-07)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (in 1970-06, from 1971-06 until 1971-07) and Fritz Kiskalt (cellist) (in 1970-06, from 1971-06 until 1971-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (in 1970-06, from 1971-06 until 1971-07)
oboe [Oboe I]:
Manfred Clement (oboist) (in 1970-06, from 1971-06 until 1971-07)
oboe [Oboe II]:
Kurt Hausmann (oboist) (in 1970-06, from 1971-06 until 1971-07)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (in 1970-06, from 1971-06 until 1971-07) and Elmar Schloter (organist) (in 1970-06, from 1971-06 until 1971-07)
solo instruments:
Trompetenensemble Edward H. Tarr (in 1970-06)
violin [Violine]:
Otto Büchner (violinist) (in 1970-06, from 1971-06 until 1971-07)
soprano vocals:
Edith Mathis (soprano) (in 1970-06, from 1971-06 until 1971-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1970-06, from 1971-06 until 1971-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1970-06, from 1971-06 until 1971-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1970-06, from 1971-06 until 1971-07)
recording of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": IV. Aria (Sopran) "Jesus soll mein erstes Wort" (in 1970-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm"
Johann Sebastian Bach6:16
25Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": V. Recitativo (Basso) "Und da du, Herr, gesagt"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (in 1970-06), Karl Kolbinger (bassoonist) (in 1970-06, from 1971-06 until 1971-07) and Detlev Kühl (bassoonist) (from 1971-06 until 1971-07)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (in 1970-06, from 1971-06 until 1971-07) and Fritz Kiskalt (cellist) (in 1970-06, from 1971-06 until 1971-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (in 1970-06, from 1971-06 until 1971-07)
oboe [Oboe I]:
Manfred Clement (oboist) (in 1970-06, from 1971-06 until 1971-07)
oboe [Oboe II]:
Kurt Hausmann (oboist) (in 1970-06, from 1971-06 until 1971-07)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (in 1970-06, from 1971-06 until 1971-07) and Elmar Schloter (organist) (in 1970-06, from 1971-06 until 1971-07)
solo instruments:
Trompetenensemble Edward H. Tarr (in 1970-06)
violin [Violine]:
Otto Büchner (violinist) (in 1970-06, from 1971-06 until 1971-07)
bass vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1970-06, from 1971-06 until 1971-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1970-06, from 1971-06 until 1971-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1970-06, from 1971-06 until 1971-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1970-06, from 1971-06 until 1971-07)
recording of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": V. Recitativo (Bass) "Und da du, Herr, gesagt" (in 1970-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm"
Johann Sebastian Bach2:22
26Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": VI. Choral "Dein ist allein die Ehre"
sound engineer:
Hans‐Peter Schweigmann (engineer)
producer:
Hansjoachim Reiser (engineer/producer)
bassoon [Fagott]:
Detlef Kühl (bassoonist) (in 1970-06), Karl Kolbinger (bassoonist) (in 1970-06, from 1971-06 until 1971-07) and Detlev Kühl (bassoonist) (from 1971-06 until 1971-07)
cello [Violoncello]:
Johannes Fink (cellist and viola da gamba player) (in 1970-06, from 1971-06 until 1971-07) and Fritz Kiskalt (cellist) (in 1970-06, from 1971-06 until 1971-07)
double bass [Kontrabaß]:
Herbert Duft (double bass player) (in 1970-06, from 1971-06 until 1971-07)
oboe [Oboe I]:
Manfred Clement (oboist) (in 1970-06, from 1971-06 until 1971-07)
oboe [Oboe II]:
Kurt Hausmann (oboist) (in 1970-06, from 1971-06 until 1971-07)
organ [Orgel]:
Hedwig Bilgram (harpsichordist and organist) (in 1970-06, from 1971-06 until 1971-07) and Elmar Schloter (organist) (in 1970-06, from 1971-06 until 1971-07)
solo instruments:
Trompetenensemble Edward H. Tarr (in 1970-06)
violin [Violine]:
Otto Büchner (violinist) (in 1970-06, from 1971-06 until 1971-07)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1970-06, from 1971-06 until 1971-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1970-06, from 1971-06 until 1971-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1970-06, from 1971-06 until 1971-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1972) and Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1970-06, from 1971-06 until 1971-07)
recording of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm": VI. Choral "Laß uns das Jahr vollbringen" (in 1970-06)
premiered in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Johannes Herman (in 1593)
part of:
Kantate, BWV 171 "Gott, wie dein Name, so ist auch dein Ruhm"
Johann Sebastian Bach2:22
3▶CD
4▶CD

Credits

Release

part of:Bach · Kantaten (Archiv Produktion) (number: 1) (order: 1)
ASIN:DE: B000001304 [info]
other databases:https://d-nb.info/355014033 [info]
discography entry:http://www.deutschegrammophon.com/cat/4393692 [info]