Gold

~ Release by Nina Simone (see all versions of this release, 3 available)

Annotation

List of subparts
CD2 tracks 19 to 20: Bonus Tracks

Tracklisting details (Inside booklet)

CD 1:
1. Feeling Good
(P) 1965 PolyGram Records Inc.
2. My Baby Just Cares For Me
(P) 1987 PolyGram Records Inc.
3. I'm Gonna Leave You
(P) 1967 PolyGram Records Inc.
4. Nobody Knows You When You're Down And Out
(P) 1965 PolyGram Records Inc.
5. Love Me Or Leave Me
(P) 1966 PolyGram Records Inc.
6. Don't You Pay Them No Mind
(P) 1967 PolyGram Records Inc.
7. I Love Your Lovin' Ways
(P) 1966 PolyGram Records Inc.
8. Mood Indigo
(P) 1966 PolyGram Records Inc.
9. See-Line Woman
(P) 1964 PolyGram Records Inc.
10. Break Down And Let It All Out
(P) 1966 PolyGram Records Inc.
11. This Year's Kisses
(P) 1965 PolyGram Records Inc.
12. Ne Me Quitte Pas (If You Go Away)
(P) 1965 PolyGram Records Inc.
13. Mississippi Goddam
(P) 1964 PolyGram Records Inc.
14. Take Me To The Water
(P) 1965 PolyGram Records Inc.
15. Work Song
(P) 1967 PolyGram Records Inc.
16. I Hold No Grudge
(P) 1966 PolyGram Records Inc.
17. I'm Going Back Home
(P) 1967 PolyGram Records Inc.
18. Sinnerman
(P) 1967 PolyGram Records Inc.</font>

CD 2:
1. I Put A Spell On You
(P) 1965 PolyGram Records Inc.
2. Don't Let Me Be Misunderstood
(P) 1969 PolyGram Records Inc.
3. I Loves You Porgy
(P) 1964 PolyGram Records Inc.
4. Don't Explain
(P) 1966 PolyGram Records Inc.
5. The Other Woman
(P) 1966 PolyGram Records Inc.
6. What More Can I Say
(P) 1966 PolyGram Records Inc.
7. Night Song
(P) 1964 PolyGram Records Inc.
8. Black Is The Color Of My True Love's Hair
(P) 1964 PolyGram Records Inc.
9. Keeper Of The Flame
(P) 1966 PolyGram Records Inc.
10. Strange Fruit
(P) 1965 PolyGram Records Inc.
11. Don't Smoke In Bed
(P) 1964 PolyGram Records Inc.
12. Wild Is The Wind
(P) 1966 PolyGram Records Inc.
13. Little Girl Blue
(P) 1964 PolyGram Records Inc.
14. One September Day
(P) 1965 PolyGram Records Inc.
15. Tell More And More And Then Some
(P) 1965 PolyGram Records Inc.
16. Blues On Purpose
(P) 1965 PolyGram Records Inc.
17. Take Care Of Business
(P) 1965 PolyGram Records Inc.
18. Gimme Some
(P) 1965 PolyGram Records Inc.</font>

BONUS TRACKS
19. Feeling Good (Joe Claussell Remix - Radio Edit)
(P) 1965 PolyGram Records Inc. Remix produced by Joaquin Joe Claussell for Sacred Rhythm Music
20. See-Line Woman(Masters At Work Remix)
(P) 1964 PolyGram Records Inc. Remix produced by Louie Vega and Kenny Dope for Masters at Work, Inc.

Note: Durations and songwriters are listed along with the publishing information in the booklet. They are left out in this text, but appear in the Tracklisting section of the submission.

_______________

Release information (Inside back)

Illustration by Dan Kitchener at Peacock

Mastered at Universal Digital Mastering Studios, London

With thanks to Tom Lewis, Dickon Stainer, Kevin Phelan, Martyn Scrivens, Kingsley Grimble & Kevin Long.

Other Identifiers
Matrix / Runout (Disc 1): 9808088 01 TECHNICOLOR ifpi L283
Mastering SID Code (Disc 1): IFPI L283
Mould SID Code (Disc 1): IFPI 4606
Matrix / Runout (Disc 2): 9808089 01 TECHNICOLOR ifpi L283
Mastering SID Code (Disc 2): IFPI L283
Mould SID Code (Disc 2): IFPI 4605

Annotation last modified on 2024-09-23 14:09 UTC.

Tracklist

1CD
2CD
#TitleRatingLength
1I Put a Spell on You
recorded in:
New York, New York, United States (on 1965-01-15)
producer:
Hal Mooney
guitar:
Rudy Stevenson (on 1965-01-15)
piano:
Nina Simone (on 1965-01-15)
vocals:
Nina Simone (on 1965-01-15)
conductor:
Hal Mooney (on 1965-01-15)
arranger:
Hal Mooney
cover recording of:
I Put a Spell on You (on 1965-01-15)
lyricist and composer:
Screamin’ Jay Hawkins
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), SBK Unart Catalog Inc., EMI Unart Catalog Inc. (in 1956) and EMI United Partnership Ltd. (in 1956)
4.252:37
2Don’t Let Me Be Misunderstood
recorded in:
New York, New York, United States (in 1964-06)
piano:
Nina Simone (in 1964-06)
vocals:
Nina Simone (in 1964-06)
orchestra:
Horace Ott's Orchestra (in 1964-06)
conductor:
Horace Ott (in 1964-06)
arranger:
Horace Ott
recording of:
Don’t Let Me Be Misunderstood (in 1964-06)
writer:
Bennie Benjamin, Gloria Caldwell, Sol Marcus and Horace Ott
publisher:
Bennie Benjamin Music Inc., Carlin Music Corporation, Chris-n-Jen Music, WB Music Corp. (1929–2019) and Unichappell Music, Inc. (in 1981)
4.052:47
3I Loves You Porgy
double bass:
Lisle Atkinson (on 1964-03-21)
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals) (on 1964-03-21)
flute:
Rudy Stevenson
guitar:
Rudy Stevenson (on 1964-03-21)
percussion:
Lisle Atkinson
piano and lead vocals:
Nina Simone (on 1964-03-21)
arranger:
Nina Simone
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1964-03-21)
live cover recording of:
I Loves You, Porgy (use this for non-operatic performances) (on 1964-03-21)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Holland BV, Warner/Chappell North America and Gershwin Publishing Corp (in 1935)
version of:
Porgy and Bess: Act II, Scene III. “I loves you, Porgy”
52:29
4Don’t Explain
bass guitar and percussion:
Lisle Atkinson
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals)
flute and guitar:
Rudy Stevenson
harmonica:
Al Schackman
piano:
Nina Simone
arranger:
Nina Simone
cover recording of:
Don’t Explain
writer:
Arthur Herzog, Jr. and Billie Holiday
publisher:
Duchess Music Corporation (BMI-affiliated) and Universal Music Publishing (use ONLY if no country‐specific information is available)
34:20
5The Other Woman
recorded in:
New York, New York, United States (in 1959-10)
producer:
Bob Blake (co-producer of Nina Simone's live 1959 album "At Town Hall") and Jack Gold
bass:
Jimmy Bond (in 1959-10)
drums (drum set):
Albert “Tootie” Heath (in 1959-10)
piano:
Nina Simone (in 1959-10)
vocals:
Nina Simone (in 1959-10)
recorded at:
The Town Hall in Theater District, New York, New York, United States (on 1959-09-15)
cover recording of:
The Other Woman (in 1959-10)
lyricist and composer:
Jessie Mae Robinson
publisher:
Thandewye Music (publisher; do NOT use as release label)
4.653:04
6What More Can I Say
producer:
Hal Mooney
double bass:
Lisle Atkinson
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals)
flute and guitar:
Rudy Stevenson
piano:
Nina Simone
vocals:
Nina Simone
conductor:
Horace Ott
arranger:
Horace Ott
recording of:
What More Can I Say (on 1965-10-01)
writer:
Wade Brown Jr. and Horace Ott
32:51
7Night Song
recorded in:
New York, New York, United States (in 1964)
piano:
Nina Simone (in 1964)
vocals:
Nina Simone (in 1964)
orchestra:
Harold Mooney & His Orchestra (in 1964)
conductor:
Hal Mooney (in 1964)
arranger:
Hal Mooney
cover recording of:
Night Song (from “Golden Boy”) (in 1964)
lyricist:
Lee Adams (US musical theatre lyricist & librettist)
composer:
Charles Strouse
librettist:
William Gibson (playwright) and Clifford Odets (US playwright)
part of:
Golden Boy (The Musical)
33:06
8Black Is the Color of My True Love’s Hair
producer:
Hal Mooney
piano:
Nina Simone
vocals:
Nina Simone
arranger:
Nina Simone
cover recording of:
Black Is the Color of My True Love’s Hair (Arranged by Nina Simone) (on 1964-04-06)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Nina Simone
publisher:
Sam Fox Publishing Company (publisher; do NOT use as release label)
arrangement of:
Black Is the Colour (of My True Love’s Hair)
33:28
9Keeper of the Flame2.53:23
10Strange Fruit
producer:
Hal Mooney
cover recording of:
Strange Fruit (from 1965-05-19 until 1965-05-20)
lyricist and composer:
Lewis Allan
publisher:
Basart Editions, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) and Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Bitter Fruit
3.653:31
11Don’t Smoke in Bed
double bass:
Lisle Atkinson (on 1964-03-21)
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals) (on 1964-03-21)
guitar:
Rudy Stevenson (on 1964-03-21)
piano and lead vocals:
Nina Simone (on 1964-03-21)
arranger:
Nina Simone
recorded at:
Carnegie Hall in Midtown Manhattan, New York, New York, United States (on 1964-03-21)
live cover recording of:
Don’t Smoke in Bed (on 1964-03-21)
lyricist and composer:
Willard Robison
publisher:
MCA Music Ltd. and Oriole Music Corp.
25:23
12Wild Is the Wind
producer:
Hal Mooney
double bass and percussion:
Lisle Atkinson
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals)
flute and guitar:
Rudy Stevenson
harmonica:
Al Schackman
piano:
Nina Simone
vocals:
Nina Simone
arranger:
Nina Simone
cover recording of:
Wild Is the Wind (theme song from the Paramount movie “Wild Is the Wind”) (on 1964-03-21)
lyricist:
Ned Washington
composer:
Dimitri Tiomkin
publisher:
BMG Music Publishing Ltd., Carlin Music Corporation, Shapiro, Bernstein & Co., Inc., Universal Music Publishing MGB Ltd., Anne-Rachel Music Corp. (in 1957, in 1985), Catharine Hinen Music (in 1957, in 1985), Chappell & Co., Inc. (USA) (in 1957), Largo Music Inc. (in 1957, in 1985) and Patti Washington Music (in 1957, in 1985)
part of:
The 30th Academy Award for Best Original Song (number: 2)
3.656:59
13Little Girl Blue
bass:
Jimmy Bond (in 1957-12)
drums (drum set):
Albert “Tootie” Heath (in 1957-12)
piano and lead vocals:
Nina Simone (in 1957-12)
phonographic copyright (℗) by:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
recorded at:
Beltone Studios in New York, New York, United States (in 1957-12)
cover recording of:
Little Girl Blue (in 1957-12)
lyricist:
Lorenz Hart (in 1935)
composer:
Richard Rodgers (composer) (in 1935)
arranger:
Sarah Latto
publisher:
Chappell Music Ltd., Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell North America, WC Music Corp., Williamson Music Company, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Jumbo
44:20
14One September Day
recorded in:
New York, New York, United States (in 1965-01)
producer:
Hal Mooney
guitar:
Rudy Stevenson (in 1965-01)
piano:
Nina Simone (in 1965-01)
vocals:
Nina Simone (in 1965-01)
conductor:
Hal Mooney (in 1965-01)
arranger:
Hal Mooney
recording of:
One September Day
writer:
Rudy Stevenson
42:51
15Tell Me More and More and Then Some
producer:
Hal Mooney
bass guitar and percussion:
Lisle Atkinson
drums (drum set):
Bobby Hamilton (percussionist, keyboards, vocals)
flute and guitar:
Rudy Stevenson
harmonica:
Al Schackman
piano:
Nina Simone
arranger:
Nina Simone
cover recording of:
Tell Me More and More and Then Some (from 1965-05-19 until 1965-05-20)
lyricist and composer:
Billie Holiday
33:09
16Blues on Purpose
recorded in:
New York, New York, United States (in 1964)
guitar:
Rudy Stevenson (in 1964)
piano:
Nina Simone (in 1964)
recording of:
Blues on Purpose (in 1964)
composer:
Rudy Stevenson
43:16
17Take Care of Business
recorded in:
New York, New York, United States (in 1965-01)
producer:
Hal Mooney
guitar:
Rudy Stevenson (in 1965-01)
piano:
Nina Simone (in 1965-01)
vocals:
Nina Simone (in 1965-01)
conductor:
Horace Ott (in 1965-01)
arranger:
Horace Ott
recording of:
Take Care of Business
lyricist and composer:
Andy Stroud (former husband of Nina Simone.)
3.52:06
18Gimme Some
recorded in:
New York, New York, United States (in 1965-01)
producer:
Hal Mooney
guitar:
Rudy Stevenson (in 1965-01)
piano:
Nina Simone (in 1965-01)
vocals:
Nina Simone (in 1965-01)
conductor:
Horace Ott (in 1965-01)
arranger:
Horace Ott
recording of:
Gimme Some
writer:
Andy Stroud (former husband of Nina Simone.)
3.353:01
19Feeling Good (Joe Claussell remix) (radio edit)
remixer:
Joe Claussell
cover recording of:
Feeling Good
writer:
Leslie Bricusse and Anthony Newley (English actor, singer, songwriter, and filmmaker)
publisher:
Concord Music Ltd and Musical Comedy Prods.
part of:
The Roar of the Greasepaint – The Smell of the Crowd
3:14
20See-Line Woman (Masters at Work remix)
engineer:
Steven Barkan
additional producer:
Kenny “Dope” Gonzalez and “Little” Louie Vega (US house DJ/producer)
producer:
Hal Mooney
keyboard:
Selan Lerner
piano:
Nina Simone
vocals and conductor:
Nina Simone
remixer:
Kenny “Dope” Gonzalez, Masters at Work (Kenny “Dope” Gonzalez & “Little” Louie Vega) and “Little” Louie Vega (US house DJ/producer)
arranger:
Nina Simone
remix of:
See‐Line Woman by Nina Simone
cover recording of:
See‐Line Woman
writer:
George Bass and Nina Simone
is based on:
Sea Lion Woman
410:06

Credits

Release

miscellaneous support:Dionne Clarke (product manager and compiler) (task: product manager)
mastering:Keiron McGarry
illustration:Dan Kitchener (illustrator and visual artist)
copyrighted (©) by:Universal Music Australia (see annotation before using)
phonographic copyright (℗) by and marketed by:Universal Classics & Jazz (UK – "a division of Universal Music Operations Ltd." use only for copyrights, licensing and/or distribution)
mastered at:Universal Digital Mastering in London (Greater London), England, United Kingdom
glass mastered at:Technicolor Australia in Mordialloc, City of Kingston, Victoria, Australia
Discogs:https://www.discogs.com/release/13486127 [info]