| Nr. | Titel | Künstler | Bewertung | Länge |
|---|
| 1 | Love Like That | JC Stewart | | 3:34 |
| 2 | Panic Attacks In Paradise | Ashnikko | | 3:05 |
| 3 | Leave the Door Open- recording engineer:
- Cody Cichowski (Saiteninstrumente) und Charles Moniz
- assistierende(r) Techniker(in):
- Alex Resoagli
- Techniker(in):
- John Hanes (Aufgabe: engineered for mix) und Charles Moniz
- Produzent(in):
- D’Mile und Bruno Mars
- assistierende(r) Mix:
- Bryce Bordone
- Mix:
- Serban Ghenea
- Bass:
- Brody Brown
- Bratsche / Viola [violas]:
- Jonathan Kim und Yoshihiko Nakano
- Cello:
- Glenn Fischbach
- Conga und Gitarre:
- Bruno Mars
- Effektgerät [guitar effects]:
- Ella Feingold
- Geige / Violine [violins]:
- Natasha Colkett, Gared Crawford , Blake Espy , Emma Kummrow , Luigi Mazzocchi und Tess Varley
- Gitarre [lead guitar]:
- Mike Feingold
- Klavier:
- D’Mile
- Schlagzeug [drums]:
- Anderson .Paak
- vocals:
- Anderson .Paak und Bruno Mars
- conductor:
- Larry Gold
- Saiteninstrumente arranger:
- Larry Gold
- phonographisches Urheberrecht (℗) von:
- Aftermath Entertainment (in 2021) und Atlantic Recording Corporation (in 2021)
- aufgenommen bei:
- Shampoo Press & Curl Studios
- mixed at:
- MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
- arrangiert bei:
- Milk Boy Studios in Philadelphia, Pennsylvania, Vereinigte Staaten (Saiteninstrumente)
- Teil von:
- Grammy Award: Best R&B Performance nominees (Nummer: 2022 winner), Billboard Year-End Hot 100 singles of 2021 (Nummer: 7), Spotify CLASSICS: The 100 Greatest R&B Songs of the Streaming Era (Nummer: 20) und Grammy Award: Record of the Year nominees (Nummer: 2022 winner)
- recording of:
- Leave the Door Open
- Verfasser(in):
- Brandon Anderson , Christopher Brody Brown, Dernst Emile II und Bruno Mars
- publisher:
- 9 Lives Later, BMG Platinum Songs, BMG Rights Management , Dii Music LLC Global Publishing, Hard Workin Black Folks pub designee, Khlexs Dream, Mars Force Songs, LLC, Tailored 4U Music, LLC, Warner Geo Met Ric Music, WB Music Corp. (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
- Teil von:
- Grammy Award: Best R&B Song nominees (Nummer: 2022 winner) und Grammy Award: Song of the Year nominees (Nummer: 2022 winner)
| Silk Sonic | 3 | 4:02 |
| 4 | We Don’t Talk Anymore | Charlie Puth & Selena Gomez | 3.8 | 3:38 |
| 5 | I Lost Myself In Loving You | Jamie Miller | 3 | 3:21 |
| 6 | God Must Hate Me | Catie Turner | | 2:30 |
| 7 | Mad World | Jasmine Thompson | 3 | 3:11 |
| 8 | I Don’t Wanna Live Forever (Fifty Shades Darker) | Sara Farell | | 3:52 |
| 9 | Photograph | Ed Sheeran | 3.3 | 4:19 |
| 10 | Black Hole Sun - Acoustic Version | Sofia Karlberg | 4 | 3:30 |
| 11 | Happiest Year | Jaymes Young | 2 | 3:48 |
| 12 | Iris | The Goo Goo Dolls | 4.2 | 4:50 |
| 13 | When I Was Your Man- recording engineer:
- Ari Levine
- zusätzliche(r) Techniker(in):
- Charles Moniz
- Produzent(in):
- The Smeezingtons
- Mix:
- Manny Marroquin
- Klavier:
- Bruno Mars
- vocals:
- Bruno Mars
- phonographisches Urheberrecht (℗) von:
- Atlantic Recording Corporation (in 2012) und WEA International Inc. (in 2012)
- mixed at:
- Larrabee Studio in Los Angeles, California , Vereinigte Staaten
- engineered at:
- Levcon Studios in Hollywood, Los Angeles, California , Vereinigte Staaten
- Musikvideos:
- When I Was Your Man von Bruno Mars
- Teil von:
- Billboard Year-End Hot 100 singles of 2013 (Nummer: 8) und Billboard Decade End Chart: Adult Contemporary Songs (Nummer: 41)
- recording of:
- When I Was Your Man
- Verfasser(in):
- Philip Lawrence , Ari Levine, Bruno Mars und Andrew Wyatt
- publisher:
- Concord Road , Mars Force Music, Music Famamanem LP, Roc Nation Music und Universal Music Corporation
| Bruno Mars | 3.6 | 3:34 |
| 14 | Her | Anne‐Marie | | 2:58 |
| 15 | Under the Milky Way | Sia | | 3:35 |
| 16 | I Won’t Give Up | Jason Mraz | 3.35 | 4:00 |
| 17 | no song without you | HONNE | | 2:40 |
| 18 | Don’t Speak | Eliza Shaddad | | 3:00 |
| 19 | See You Again- Produzent(in):
- Andrew Cedar, Frank E und Charlie Puth
- assistierende(r) Mix:
- Chris Galland und Ike Schultz
- Mix:
- Manny Marroquin
- conductor:
- Brian Tyler (Saiteninstrumente)
- Saiteninstrumente arranger:
- Brian Tyler
- phonographisches Urheberrecht (℗) von:
- Atlantic Recording Corporation (in 2015) und Universal Studios (in 2015)
- mixed at:
- Larrabee Studios in North Hollywood, Los Angeles, California , Vereinigte Staaten
- Teil von:
- Billboard Year-End Hot 100 singles of 2015 (Nummer: 3), Grammy Award: Best Pop Duo/Group Performance nominees (Nummer: 2016), Billboard Decade End Chart: Streaming Songs (Nummer: 40), Billboard Year-End Hot 100 singles of 2016 (Nummer: 99) und BILLIONS CLUB
- recording of:
- See You Again
- Verfasser(in):
- Cameron Thomaz , Andrew Cedar, Charles Puth und Justin Franks
- publisher:
- Andrew Cedar Publishing, Artist 101 Publishing Group, Artist Publishing Group, Artist Publishing Group West, BMG , BMG Platinum Songs, Canadiana Music, Charlie Puth Music Publishing, J Franks Publishing, Kobalt Music , New World Music , Universal Pictures, Universal Pictures Music, UPG Music Publishing, Warner Music Group , Warner–Tamerlane Publishing Corp. , Warner/Chappell , WB Music Corp. , WC Music Corp. und Wiz Khalifa Publishing
| Wiz Khalifa & Charlie Puth | 4.1 | 3:50 |
| 20 | windows | Lewis Watson | | 4:04 |
| 21 | Stealing All My Friends | Carlie Hanson | | 2:42 |
| 22 | Black Hole | Griff | 3.5 | 3:21 |
| 23 | The Scientist | Coldplay | 4.2 | 5:10 |
| 24 | Let Me Feel Low | Cavetown & Miloe | | 4:35 |
| 25 | Truth Hurts- Programmierung:
- Ricky Reed und Tele
- Techniker(in):
- Ethan Shumaker
- Koproduzent(in):
- Tele
- Produzent(in):
- Ricky Reed
- assistierende(r) Mix:
- Scott Desmarais und Robin Florent
- Mix:
- Chris Galland und Manny Marroquin
- vocals:
- Lizzo
- aufgenommen bei:
- Elysian Park in Echo Park, Los Angeles, California , Vereinigte Staaten
- mixed at:
- Larrabee Studios in North Hollywood, Los Angeles, California , Vereinigte Staaten
- Teil von:
- iHeartRadio Music Awards: Song of the Year nominees (Nummer: 2020 winner), Grammy Award: Best Pop Solo Performance nominees (Nummer: 2020 winner), Grammy Award: Record of the Year nominees (Nummer: 2020), Billboard Year-End Hot 100 singles of 2019 (Nummer: 13), Rolling Stone: The 100 Best Songs of the 2010s (Nummer: 24), Spotify: Top Hits of 2019 (Nummer: 49), Billboard Year-End Hot 100 singles of 2020 (Nummer: 55), Billboard: The 500 Best Pop Songs (Nummer: 281), BILLIONS CLUB und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 497)
- recording of:
- Truth Hurts
- publisher:
- Jesse St. John Geller
- Verfasser(in):
- Steven Cheung, Eric Frederic, Melissa “Lizzo” Jefferson und Jesse Saint John
- publisher:
- Frederic and Ried Music, Jesse SJ Music , Lizzo Music , Songs from the Boardwalk, Sony/ATV Ballad, Sony/ATV Music Publishing, LLC und Telethebusiness
| Lizzo | 3.65 | 2:53 |
| 26 | As the World Caves In | Matt Maltese | | 3:39 |
| 27 | A Thousand Years | Christina Perri | 3.5 | 4:45 |
| 28 | A Little Respect | Chloe Foy | | 3:50 |
| 29 | If You Love Her | Forest Blakk | | 3:37 |
| 30 | What’s Love Got to Do with It | Rothwell | 4 | 3:07 |
| 31 | Monsters- Programmierung und Produzent(in):
- Jimmy Hogarth
- assistierende(r) Techniker(in):
- Dani Spragg
- Techniker(in):
- Cameron Craig, John Hanes und Jimmy Hogarth
- Mix:
- Serban Ghenea
- Cello:
- Rhian Porter
- E-Bow und Gitarre [guitars]:
- Jimmy Hogarth
- Klavier:
- James Blunt
- Chorgesang:
- Trinity Boys Choir
- vocals:
- James Blunt
- conductor:
- Ben Parry (Chorgesang)
- Chorgesang arranger:
- Ben Parry
- aufgenommen bei:
- Hoxa HQ in West Hampstead, Camden , London , England, Vereinigtes Königreich und The Guards Chapel, Wellington Barracks in Westminster, London , England, Vereinigtes Königreich
- mixed at:
- MixStar Studios in Virginia Beach, Virginia, Vereinigte Staaten
- recording of:
- Monsters
- Verfasser(in):
- James Blunt, Jimmy Hogarth und Amy Wadge
| James Blunt | | 4:20 |
| 32 | Keeping Your Head Up | Birdy | 3.5 | 3:28 |
| 33 | Un‐Break My Heart | Ben Botfield | 3 | 3:19 |
| 34 | Monday to Monday | Roy Woods | | 4:33 |
| 35 | My Type- recording engineer und Mix:
- Ryan Gladieux
- Produzent(in):
- London on the Track
- zusätzliche(r) Produzent(in):
- Gino Borri und Ryan Gladieux
- Sologesang:
- Saweetie
- phonographisches Urheberrecht (℗) von:
- Artistry Records (in 2019), ICY (in 2019) und Warner Records Inc. (in 2019)
- Teil von:
- Spotify: Top Hits of 2019 (Nummer: 60), Billboard Year-End Hot 100 singles of 2019 (Nummer: 76) und Spotify CLASSICS: The 100 Greatest Hip-Hop Songs of the Streaming Era (Nummer: 84)
- recording of:
- My Type
- Verfasser(in):
- Roark Bailey, Gino Borri, Corey Evans , Diamonté Harper , Aleicia Gibson, LaMarquis Jefferson , Jonathan Smith , London Holmes, Craig Love, Moses Barrett III, Nevaeh Jolie Jones, Quavious Marshall , Aubrey Robinson und Adam David Small
- publisher:
- Artist Publishing Group West, BMG Platinum Songs US, C Amore Music, EMI Blackwood Music Inc., Eucalipto Music, Huncho YRN Music, Icy Grl Music Publishing, Kumbaya, Me and Marq Music, Price Check Publishing, Quality Control QC Pro, Reservoir 416, Songs of Roc Nation Music, Sony/ATV Ballad, Sundaemorningllc, Two Circle Close Music, Universal Music Corp. , Universal Music–Z Tunes LLC, Warner–Tamerlane Publishing Corp. , Watch My Music, WC Music Corp. und We Got London on da Track
| Saweetie | 4 | 2:06 |
| 36 | i hate u, i love u | gnash & Olivia O’Brien | | 4:11 |
| 37 | Remember That Night? | Sara Kays | | 3:47 |
| 38 | Strangest Thing | The War on Drugs | 2.65 | 6:41 |
| 39 | Let Me Down Slowly | Alec Benjamin | 4 | 2:49 |
| 40 | Everywhere | Sawyer | | 2:54 |
| 41 | Crying Over You | The Band CAMINO & Chelsea Cutler | | 2:59 |
| 42 | Feels Like This | Maisie Peters | 4 | 3:43 |
| 43 | It’s You | Ali Gatie | 3 | 3:33 |
| 44 | Last Request | Paolo Nutini | 3.35 | 3:40 |
| 45 | Please Don’t Say You Love Me | Gabrielle Aplin | 4.5 | 3:01 |
| 46 | The Blower’s Daughter | Damien Rice | 4.6 | 4:47 |
| 47 | Forever Young | Firewoodisland | | 4:53 |
| 48 | Don’t Go | Rae Morris | | 3:59 |
| 49 | How Long Will I Love You | Canyon City | 3 | 2:25 |
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